Author: rakemag

  • From Norway >> A Night at the Nobels

    Late in September each year, Gustavus Adolphus College conducts its “Nobel Conference” in St. Peter, Minnesota. But this should not be confused with its namesake back in the Old Country. The actual Nobel Prize awards ceremony is an extravagant affair that takes place far away from academe. In the next couple of weeks, this year’s nominees will be announced, and the prizes will be awarded around Christmastime.

    Alfred Nobel, the Swede who invented dynamite, willed that all of his awards be given in Stockholm except for one: the peace prize. In 1900, when Nobel established the awards, Norway was united with Sweden, and some speculate that he wished to honor the Norwegian Parliament’s facility with international disputes.

    Two years ago, I got my hands on a ticket to the ceremony through the Fulbright Foundation, but it was a pyrrhic victory; I had to endure an eight-hour bus trip south over the mountains to Oslo, and to a slightly less stoic breed of Norwegian. On the other hand, I’d get to see the king and the awarding of the world’s most prestigious prize. Iranian human rights lawyer Shirin Ebadi won the prize that year; she is an activist who poses a serious challenge to the conservative mullahs in Iran.

    When I arrived in Oslo, rainbow flags draped from windows all around the city with the word “FRED!” emblazoned across the colors. I assumed Fred was a local politician, perhaps an incumbent in search of re-election. My trusty dictionary explained Fred in one word: “peace.” In front of the Rådhus, the City Hall building where the prize is awarded, four thousand children gathered, waving little flags proclaiming “Redd Barn” (“Save the Children”). Traffic was diverted for a block around the Rådhus by policemen who carried no guns in deference to the peace prize ceremony. This low-key security stood in stark contrast to the nearby U.S. embassy, which was surrounded by razor wire and two sets of checkpoints with metal detectors.

    Inside, just as the thousand or so diplomats were ready to take their seats, Michael Douglas walked in with a beautiful young woman. A buzz rippled through the crowd: a movie star was here to promote peace. “It’s Catherine Zeta-Jones!” exclaimed the bejeweled woman next to me who was doused in Chanel No. 5. “Excuse me, I have to meet her!” She pushed me aside, her pendulous earrings swinging into snag radius. She used her elbows and apologies to approach the movie stars. A crowd gathered around Michael Douglas and Catherine Zeta-Jones, and the normally aloof diplomats eagerly put out their hands or a slip of paper and pen for an autograph. The stars graciously signed a few programs and shook hands awkwardly stretched over the shoulders of the inner ring. The excited crowd grew as my fellow Americans tried merely to sit down because they were late.

    Meanwhile, the woman in the earrings walked right up to the famous couple and held her camera a foot from their faces. Paff! The flash startled them. The movie stars blinked repeatedly to regain their eyesight, but more cameras were thrust forward. This was the only time I’ve ever seen Norwegians lose their cool.

    Two regal guards rolled a red carpet down the aisle. Trumpeters stood at attention in the balcony as the Nobel committee and the prizewinner walked the carpet to a standing ovation. Then the royal heralds blasted through their bugles. Embroidered cloths dangled from the extended bells of their horns. In strutted Sonja, Queen of Norway, accompanied by her son, Crown Prince Haakon. The woman next to me provided color commentary, whispering, “It’s only because the king is in hospital that Sonja’s son can accompany her.” After I’d endured a hellish eight-hour bus trip to see the king, he’d eluded me.

    Prince Haakon’s wife, Mette-Marit, walked behind him wearing an enormous purple velvet hat. She managed to avoid the pregnant-woman waddle despite being just a month from her due date. Nearly constant flashes sparkled from the press cameras in the balcony; Mette-Marit is front-page material for the Norwegian tabloids—they loved to speculate on the sex of her unborn baby.

    The Nobel committee leader gave an extended speech followed by some quiet piano music—Grieg, of course. Then a Persian group, the Kamkars, dispelled any formality, lighting up the hall with a wild and melodic folk song.

    Against the backdrop of a three-story mural entitled Work, Administration, and Celebration, featuring stone-faced bricklayers raising their hands in victory, Shirin Ebadi accepted the peace prize from a man two heads taller than she. He lowered the microphone to her level, but when she spoke from the lectern, she seemed like a giant. Her speech not only urged reform in Iran, but condemned the United States for not abiding by all United Nations Security Council mandates.

    Before climbing back on the bus for the eight-hour return trip to Trondheim, I saw the jubilant crowd gathered in front of the Grand Hotel, waiting to see the prizewinner greet them from her balcony before her return to Iran. The next day on Norwegian newsstands, Zeta-Jones beat Ebadi for the cover photo because of her own accomplishment that day—a dramatic, dazzling hairstyle change sometime between the ceremony and the reception.—Eric Dregni

    Eric Dregni, Illustration by James Dankert

  • Thumbsucker

    In this offbeat coming-of-age story, a meek seventeen-year-old tries to break a lifelong habit with the help of a transcendentalist orthodontist (Keanu Reeves), group therapy, and ADD drugs. The incentives to remove his thumb from his mouth once and for all are strong (and curvaceous), but in the course of doing so he’s forced to transform his life in every regard. This film’s soundtrack has three songs by the late Elliott Smith, whose own inability to cope with the adult world mirrors the struggles of the film’s protagonist; and a score created by the Polyphonic Spree, the psychedelic pop chorale whose music has been described as the happiest sound in the world, gives Thumbsucker a bizarrely inspirational, grand air. 612-825-6006; www.landmarktheatres.com

  • Capote

    Frankly, we’re sick and tired of biopics (Joaquin Phoenix as Johnny Cash? Pshaw!), but this one promises to be a breed apart–as much about the making of an American masterpiece as it is a bio of its author, Truman Capote. He and his childhood friend, the novelist Harper Lee, seemed like an unlikely duo to set up camp in Holcomb, Kansas, and research the brutal murders of a local family for what was to become In Cold Blood. Things grew stranger still when Capote unexpectedly developed a deep friendship with one of the killers, Perry Smith. Both men had tragic childhoods, and Capote saw Perry’s life as one he could easily have lived. Although the twee socialite partied with the likes of Marilyn Monroe and basked in his own celebrity, his past deeply haunted him, and this film explores the personal turmoil and societal changes uncovered as he wrote his groundbreaking “nonfiction novel.” 612-825-6006; www.landmarktheatres.com

  • 6th Annual Sound Unseen Festival

    This year’s visual celebration of sound offers rare chances to see documentaries on geniuses like Jeff Buckley, Arvo Pärt, Townes Van Zandt, Leadbelly, and Charles Mingus. Or you might wish to relive the rowdy past in Scene Minneapolis 1977-1986, which chronicles the heyday of the local punk scene and includes recently unearthed footage of Soul Asylum (they didn’t start out, you know, famous). Among the more than forty films about musicians, inspired by music, or including music in a unique way are a couple retro offerings for kids: The 5,000 Fingers of Dr. T, a fantasia about piano lessons gone terribly wrong, and The Point, a cartoon with an ear-worn soundtrack about a kid with a round head trying to get by in a pointy-headed world. www.soundunseen.com

  • Son Volt

    As stage personalities go, Jay Farrar tends to be a bit of a mute, but his shows are still iAs stage personalities go, Jay Farrar tends to be a bit of a mute, but his shows are still inspired occasions, because his evocative, road-weary songs are that much more powerful when he’s actually on the road. Having reformed Son Volt after a seven-year hiatus, Farrar’s returning to a bigger rock sound on Okemah and the Melody of Riot. Its songs call on vast literary and American roots influences, and veer between introspective folk stylings and driving storms of guitar. It’s good to see Farrar collaborating again; he seems to enjoy his fellow musicians more than he enjoys his audiences. And that’s okay by us; Farrar’s shaken voice, which seems to revive Carter Family ghosts, has won us over more than any stage banter could. 612-332-1775; www.first-avenue.com

  • Mauna Kea, Hawaii

    David Knight, of Fridley, and Lori Gerdts recently summited the tallest mountain in the world—Mauna Kea on the Big Island of Hawaii, which measured from its base stands at 33,476 feet. They even took time to read The Rake at the top. Most people think Everest is the tallest, but at 29,035 feet (above sea level) it is only the highest. Mauna Kea is 13,796 feet above sea level. In the background are the two Keck telescopes (the world’s largest optical and infrared telescopes) and Haleakala (10,023 feet above sea level).

    David Knight

  • Peer Gynt

    Here’s your chance to hobnob with royalty. Norway’s Crown Prince Haaken Magnus will be in the audience on opening night of this performance of Peer Gynt, featuring the Norwegian National Opera and VocalEssence. Henrik Ibsen’s classic tale of an adventuring scoundrel destined to a fate worse than hell is both disturbing and highly amusing, partly because it’s only after the anti-hero has “disgraced” scores of ladies around the world, including a troll’s daughter, that he learns his deeds have won him an unhappy afterlife. The full 120-piece VocalEssence Chorus and orchestra, conducted by Philip Brunelle, sings Edvard Grieg’s haunting opera score; the inclusion of dancers, soloists, and a hardanger fiddle promises to make this performance entertainment fit for a king. 651-224-4222; www.ordway.org

  • Second Annual Minnesota sur Seine Music Festival

    Count on music folks to ignore all that flapdoodle over “freedom fries” and the pouring of French vintages down the commode. Here in the Twin Cities, a musical partnership has been growing since 2000, when French reed player Michel Portal and record producer Jean Rochard visited and recorded Minneapolis with the help of several local musicians. Since then, a talent exchange has bloomed between the two countries, culminating in this festival, which brings together French and Minnesotan artists for jazz, rock, folk, Celtic, and hip-hop performances. Highlights include “gypsy jazz” guitarist Dorado Schmitt, British saxophonist Evan Parker, and Ursus Minor (pictured here), a collective that includes American jazz players and French rappers.www.surseine.com

  • Fiona Apple

    The stranger the artist, the more faithful the fans; isn’t that the standard equation when it comes to music? Case in point: Fiona Apple’s followers waited six long years for this album, and when it reportedly was scrapped by its label for lack of “an obvious single,” outraged fans mailed thousands of real and faux apples to Sony CEO Andrew Lack in protest. (Just imagine the fruit flies in his office.) Then someone leaked eleven of the album’s twelve songs on the Internet. Remember, “fan” is just the root of “fanatic.” But on hearing some of those songs, we remembered, too, that what Apple lacks in fat cells, she makes up for with a sexy, rhythmic, and uncommercial sort of genius. This recording shows she’s grown up, but not out of that.

  • Dar Williams

    It took us a long time to warm up to Dar Williams. She seemed like a better groomed, more temperate Ani DiFranco, or a Nanci Griffith without the twang–a little boring, a little forgettable. However, her new album, My Better Self, is a revelation. These catchy urban folk songs display a wry sense of humor and a gift for narrative songwriting. The highlight, “Teen for God,” is a funny, frightening, and dead-on character study. Two covers, Neil Young’s “Everybody Knows This Is Nowhere,” with guest Marshall Crenshaw, and Pink Floyd’s “Comfortably Numb,” a duet with Ms. DiFranco, highlight a thread of political commentary; on the whole, this collection comes up first as fun to listen to, and second, as unexpectedly thought-provoking.