Jazz pianist Bill Carrothers was born in Minneapolis in 1964 and, even as a tyro getting his artistic bearings, elevated the local jazz scene with his cerebral gravitas (No one, for example, untangled the Gordian knots of altoist Lee Konitz better than Carrothers in concert.) While his best-known disc is probably Duets with drummer Bill Stewart, his masterpiece is the two-hour epic, Armistice 1918, which won the Charles Cros Award (the French equivalent of a Grammy) in 2004. It opens with the innocent pop songs of the pre-World War I era, such as “Hello Ma Baby” and “Let Me Call You Sweetheart,” and then wends through a wellspring/maelstrom of affecting originals and period-covers, brimming with impressionistic details regarding, as Carrothers put it in his liner notes, “the call to battle, separation of loved ones … night raids, rum rations … the disillusionment with ideals and finally the silence of Armistice Day.” Many of the original musicians will join Carrothers for this extraordinary U.S. premiere, including cellist Matt Turner, percussionist Jay Epstein, and vocalist Peg Carrothers. Rounding out the ensemble are bassist Jean-Philippe Viret, drummer Dre Pallemaerts, and bass clarinetist Jean-Marc Foltz.
9 p.m., Artists’ Quarter, 408 St. Peter St., St. Paul; 651-292-1359; $15.
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