Author: Hans Eisenbeis

  • A Man of His Times

    There is a consensus in the trade, I am sorry to report, that Thomas L. Friedman cannot win another Pulitzer Prize. This is not due to any dissipation of his talents. It is because, having already won three of journalism’s highest awards, he has been asked to join the Pulitzer board. Instead of receiving Pulitzers, his judgment is wanted in conferring them. Friedman may be the world’s most widely read newspaper columnist today. And even though his employer, the New York Times, recently took a bite out of his readership by putting his column behind a pay-to-read firewall at NYTimes.com, his words still move worlds. Or do they?

    Rhetoric is in deep discount these days.(Continued below.) Sharp customers in the marketplace of ideas have noticed the similarities between Ronald Reagan’s dubious “War on Drugs,” and George W. Bush’s “War on Terror.” There have been wars on a number of nouns over the years. Lyndon Johnson undertook a “War on Poverty,” which was an honorable diversion from his “War on Vietnamese People.” People are a lot easier to kill than other sorts of nouns; it’s been pointed out that poverty, drugs, and terror are still with us.

    Still, this moment is different, unique, even—because we no longer find ourselves in a marketplace of ideas, but in a war of ideas. Ideas and the vehicles that launch them, like the transcontinental jet, the personal computer, the cell phone, the Internet, have become the world’s most powerful weapons, and Tom Friedman knows how to use them.

    Friedman is a native Minnesotan. He is proud of this, and concedes it whenever he can. He is gracious and smart, unapologetic in his opinions. He knows he wields power on the New York Times op-ed pages, but he also wants to use his power for good. No one can dispute his work ethic; even Friedman’s harshest critics acknowledge that he is one of the hardest-working journalists in the profession.

    Though the newspaper man travels the world speaking
    to all kinds of charismatic people, moving through the corridors of power in far-flung nations and corporations, and though he is frequently on TV, or speaking at international conferences, he is not really a man of action. He is a man of ideas. Everything you need to know about Tom Friedman is right there in his books and in his columns; I wish I could say I tagged along with him to India, China, Brazil, and Japan to see how he works. Instead, I immersed myself in his words.

    Friedman himself would never tolerate this kind of armchair journalism. When I spoke to him, he was yawning with jet lag (I think) after a recent return from Mombai, India—flight price eight thousand dollars, thank you New York Times travel-expenditures department. “I’m a big believer in this truth: You have to go to know,” he said. “Sure, you can do a lot of research and reporting at your desk and on the web, but there is so much more to see and hear when you travel the world—and sometimes the truth is in the raised eyebrow, or the sideways glance.”

    If you believe his fans, Friedman has something rare in journalism these days: credibility and a reputation for fairness, an old-fashioned sort of objectivity when he approaches a subject, and no axe to grind. He only cares about ferreting out the facts and exposing the truth. He has no patience for anyone who stands in the way or casually contradicts him. That’s his reputation, but some argue that there are blind spots in his reportage, that he ignores inconvenient facts that contradict his view of the world. It’s a war of ideas, after all. But can Tom Friedman win?

    ***

    A CHILD OF THE COLD WAR, Tom Friedman was born into a Jewish family in Minneapolis on July 20, 1953. Josef Stalin had died four months earlier, to be replaced by Nikita Kruschev. Seven days after Friedman’s birth, the Korean cease-fire was signed.

    Friedman’s sophomore year at high school in St. Louis Park, where he was preceded by three older sisters, would define the rest of his life. First, he took a journalism class—his one and only—with a much-loved teacher named Hattie Steinberg. Second, his family traveled to Israel to visit one of his sisters, who was spending a year at Tel Aviv University. The journalism class would fire his passion for reporting—for his high school’s newspaper, he interviewed Ariel Sharon, then Israel’s defense minister, and the trip
    to the Middle East led to three summers at an Israeli kibbutz, and a lifelong passion for understanding the complexities of the Israel-Palestine situation.

    Today, Friedman credits his career to several high school mentors. “I was a great beneficiary of the absence of women’s lib,” he said. “I had three great teachers, women, who in another day and age could’ve been professors or investment bankers or diplomats.” They were Steinberg, history teacher Marge Bingham, and English teacher Mim Kagol.

    After graduating from high school, Friedman enrolled at the University of Minnesota, where he studied Arabic. He spent semesters abroad at American University in Cairo and the Hebrew University of Jerusalem. Eventually, he transferred to Brandeis University, where he graduated with a degree in Mediterranean studies in 1975. He won a Marshall Scholarship to study at Oxford, where he took a master’s degree. While in England, he also began writing opinion columns, which he sold to the Des Moines Register, his wife Ann’s hometown paper, and to his own hometown newspaper, the Minneapolis Star Tribune.

    After finishing at Oxford, with a dozen published columns in hand, Friedman applied at the Associated Press and the United Press International offices in London. The AP was dismissive—they hardly wanted a columnist with no reporting experience. Recalling the interview, last fall with Marvin Kalb at the Press Club, Friedman said the AP didn’t look twice at him. “Forget it kid, you haven’t even covered a fire.” But a bureau chief for UPI decided to hire the Minnesotan in London. After about a year, UPI’s correspondent in Beirut, Lebanon, was injured by shrapnel in a bombing. It was 1979. Suddenly Tom Friedman, just twenty-five years old, found himself the number two man at UPI’s Beirut office, in the middle of a major, historical world event.

    In May of 1981, editors at the New York Times business desk hired Friedman because they liked his UPI reporting on the oil industry. A year later the bureau chief’s position in Beirut opened, and Friedman was the obvious candidate to take over. He arrived at the new post just in time to witness Israel’s June 6, 1982, invasion of Lebanon, and reported extensively on the subsequent war. This reporting won him his first Pulitzer prize. In 1984, he moved to Jerusalem, where his coverage of the first Palestinian intifada won another Pulitzer; shortly thereafter, Friedman published his first book, From Beirut to Jerusalem.

    Later, during the administration of President George H.W. Bush, Friedman had a prime inside vantage point from which he saw Bush, James Baker, and Brent Scowcroft “bring the Soviet Union in for a soft landing”—he was working as the Times’ chief diplomatic correspondent in its Washington, D.C., bureau. When Bill Clinton won the presidency, Friedman briefly became the Times’ white house correspondent, but by 1994, he and his editors began to define a new beat—globalization—which they felt would anticipate coming geo-political trends, and also comport perfectly with Friedman’s background and expertise in technology, foreign policy, and trade policy.

    Friedman’s beat got noticed. In 1995, New York Times publisher Arthur Sulzberger Jr. offered the reporter what some would call the Holy Grail of journalism: a column in the op-ed pages of the Paper of Record. For the next four years, he reported extensively on the subject of globalization—the increasing freedom of capital markets to cross national borders, the rise of transnational corporations and trade agreements, the ecstatic growth of capitalism in China and India, and the inevitable growing pains that resulted. In the summer of 2000, this work culminated in a book, The Lexus and the Olive Tree. Friedman identified globalizing forces in the wake of the Cold War: networked computers, cell phones, and the erosion of national trade barriers. Most presciently, perhaps, he identified a worrisome, atavistic backlash, headed by what he called “super-empowered angry men”—terrorists. His main example of such a person was an influential and wealthy Saudi Arabian exile by the name of Osama bin Laden.

    Thus September 11 put Tom Friedman once again at the red-hot center of world events. His interpretive columns after September 11 were collected in Longitudes and Attitudes, and he won his third Pulitzer prize in 2002. In 2003, he began doing television documentaries for the new Times-Discovery Channel partnership; for one of these, The Other Side of Outsourcing, he went inside the proliferating call centers in India that serve many American companies. The reporter realized that the globalizing effects he had identified in The Lexus and the Olive Tree had accelerated considerably. A year-long investigation followed, which led to last year’s bestselling The World is Flat—a book that is credited with creating a new paradigm of thought about globalization.

    ***

    FROM GLOBALIZATION TO the Arab-Muslim world to oil, Friedman’s issues are the world’s most crucial ones. His views can be drawn in broad strokes: He believes that Israel and Palestine must pragmatically find a way to peacefully coexist, not least because the whole world is shrinking rapidly (“flattening,” he would say), and international relations will demand that people and products move more freely than they could during the Cold War.

    He has famously argued that no two countries with McDonald’s restaurants have ever gone to war with each other (the former Yugoslavia convincingly disproved the theory), and also reported extensively on the origins of terrorism. Friedman believes Al Qaeda and similar Islamo-fascist movements arise essentially as a result of intense psychological humiliation. Thanks especially to the access they have to modern media and communications technologies, young Arab Muslims can see on television, in movies, and in magazines what is denied to them. While they should be angry with their leaders, who are the true source of their suppression, their leaders have cleverly deflected their anger to America and all things American. Young people become suicide bombers because they have been ruthlessly humiliated and manipulated by their cynical leaders. “Humiliation is the single most underappreciated force in international relations,” Friedman told me.

    In the aftermath of September 11, Friedman believed that we had been forcibly dragged into what he called “World War III,” but now, as he said during our interview, he believes that it is actually a war within Islam. He rejects the idea that we are engaged in a “clash of civilizations.” Instead, it is a clash within a civilization—that is, within Islam. Moderate Muslims, he said, must take control of their lives and their geo-political situations and deny leadership to the violent, medieval, anti-modernist Islamists who are doing all they can to whip up a fight between East and West.

    Nevertheless, Friedman has been a hawk on the Iraq war. It was his firm belief that the U.S. needed to invade Iraq in order to “hit someone” in the Arab-Muslim world, to make it clear that the U.S. intends to confront terrorism and tyranny with blunt force. This force would, with any luck, result in planting the seeds of democracy in the very heart of the Middle East—and therefore lead eventually to the extinction of anti-American sentiments and terrorism. More recently, however, Friedman has come to believe that the war in Iraq has been badly botched, largely by Defense Secretary Donald Rumsfeld, who insisted on sending “just enough troops to fail.” With insecure Sunnis, Shiites, and Kurds unable to overcome tribalism and distrust, Friedman most fears that the U.S. will be forced into the position of “babysitting a civil war.” Recent developments in Iraq certainly point in that discouraging direction.

    But if he is increasingly pessimistic about the situation in Iraq and the entire Arab-Muslim world, Friedman has also developed a new line of thinking. It is a natural evolution of his previous reporting and writing. The next chapter in the Friedman book supercedes terrorism and globalization, and in some ways resolves the paradox of the two. A kind of unified field theory for geopolitics in the twenty-first century, it is about the next wave of human innovation, based on two words: renewable energy.

    ***

    WHAT IS THE ROLE of a newspaper columnist today? Tom Friedman certainly fits the mold of a foreign-affairs columnist like James Reston, or a Walter Lippmann: a journalist moving very close to the center of current events, with access to many of the most important decision makers and actors on the world stage, and acting both as a conduit for current thinking about geo-political trends and an impartial witness to history. Whereas Reston and Lippmann at the peak of their powers were frequently attacked for losing their objectivity and becoming partisan cheerleaders for some of their more influential government sources, Friedman seems to evade that charge.

    He may have his blind spots and his prejudices, but they appear to be wholly his own. “Everybody who knows me, knows I am my own man,” he told me. “When I do my job, I only care about one thing, and that’s my opinion. And I’m going to do whatever I can to get all the facts I need to form my opinion, and that’s it. I’m trying to start with reality the way I see it and then filter it through my Minnesota kind of pragmatic progressivism. There’s a lot that’s very Minnesota about my attitudes. Very centrist, very progressive, but not extreme one way or another.”

    Friedman sees this pragmatism as basically a function of doing good, sound journalism—getting the story straight. “There are two kinds of columnists,” he told me. “Columnists in the heating business and columnists in the lighting business. I occasionally do heating, but most of the time I prefer to do lighting.” He thinks the ultimate goal is both to hold a reader’s attention and to surprise him or her, to never allow a reader to think, “Well of course Friedman would say that.” Partisan predictability is anathema to the columnist.

    His boss, Arthur Sulzberger Jr., agrees that this centrist fairness is a key asset. Sulzberger told me, “People come to the Times op-ed columnists for judgment, for insight, for helping to place the events of the world in a context that makes sense, even if they don’t agree with it. Nobody does that better than Tom. In his field, he’s the best and we’re blessed to have him.” The Times publisher recognizes the subtle asset that Friedman represents in a time when the marketplace of ideas is hot and loud and highly polarized. “There’s a moderation to him. You’re not going to find Tom shrieking on the extremes. That’s just not who he is. When he does on occasion come out strongly, people listen harder, I think.”

    ***

    TOM FRIEDMAN MAY BE among the most respected journalists today. Nonetheless, there is a reasonable and informed resistance to some of his ideas among some thoughtful critics. Some see Friedman’s idealism as overly simplified, in the grand tradition of the Olympian newspaper columnist reducing the complexities of the day to a trickle of condensed truth. Chris Lehmann, an editor at Congressional Quarterly, told me, “I think he’s the pundit’s equivalent of the motivational speaker. He goes out to these emerging market countries, and says, ‘Build a McDonald’s and you’ll never have a war. Here’s my one glib formula for achieving the edge in the new global economy.’” Nicholas Lemann, the dean of the Columbia School of Journalism, has said that Friedman’ s experiences as a globetrotting journalist are “broad and thin,” and that his writings are thus “simple, dramatic, and relentless.” To Lemann, this is a natural result of Friedman’s compulsion to fit every fact he encounters into his “theory of everything.”

    Tom Frank, who may be the nation’s preeminent emerging public intellectual, agrees that this idealistic compulsion is a problem. “He just doesn’t look very deeply into things,” said the author of What’s The Matter With Kansas? and One Market Under God. “He accepts blithe textbook, utopian views about capitalism. His worldview is actually a nineteenth-century doctrine, all hopped up with the language of the new economy and the Internet. Friedman is forever inventing little schemes for how the world works, as if everything is symmetrical and governed by natural law.”

    According to Frank, this has led Friedman to some uncritical thinking about the way capitalism and democracy can actually work against each other. Frank pointed out that globalization hasn’t even been unequivocally good for its main advocate, the U.S. “Capitalism hasn’t been good for American workers—far from it. It’s been good for some, very bad for others,” he said. “All this optimism is a cover for the real goal, which is the reconstitution of ruling power. Power for the U.S. financial industry and certain sectors of the U.S. economy. It’s the recovery of ruling-class power.” Frank said wage distribution lists going back 150 years show how dramatic the difference between rich and poor has become, everywhere in the industrialized West, and now in the developing East. “These people talk a lot about freedom,” he said. “They’re especially concerned about the freedom of money. Other kinds of freedom absolutely get crushed.”

    It wouldn’t be a war of ideas if there were no opposition. For his part, Friedman saves his most blistering vituperation for what he calls the “anti-globalization movement,” and he had very harsh words for the activists who protested the 1999 World Trade Organization tribunal in Seattle. When I asked him why, he said he thought most of the movement consisted of “latté-sipping liberals” who felt guilty about getting rich off the dot-com boom and were trying to compensate by opposing any opportunity for other people to get rich. Friedman said he saw them as “the coalition to keep poor people poor.” He went on, “If you listen to what Ralph Nader has advocated, it’s really protectionism, and it’s the economics of North Korea. Which I say is fine, then you should live in North Korea. But the fact is that more people have grown out of poverty faster in India and China thanks to the policies of globalization in the last twenty years than ever before in the history of the world. That’s why when you look around, how many Chinese and Indian faces do you see in the anti-globalization movement? I have utter contempt for people who aren’t serious and kind of dole out this economic advice, or throw a stone through a McDonald’s window.” Friedman believes that an absolute improvement in conditions for the poorest is more important than the dramatic gap being created at the same time between a country’s richest and its most destitute.

    That is not a universally acceptable tradeoff. Ralph Nader, for one, sees Friedman’s dismissal of free-market capitalism’s critics as patronizing. Responding to Friedman’s assessment of him and the anti-globalization movement, Nader scoffed, “We are going to give Tom Friedman the award for the reporter who has traveled the world most, and learned the least.” Almost every study done by the UN, Nader said, shows that the world’s poorest nations are worse off today than they were twenty years ago, before the onset of globalization. Even in the U.S., household incomes are lower today than they were in 1973 (adjusted for inflation). But his main critique of globalization involves a specific, detailed assessment of its negative impacts.

    First, international trade agreements, especially as expressed by the WTO, supersede the sovereignty of any nations that are signatories to it. “These trade agreements are conducted in secret and they cannot be challenged by our courts, legislature, or executive branch agencies,” said Nader. “Food standards, pollution standards—whatever these international trade agreement autocracies agree on, that’s it. The only thing we can do is give six months’ notice and get out of WTO, which is a draconian measure that will not occur.”

    These standards, Nader wants you to understand, are set by a corporate-managed, non-government entity. And you may not like those standards, but you will have no choice. “For example,” Nader said, “in Minnesota, you cannot buy a product made from child labor in the U.S. because child labor is illegal here. But we as the United States, because we’re signatories to the WTO, so heralded by Tom Friedman, cannot block the importation of products made by brutalized child labor in foreign countries. Because it’s permitted under WTO, and therefore has the force of federal law. That doesn’t seem to bother dear Tom.”

    Nader also pointed out that market values, as defined by globalizing corporate interests, are displacing non-market values. “What Tom Friedman refuses to pay attention to,” he said, “is that the WTO subordinates consumer, environmental, and worker rights to the supremacy of commercial values.” He continued, “Now that is turning around historically our country. Every time we have had progress—like the abolition of child labor, or the establishment of motor vehicle standards—we have said through our congress to commercial interests, ‘Companies, you are going to have to subordinate your profit-seeking commercial interests to the supremacy of getting rid of child labor, of building safer cars, of installing cleaner environmental technologies, of respecting fair labor standards, minimum wage, and so on.’ What the WTO and NAFTA do is reverse that, and put in the supreme position the commercial profiteering interests.”

    It’s true that Friedman can seem to have an almost naive optimism in the good will of corporate interests. As Nicholas Lemann wrote in the New Yorker, Friedman’s is a “business-friendly moderate liberalism, which for purely practical reasons does nice things for needy people.” Naturally, such benevolent corporate activities must be enabled by a government that has essentially restricted its role “to help the market function more smoothly.”

    Indeed, in this vision of a globalized world, even the press is consigned to the role of cheerleading. Nader pointed out what he sees as the supreme irony of Friedman’s position. Because they are secret, WTO meetings and decisions cannot be scrutinized by any journalists. “Tom Friedman cannot go as a reporter or a columnist and cover any tribunals in Geneva, because they are closed to the press and all citizens.”

    ***

    WHEN I NOTED TO FRIEDMAN HOW, as the world has gotten flatter, it has also grown significantly more dangerous, he agreed. It seemed a paradox, because he is generally optimistic about globe-leveling technologies. “Listen,” he said. “I’m a technological determinist, but not a historic determinist.” He explained, “If there is a World Wide Web where people can do business anywhere and have customers everywhere and have suppliers anywhere, they’re going to use that World Wide Web to do that. If you have a cell phone that allows you to call around the world at zero marginal cost, you’re going to use that cell phone. What you’re going to use it for, whether to plot the fall of the Berlin wall or the fall of the Twin Towers—that’s another question.”

    Still, looking at Friedman’s whole body of writing, you can’t help but feel that he essentially believes that good will prevail over evil, and that free market capitalism will triumph over centralized, isolationist, or corrupt nations. This is partly because he is not concerned about the staying power of nationalism, localism, tradition, religion, and other non-market values which continue to influence people throughout the world. When it comes to terrorism, Friedman has very deftly articulated a subtle bit of wishful thinking; it may be reassuring to believe that September 11, and all other Islamist terrorism, is the result of psychopathic outliers who are humiliated by their own inability to reap the fruits of globalization. But this ignores the wider, more reasoned rejection of American cultural and corporate imperialism. It also denies the misogyny, anti-materialism, and anti-individualism that inhabit most political strains of radical Islamism. The anti-American critique is steeped in ideology, theology, and history. It’s dangerous pretending otherwise, especially when those views are in the ascendance.

    Even a sympathetic, ecumenical Islamic scholar like William Graham, dean of the Harvard Divinity School, has reservations about how the pro-globalization community dismisses conservative Muslim concerns. “What many of the Friedman-like pro-globalization types forget,” he told me, “is that globalization is not just about modernity or open trade doors; it is also about power differentials that are still as real as in the days of European and American colonialism and imperial domination of much of the rest of the world. Leveling the global economic playing field may still result in a field tipped at an acute angle against the underdeveloped nations. I don’t think that Islam per se, or Muslims per se, have anything intrinsically against globalization. It is not in the first instance a religious issue, though in the second it can become one.”

    Perhaps Friedman hasn’t interviewed enough Islamic radicals. Some critics say that despite his reputation for thorough reporting and fact-gathering, the columnist’s views can be flawed because of his sources. Call it the “Judy Miller defense”—you’re only as good as your sources. In his reporting on globalization, for example, Friedman’s sources are often powerful CEOs, trade secretaries, and managers—people who are profiting handsomely from globalization and can hardly be expected to talk about the downside.

    “As Friedman trots around the globe,” wrote Nicholas Lemann in the New Yorker, “he keeps most intensively in touch with one subculture, that of international finance.” Congressional Quarterly’s Chris Lehmann put it more sharply: “More and more, he just parachutes in and talks to a CEO. It’s like the old foreign correspondent’s stereotype of asking your cab driver, ‘What do you think of the Dayton peace process?’ And he gives you the salty down-to-earth version. And this is even worse than that. It’s like going to ‘Chainsaw’ Al Dunlap and saying, ‘Tell me about your shareholder value.’”

    New York Times publisher Arthur Sulzberger rejects this line of criticism. “Imagine having good sources!” he said with a snort. “The world would come to an end if all journalists had good sources! If the City Hall reporter is considered corrupt because he speaks to the mayor, we’ve come to a terrible place in the profession that I love.” It’s a good point, but then readers must continue to trust that the columnist’s interest in truth is not clouded by some larger ideological conceit that makes certain facts more attractive than others. “I think if he wanted to report,” countered Lehmann, “he could interview some union activist or shop worker, except under his ideological scheme, they’re doomed, they’re in the dustbin of history. What’s pernicious about his column is that he’s hypnotized himself into believing that there is this inevitable logic to history.”

    ***

    IT IS IN THE NATURE of newspaper column writing that a person stays on a beat until the beat is, well, beaten. So the appetite for new material is inevitable and strong—first, surely, among readers. In recent months, Tom Friedman has become obsessed with the intimate connections between oil, the nations that produce it, the nations that consume it, and the bizarre geo-politics that have resulted. It promises to be an engaging third chapter to add to his coverage of the Middle East and globalization.

    It is a kind of unified field theory that encompasses and surpasses his previous theories about peace, terrorism, and globalization. That is because, having delved into the business of oil, Friedman has come to the conclusion that our nation’s energy policy and our security are inherently connected. In his recent columns, he has loudly averred that America today desperately needs the kind of forward-looking and inspired leadership we last saw when President John F. Kennedy responded to the launch of the Russian spaceship Sputnik by pledging to put a man on the moon within a decade. Friedman points out that today’s moon shot must be establishing “energy independence” from the medieval Islamist governments on which we rely so heavily today. We need to make a great leap forward in developing renewable-energy sources and technologies.

    This is no isolationist agenda. Friedman believes that these governments are propped up largely by the high price of oil, and that they will never reform until the bottom falls out of the oil market. How to make this happen? For Friedman, there is one simple sacrifice to make: He has proposed that Americans pay an additional dollar in taxes on each gallon of gasoline to finance this new moon shot. This would involve all Americans in positive change—the kind of sacrifices that we have traditionally been asked to make and have willingly made, when world events demand it.

    Despite the current administration’s rhetoric about alternative energy—which frankly sounds like it may have been cribbed from the Times—Friedman believes it is unwilling to do anything concrete. President Bush and Vice President Cheney, he said, “would rather that one percent of America sacrifice by carrying the burden of the war with Iraq, make the ultimate sacrifice of having a loved one in Iraq, rather than have all of us make a small sacrifice, which would be accepting a gasoline tax. It’s actually deeply cynical, but as a result they’re going to fail on both.” This is the sort of idea brokerage we have come to expect from Friedman, and if it comes lightly salted with hubris à la Scotty Reston or Walter Winchell or Walter Lippmann, well, who can disagree on the merits of the argument?

    But it’s his latest line of argument, that the flat world must set its sights on becoming a green flat world, that will test Friedman. The environment has been an interest, but never a beat for him. But the new theme will challenge because it will require him to take seriously this question of whether transnational corporate interests will do what they’ve never done before—which is to allay their profit margins for the greater good of the planet and its passengers. (Why must our government require a gas tax? Why won’t private commercial interests voluntarily transform our energy appetite?)

    It may also require Friedman to more seriously address another nagging question, one that lies at the center of anti-modernity movements: If a person wishes to be righteous more than she wishes to be rich, who can gainsay her? There are things to desire from life other than the Lexus. To some, if it’s a competition, then the olive tree is preferable. And Friedman would surely agree that even more dear to the human heart than the cell phone, or the wi-fi laptop, or even the profit margin, is something a bit more archaic: the freedom to self-determine.

     

  • Click-Through Fatigue

    Been busy, but I happened the other day to hear something interesting on MPR’s terrific little show “Future Tense“– a daily dose of reporting on the tech front that is a nice counterpoint to the tweed soliloquy of “the Writers Almanac” (is that even on anymore? Never could figure out how Keillor found the time to do that. He must book a studio for a week in the summer when he does all of his audio books.)

    Anyway, John Gordon was following up on the Knight Ridder sale to McClatchy.

    The question was whether Knight Ridder websites played any role in sweetening the deal. As everyone knows, the San Jose Mercury News was an early adaptor to the web, and has long dominated the field of second place (behind the NYTimes.com, which gets upward of twenty million unique visitors per month) in terms of respect among web-savvy readers of newspapers. Anyway, Gordon found that many Knight Ridder papers brought in somewhere between three and five percent of revenues–quoting from memory here. Well, first I’m surprised they’re that high, actually. We all know that the advertising industry is what is really holding back the migration of readers from print to the web. They are the trailing edge, stuck in the old paradigm of wanting to reach the greatest number of readers in the least number of ad buys, all in one swell foop (as my daughter says). Never mind “psychographics” and “targeted demographics,” never mind all the sophisticated “metrics” and “analytics” of the New Media. Dude, what’s your circulation? Well, one of these days, the bosses of all those safest-common-denominator ad buyers are going to knock on the door and say, “Why the hell didn’t you tell me about this Internet thing? Why didn’t you tell me that, instead of buying a single ad in the Sunday newspaper, I could buy hundreds of ads precisely where our growth opportunity is–among new readers coming to us on the web?”

    The reason I say that advertisers are holding back the industry is that when they begin to understand that advertising on the web is an equal proposition to advertising in print, not just a “value-add” or a tack on to a print contract, that’s when they begin to underwrite a new medium. That’s when you’ll begin to see great journalism on the web that could never translate into the old paper medium, because it is unique to the web–where the readers already are. (This is not to say that targeted ad buys in print don’t work– they have their own role to play in the constellation of advertising strategies. The point is to do whatever you do because it’s your intention to spend your money in the most prudent way possible.)

    Anyway, the point I really wanted to make before I got on that tangent, is this: John Gordon (I think) was talking to one of the internet VPs for Knight Ridder, who thought this would be a great opportunity for KR papers to reestablish some local indentity and flavor, and get away from what I always felt was a godawful template and an impossibly frustrating architecture, seemingly forced on local papers by upper management. I thought, “Right on!” And then I thought, Well what the hell stopped you from ceding more independence to the local paper in the first place? Who’s stupid idea was it to use this nationally-templated “portal” model that should have died ten years ago with Pathfinder?

    I personally think the PiPress has been a solid newspaper–certainly just as respectable as its crosstown rival, and no more degraded by market pressures and trends, in an editorial sense. But being a guy who mostly reads newspapers online, I have to confess that I am steered to the PiPress website only about once a month, and if I tarry long enough to browse around the site, I am no more than two clicks away from intense irritation with how badly designed a Knight Ridder website could be.

  • Apres

    Sad to hear about Kirby Puckett’s stroke yesterday.

    I happened to be building a fire yesterday afternoon, and had last week’s Times ready to crumple up into tinder. It was the sports section, which I have to admit I rarely read. Which is a shame because it’s lately gotten just as good and entertaining as Sunday Styles. I hate to see these strong sectionsof the paper kind of upstaged by the NYTimes magazine and its various spin-offs, so I’m hereby recommitting myself to the smeary, rank and file folio pages.

    What caught my eye was a package of stories about what lousy sports the American olympians were in Turin. I think Selena Roberts sort of overstated the case–when what she really wanted to do was write yet another pile-on piece on poor, misunderstood, crass, underachiever Bode Miller. Aside from the chronically overfunded, underperforming, belligerent, hard-partying American alpine ski teams, there was not a whole lot of evidence that American athletes are terrible, selfish, spoiled little kids–but even if they are, so what? The day is long since past when athletes of international caliber were expected to act like role models and diplomats for the human race; true, America pioneered the sports hero as well as (more recently) the sports anti-hero.

    Bad sportsmen have always secretly been in the game, but it seemed a longstanding gentleman’s agreement that the press would allow the Babe Ruths and the Ty Cobbs and the Wilt Chamberlains of the world their private lecheries off-the-field; after all, no one wanted to make the kids cry, and if the greats used a little tobacky in the dug-out, well at least they tried to keep it discreet. Times certainly changed. I vaguely recall Dennis Rodman as the great iconoclast who permanently turned things around–perhaps it was Darryl Strawberry, although the cursed Strawberry did seem a morose character who would have preferred to remain, against all odds and evidence, someone to whom the kids could look up.

    On the contrary, Rodman delighted in smashing this stereotype loudly and repeatedly, although one could make the argument that a little public restraint might have saved him from a less ugly public demise. Live by the code, die by the code–and a rebel without a cause doesn’t end up having a lot of reputable friends, especially in the media.

    But the Puck? Whatever his off-the-field problems that came with retirement–and they seemed considerable, if they forced the man out of the public eye and, worse, out of the clubhouse, seemingly for good–Kirby earned so much good karma on the field and in the public eye that he will always be remembered as a good sport and a generous human being, a franchise player, a hall-of-famer. One of those guys who, in representing the best of the game, came to represent the best of being human.

  • Safety Glass

    Peter Beinart went quietly into the night as the editor of The New Republic, and no one noticed except David Carr, who is of course paid to notice such things. TNR has lapsed into almost complete irrelevance, along with the putative political party it was long associated with. In fact, if it is possible to be even less relevant and engaging and more conflicted than your typical mainstream Democrat, TNR managed to do it by dissassociating itself even from him. The new editor-in-chief, promoted from the ranks, is Franklin Foer. He says he looks forward to carrying TNR’s “momentum” forward, but considering the fact that the magazine has hemmoraged forty percent of its circulation in the last few years, and now prints fewer pages per issue than your typical government pamphlet, it’s not clear what momentum he is referring too, other than maybe the subtle force that carries us all inexorably to the same destination–our final resting place. The fact of the matter is that TNR needs what Stephen Glass once pretended to give the magazine–actual reported stories from the fringes of Americana that were damn fun to read. The world needs more humorless liberal armchair commentary about like it needs another Canary Island, so here’s hoping Frank Foer all good luck with a magazine that desperately needs some fire in the belly… like it had in the days of Rik Hertzberg, Michael Kelly, and even the waxen Michael Kinsley.

  • Fair Play

    March is a month we are especially fond of, for a couple of reasons. It’s our birthday—four years old! No presents, please, we’re laying low this year—and it is also the month that we haul out the twelve-inch, black-and-white television in the office. Why? So we can attend to Minnesota’s secular high holidays, the State High School Hockey tournaments. We’d make the effort to attend the games in person, but we’re usually impeded by two other March traditions—the last snowstorm of the season, and the resulting heyday for the towing concessions in the city. This last tradition really irks us, as do all garden variety parking-related violations. Just the other day, we overstayed our welcome at a parking meter on Washington Avenue. The penalty was thirty-four dollars, and we hereby declare war on whatever city bureaucrat set this rapacious price. The only person who can be pleased with city parking policies and parking meters has to be the person counting all the money looted from the pockets of harried middle-managers and soccer moms just trying to pick up their dry cleaning. And the person who engineered parking meters that only take quarters and dollar coins? There is a special circle in hell reserved for that scoundrel.

     

    Not that we’d ever wish to play God. God already has too many impersonators, and they generally make a mess of things. The continuing violence in the wake of the Mohammed comics in Europe and the East is deplorable on so many levels that we hardly know where to start. Closer to home, we can understand the anger of Christian conservatives who want to take this opportunity to condemn American newspapers for not having the spine to offend members of the world’s largest (and growing) faith. Free speech, they say, applies only to secular humanist tree-hugging supporters of the homosexual agenda. They can barely hide their disappointment at losing this opportunity to offer up a groin kick in the Clash of Civilizations.

    Actually, there’s a much simpler explanation that should resonate in our bold new “ownership society”: Like the man always said, freedom of the press belongs to those who own the presses. In explaining why U.S. newspapers weren’t, for the most part, republishing the comics in question, we admired the Strib’s Anders Gyllenhaal (isn’t that, um, a Danish name?) for his own sound logic. He said something along the Goldbloomian lines of “Just because we can print offensive and sacrilegious cartoons, doesn’t mean we should.” Hear, hear. We think the story has a Solomonic moral: He who would exercise free speech, and he who would eliminate it, can both learn the divine practice of restraint. If God knows how to do anything, it is to restrain Himself from intervening in human affairs.

    But there is a larger and more troubling question here. If Islam forbids the reproduction of any human likeness, how does anyone know what Mohammed looked like? Anyway, between the press and the public, we naturally side with the press. One can make the reasonable argument that the role of comics and other sorts of op-ed material is to provoke public dialogue and controversy. It’s a good teaching moment, and Muslims are not off the hook. Listen up, Medieval Islamic World: It’s time you got used to the idea of free speech and civil dissent. Iran, go ahead and hold Holocaust comics contests and see what happens. How many Westerners, with or without religious ardor, are going to react by storming the Saudi Arabian embassy and fire bombing it? (None.) How many Jews will issue formal protests? (Most of them.) That’s modern civilization. Get used to it!

     

    Fairness is a more noble, humane, and achievable goal than Absolute Truth, and if that confession puts our mortal souls in danger, we’d rather laugh with the sinners than cry with the saints. Which is why we felt bad about the Olympics this year, before the Olympics even started. Three American athletes were disqualified from participating in the games due to evidence that they’d indulged in artificial performance enhancers. We’ve not been among the shrillest, most self-righteous protestors when it comes to condemning doping in sports. It does, though, violate our basic sense of fair play, but more than that, it has ruined our natural, sunny optimism. Ultimately, the presence of steroids and similar results-by-injection most hurts the underdog, who can never make a surprising triumph without raising suspicions that he or she somehow cheated. When a middle-of-the-pack no-name suddenly crosses the line ahead of all the others, our first thought is a most uncharitable one.

     

    Yes, guilty until proven innocent has become a troubling American standard, one we used to identify with our worst enemies. At some point within the last five years, we suddenly forgot a cornerstone of basic fairness and justice, and traded it for an uneasy trust in our Strong Father-Figure Government. President Bush and his cohorts have been arguing for years now that we need only to trust in their commitment to our safety and our best interests. It is astonishing to hear an American president not just admitting to and defending a practice of illegal warrantless eavesdropping, but also brazenly suggesting that it must continue indefinitely. (And to have a lap-dog congress that, rather than holding the lawbreaker accountable, would merely change the law. We’d like to try that strategy in court, as regards this parking ticket.)

    It is the same approach, justified by the nebulous carte blanche of “war practices,” that allows our federal government to hold prisoners without charge, bail, lawyer, or any recourse whatsoever if they are suspected of terrorism. Is that fair? Well, would we be holding them if they weren’t obviously guilty? Essentially, our president wishes to do whatever he deems necessary in the execution of his office, without accountability from anyone anywhere. We are to trust a man who never really did settle on a good reason for starting a war in the center of the Middle East, who never did find weapons of mass destruction there, who allowed the illegal leak of the name of an undercover CIA agent, who couldn’t be bothered with the obliteration of an entire city on American soil, and who has not yet fired a wayward employee. He has had many opportunities to establish the trust he needs to realize his dream of absolute power without check. And how has he managed each of these opportunities? You be the judge. You’re fair minded, right?

  • Four Minute Fellini

    Remember when the first graphical web browsers were developed? At the time, circa 1993, “going online” meant dicking around with dial-up modems and text menus on Gopher and CompuServe. Then the World Wide Web suddenly exploded in full color with pictures, formatted text, and rollover hyperlinks. Almost overnight, the Web gained critical mass; within a single decade, we went from fewer than ten thousand Americans online to more than two hundred million.

    By now we’ve all been ravaged to the point of insensitivity with breathless language about what the “global digital revolution” meant to humankind, and what it means to us now. And it is, of course, still evolving. For example, once high-speed and broadband net access became widespread, high-quality sound files and true moving pictures proliferated the internet. Now full-motion video is becoming normal and even expected.

    So if you’ve been paying attention, you know that yet another alleged digital revolution is under way. Coming quickly on the heels of blogs are vlogs, or video podcasts—clunky names for a form of self-expression that shows great promise. A vlog is a short-form movie (or, depending on how you look at it, a long-form commercial) running between two and four minutes.

    It’s hard to talk about a medium as a “movement,” but blogging already established the precedent. Even though vlogs are relatively few in number, the variety is already infinite. There are extemporaneous and planned vlogs, fiction and nonfiction. There are vlogs along the lines of excruciating home video—dog walking and cooking seem to be common starting points—and there are others that have impressive production values.

    Some that have been celebrated in the national press, like the daily variety show Rocketboom and the monthly “comedy” show Tiki Bar TV, are not exactly inspiring. Their main weakness is inconsistency. More to the point, when they’re bad, they’re fingernails-on-blackboard bad, with mannered or wooden hosts telling jokes that wouldn’t make the cut on community-access TV, introducing the unfunniest out-takes from America’s Funniest Home Videos. At this writing, iTunes offers eighty-three video podcasts, about eighty of which are futile or feeble. Just like non-video blogging, one person’s musings are not necessarily enough to sustain the interest of anyone else on the internet.

    But the best vlogs today take the idea of audience seriously, and compare favorably to what we already see on television and at the movie house. I suspect that by this time next year, there will be thousands more vlogs, and their general quality will have risen dramatically, as truly talented filmmakers see and seize the opportunity presented by video blogging. With a tight focus and premise, vlogs present opportunities for populist creativity that move way beyond what’s come out of the keyboard-pecking blogosphere, with its rictus of righteous indignation.

    It’s a happy coincidence that one of the very best vlogs, Chasing Windmills, is produced by two Minneapolis residents who post a four-minute film each weekday. Television is the model here. The website, chasingmills.blogspot.com, refers to itself not as a vlog but a “daily web video series,” and its creators refer to the current postings, going back to last September, as the “show’s first season.”

    That’s good, because it suggests they’ll eventually give themselves a much-deserved summer break. With monastic self-sufficiency, Juan Antonio del Rosario and Cristina Cordova have developed a daily soap opera with one main storyline and two nameless characters. Chasing Windmills is by and large a domestic situation drama, dealing with mundane disagreements and pleasures between a young married couple. But there are dark elements as well. The edgy Juan Antonio, with his perpetual five-o’clock shadow, shows signs of incipient insanity. He apparently hears voices. Cristina is a voluptuous and sharp-tongued matron. She gets pregnant and is not, at first, overjoyed about it. She sleepwalks. He secretly smokes cigarettes. The main plot engine, though, is an ancient one: the possibility of infidelity and the quiet tearing of unseen things inside a relationship.

    Mid-season, Cristina seems to take special pleasure in henpecking Juan Antonio, especially as he begins to suffer from his demons. If a viewer begins watching episodes somewhere in “mid-season,” perhaps with “Car Trouble” (November 28), and works in both directions, it captures the essential dynamic of the series—love, touched by neurosis. In the uneven early episodes, Juan Antonio is cruel and invulnerable, while Cristina is thoughtful and conflicted. Some of the subplots, while rich in emotional drama and anticipation, are undermined by earlier shows that give away too much, but with no reward. They hadn’t yet learned the paradox of great drama—that what makes it great is what is withheld, what is hinted at, what is unspoken. Chasing Windmills very quickly incorporated this subtle truth, and now uses it to great effect.

    That’s not to say all the early postings are bad. Within the first six episodes there are clear flashes of brilliance. Even though “Quality Time” (October 11) manhandles the characters, it is the first indication of how artful the series would become. The couple get into an argument on the tennis court, and Juan Antonio’s belligerence would, in the real world, justify a domestic-disturbance call to the police. But things end poignantly. A ground-level shot shows Cristina’s feet kicking through leaves that have gathered at the base of the net, apparently looking for lost balls. The multiple shots and setups, seamlessly edited, contrast with the single, sustained verite-type shots used in earlier posts.

    Chasing Windmills is strictly a two-person operation; Cordova and del Rosario seem almost willful about it. Considering that six months ago, the pair apparently had never used a camcorder, it is astonishing how quickly they mastered the basic techniques of modern digital filmmaking. It almost becomes a distraction to figure out how, with just four hands and a tripod, they manage the sophisticated cinematography. The pair agreed to meet me on a Sunday afternoon, when they do most of their filming.

    Cordova and del Rosario met in Puerto Rico, where they worked as journalists and together started a weekly newspaper in San Juan. Giving up on the long hours and the long odds, they moved to Minneapolis last summer. They explicitly wanted to find a low-overhead situation that would allow one of them to work full time on their new passion, video blogging, which they started a few weeks after settling here. Cordova had lived in Columbia Heights when she was in high school. She currently works at an advertising firm, while del Rosario is devoted to the vlog, including composing and recording its spare soundtrack. “This is basically all we do,” he said, gesturing to the living room, a frequent set, and the digital camcorder standing there on a tripod.

    When I asked how they manage what seems like a massive operation, they brought out a large bulletin board that maps three weeks’ worth of episodes, from concepting and scripting the narrative to storyboarding the scenes, filming them, and editing them. Typically editing happens the night before an episode is posted to the web. So while the rest of the work is proceeding weeks in advance, there’s rarely more than one episode ready to post at any given time. It is a staggering workload. “One episode probably takes about twelve hours of work,” del Rosario told me. “Each,” added Cordova, working through the math.

    The pair live on the eleventh floor of the Towers, a high-rise apartment twenty steps from the Hennepin Avenue bridge. Looking out their windows across Hennepin, the scene is dominated by the big gold ball on the last flagpole remaining in the old Gateway area. Though the storyline could be set anywhere, the series is rich in Minneapolis scenery. It is shot mostly downtown, but ventures as far south as Edina. When they visited family in Puerto Rico over Christmas, they took the show with them. Enlisting the help of family members, for the first time they introduced other characters.

    The vlog’s storyline has developed into a rich and noirish soap opera. There are hilarious episodes like “Anal Longings” (December 20) and touching ones like “Cleansing” (February 8), as well as some disturbing, verbally violent episodes like “Pillow Talk” (November 30). With the modern conflation of short films and advertising—BMW’s celebrated serial starring Clive Owen comes to mind, as does the silly yet seminal Taster’s Choice series chronicling the dalliances of “Matthew” and “Alexandra”—it seems like some episodes of Chasing Windmills, with some tweaking, could be hip commercials for, say, Target or Dunn Brothers. Others, however, seem more like mannered homages to obscure, subtitled auteur films. Cordova and del Rosario are clever and self-aware enough even to get meta; in February, they developed a delightful cycle in which Juan Antonio announces he’s going to start a video blog, because “everyone’s doing it.” Thereafter, the couple briefly plots to make money on Juan Antonio’s new vlog by developing a porn storyline. Alas, Cristina was only playing along.

    Fans wonder how fictional Chasing Windmills is. Having spent an afternoon with its creators, I would call it fictionalized memoir. Here, the main difference between life and art is that the couple obviously adore and admire each other, the way co-creators and artists often do. Then too, violent disagreements may be a part of life for people like that, and that may explain how episodes of intense conflict are often followed by serene stories that seem to have forgotten the rough patch. I won’t give away which plot lines are true and which are fictionalized, except to say that both Cordova and del Rosario emphatically agree that it “basically is fiction,” and neither seems serious about giving up smoking.

    Talking with the Chasing Windmills crew, I was reminded more than once of how late-seventies punk rock, as a populist, do-it-yourself movement, revolutionized music and the music industry. It was a moment when the audience bum-rushed the stage and took over the means of production. Of course, punk was not just a means of production; its style, voice, and aesthetic were paramount. In the nascent vlogging scene, there is no comparable core, no there there. Most vlogs that I’ve seen are modeled either on public broadcasting news, network variety shows, or raw home video. Besides Chasing Windmills, very few—in fact, none that I am aware of—are fictional, produced serials. But as more young filmmakers realize that they can simply take the keys of production and the keys of publishing into their own hands, the creative class may yet break free of New York, Hollywood, and even Sundance. Punk rock had the local bar, where you might see a trashy quartet called the Clash, say, or R.E.M., before they got big. As vlogging becomes more common, we may get to see the next generation’s Coppola or Fellini or Wes Anderson while their short, self-produced flicks are still playing on the local podcast.

  • Rusty Hitch

    I was not much surprised to read Chris Hitchens over at Slate, defending his friend Bernard Henri Levy from Garrison Keillor’s scurillous review of American Vertigo. While Hitch wins points for style as ever –“turkey-wattled congressmen” and “the Homer of Middle America”, he shoots, he scores!–I have to say that he almost entirely missed the point of Keillor’s review. While others found the review more humorous than I did, its laugh track perfectly paralleled Keillor’s straight quotation of excrutiatingly cliched interpretations of Americana. So within the realm of dueling reviews, I have to say that Keillor provides a lot more evidence for his more tenable argument that Levy basically doesn’t have a clue, and it’s emphatically not because he somehow overlooked Lake Woebegon in his travels, as Hitch would have you believe. It is, in a sense, merely tit-for-tat-for-tit. The Frenchman reduces his America to a saccharine shot of lukewarm cliches, the American takes a sip and spits it out, and the boozy Brit drops his coat on the floor and starts in on the “vulgar, nativist American” nonsense. Vulgar, of course, means common–and Keillor’s populist shtick (Hitch perhaps started in on the Scotch too early in the review to recognize that it was, in fact, shtick) is precisely the antidote to Anglo-Franco-American miscommunication that is needed, but it is a shtick that almost always is too subtle for British ears, which are most finely tuned to the extremes of the King’s English or the Cockney wallows. I’m usually not that interested in these reviews of reviews, unless the principals take their gloves off–in part, because there is a reason Keillor was asked to review the book in the first place, not the bad-breathed Hitchens. And I’m loathe to review a review of a review, but what the hey. I fear Keillor has, in recent years, lost energy for the public parley, the way he used to do. Still, it would be fun to read him responding to Hitch, since Keillor is more than the expat’s equal, and has the advantage of a native’s sober understanding of the quick jab and the non-nonsense uppercut, so easy to land when a man like Hitch is running around the ring loudly protesting what he in the first place misread.

  • Publishing For Dummies

    Harry Siegel, the still bedewed editor of the New York Press has resigned–along with his entire staff, after being ordered not to publish “those comics.” He’d been on the job for something like six months. In his public statement, he makes a cogent argument from the farther reaches of journalistic idealism.

    Not a lot of people in the press today see themselves as standard-bearers of modernity. Even fewer put themselves in the position of activists for the industry’s values. Lately, there have been some not-very-saintly martyrs to that particular cause.

    Siegel says it would have been hypocritical to stay on the job after aquiescing to the wishes of the Press’s owners. So his protest is less about free speech and the clash of civilizations than it is about editorial independence. Like the man always said, freedom of the press belongs to those who own presses… not those who run them. This whole story draws the fine line between covering the news and making the news. Weekly alternatives have traditonally been comfortable with either mode– especially ones that are engaged in desperate, dirty street fighting with dozens of competitors. It’s not a bad thing, but larger media companies can be forgiven maybe for being a bit more circumspect.

    The Press, though. They can’t seem to find a management team that works, and the strategy of complete top-to-bottom breakdown every fiscal year does not seem to be working. It seems to me that there is a pretty simple formula to establishing some stability in a publishing operation, but perhaps no one has passed it along to the Press folks, so I’ll do it here: (1) Hire a good editor with a vision for the publication that nicely jibes with your business strategy, if you have one. (2) Give the editor the tools and the freedom to realize that vision. (3) Do not tamper. An editor who has always made a big, public stink about editorial integrity and independence at a publication with a tradition of same? Red flag! Red flag!! (4) If or when the vision goes off the rails, you don’t interfere in the production room. You ask him to come to your office, and you fire him. (5) Then you issue a statement: We disagreed about the direction of the paper. No hard feelings. Settlement package. Voila! Neither of you looks like a professional hack or a wannabe. Live to fight another day.

    To be fair, it seems to be an intractable NY Press tradition to do everything dramatically and in public and in the most extreme way possible. The paper has so few friends who will actually come to their defense that when they do take a courageous stand, they seem to stand alone. As an institutions, they remind me most of that tee-shirt from the seventies–the one showing a tiny, terrified, but defiant mouse giving the finger to a dive-bombing eagle with its landing gear down. A good first step would probably be to either get a spineless, sycophantic editor or a courageous, publicly savvy publisher. They should be on the same page, up until the moment the pink slip is printed.

  • Ha Ha Very Funny

    Not sure where I fall on this issue of comics featuring the likeness of Muhammed, but I was gratified to see that Edina native, St. Olaf Grad, and local-kid-done-good Ward Sutton weighs in on the subject over’ta San Francisco Chronicle. I also admire the Strib’s Anders Gyllenhaal (isn’t that, um, a Danish name?) for his own sound logic, when he said something along the Goldbloomian lines of “Just because we CAN print offensive and sacreligious cartoons, doesn’t mean we should.” Hear, hear. There are weeks when many American newspapers won’t print “Boondocks,” for crying out loud.

    I think the answer is probably somewhere on the middle road: He who would exercise free speech, and he who would eliminate it can both learn the divine practice of restraint. (If God knows how to do anything, it is to restrain Himself from intervening in human affairs, especially when He is most requested.)

    But there is a larger, and more troubling question: If Islam forbids the reproduction of any human likeness, how does anyone know what Muhammed looked like? That’s a bit like printing the tetragrammaton–the cryptic Hebrew word for God, transliterated as YHWH–which no one actually knows how to pronounce, since it has never been pronounced. (“Yahweh” is strictly a Gentile assumption.)

  • Cord Wood

    A slightly earlier, tongue-twistier version of last night’s MPR commentary:

    Probably many Minnesotans have been happy that, so far, it’s been a pretty mild winter. My family is on one of those stabilized payment plans where we pay the same amount for heat each month of the year, even in the summer months–not because I’m a speculator in energy stocks, but because I’m lazy: I don’t like to deal with sudden, surprising utility bills. Out of sight, out of mind.

    Last fall, at about the time that oil and natural gas prices were spiking, I called up my friends at a farm in Western Wisconsin. I’d heard there was a run on firewood because of the panic over energy costs. Carter the farmer confirmed that he’d increased his prices by ten dollars per face cord. The price was going up not so much because of demand, but because of the cost of gas, since he had to drive into the city to deliver most of his wood. Each sale meant roughly a sixty-mile round-trip drive to town.

    At this point I asked a question I ask everytime I buy firewood. What’s a face cord? And how does it compare to a regular cord of wood? This time, Carter explained it in terms that I feel confident are going to stick with me for a year or more. It’s like this: A normal cord of wood is four feet wide, four feet high, and eight feet long. A face cord is a third of a cord–a natural division that happens to a cord of wood when it’s cut up to fit into your typical stove or fireplace. Carter told me that most folks who actually depend on wood for heat will order at least a full cord, whereas folks who just enjoy a nice fire for aesthetic reasons–folks like me– will normally order a face cord.

    I paid Carter $125 for a face cord of wood, mostly oak and birch, well dried and nicely split. When Carter backed into my driveway and up to my garage, I’d cleared all the kid’s bikes out of the way. I asked if he wanted help stacking the wood, and he said, “As you please.” He gave me to understand that we might enjoy each other’s company in the process, or we might not. It was all the same to him. I helped. I recall an old needlepoint on my grandmother’s wall that said something like, “When you split your own wood, you warm yourself twice.” Well, I wasn’t doing the splitting, but I’m a city slicker, so stacking counts.

    I build fires just about every night. And the funny thing is, it actually makes my house cooler. The former owner had done such a great job insulating the house, sealing it up tight, that the fireplace has a draw something like an industrial wind tunnel. I’ve fallen asleep on the floor with the dog, not three feet from the blazing grate, only to wake up shivering as all the heat in the room is hoovered up the chimney.

    And the other downside is that I have to go outside to smell that rich, wonderful, complex, and evocative smell. The aroma of birch and oak burning is, to me, comparable to the taste of a fine wine, or an expensive cheese–and I feel vaguely cheated to have to go outside to smell it. But then, of course, I’m rewarded by a view of the stars and the haloed moon in the cold, crisp night air.

    Recently, though, I have developed a trick. After the fire is cracking nicely, I close the flue for just a few seconds. Just long enough to fumigate the liginv room with the thick, rich, aromatic smoke, but not long enough to endanger the wife, the kids, or the other smaller mammals. Sure, the fire alarms scream into life. But I breathe deep, smile, and lay my head back on the dog’s belly, and don’t give a second thought to the heating bill.