The Old Testament’s most difficult book, the Book of Job, planted the seed of this new play. From the “unknowable nature of God” therein, which local playwright Alan Berks described as “one of the scariest things I can think of,” a new ghost story was born. Berks (who wrote the 2006 Fringe Festival hit, How To Cheat) also drew from more contemporary influences, such as the 1999 horror flick The Sixth Sense. But what makes this production doubly interesting is his collaboration with The Burning House Group. This foursome of physical performers is more often seen doing slapstick and nonlinear forms of movement theater. In this instance, both parties vow to combine old-fashioned narrative with clowning and choreography to create, from scratch, a frightful tale of a house with a mysterious, potentially haunted past.
Minneapolis Theater Garage, 711 W. Franklin Ave., Minneapolis; 612-623-9396.
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