Tag: Poem Worth Reading

  • A Precise Poem

    Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about my life, and the enveloping society thereof.
    So here goes: Everyone is reading.

    And because everyone is reading, there is a high demand for poetry.
    And because there is a high demand for poetry, once a week, possibly on Mondays, but certainly not limited to Mondays, I’m going to try really hard to post a Poem Worth Reading on this blog.

    I know I know I know, this is supposed to be a blog about books, and probably shouldn’t contain any actual literature, unless it’s hyper-linked. Nevertheless, poems are great. They’re (often) short, and powerful, and sometimes they even rhyme, which makes you feel happy for reasons you probably can’t define very well. And people should read more of them. More, even, than they already are. Which is lots. Because everybody is reading. Obviously.

    This week’s Poem Worth Reading is by Yehuda Amichai. Usually he tends toward the political, and is scarily good at it. However, though one could probably read some Israel-Palestine into this, it’s mostly just sexy. I figured it’s spring, so why not get a little racy.

    Read it. Everyone else is.

    A Precise Woman

    A precise woman with a short haircut brings order
    to my thoughts and my dresser drawers,
    moves feelings around like furniture
    into a new arrangement.
    A woman whose body is cinched at the waist and firmly divided
    into upper and lower,
    with weather-forecast eyes
    of shatterproof glass.
    Even her cries of passion follow a certain order,
    one after the other:
    tame dove, then wild dove,
    then peacock, wounded peacock, peacock, peacock,
    the wild dove, tame dove, dove dove
    thrush, thrush, thrush.

    A precise woman: on the bedroom carpet
    her shoes always point away from the bed.
    (My own shoes point toward it.)

    Translated by Chana Bloch

     

  • Yes, This is a Contemporary Blog Post

    Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about my life, and the enveloping society thereof.

    So here goes: Everyone is reading.

    And because everyone is reading, there is a high demand for poetry.
    And because there is a high demand for poetry, once a week, possibly on Mondays, but certainly not limited to Mondays, I’m going to try really hard to post a Poem Worth Reading on this blog.

    I know I know I know, this is supposed to be a blog about books, and probably shouldn’t contain any actual literature, unless it’s hyper-linked. Nevertheless, poems are great. They’re (often) short, and powerful, and sometimes they even rhyme, which makes you feel happy for reasons you probably can’t define very well. And people should read more of them. More, even, than they already are. Which is lots. Because everybody is reading. Obviously.

    This week’s Poem Worth Reading is by Ron Padgett, from his collection You Never Know, which came out in 2001 from Coffee House Press. Notice the yeses, maybe.

    Read it. Everyone else is.

    The Drink

    I am always interested in the people in films who have just had a drink thrown in their faces. Sometimes they react with uncontrollable rage, but sometimes -my favorites- they do not change their expressions at all. Instead they raise a handkerchief or napkin and calmly dab at the offending liquid, as the hurler jumps to her feet and storms away. The other people at the table are understandably uncomfortable. A woman leans over and places her hand on the sleeve of the man’s jacket and says, "David, you know she didn’t mean it." David answers, "Yes," but in an ambiguous tone – the perfect adult response. But now the orchestra has resumed its amiable and lively dance music, and the room is set in motion as before. Out in the parking lot, however, Elizabeth is setting fire to David’s car. Yes, this is a contemporary film.

     

  • Cold Poem for a Cold Monday

    Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(d), and in such a way that makes me feel better about my life, and the enveloping society thereof.

    So here goes: Everyone is reading.

    And because everyone is reading, there is a high demand for poetry.
    And because there is a high demand for poetry, once a week, possibly on Mondays, but certainly not limited to Mondays, I’m going to try really hard to post a Poem Worth Reading on this blog.

    I know I know I know, this is supposed to be a blog about books, and probably shouldn’t contain any actual literature, unless it’s hyper-linked. Nevertheless, poems are great. They’re (often) short, and powerful, and sometimes they even rhyme, which makes you feel happy for reasons you probably can’t define very well. And people should read more of them. More, even, than they already are. Which is lots. Because everybody is reading. Obviously.

    This week’s Poem Worth Reading is by Allen Ginsberg, from his collection Kaddish and Other Poems, which came out sometime ago (1961).

    Read it. Everyone else is. There’s self-deprecation involved. And cats. God, it’s honest-seeming. Parts are omitted. If you want them in, let me know and I’ll add them. A little dark, but it’s cold outside.

    "Mescaline"

    Rotting Ginsberg, I stared in the mirror naked today
    I noticed the old skull, I’m getting balder
    my pate gleams in the kitchen light under thin hair
    like the skull of some monk in old catacombs lighted by a guard with flashlight
    followed by a mob of tourists
    so there is death
    my kitten mews, and looks into the closet
    Boito sings on the phonograph tonight his ancient song of
    angels
    Beato Angelico’s universe
    The cat’s gone mad and scraowls around the floor

    Yes, I should be good, I should get married
    find out what it’s all about
    but I can’t stand these women all over me
    smell of Naomi
    erk, I’m stuck with this familiar rotting ginsberg
    can’t stand boys even anymore
    can’t stand
    can’t stand
    and who wants to get fucked up the ass, really/
    Immense seas passing over
    the flow of time
    and who wants to be famous and sign autographs like a movie star

    I want to know
    I want I want ridiculous to know to know WHAT rotting ginsberg
    I want to know what happens after I rot
    because I’m already rotting
    my hair’s falling out I’ve got a belly I’m sick of sex
    my ass drags in the universe I know too much
    and not enough
    I want to know what happens after I die
    well I’ll find out soon enough
    do I really need to know now?
    is that any use at all use use use
    death death death death death
    god god god god god god god the Lone Ranger
    the rhythm of the typewriter

    What can I do to Heavy by pounding on Typewriter
    I’m stuck change the record Gregory ah excellent he’s doing just that
    and I am too conscious of a million ears
    at present creepy ears, making commerce
    too many pictures in the newspapers
    faded yellowed press clippings
    I’m going away from the poem to be a drak contemplative

    trash of the mind
    trash of the world
    man is half trash
    all trash in the grave

    What can Williams be thinking in Paterson, death so much on him
    so soon so soon
    Williams, what is death?
    Do you fact the great question now each moment
    or do you forget at breakfast looking at your old ugly love in the face
    are you prepared to be reborn
    to give release to this world to enter a heaven
    or give release, give release
    and all be done – and see a lifetime -all eternity – gone over
    into naught, a trick question proposed by the moon to the answerless earth
    No Glory for man! No Glory for Man! No glory for me! No me!

    No point writing when the spirit doth not lead

    NY, 1959