Max Ross For summer reading, Barnes & Noble recommends The Diary of Anne Frank. So here’s the presumed scenario: The sun is out, you’re under your candy striped umbrella at the beach, children in the near distance are making sandcastles on the shore, and you are immersing yourself in the magical world of WWII-era Amsterdam, through the … Read more
Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about … Read more
Originally written for Realbuzz Never has an entire decade of music been so thoroughly consolidated within the confines of a single album. Because we’re talking about the 1980s here — or more precisely, 1983-1993 — this can be viewed as either a good or bad thing, depending very much on your personal taste. If you … Read more
Originally written for Realbuzz There’s something deliciously lame about Clay Aiken’s new album, On My Way Here. On all his previous outputs, Aiken’s milked his boyish, Pee-Wee-esque persona, happy to satisfy both the teenie-boppers and their wannabe moms. On this release, though, young Clayton is trying to mature. Sadly, it seems he’s playing dress-up in … Read more
It could have been so good. That was the biggest disappointment – not how bad it was, but the discrepancy between its actual and potential levels of quality. I’m speaking (writing) of The Ballad of Josef K, a puppeted interpretation of Franz Kafka’s The Trial, on stage now at the Illusion Theater. When reviewing (or … Read more
Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about … Read more
There are two things that need to be done, I think, when adapting a Shakespeare play. First, respects must be paid to the language — the actors must own their lines, the director must choose the emphases that suit his/her interpretation best. And second, the cast must act as translators, using their bodies to re-interpret … Read more
Kill your darlings. This is the command given young writers when they’re learning to edit their stories and poems. (It usually comes directly after the first piece of advice for novice authors: Quit now.) Kill ‘em dead. The line is attributed variously now to Faulkner, now to Hemingway. Extrapolated, it’s something like, ‘take your best … Read more
Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about … Read more
Originally published on Realbuzz.com In 1999, The Roots came out with a double-disc live album, The Roots Come Alive, with songs culled from performances in Switzerland, New York, and various other locations. Rising Down, the group’s tenth album — second since Jay-Z brought them over to Def Jam Records — is in many ways more … Read more