Month: February 2002

  • Willie Nelson

    Cynics say he’s “pulled a Santana” by collaborating with Matchbox Twenty’s Rob Thomas and a host of other greenhorn superstars—Kid Rock, Sheryl Crow, and Lee Ann Womack among them—on his latest album, The Great Divide. But you can’t accuse Willie Nelson of selling out, because his plainspoken country-folk has lost none of its substance in…

  • Alison Krauss and Union Station

    An anonymous friend recently referred to Alison Krauss as the “prom queen of bluegrass,” and as snarky as that sounds, she oughta take it as a compliment. Already a favorite among fans of credible new-country and sprightly contemporary folk, her profile was raised a few extra notches last year by the unexpected success of the…

  • Death Cab For Cutie and The Dismemberment Plan

    What ever happend to alt-rock? By now you’d think lanky white twenty-somethings armed with cheap guitars, drum kits, lightweight keyboards, and the odd sampler would’ve more or less exhausted the possibilities. Think again. In different ways, both Washington state’s Death Cab for Cutie and Washington, DC’s Dismemberment Plan prove there’s still room for growth in…

  • Panic Room

    Here’s the feel-paranoid hit of the season. Nicole Kidman was originally slated to star in this dark, suspense-filled doozy from director David Fincher, but one too many can-can kicks on the set of Moulin Rouge forced her to back out at the last minute. Thankfully, her replacement is the all-too-scarce Jodie Foster. Fans of the…

  • Hal Ashby Chronicles the 70s

    With due respect to Dirk Diggler, there’s never been a better film about empty sex and failed optimism than 1975’s Shampoo. As dim-witted hair stylist Warren Beatty dutifully knocks boots with Goldie Hawn, Julie Christie, Lee Grant, and Carrie Fisher, you can almost hear the cynicism of the Nixon era grabbing hold of the American…

  • 40 Days & 40 Nights

    Like Prince and Loni Anderson before him, Hollywood It-boy Josh Hartnett is proving to the rest of the free world that Minnesota can pull its weight on the breakout-sex-symbol production line. As we see in Black Hawk Down and the underappreciated Virgin Suicides, it doesn’t hurt that Josh can actually act. Oddly, his real debut…