Tag: Replacements

  • Hometown Show Means Van is Safe for One More Night

    Denis Jeong

    The Rake recently caught up with its friends, local band The Alarmists. Riding their increasing fame and recognition higher and higher, the guys are looking forward to their fast-approaching hometown show at the Varsity this Friday night. We spoke with Eric Lovold (guitar, lead vocals); Ryan McMillan (guitar); Tony Naim (bass guitar); Derek Jackson (drums); and Jorge Raasch (keyboards).

    The Rake: Tell us a little about your upcoming show at the Varsity.

    Jorge: We’ve had five weeks off since our last show. That is some major vacation time by Alarmists’ standards. In fact, it took our bass player leaving the country to make it happen (Tony was in Lebanon for two weeks in early August). So I’d say we’re all pretty excited to get back on stage, and the Varsity is one of our favorite venues in town. The bill is fantastic, too. I always enjoy Chris Koza and am really looking forward to seeing Blueheels and Wars of 1812 for the first time.

    The Rake: What do you guys have planned after that?

    Jorge: We are playing the Spark24 party at Orchestra Hall the following night (well, actually early Sunday morning) with some other locals. We play at 2 a.m. and Cloud Cult plays after us, followed by the rest of the lineup.

    We’re also doing the River Rocks Festival at Harriet Island on September 20th. That should be cool, too – The Roots, Mike Doughty, Semisonic and LIVE are playing, as well as Heiruspecs. Heiruspecs is amazing live – everyone should see Heiruspecs.

    We also have a couple trips to Milwaukee and Madison planned for the fall, but for the most part we’re trying to keep the schedule open. We’re starting our next record soon, so of course we’re really excited about that. We’ve been demoing songs the past few months, but the real deal should get going in October/November. Our hope is to release it next spring.

    Derek: We’re going to tighten the screws. We are so very close, and so very happy with this new batch of songs.

    The Rake: How does The Alarmists’ sound fit in with the rest of the Twin Cities music scene? Is it filling a particular void? Do you draw inspiration from any local bands?

    Ryan: The Alarmists’ sound isn’t really the "indie" sound that most Twin Cities bands pursue. We are a pop rock band that is influenced by old shit. I don’t think we sound like any of the bands here, but we definitely fit in with a lot of bands.

     

    Eric: I guess to me it seems that we are always trying to make music that we like, and play the kind of music that we think is important. Locally, I really like Solid Gold. Those guys are always up to something, and it’s always good. A new band doing cool stuff is Flin Flon Bombers, too. Catchy pop tunes.

    Derek: Sound fits in…as the honest, driving, melodic, rock that our fathers were probably listening to when we were conceived. We put a lot of intensity and character into what we do musically, together.

    Filling a void? The void where music should be well put together, accessible, and unique. We are one version of the local bands filling that void.

    Inspiration? Though they are "no more," I always loved to see Hockey Night throw down. Two drummers playing tasty, open parts, and a lead guitar player just shredding classic rock stuff.

    Tony: We are all big fans of the Replacements, so I guess that somehow manages to show up in our songwriting.

    The Rake: What about each of your own personal tastes in music? I know Jorge and Eric thought the Tom Petty Milwaukee Summerfest show that we went to was possibly the greatest show ever. Care to talk about that or any others that stick out?

    Jorge: I think all of The Alarmists really like Tom Petty. That show might have been my favorite concert of all time. The guy just killed it. Everyone in the band is fantastic, and it was the perfect way to cap off the night after playing at Summerfest for our first time. Note: MGD tastes much better in Milwaukee.

    Derek: I saw Spoon play at the 400 Bar, all by myself, on their "Kill the Moonlight" tour. Standing in the 2nd row, dead center, just getting bombarded by Spoon. Seeing Brit Daniel sing and Jim Eno drum that close up is definitely a highlight. Also recently I’ve been fortunate enough to see a couple really great shows at the Triple Rock: Caribou in the spring and the Dodo’s this summer.

    Eric: I’ve been really into Godspeed You Black Emperor and Kinski lately–instrumental noise rock. It would be fun to do a project like that.

    Ryan: I am the oddball in the group. I love electronic based music– hip hop, drum and bass, trip hop, and house. But I also love a lot of rock–Nirvana, Pink Floyd, Bowie, the Shins. I have been listening to a lot of the Melvins’ "Houdini" lately. I am new to the Tom Petty love, but I do think he is fucking amazing.

    The Rake: What about the most interesting Alarmists’ show while on the road? There was the accident with the van, right?

    Ryan: Let me tell you about the accident — that shit sucked ass. My head and hand broke through a window. We had just played an amazing show at the Entry with Koza and we were all on cloud nine. The dude driving the van ran through a red light as we were all screaming, "RED LIGHT!" Low and behold our new drummer and I ended up in the emergency room for hours. He had a broken nose from hitting the seat in front of him and I had glass from the window stuck in my hand. That was scary shit.

    Eric: We crashed pretty good…we were in the ER til 6 a.m.! Our new van is sweeter, though.

    We also played a show at Concordia Moorhead this spring. There was a late April blizzard and I-94 closed while we were on the way. We decided to keep after it. Amazingly we didn’t slide off of the road, but it took us eight hours to get there, and it’s normally a four hour drive. We were literally going 15-20 miles an hour for maybe 70 miles. We got there and there was a gymnasium full of college kids. They had no idea who we were, but were rocking and dancing and having a good time. That was pretty cool; it made the drive worth it.

    Tony: …Biggest blizzard ever known to mankind…

    Derek: That crowd was just crazy–super energetic and responsive.

    The Rake: Chicago Rock Press has compared you to Spinal Tap – not for the loudness of your music necessarily, but rather the frequent drummer changes. While yours haven’t been because of unexplainable deaths, like the Tap’s, you want to explain a bit?

    Jorge: It’s funny you mention it, we actually got a louder drummer so that we would be able achieve Spinal Tap’s volume. If a formula for success ever existed, they embody it – which is why we tend to model almost everything we do after them.

    The Rake: Any last words for your fans?

    Ryan: The next record. It’s going to fucking rock. Fin.

    The Alarmists, with Chris Koza, Blue Heels, and The Wars of 1812; Friday, Aug. 29th; 8 pm, Varsity Theater, 1308 4th St SE, Minneapolis

  • The 'Mats Remastered

    Replacement fans, look out! Rhino Records has reissued deluxe editions of Sorry Ma, Forgot to Take Out the Trash; Stink; Hootenanny; and Let it Be — available as of yesterday. Listen to a sampling here.

    Here’s the lowdown from Rhino.

    This is where the legend of The Replacements begins. Rhino retraces the
    shambolic swath the influential Minneapolis quartet cut across the American
    Underground, reissuing deluxe editions of the band’s Twin/Tone releases: Sorry Ma, Forgot to Take Out the Trash, Stink, Hootenanny, and Let it Be. All have been
    exquisitely remastered and generously embellished with rare and previously
    unreleased tracks. Each will be available at all physical retail outlets and at
    www.rhino.com on April 22 for a
    suggested list price of $18.98, except STINK, which will have a suggested list
    price of $11.98. These releases will be followed later this year with similar
    deluxe versions of The Replacements’ Sire albums including Tim, Pleased To Meet
    Me, Don’t Tell A Soul,
    and All Shook Down.

    Capturing
    the early years of the band’s acclaimed 11-year run, these three albums and EP
    spotlight founding members Paul Westerberg, brothers Bob and Tommy Stinson and
    Chris Mars. The deluxe editions were produced by longtime Replacements manger
    Peter Jesperson, who also co-produced the original albums. The band was
    instrumental in selecting the bonus songs, many of which have never been heard
    — even among the band’s most ardent followers.

    Released in
    1981, Sorry Ma, Forgot to Take Out the Trash was The Replacements’ audacious
    debut. Songs such as "Takin A Ride," "Shiftless When Idle," "Customer" and
    "Johnny’s Gonna Die" herald the band’s competing tendencies toward indelible
    genius and bleary, drunken repugnance. The 13 bonus tracks open appropriately
    with the four songs Westerberg gave to Jesperson in 1980 that brought the band
    to Twin/Tone’s attention. Also included among the previously unreleased songs is
    an alternate take of "Customer," plus studio demos and outtakes. The deluxe
    version ends with "If Only You Were Lonely," which was previously released as
    the B-side of "I’m In Trouble."

    Shortly
    after its debut, The Replacements issued the EP Stink in June 1982.
    The band
    was fast becoming Minneapolis’ most exciting new group when this 15-minute
    adrenaline masterpiece hit the streets. In the deluxe edition liner notes, Terry
    Katzman writes, "Here, the band began to merge its ragged sense of honesty with
    true rock ‘n’ roll power. In essence, they had created the perfect monster — a
    rock band with real guts, humor, and humility." All previously unreleased, the
    four bonus tracks featured here include a trio of session outtakes — "Staples
    In Her Stomach" and covers of "Hey, Good Lookin’" and "(We’re Gonna) Rock Around
    The Clock" — plus Westerberg’s solo home demo for "You’re Getting Married."

    Bursting at
    the seams with ideas and inspiration, Hootenanny found the band heading in
    several new directions. Released in April 1983, the album included two enduring
    classics, "Color Me Impressed" and "Within Your Reach," along with the
    pseudo-surf rock of "Buck Hill," the brooding "Willpower" and "Mr. Whirly," a
    paean to alcohol-induced bed spins. The six previously unreleased bonus tracks
    include an alternate version of "Treatment Bound" and a solo home demo of the
    lost classic "Bad Worker."

    Also
    featured among the bonus material is "Lookin’ For Ya." The song was originally
    issued on Trackin’ Up The North, a talent search contest compilation released by
    radio station KQDS.

    Let it Be rounds out the deluxe reissues. Released in 1984, the 33-minute masterpiece was
    recently named the #3 Greatest Indie-Rock Album Ever by Blender Magazine. The
    album presents some of the band’s strongest songs, including the album opener "I
    Will Dare," "Androgynous," "Sixteen Blue" and the poignant "Unsatisfied." The
    five unreleased bonus tracks include a home demo for "Answering Machine," a
    cover of The Grass Roots’ "Temptation Eyes" and an
    alternate "Sixteen Blue" with the same instrumental track as the album but with
    an early vocal take and different lyrics. The bonus material also includes a
    cover of T. Rex’s "20th Century Boy," which was originally issued on the 12"
    maxi-single for "I Will Dare."

    SORRY MA,
    FORGOT TO TAKE OUT THE TRASH
    1. "Takin A
    Ride"
    2. "Careless"

    3.
    "Customer"
    4. "Hangin
    Downtown"
    5. "Kick Your Door
    Down"
    6. "Otto"

    7. "I
    Bought A Headache"
    8.
    "Rattlesnake"
    9. "I Hate
    Music"
    10. "Johnny’s Gonna
    Die"
    11. "Shiftless When
    Idle"
    12. "More
    Cigarettes"
    13. "Don’t Ask
    Why"
    14. "Somethin To
    Dü"
    15. "I’m In
    Trouble"
    16. "Love You Till
    Friday"
    17. "Shutup"

    18. "Raised
    In The City"
    Bonus Material

    19. "Raised
    In The City" Live, 1980 – Demo*
    20. "Shutup" Live, 1980 – Demo*

    21. "Don’t Turn Me Down" Live, 1980 – Demo*
    22. "Shape Up"
    Live, 1980 – Demo*
    23. "You Ain’t Gotta Dance" Studio Demo*
    24.
    "Get On The Stick" Studio Demo*
    25. "Oh Baby" Studio Demo*

    26. "Like You" Outtake*
    27. "Get Lost" Outtake*
    28. "A
    Toe Needs A Shoe" Outtake*
    29. "Customer" Alternate Take*

    30. "Basement Jam" Rehearsal*
    31. "If Only You Were
    Lonely"

    STINK

    1. "Kids
    Don’t Follow"
    2. "Fuck
    School"
    3. "Stuck In The
    Middle"
    4. "God Damn
    Job"
    5. "White And
    Lazy"
    6. "Dope Smokin
    Moron"
    7. "Go"

    8. "Gimme
    Noise"
    Bonus Material

    9. "Staples
    In Her Stomach" Outtake*
    10. "Hey, Good
    Lookin’" Outtake*
    11. "(We’re Gonna)
    Rock Around The Clock" Outtake*
    12. "You’re Getting Married"
    Solo Home Demo*

    HOOTENANNY

    1.
    "Hootenanny"
    2. "Run It"

    3. "Color
    Me Impressed"
    4. "Willpower"

    5. "Take Me
    Down To The Hospital"
    6. "Mr.
    Whirly"
    7. "Within Your
    Reach"
    8. "Buck Hill"

    9.
    "Lovelines"
    10. "You Lose"

    11.
    "Hayday"
    12. "Treatment
    Bound"
    Bonus Material

    13.
    "Lookin’ For Ya"
    14. "Junior’s Got A
    Gun" Outtake – Rough Mix*
    15. "Ain’t No Crime" Outtake*
    16.
    "Johnny Fast" Outtake – Rough Mix*
    17. "Treatment Bound"
    Alternate Version*
    18. "Lovelines" Alternate Vocal*
    19. "Bad
    Worker" Solo Home Demo*

    LET IT
    BE
    1. "I Will
    Dare"
    2. "Favorite
    Thing"
    3. "We’re Comin’
    Out"
    4. "Tommy Gets His
    Tonsils Out"
    5.
    "Androgynous"
    6. "Black
    Diamond"
    7.
    "Unsatisfied"
    8. "Seen Your
    Video"
    9. "Gary’s Got A
    Boner"
    10. "Sixteen
    Blue"
    11. "Answering
    Machine"
    Bonus Material

    12. "20th
    Century Boy"
    13. "Perfectly
    Lethal" Outtake*
    14. "Temptation
    Eyes" Outtake*
    15. "Answering
    Machine" Solo Home Demo*
    16. "Heartbeat It’s A Lovebeat"
    Outtake, Rough Mix*
    17. "Sixteen Blue" Outtake – Alternate
    Vocal*

    * previously
    unissued recording