Month: June 2004

  • William Souder

    Meticulous detail, natural poses, and—most startling—life-sized renderings made John James Audubon’s Birds of America a groundbreaking work in the formerly staid world of nineteenth-century ornithology. Today, William Souder’s biography of Audubon, Under a Wild Sky, paints the larger-than-life portrait of the man behind the famous illustrations, who was far more interesting than his role as…

  • Lindsay Ahl, Desire

    Sex. Drugs. Corruption. Misunderstanding. In her debut novel, Lindsay Ahl explores these themes through the eyes of 35-year-old Elena Monroe, a confused individual who has occasional cravings for grape juice. Elena stumbles through a web of the past and present, trying to work out her relationship with her mother. Ahl’s vague and ethereal writing style…

  • Mary Logue, Bone Harvest

    We’re pleased as punch that local mystery novelist and poet Mary Logue is back between boards with a bona-fide Claire Watkins mystery. This one is an ambitious suspense tale set in the familiar area around Pepin, Wisconsin. A fifty-year-old murder mystery and a modern terrorist are somehow linked, and Logue’s most beloved detective takes the…

  • Jonathan Ames, Wake Up, Sir!

    Although the wildly prolific P.G. Wodehouse turned out almost a hundred novels in his lifetime, the world can always make room for another story in his marvelously droll, light-as-a-feather comic voice. Ames’ latest novel is a loving parody of Wodehouse’s most famous creations, Jeeves and Wooster, seen through the eyes of Alan Blair, a would-be…

  • Louise Erdrich, Four Souls

    Even at her worst, Louise Erdrich still produces some of the best stuff in print. The rambling, poorly edited The Master Butcher’s Singing Club was a great read despite its flaws. And now one of our favorite locals is back and playing to her strengths with another short, near-perfect book the likes of which put…

  • Andrew Litton

    In the past two years the Minnesota Orchestra’s once-moribund Sommerfest series has surged back to life, thanks in part to the guidance of artistic director Andrew Litton (who also wields a baton as the Dallas Symphony’s music director). This year’s program is satisfyingly broadminded, anchored by traditional classical works by composers like Brahms and Dvorak,…