Tag: Canada

  • My Winnipeg


    Guy Maddin
    has spent his career trying to replicate the 1920’s German
    and Russian silent filmmakers’ styles. To see today’s stars, like
    Isabella Rossellini, splashed on the silver screen in The Saddest Music in the World in archaic textured film is a surreal experience. But Maddin has taken surreal to a whole new level in his latest film, My Winnipeg.

    Described by Maddin as a "Docu-fantasia," My Winnipeg
    portrays the director’s hometown and his experiences growing up there.
    The film is somewhat of therapy for Maddin, putting down in writing
    and on the big screen many of his remembrances, thoughts, opinions, and
    stories he heard while growing up in Winnipeg, Manitoba, Canada. The
    melding of melo-dramatic silent-film style cinematography with archival
    footage from the past gives the film a real nostalgic feel.

    The
    documentary aspects illuminate the town and its
    history, and reflect the original intent of the film. Madden was
    originally commissioned by Michael Burns of the Documentary Channel in
    Canada to do an "enchanting" documentary that looks past the frozen
    tundra cliché about Winnipeg. In this vain, the film’s cinematography
    and use of archival footage present some beautiful imagery of Winnipeg.

    But
    it was impossible for Maddin to ignore the personal attachments and
    experiences he had to the city while growing up, and do a straight
    documentary. His Winnipeg wasn’t just the stories and history that were
    going on around him. It had to include the real-life circumstances and
    dramas of his childhood. So, he chose to use his distinctly nostalgic
    filmmaking style to re-create specific situations from his childhood in
    the movie. But he didn’t stop at just filming these situations, he
    actually rented out his childhood home to film the scenes where they
    actually happened.

    Maddin
    admits that there was some catharsis involved in the process. This is a
    real treat for viewers, though, as there is a rare vulnerability and
    self-disclosure of a filmmakers’ personal life. Maddin also narrates
    the film in a poetic fashion by talking about Winnepeg, ruminating
    about his experiences there and even riffing Jack Karouac-style on his
    city.

    There is no doubt that Guy Maddin has a connection to his hometown, and in My Winnipeg he lays it all out for everyone to see in dramatic black and white, surrounded by colorful words.