Year: 2006

  • A Personal Inventory

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    Here I am, full of days. Maybe you know what I mean. You let enough time pass through you and pretty soon you start to feel the world within you winding down. There’s this greater, increasingly unfamiliar friction to your days, and the appetite packs up its bags and goes looking elsewhere for its beefsteaks and fine times. One day soon I’ll go gladly, and with any kind of luck it’ll be some sort of Egyptian scenario, with a decent moon and a jackal-headed character leading me along a dry, familiar road toward a light in the distance.

    I could really care less, but feel entitled to bray some all the same. I for damn sure didn’t need this many days to come to a few conclusions, and I am one man who didn’t need his instructions printed on the heel to tell him how to piss in a boot. So listen up, you snug pups and whine-baggers, and let an old man set his story straight.

    I have been many men, and there were at least a few little things about each of them that I liked just fine. I have been disheveled, certainly. I went away to prison on two occasions, and on two different continents, and once spent a stretch of nice, quiet time in a state hospital. I fought a war or two, without question. I lived in Europe, and sold combs in the Metro and hustled and scrapped and worked my way up until I was –I think it’s fair to say– something of a subway produce mogul. Plenty of confused men worked for me. Plenty of others dreamed of working for me and never passed muster.

    I flat out never believed that romanticism was the ‘malignant fairy.’ Not on your life.

    I owned for a time a peculiar bar in the Wild West. Here is what would happen to my customers, more or less: they would gain weight. That much was certain. No woman would love them long. They’d live long enough to wear out a pair of boots. And they’d for damn sure turn up dead in either a ditch or a motel room.

    I played piano for a spell in the bar of the Winnett Hotel, this when it was still a swell place crawling with oil money.

    I once drove two hours behind a truck huddled with bodies. There was barely a road. Twice the ruts sprung bodies from the truck, and the truck would lurch to a stop and two young boys would lug the bodies through the dust and fling them back aboard. I’d honk my horn, never quite certain in my mind whether I was conveying good work or hurry along.

    I have been the archetypal Greyhound poster boy, precociously gaunt and tattooed, temporary sweetheart of more loose women than I care to remember. I’m telling it to you straight, because I flat-out don’t have the time to pull your leg. Surely there have been fits of liquored spasticity, but other times I had no truck with the bottle. I’ve trafficked with demons and had aspirations of sainthood; show me a man who can’t say the same and I’ll show you a damned fool or a liar. I drank with my old mother until she didn’t have a penny left to squeeze out of her life. There was never a doubt in my mind that she died thirsty and died unhappy.

    I’ve seen things in a demolition derby where other men have seen nothing but car crashes and dust.

    I have been called breathless. I’ve known dust devils and waterless wastes, worked at a Kentucky Fried Chicken and spent one hundred dollars on a Vega that lasted me seven years and took me into Mexico and madness.

    I traveled for more years than was proper with a haggard, Rasputin-looking fellow who called himself Reverend Hungwell, this a man who walked with a limp and carried with him at all times a stuccoed briefcase decorated with shards of colored glass. I once saw the Reverend shoot an old woman in the back of the head over a parakeet.

    I have snared more women than I can remember with the line, ‘You know, honey, a man loses an awful lot of heat in this world to atmospheric friction.’ I have three tattoos: Born Once is Once Enough; Convicted by Whom? And: Fearlessness is next to Godlessness. You know damn well the truth about tattoos, and I’ll tell you up front that those tattoos might as well be in a lost language for all the sense they make to me now.

    No doubt about it, I’ve had what people today like to call issues, but let’s all just face this fact: this world would have been a whole hell of a lot better off if they’d killed Socrates before he ever had a chance to open his fat yap.

    Marital status? I entered into the holy state of matrimony on one and only one occasion. This was in some Florida swamp town. I stood in the murky basement of a county courthouse and exchanged vows with my beloved Taberah, who is my wife to this day, thirty-five years after she cursed me in Latin, stabbed me in the cheek with a kitchen knife, and disappeared from my life forever.

    As far back as my memory will go I have scrawled the same message on restroom walls all over the world: Blame Zeus!

    I played the trombone for a time and learned to play only one song well, ‘The Lion Sleeps Tonight.’

    In the right moonlight, as God is my witness, the right cow will burn the eyes clean out of your head.

    For a number of years my parole officer was a Yale man.

    I have always tried to walk exactly as if I had a dog, or even a beautiful, inebriated woman, right by my side.

    All of my life I have carried around with me a smell from somewhere down at shit’s sweetest end.

    The only men I have ever killed have been slanderers and false accusers.

    Lest you think it has been all brass bands and roses, I will admit that there have been down times, exhausted lulls, and it has been a comfort to me that I have always been able to locate something dull, confusing, and sufficiently diverting behind my eyes that enables the wait.

    I like music heard from far away, preferably through the trees.

    Favorite lines overheard in a bar (tie): ‘Bring me the fat of a dead redhead.’ And: ‘You have to love erosion when it’s done right.’

    The saddest thing I’ve ever seen was miles of white crosses along a dark highway.

    This much, at least, I know is true: Gravity acts, mister, and that’s all there is to it.

    And if you’re looking for some last words, these here will certainly do: Good Boy, Orestes!

  • Care Packages

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    think outside of the fruit basket…

    I have not been a great friend of late. A couple of The Girls could use a little propping up, a little snarky laughter over lunch, maybe a day of beauty laced with The Macallan 12. But I don’t have time and we can’t seem to synch our schedules, and one lives in Portland anyway.

    But I’m not a card girl. You read them once then they linger about until you feel that you’ve surpassed any guilt of throwing them away. And I deeply believe that flowers never live up to what you want them to be. So of course, I send food.

    Whose day wouldn’t be lifted by the arrival of a pound of exotic coffee beans? Or a snacky tin of dark chocolate covered candied orange peels? Or the better-than-you-could-ever-hope-to-make caramel apples dipped in Belgian chocolate?

    There are two sources I trust for such important deliveries. Dean & Deluca is the best for high quality, high end food that serves as an luxurious treat. I try to send something that the recipient would want, but would pass over as being too frivolous for themselves, like a box of chocolate covered cherries steeped in Armagnac.

    I use Zingerman’s to help heal, when the situation calls for food that comforts or provides relief. If I know that someone is hardly holding it together, I might try to make dinner easier. If they are simply sour on life, it might take a variety of cheeses or chocolate to remind them that there is beauty in the world.

  • Smackdown: Tippi v. Birds

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    Ladeez and Gennulmen:

    Tonight, at the Bell Auditorium, as part of the distinguished Science on the Screen program, we have Hitchcock’s The Birds. Bring some popcorn of your own making, get a few glasses of cheap wine or fancy beer down your gullet, and a cardigan (the place is cold) and settle in for one of Hitch’s most acclaimed thrillers.

    I might be there, if only to try, again, to figure out what all the fuss is about. Many of my favorite critics think The Birds is up there with Vertigo and Rear Window, which seems like unbelievable bullshit to me. Maybe the big screen will open my eyes to something I’ve missed before.

    Anyway, since rep cinema in this town has gone the way of the Stanley Steamer, this is a good opportunity to check out a classic–by someone’s definition–on the big screen.

    The Birds shows tonight at 7:00pm, admission $7 for adults, $5 for members and students who ought to really graduate and get on with life. Directions here.

  • Decisions and revisions which a minute will reverse…

    Wrestling with indecision… How often, lately, have I taken to the laundry list?

    First, readings, since books (and breath) are warm, it’s cold outside, and I’ve caught a case of the sniffles… Dear Ghosts, with Tess Gallagher, or Evil by Design: The Creation and Marketing of the Femme Fatale, with Elizabeth Menon.

    Perhaps a stop by the Goldstein is just what the doctor ordered, in case you care to ogle all the clothes that were once owned by Minnesota’s wealthiest, but have since been donated to the museum’s giant archive/closet of designer confections…

    And then there’s this whole other thing: opening night for Minnesota Sur Seine. If only felt up to it…

  • What would Vince drive?

    As a literate bunch, I believe there are few Rake readers that appreciate the fine fiction of Mr. Vince Flynn. He is THE new Tom Clancy and lives in the Twin Cities.

    This statement raises some issues (the literature part, that is). Obviously the key question is whether Tom Clancy writes for the big screen and is hence a screenwriter instead of a novelist. As for Mr. Flynn there seems something, I dunno, less exploitative about his work. If Joyce Carol Oates could pen a paen to boxing, there is no telling what this fine writer might do.

    Its well-known, for example, that the best writers of the spy novel all pretty much worked for the British Foreign Service, including Ian Flemming and Graham Greene, possibly Le Carre’. While Mr Flemming (the least luminary, but a fine, fine writer/misogynist) certainly wrote for the screen and Graham Greene’s works made fine movies (but books first), I am not at all certain about Le Carre’.

    The Spy Who Came In From The Cold, was not exactly a star vehicle for Richard Burton but it does remain the finest spy novel every written.

    If Mr. Flynn penned a torutured work about Catholic guilt (as Mr. Greene did with The Heart Of The Matter) in-between his techno-slick entertainments, he could easily join the Angry Men of British spy thrillers. These days you don’t even need to be Catholic to do so.

    Or, for that matter, British.

    Whatever.

    The more pressing question I have about Mr. Flynn is whether he will use his new found and much deserved wealth to purchase an aimless sports franchise like the Timberwolves.

    And I have another key question.

    You see I spotted him driving away from a recent book signing in a vehicle of sufficient thrust to escape the papparazzi that are beginning to trace his trajectory to stardom. It was a black Suburban with a 38% window tint (illegal except on Government issue vehicles) and non-descript plates.

    At least I think I saw him.

    Why this all matters I am not really sure. I think it has something to do with the fact that I heard that Vince often lunches with President Bush aboard Air Force One. In fact, the President is such a large fan of his fiction I wonder if if the Prez loans out a few hot “rides” on the public dime for his supporters.

    Sadly, if there is any truth to this “cover up,” it won’t get press. Too pedestrian, I fear, in the age of pederasty.

    Would like to slip a few more books the President’s way, however.

  • Club Underground. Eek!

    Addendum to the October music issue, page 52: It seems we forgot to mention Club Underground, a venue up in Northeast. The club’s booker, Marc Bowen, wrote to say he’s “a little pissed off” about the omission, understandably; and he has since incited a letter-writing campaign… So far, we’ve received no fewer than eight letters from folks who like hanging out at this joint, with one describing it as “the best place in town to catch truly new bands who aren’t caught up in the local hipster clique bullshit.” So, for heaven’s sake, go check out Club Underground, will ye?

  • Oh…

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    Here, it seems, is where we are. Right here.

    And for what purpose are we here? Do we have anything resembling a mission statement?

    No, no, it appears that we do not have anything resembling a mission statement. Nor, apparently, do we have even a general idea regarding what it is we are up to.

    We do have shovels, that much is certain. Or at least a good deal of the time we seem to find ourselves with shovels in our hands. From this we might infer that we are here to dig. From the dirt on our clothing and hands and under our fingernails we also might conclude that we have, in fact, already been digging.

    We are so exhausted, so conditioned by numb habit, that we sometimes have occasion to recognize that we may very well have been toiling for an indeterminate period of time in a sort of empirical blackout.

    Our surroundings, which so far as we know have always been our surroundings, strike us as almost wholly unfamiliar.

    It seems, though, that we are experiencing something of a lull in our digging, a lull in which we notice that it is suddenly very cold and getting colder. The sky has been overrun by low gray clouds. We notice as well the strange silence of our companions.

    We are in an immense field that stretches to the horizon in every direction, and all around us are heaped the bodies of uncommonly large men.

    Given a bit more time to take stock of our situation, we might ultimately be forced to arrive at the realization that what we are doing in this field is burying giants.

  • For Your Lunch Break: A Cavalcade of Trailers!

    The art of creating fascinating trailers has certainly improved since I was a kid. Back in the day, previews were nothing more than solemn voice-overs summarizing the coming attraction. Today, many of these pre-feature shorts are more intriguing than the movies themselves, and I don’t know how many times I’ve watched a preview only to sink into a funk and wish I were seeing one over the other. I probably spend way too much time checking out any preview that comes through the Apple Movie Trailers site, but what can you do?

    In the interest of keeping you entertained within, say, your lunchbreak, here’s some of the more fascinating previews (or fascinating coming attractions) on the net. No, you won’t find the new Bond here, nor will you find David Lynch’s Inland Empire, either (unfortunately).

    Little Children Whoa, sexy times: Kate Winslet and Jennifer Connelly duking it out in a searing drama? Be still my beating heart. I have to admit that I’m hoping the ‘R’ rating means some tasteful, though titillating, nudity. The trailer is awesome. Good use of the sound of speeding trains.

    13 Tzameti. Quite possibly the most intense trailer I’ve seen in years (though beware the awful voice-over at the end).

    Fast Food Nation. Look at this trailer: a perfect example of making an exciting short with difficult material. FFN looks good, sure, but its material is not typically the stuff of an exciting preview–talking, talking, talking. But the music here is awesome, and the editing is as sharp as a razor. Only two short moments of dialogue in a film without special effects and little violence (to humans, anyway).

    The Hoax. I have a soft spot in my heart for this story, having thought it would make a great movie for years (in fact, I first mistook Catch Me If You Can as being the film). This trailer is a great example of how to convey great comic performances in a short few minutes. And I’m really hoping that Richard Gere, who I believe has some great comic timing, finally gets his due in this flick.

    Marie Antoinette. Do I know why I have this here? No, I really don’t. Antoinette seems like a spoiled brat, but then again, Sofia Coppola seems like a spoiled brat. But the preview is mesmerizing: perhaps, like Lost in Translation, Coppola has managed to put the heart into brats and create a little bit of poetry. By the way, the teaser is much better, and more mysterious, than the trailer–essentially a music video of New Order’s “Age of Consent”.

    And two mediocre previews of films that look so bat-shit crazy I can’t help but plug them… and hope against hope they’ll find their way to the Twin Cities.

    Lunacy
    . Check out the dancing meat!

    and

    The Piano Tuner of Earthquakes
    . New, romantic, mysterious feature by The Brothers Quay.

  • Sub-five…

    A quick break from production week to advise those with the time, inclination to leave their offices, homes, to actually go outside to find something to do. Lucia Newell. The Stills. Russian Realism. The Science of Sleep, per the advice of Peter Schilling

    Late Breaking: Let us not forget Raking Through Books (with Brad Zellar there tonight).

  • Mercedes Manure

    Alfred Krupp, the scion of the Krupp Arms Empire in the late 1800s (and Germany’s richest man) liked to sleep in the barn near a pile of fresh manure. He believed it was good for his health. Typical German eccentric.

    His story reminds me of the late 1980s Mercedes Benz. I recently drove a pristine 560 SEL example out to Denver to leave at the airport. What was once a charmingly eccentric car has left me cold. I now wish to sell this heap of dung at the earliest opportunity. Allow me to explain.

    Two months ago the car was given a clean bill of health by my then mechanic. Now it could have been the mechanic (who was recently arrested in a illegal web scam involving illegally manufactured hair pieces…I kid you not), or it could have been the altitude in Colorado, but for whatever reason, the car began to emit a wispy white smoke from its tailpipe after fifteen minutes on the road.

    Truthfully speaking I would not have minded being branded a polluter except for the fact that Boulder, Colorado is exactly fifteen minutes from the Denver Autopark. That means my car began emitting a smell similar to Alfred Krupp’s health tonic right about the time I began driving down Pearl Street in Boulder.

    The timing was inconvenient.

    If I had been in a VW bus or perhaps a charming little French Simca I could have pulled over and gotten directions to the nearest garage. Alas, I was piloting the 80s version of a Hummer without an overt capitalist in site. To make matters worse the car began to fart and belch very close to a gaggle of trust fund kids trying out panhandling on Pearl while protesting the lack of Chomsky titles at the local Barnes and Noble.

    The last time I felt this uncomfortable is when my Dad drove our family through the South Side of Chicago and I realized that the billboards looked mighty different than they did in Edina (I was too scared to look at anyone eye-level).

    Eventually I made it out of the Republic of Boulder. I only hope my estwhile German Manure Wagon makes it out of my sight the next time I touch down in Colorado.

    Any takers? (Its currently parked at the DIA PARK in Denver, call Manny and he’ll unload it for $500.00 and change.)