Month: February 2003

  • Salt Fish & Bakes

    Playwright Gavin Lawrence garnered good notices for Cut Flowers, a dark and often angry drama set among low-wage workers in Washington. His latest, warmhearted family comedy, Salt Fish, has a lighter touch. It’s based on the history of his own family, which emigrated here from the South American country of Guyana, and especially his grandmother,…

  • Friedrich von Schiller’s Mary Stuart

    In the classic arts, things remain decidedly nationalistic. Just as the Italians get most of the credit and attention for opera, the English seem to command center stage in dramatic theater. And bridging the two, though often dismissed, are the Germans, who not infrequently bettered their cultural neighbors in both categories. Wagner, no matter what…

  • Christian McBride Band

    Christian McBride made his name as a bright light among jazz bassists with five progressively more adventurous albums on the Verve label, culminating in 2000’s Sci Fi, which found him more sure-footed as a bandleader and skillfully interweaving the threads of his previous work. He moves over to Warner for his new fusion-friendly Vertical Vision,…

  • Boiled in Lead

    There’s been no new Boiled in Lead record since 1998’s best-of Alloy, but nobody’s yet come along to take over the reins as Minnesota’s premier Irish band. Though even that title is ironic—or perhaps we should say Eire-onic—since the BiL crew’s penchant for rock and world rhythms makes clear that shamrocks are not the only…

  • Linda Eder

    Brainerd’s gift to Broadway, Linda Eder has come a long way since the 12-week winning run on Star Search that first put her in the national spotlight. A successful run in Jekyll and Hyde cemented her place on the stage and netted her a husband in its composer, Frank Wildhorn. Her albums have grown steadily…

  • My Life as a Dog

    We know some of you wonder what it is with this little Swedish movie that makes it the quasi-official foreign film of the Blockbuster crowd. Our guess is somewhere along the lines of New York Times critic Luke Y. Thompson, who called it “a tad overrated, but still charming.” True enough. Director Lasse Hallstrom’s later…