Author: Ann Klefstad

  • Segrelicious

    Segrelicious is described as a “multi-media, poly-racial-gender exquisite corpse of poetry, performance, and artistic experimentation.” That tall order is maybe even possible to fill, given Shoebox proprietor Sean Smuda’s polymorphous involvement with dance, poetry, photography, iron sculpture, and even improvisational music. Each artist was directed to make work in response to a piece from another…

  • Plant Worship

    Cynde Randall has been in touch with just about every artist in the five-state area, thanks to her work as a longtime associate with the Minnesota Artists Exhibition Program at the Minneapolis Institute of Arts, and as the founder of the annual Bird x Bird exhibition, a benefit for avian well-being. Now, fittingly, she has…

  • Hot Off the Press: Eleventh Cooperative Exhibition

    You know what printmaking is: creating multiple copies of an image, by any means possible. Print is a parallel art-world with its own histories and propensities. Some techniques are ancient, like woodcuts; some are former industrial processes, like stone lithography or screenprint; some are intimately allied with books and illustrations, like intaglio. Print is a…

  • Picasso and American Art

    Pablo Picasso: a name that started as a revolution, became mainstream, evolved into a platitude, and ended up as a punch line. He became the repository for everything Europe knew about art, and was the hinge between the School of Paris and the immense gathering energies of the New York School. Every artist in the…

  • Angela Strassheim Photographs

    Local artist Strassheim is a former forensic photographer who now shoots her own family in disturbing tableaux. Her reputation has been growing ever since her work was featured in the last Whitney Biennial. Small wonder, then, that she has a beautiful show at the Burnet Gallery in the Chambers Hotel—which, of course, has built its…

  • Drawings in Light: Jantje Visscher and Anastylosis: Drawings by Mary Griep

    Jantje Fisscher’s breathtaking constructions really are “drawings in light”: She uses certain plastics to construct light-gathering patterns that take her longtime fascination with natural form and rhythm to new heights. Her work has developed over the years from interesting but relatively dry explorations of pattern to increasingly ecstatic immersion in an expanded idea of the…