Year: 2007

  • Pontiyuck

    I spend alot, I mean ALOT of time intercepting generally middle-aged people in parking logs and asking them about their rides. So far I have been treated far more graciously than I have by some people on Hennepin Avenue these days (one picked up my sandwich while I was sitting on a bench and proceeded to eat it. Never asked.)

    It is therefore with some sadness that I must retract my previous comments about the Pontiac G6 as a “best buy.” To put it bluntly, the Pontiac G6 is a piece of crap.

    That was confirmed by a lightly coiffed soccer mom in the parking lot of Lunds in Richfield this weekend. This mom was on her second G6 retractable coupe since 2005. While the car looked cool, it also looked plastic ala rubbermaid. Apparently the G6 also “rattled and shook all over the place,” which is the reason this nice lady said” she would never, NEVER, buy another.”

    She was, of course describing the dreaded “cowl shake” that afflicted convertibles throughout the 70s and 80s. In other words, it seems GM still builds them like they used to.

    Unlike the car that soon parked right next to the poor woman’s Pontiac–a Mini Cooper S in two-tone orange and black. This car does not shake, looks great, and goes like stink.

    I tried to strike up another conversation but the stripper hit me.

    P.S. It looks like I might try a few rides at Sears next Week or shortly thereafter. I am going to try and get four to eight cars reviewed a month.

  • Groomzillas?

    A former Star Tribune scribe got mention in the NY gossip rags last week, but they didn’t bat an eye at the mere mention of John Habich. Why? Well, because Habich is betrothed to the writer/pharmaceutical heir Andrew Solomon, of course. Their wedding site, while ambiguous about the date of the actual affair, offers an enticing glimpse of how the upper-crust hitch. It includes a somewhat modest gift registry as well an amusing passage about preferred wedding attire.

    My contact with Habich (a former Strib senior cultural editor, now at Newsday) was fairly minimal while he was in town. I was working at a mid-sized theater company back then. The only detail I recall is that of his NYC cell phone number. In any case, with all the bad news that’s been circulating about reporters and writers as of late, it’s good to see one that made good. Or at least is marrying well.

  • Frank Discovery

    uncle franky.jpg

    Hotness got the best of us on Sunday night, so I packed up the kids and headed to the movies. From being in the sun all day (I’m feeling a little Colonel Saunders Original Recipe) I was in need of a beer with my flick, so we headed off to the New Hope Cinema Grill. The doctor ordered a big pint of Surly Ale, some crispy waffle fries with seasoned sour cream, and a gnarly surfing penguins movie.

    Driving home refreshed and chatting about the possibility of finding surf lessons in town, all of a sudden my son blurts out “Oh my god, there’s Uncle Franky’s!”

    Being huge fans of the Scooby-Doo enhanced Uncle Franky’s of Nordeast, we were shocked to see the sign in Plymouth of all places. But joy, there it is! Right off of Hwy 55 and 169, across from a Rainbow Foods, right next to a Caribou! Hail hail, the suburbs have become a bit more liveable!

    It was closed last night, but we are already plotting our lunch today: I’m in for the Polish Maxwell (with kraut, danke schon), Jake is all about the classic Uncle Franky Dog with a strawberry shake, and Matt’s thinking about the Motown Chili burger (no beans).

  • Rake Columnist Kruse Moves in with Zimmern

    My colleague here in Rake-world, Colleen Kruse, (in the print version, she’s the better looking one on the opposite page), has signed on as a regular with FM 107’s 1-to-3 p.m. Andrew Zimmern show, now known officially as, “The Andrew Zimmern Show with Colleen Kruse”. The third part of the new ensemble is producer, Christopher Gabriel, who worked with Zimmern Saturday’s at KTLK and recently tunneled to safety at Hubbard Broadcasting.

    The Zimmern-Kruse-Gabriel team is of course no threat to the KQRS Fleetwood Mac/Heart/Poison/Journey juggernaut. (Who can ever get enough of that?) But at a time when talk radio is mired in its version of Classic Rock, with the same white male gas bags repeating the same long since-discredited assertions of “class warfare” (in their world that’s the poor attacking the rich), denying climate change, still looking for weapons of mass destruction, the heroic and inspirational leadership of George W. Bush and the inferiority of the French, (better health care, higher standard of living, right about Iraq), the ZKG trio has an opportunity to play smarter, funnier and with more of a, shall we say, “reality base”.

    Zimmern is smart operator, and has demonstrated a shrewd knack for professional show biz by sharing as much air time as he has with Kruse and Gabriel since turning on the mike two weeks ago.

    FM 107, a.k.a. “The Chick Station”, to more manly competitors around town, is in need of some kind of an infusion. Ratings haven’t moved much in several years. The station’s signature act, “The Lori & Julia Show” will probably benefit from a stronger lead-in, (than the Satellite Sisters it replaces) and the usual in-house competition.

    Full disclosure: I regard almost everyone mentioned here as friends. But that happens in a small town.

    Kruse, a well known stand-up comic as well as columnist, is jazzed with the possibilities of producing video bits for the show’s web site.

  • For the Love of Classics

    THEATER & PERFORMANCE
    That’s the Way, Uh-huh, Uh-huh, I Like It

    photo_gallery880.jpgI’m a sucker for any odd Shakespeare adaptation. Granted, the whole Taming of the Shrew/Pygmalion hybrid is getting a bit old, but we all love a good princess fairy tale. In the spirit of Clueless and 10 Things I Hate about You, Matther A. Everett’s new play, Love’s Prick uses Shakespeare as the basis for a high school/college tale of love and infatuation. A high school girl masquerades as a boy, fielding romantic interests both gay and straight; two college wrestlers and the student editor of the campus literary magazine struggle with a complicated love triangle and a mysterious online poet; a transgender minister finds the possibility of companionship with a local police officer. Love’s Prick pokes fun at love, gender confusion, and other themes of Shakespeare’s romantic comedy As You Like It. Tonight’s semi-staged workshop production, directed by Todd Hughes, features Delta Giordano, Grant Henderson, William Leaf, Mark Mattison, Dan O’Niell, Michael Ooms, Nathan Surprenant, Renee Werbowski, and Laura Wiebers. The performance will be followed by an audience feedback session.

    7:30 p.m., Center for Independent Artists, Black Box Theater; $5 (CIA members and Fringe buttons $2.50).

    In Love, Truth Is the First Causality

    tb_017AgamemnonHelmet.jpgWhat could be better than a comedic Shakespeare adaptation? A Greek classic. Start out the evening with a look back into Oliver Nicholson’s past Rake wine columns. This should get you in the mood for the father of Greek tragedy. Enjoy Nimbus’s new adaptation of the first part of Aeschylus’s classic Oresteia Trilogy. Agamemnon chronicles the triumphant return home of King Agamemnon after the fall of Troy. A precursor to Shakespeare, this Greek tragedy offers many of the same plot devises and character types — from the manipulative femme fatale, to the deceit, subterfuge, and murderous conclusion. This daring new work, directed by Nimbus co-Artistic Director Liz Neerland, explores our inevitable tendency toward violence.

    8 p.m., Minneapolis Theater Garage, 711 West Franklin Ave., Minneapolis; 651-229-3122; special pay-what-you-can performance.

    MUSIC by Eeva-Liisa Waaraniemi
    Beyond Politics

    bio_frame.jpgMick LaBriola’s past CD projects have been comprised of a thoughtful jumble of musical traditions. Yet, while the eclectic medley of genres in his noontime concert in Northrop Plaza is old hat to him, to the rest of us it’s something completely novel: “urban folk with reggae, bulgarian, and Arabic.” Having worked with diverse music communities for years, LaBriola takes a philosophical approach the role of music in our lives. In an interview on Radio MnArtists, LaBriola says of his culturally diverse music: “When you like a song, you like a song. It’s what it is. It’s not about inferior races or superior races. You put that aside so you can experience the art. That’s one of the profound things I’ve found in working with cultural music or music in general. I hope we can see the bigger picture. Art goes beyond politics and stigmatizing one another, it’s about humanity and sharing humanity with each other.” If you do treat yourself to his rhapsody on your lunch break, see if you can’t absorb a little of his music’s transcending power. Take your sunny aura back to the cubicle, and discard your Monday-morning snarls with your lunch refuse.

    12 – 1 p.m., Northrop Plaza, 84 Church St. S.E., Minneapolis,; 612-624-2345; free.

    Sultry Whisper, Throaty Roar

    tina_poster_image_5.jpgIt seems that every year, as soon as summer peers its head through those crisp winter skies, Tina Schlieske is back on the roster. A Minnesota native, Shlieske has been making music since she was a teenager. Deeply influenced by Aretha Franklin tapes and her Russian-opera-diva-grandmother’s legacy, Schlieske has the kind of voice you won’t easily tire of; her tone shifts effortlessly from soft and soulful, to sultry whisper, to throaty roar. In fact, back in the ’80s she was often hailed as the local Janice Joplin. Today, Schlieske still shows traces of this blues-belting legend. While her repertoire is multi-dimensional — divided among rock, soul, and blues — her intros still leave you expecting familiar hits from the ’60s. Joining her tonight is Mississippi rocker Garrison Starr, with a smoother, sweeter tone, reminiscent of the Indigo Girls.

    9 p.m., Cabooze, 917 Cedar Ave., Minneapolis; 612-338-6425; $12.

    Listen to Tina Schlieske.
    Listen to Garrison Starr.

    ON THE NET
    Things You May Have Missed

    Shim-Sham Shufflers at the Bike-In at the Bell Museum
    Oatmeal Grimgravy’s first appearance – Gay Pride 2007
    Belly-dancing at the Sprint 2007 Guild Show
    Brandi Carlile performing a late-morning lullaby

    Minneapolis 48-Hour Film Fest Films

    For the Love of Pookie
    The Fading
    Der Hund
    Jacques
    Paternoster
    weston
    For the Love of Buddy

    And did you see the Barbarella rehearsal?

  • Ballet of the Dolls Does Barbarella

    You have only a couple more nights to catch the Ballet of the Dolls rendition of Barbarella — the comic book, turned Jane Fonda sci-fi movie, turned Ballet of the Dolls cabaret. While it sticks to the screenplay perhaps a little too much — using actual images and dialog clips from the movie — you should never miss out on this cult classic. And, come on, what better group to interpret it than Ballet of the Dolls. Damn, this is beautiful camp.

    Watch a video clip of a rehearsal from a couple weeks ago. It’s long, but it tells you everything you need to know without spoiling the show.

    Saturday at 8 p.m., Sunday at 2 p.m., Ritz Theater, 345 13th Ave. NE, Minneapolis; 612-436-1129; $27, $20.

  • Spill the Wine. . . .please

    It’s time for us to have a little talk about the appropriate temperature for serving wine.

    A delicate white, such as a Riesling, should be served downright cold: 45-46 degrees. A heartier white, a Chardonnay or Sauterne, may benefit from a 48- to 52-degree environment in which it can mellow a bit. Lighter reds (Beaujolais, for instance) are best when served on the chilly side, around 55 degrees. And finally, rich reds — everything from Zinfandel to Shiraz to Bordeaux — are at their best when between 59 and 65 degrees.

    But under no circumstances should an open bottle of, say, Cabernet Sauvignon, be stored near a sizzling kitchen in an 85-degree room, then served in a glass still warm from the dishwasher. And I wish someone would run right now and tell the entire staff at Minneapolis’s newest trendy wine bar, Spill the Wine.

    I went there tonight, not intending to write about the place. It was simply an evening out with my husband — and a preview for me. But the experience was so abysmal, I decided I owe it to every patron in the Cities who cares one whit about whether their wine is oxidized, watery, sharp-tasting, or brown, to say something now.

    First off, if you’re going to enter the oenophilic field in the Twin Cities, competing with wine bars such as Lucia’s, Heartland, and even Cafe Barbette, you should hire people who know a little something about, um, wine. . . .We asked our server two questions about the offerings, which was enough to know she had no idea what she was talking about. I ordered the White Knight Viognier (a wine I’d never heard of) and found that though it had a nice, bright opening flavor, the finish was dull and slightly bitter.

    I switched to red even though it was 90 degrees outside (and not much cooler at our table): first, a glass of the Estancia Cabernet. I’ve drunk this several times — it’s a not-spectacular but perfectly serviceable dinner wine. The glass that arrived, however, was warm to the touch. And what was inside simply wasn’t drinkable. It was roughly the temperature of the inside of someone’s mouth and had the distinct off-taste that occurs only when a bottle is poorly handled: thrown into the trunk of a car on a summer afternoon, stored next to an oven, or left uncorked for a day and a half.

    I rarely do this, but I sent the Cab back and asked once again for a recommendation. The polite but clueless young woman shrugged. So I went with the Parker Station Pinot Noir, another lackluster wine but one, frankly, that’s hard to screw up. This pinot is simple and its flavors quite pliable. The glass, when it arrived (about ten minutes later) was barely passable: lukewarm and thin-tasting, but forgiving in its sweet berry qualities, as I’d hoped.

    My husband drank a glass of the Trivento Malbec, a thick Argentinian wine, which he deemed mediocre and. . . .it was the theme of the evening where reds were concerned. . . .far, far too warm.

    We ordered a light dinner — the Waldorf salad for him and a Cobb for me — and though neither was bad, each was so uninteresting, we easily could have made a comparable meal at home by opening a package of Dole pre-washed lettuce and squeezing the dressing that came with it out of a little plastic tube.

    Our bill for this underwhelming adventure: $43.

    I worry about places like Spill the Wine. I worry about the fact that an artsy little location — just east and south of the Guthrie, and only blocks from the West Bank — tin ceilings, black napkins, and an assortment of funky glassware, will convince some people they’re getting their money’s worth and experiencing fine wine the way it was meant to be consumed.

    Not so. Someday, this could be a nice place: it has the cool old building, just-outside-downtown vibe, and proximity to the river road, where we enjoyed a nice walk after our meal. But I respectfully suggest that the managers of Spill the Wine should call up someone like Mitch Spencer at Haskell’s, or Bill Summerville at La Belle Vie, and ask for a few basic lessons.

    You? Right now, you’re better off buying some nice salads at D’Amico & Sons, stopping at the liquor store for an $11 bottle of McManus Viognier or Bogle Old Vine Zin, and having a casual dinner in the comfort of your own home. Serve the wine at the right temperature and it doesn’t really matter if you don’t have a set of matched goblets. Jelly glasses will do.

  • Mysteries, Surprises, and Disappointments

    You can’t explain or make sense of so much of the shit that happens during the course of a baseball season, the streaks and slumps and befuddling momentum shifts, the steady supply of wholly unexpected developments of both the pleasant and the not-so-pleasant variety.

    All those things –the day-to-day intangibles– are what make the sport so maddeningly difficult to predict. I still can’t imagine how anyone makes money gambling on Major League baseball.

    That said, there are always things that seem predictable, even if only in hindsight. Past performance is not an indicator or guarantee of future results, as the investment people like to say. Except, of course, when it is. Nick Punto hit .290 last season, but nothing he’d previously done in his Major League career suggested that was his expected level of performance. As a result no serious fan should be surprised that he’s hitting .227 thus far in 2007.

    Some players are so consistent –consistently good or consistently bad or simply consistently mediocre– that you do sort of know what to expect. Some players. If you spend a little time browsing through Total Baseball you’ll pretty quickly recognize how difficult consistency of any sort is to maintain at the highest level of the game. Consistently great players are so rare precisely because they are such great players, and consistently lousy players don’t generally get a chance to build long and undistinguished careers unless they’re specialists of some sort.

    The most common sort of consistency –in baseball as in life– is mediocrity. Every team has to fill its roster somehow, and mediocrities get opportunity after opportunity to drift from club to club and make ridiculous money on their way to qualifying for a generous pension.

    There remain, though, certain things you simply can’t predict or explain.

    All of this is nothing more than a long-winded and roundabout way of marveling at the performance of Carlos Silva, who has demonstrated pretty conclusively that there is no more mysterious and unpredictable phenomenon in baseball than a sinker-ball pitcher (with the possible –and I guess likely– exception of a knuckleball pitcher, but those guys are rarities).

    Silva was mostly terrible last year (246 hits in 180-and-a-third innings pitched, and a 5.94 ERA), but because he’d been effective in the past (he had a 3.44 ERA in 2005) he was trotted out there again and again –and managed to win 11 games in the process– with the hope that he’d eventually get around to finding his out pitch again.

    When the sinker-ball goes, though, it just seems to go, and when and if it reappears it does so just as mysteriously. Silva didn’t have many proponents outside (and probably even inside) the Twins’ organization coming out of a spring training in which he was 0-3 with an 11.02 ERA and surrendered 29 hits in 16-and-a-third innings).

    Yet there he was Wednesday night, finishing off the Twins’ first complete game shutout of the season.

    Surprising, but, then again, not so surprising.

    Friday night’s blow-out loss to the Brewers at the Dome, that was simply disappointing, and sometimes that’s really about all you can find to say about a baseball game.

    They can’t all be surprising.

  • Will the Twins Do Hip-Hop?

    News that the Pohlad family, son Jim in particular, was paying $28 million for B96, the hip-hop station with a transmission tower out on the fringes of the western suburbs fired the following synapses in my alleged brain …

    $28 million!? Holy shit! If B96 is worth $28 million, the karaoke machine I picked up at Best Buy for that birthday party, (where everyone sang the drum solo to “In a Gadda da Vida”), has got be worth a half million. Twenty eight VERY LARGE strikes me as a serious over-payment for a signal that doesn’t quite make it to West St. Paul. (Someone will write and say they get it loud and clear in River Falls, just wait).

    I think Judd Zulgad, who does a terrific job covering sports media and the Green Bay Puckers for the Strib, has his antennae aimed in the right direction when he asks aloud what many of us suspect. Namely, is the beginning of a move to take everything Twins-related in-a-Pohlad-house?

    Obviously B96, as powered and located, can not act as the flagship for an entirely Pohlad/Twins-owned network. But as Zulgad notes, three years is an eternity in the radio biz. Everything can and will change. Some kind of simulcast shtick might be made practical. After all, long before 2010 the new owners of KQRS, 93X, etc. — Citadel — may very be looking to unload a few of their lower-powered properties (most likely the “Love 105” trio of low-power FMs). Hell, they won’t have to “look” to unload if there is a drunken sailor in town throwing $28 million at B96.

    As we all remember, WCCO-AM’s parent company, CBS Radio, pretty much bailed on fat contracts for major league baseball in St. Louis, Pittsburgh and here in the Twin Cities. With CBs putting up a weak fight, the Hubbards agreed to the deal the Pohlads/Twins wanted, which has them forking over something like $1 million a year for four years plus giving up almost all the advertising inventory for the games, the production and upper midwest network of which is entirely controlled by the Twins. In other words, the only thing the Twins don’t currently own or control is the the team’s flagship station.

    The Hubbards hope to reestablish AM 1500 (post-Rush Limbaugh, Sean Hannity and Jason Lewis) with help from the Twins games, (while the Twins’ absence diminishes WCCO). There may also be some, shall we say, “programming” issues to deal with there before AM 1500 is restored to the halcyon days of wall-to-wall Clinton-bashing. But the presence of the Twins is not going to hurt, other than that $1 million a year and loss of ad inventory to sell.)

    More to the point, after four years of fat pay-outs, from the Hubbards to the Pohlads, (is that trickling down or up?), the Hubbards may very well decide the Twins have worked their magic and decline the opportunity to re-up. Don’t expect anyone involved to breathe such a notion today. But my real point is that nothing anyone says on the record today about this deal is worth any more than what you are paying to read this blog. And we both know that ain’t much.

    After so many years of filing “official responses” from company executives on matters like this for a daily newspaper, I had to laugh at this quote, from Steve Woodbury, CEO of Northern Lights , (the Pohlad-owned radio company). Zulgad asks about an eventual Twins presence on B96.

    Woodbury, who is not a bad guy, responds:

    “The station doesn’t fit that, and it was never discussed or brought up,” Woodbury said of B-96 having baseball on its airwaves. “They [meaning the Pohlads] bought the station based on the format, the management team and the opportunity in the market.”

    “The format and the management team … ” Riiight. The latter would of course be Woodbury and a couple others.

    As for the format, I’m assured B-96 actually makes some dough, but the sellers weren’t shy about saying they were willing to give it up because the Twin Cities have a pretty small African-American audience.
    Obviously, the main reason they were willing to give it up is because the Pohlads flashed $28 friggin’ million in their faces. Your average radio executive would give up their mother for a tenth of that.

    But having spent sometime inside the sausage factory that is Clear Channel Twin Cities, I agree with those who say KOOL 108 could disappear tomorrow and be replaced instantly by the “active-urban-hip-hop-rollin’-homies” format or whatever you want to call it. It definitely is not brain surgery.

    So if I were Woodbury and the Pohlads I’d keep a handy list of alternate formats. How about Doug Mientkiewicz in morning drive?

  • Rightful Champions

    If the Cavs and Spurs had played 20 times this month, I am now convinced San Antonio would have won 18-19 times. For Denver it would be 15-16; ditto Utah; for Phoenix, 13-14; and ditto Dallas, the tough matchup they avoided with the Golden State upset. Which is to say that the Spurs’ fourth championship was the opposite of a fluke. Having seen all but one of their 20 games in the post-season, I think they were the most complete and inevitable champion since the second Jordan Bulls outfit of the mid-90s.

    I was singing a slightly different tune ten days ago, of course, when I made the case that the Cavs could play the Spurs tough. Four games later, the convention wisdom–that the Spurs had too much talent, experience, will power, and everything else for the Cavs–was obviously wiser. Without going back and rereading my wayward post, I think I based my premise on the Cavs being competitive on at least two of three factors emerging. But in fact none of them developed. Read ’em while I weep.

    The Cavs’ perimeter defense would deter Parker and Ginobili
    Parker’s Finals MVP trophy gives you a clue how this one turned out. Yes, Larry Hughes was waylaid by plantar fasciitis, but Hughes would have had to be at the very top of his game to derail Parker’s glory in this series. From the onset, the soon-to-be Mr. Longoria blew past two or three Cavs at a time en route to his trademark banker while taking a header into the photographers. By Games Three and Four, he had settled into such a comfort zone that not only the teardrop but the heretofore unreliable trey had become money in the bank. And when Parker wasn’t bedeviling the Cavs, Ginobili was, as always, waiting for the step-up moment that would be most deflating to his opponents’ resolve. The competitive killer instinct of Parker and Ginobili is more ferocious than any guard tandem since Dumars and Zeke back in the day.

    LeBron would hit his midrange jumpers
    You knew the Spurs wouldn’t give LeBron a chance to penetrate; not without making him prove he could nail that 15-footer. It was unreasonable to expect King James to continue the long-range accuracy he’d demonstrated against the Pistons, and, at 5-20 FG from beyond the arc, he didn’t. But what really doomed the Cavs was LeBron shooting just 40 percent (28-70 FG) from two-point range. What that stat says is that San Antonio was able to deny the superstar both layups and free throws. I’ve ripped ABC commentator Mark Jackson in the past, but he was dead-on in his repeated calls for the Cavs to post-up LeBron more often. Yes, Bruce Bowen came up huge, and the Spurs have the depth and commitment to assure that LeBron never discovered the comfort zone Parker was able to create for himself. But how does a player like LeBron operating under the new hand-checking rules only get 29 free throws in 170 minutes during this series? (By comparison, Ginobili shot 30 FTA in 117 minutes.) As someone who has praised Cavs’ coach Mike Brown for his defensive schemes, I’ve got pile on with the critics of his offensive sets. Yes, guys like Varegao, Pavlovic and Gooden are probably destined to play stupidly in terms of shot selection and overall ball movement. But put your athletic superfreak down in the paint and see what happens a little more often–especially when it was obviously the best thing Cleveland had going on offense.

    Daniel Gibson would maintain his swagger
    This was a gut call that turned out to be inaccurate. I figured Gibson had absolutely nothing to lose and thus would continue to play out of his mind. Instead, the law of averages caught up with him and he reverted to his regular season mortality, shooting 44 percent from field overall and just 32 percent from three-point territory. Thus, the long-ball threat that killed the Pistons and freed up James was out of the equation.

    A couple more minor points before we close the books on this slaughter. Brown made a big mistake not giving Eric Snow more burn when it was apparent Hughes couldn’t go. No way a no-hope like Damon Jones deserves 65 minuts to Snow’s 41. Sure, Jones is a three-point threat that could open up the floor for LeBron is ways Snow couldn’t. But Jones can do anything but shoot, whereas Snow can defend and dish (despite his scant minutes, his 9 assists were third-best on the team this series). Watching Damon Jones trying to guard Parker and company was this mismatch in microcosm.

    Finally, you are going to hear all about how this experience will enormously abet LeBron and make the Cavs the presumptive favorites to return for next year’s finals. It is a viable theory, but I’d actually argue that it is the Spurs who benefited most from their experience this season. Consider how much two of their starting five, Oberto and Parker, grew in confidence and role-expansion over these past 20 games. Consider that Duncan looks healthy and is surrounded with players who will enable him to stay home in the paint at both ends of the floor, extending his career. Consider that Ginobili’s deal with the devil–enabling him to hit every big shot and put himself in the perfect position to generate big rebounds, steals, etc., has obviously been extended. Consider that Duncan, Parker, and Ginobili are all signed through 2009-10, and that of the top 10 in their rotation, only Oberto, Finley and Vaughn are eligible for free agency this off-season. A year from now, we could very well be hearing about “one for the thumb” as it relates to championship rings for Tim Duncan.