Author: rakemag

  • Pistol Opera

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    I happen to be of the mind that there’s nothing very interesting happening tonight… And you know what that means: movie night!

    Cinema des Artistes is the fittingly pretentious name for a recurring event sponsored by Cinema Revolution, that foreign and indie DVD shop that’s located just above one of the three-dozen new Dunn Bros. in south Minneapolis. (I don’t mind.) Tonight’s feature being Japanese director Seijun Suzuki’s very artsy and very colorful action flick, Pisutoru Opera.

    If that fails, that interesting-seeming Thank You For Smoking plays the Uptown. I just saw the preview for that one last week, and I want to see it very badly. But the boyfriend is promising to make catfish and has just rented Good Night and Good Luck, so I’ll be watching that instead.

  • Notes on 'The Natural Look'

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    Did any of ya’all see the done-up harlot modeling the “natural” look on the back page of the Signature section in yesterday’s Star Tribune? Hmpf! Here I’d been thinking I was rocking the natural all along–for some ten years now, ever since I gave up on foundation, back in college, when I figured how poorly it stood up against my bike commute. Of course, I was wearing drug store varieties–cheap Cover Girl and Maybelline stuff. In any case, it’s disappointing to know that achieving the natural look will require hauling back out the powder, and then smearing on rose-colored blush and lipstick. Oh, and I see that natural girls don’t get to wear eyeliner. But gobs of black mascara is okay. Does the natural look require freckles? And will Sephora be carrying freckle appliques this fresh, new season? (And do they carry those nibble appliques? That’s a sort of natural look too, right?) The natural look: isn’t that what casper-white Keira Knightly and Scarlett Johansson were doing on the cover of Vanity Fair last month, while that uber-icky Tom Ford whiffed ’em over? Ew!

  • The happy soldier bears belligerent offspring

    Here’s something that pisses me off. I mean, it’s cool and all to be making monster trucks for the vulnerable soldier sect, but what irks me is how this fellow was originally thinking more along the lines of a pimped-out, rap star-style ride. And now of course, he’s making a killing off the war.

    Yes, I saw Why We Fight last week. And here we have some happy fluff about the military-industrial come to downtown Stillwater.

    Why We Fight went out of its way to illustrate the prophesy in Eisenhower’s famous “military-industrial complex”-themed farewell speech–which strikes me as not an entirely difficult thing to illustrate. We’re surrounded by the corporatization of the military, even in a charmed, planned community on the outskirts of Stillwater. But there was another comment made in the film that struck a deeper chord, and I won’t be able to quote it verbatim.

    The filmmaker spent much time with a one Karen Kwiotkowski, a retired Pentagon intelligent officer who resigned (after twenty years of service) at the onset of the Iraq War, once it donned on her how officials were interested in manipulating intelligence. Late in the film she said something along the lines of not allowing her sons to serve in the military because the U.S. military, as she sees it, is no longer interested in fighting to preserve freedom. Rather, soldiers are fighting to further the Bush Administration’s imperialistic agenda.

    I have a photo album that my grandfather compiled after the three years he spent fighting in WWII. It’s a precious heirloom, made even more so because he painstakingly labeled and documented dates, places, even his moods. His little handwritten notes preserve something of my grandfather’s personality; so while I don’t remember him well (he died when I was eight), I feel as thought I’ve gotten to know him somehow by way of this book. He was an armorist so there are lots of pictures of old bombers. He got a picture of General Paton inspecting the troupes. He took pictures of obliterated cities. It’s a point of pride, and I like showing off the photo album.

    My dad fought in Vietnam on the other hand, and all I have of that is a picture of him playing a guitar outside his bunker and looking twelve-years-old (in truth, he was nineteen at the time). Of course, I got to know my father much better as a person, but we spoke very little of his wartime experiences. The first thing I did once I got to college was take a “U.S. History from 1950” class, mostly because I wanted to study the Vietnam Era. But still, my dad wouldn’t discuss it with me. And from the little we did talk, I was able to gleam that he didn’t fully understand the politics that had sent him there. He died of lung cancer in 1999. He was a non-smoker. Because he was infected with some sort of aggressive, small-cell carcinoma, his oncologist believed the illness to be related to pesticide exposure in Vietnam. And for what? That, of course, really pisses me off.

  • Hunters, We Hunt

    Be my Venus, baby.
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    On the cultural docket for this weekend: happy hour with my running club (a less-organized variation of the Hash House Harriers, we, too, are a drinking club with a running problem), watching Singing In The Rain with my two best friends (yes), and, with any luck, dragging my mother and my, ahem, boyfriend to see Frank Theater‘s production of Venus. Neither mother nor boyfriend is a seasoned theatergoer. My mom’s most exotic performing arts experience is probably Cosi Fan Tutte. And, well, as for the boyfriend, let’s just say that his favorite house in town is The Brave New Workshop. (For the record: I enjoy The Brave New Workshop very much as well. Especially Caleb McEwen, who I regard as a genius!)

    In any case, I’m not sure that Venus’ big, round rump will be an amusement for the mother, but I’m pretty sure it will be for the boyfriend. (I predict how difficult it will be for him to “be in his body” and respond naturally to Venus’ anatomy–especially if he’s seated next to mom!) Oh, but did I mention that this play is quite sad?

    I’m so glad Frank is having this love affair with Parks! All that cursing! All that pissed-off, third-wave feminist angst! I spoon it all up! Their productions of The America Play and Fucking A are both theater experiences that burned into my memory. Especially catchy was, in A, the hunters who haunted around singing their cute, lil’ hunters’ creed. As I remember it: “Hunters / We hunt / But we don’t eat what we catch / Because that would be a little much / Dontcha think?” (It was, of course, camped-up somewhat Minnesota-style.)

  • The Melancholy of Anatomy

    By the way… If you happen to have a literary tattoo–you know, some sort of text excerpt from a favorite poem or book–you must get in touch without further ado! I’m looking for lettered tattoos that reference the greats… And I promise not to critique your taste in literature. Or your biceps for that matter. (No butt tattoos, please.)

  • Anybody who roll like that gotta have backup dancers!

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    Is it just me, or does all the great work by living, breathing playwrights get produced in March, April, and May? It’s just me, of course… I’ve seen plenty’a great, new works at other times of the year; I very much enjoyed Alan Berks’ new play at Gremlin Theatre just this past February, for example. But here’s the thing: I saw the most amazing show a few weeks back. I can’t stop talking about it because in is the antithesis of everything that goads me about American theater. Point of Revue at Mixed Blood Theatre packed ten little play-lets into a two-hour show for the ADHD sect. Many of you have already endured my raving about that production, so I’ll leave it at that. But, you should go see it!

    Here’s something the show brought to mind: The fact that many contemporary theater companies are turning their backs on good, solid playwriting. Now, of course, the written word is not central to the vision of every theater company. Many think of themselves as having a more “visual aesthetic”–you know the ones. But even among these companies, there ought to a responsible person who knows the difference between adjective and adverb. Another pet peeve: over-funded playwrights who pen saccharine sweet and/or predictably PC scripts!

    I also saw Mefistofele at Jeune Lune this past weekend. Now, in the interest of full disclosure, I should come clean about the fact that I worked at Jeune Lune for three years in and about the time of my mid-twenties. And I worked there because I loved their work. Still do, pretty much. I can’t get enough of all that low-tech trickery and flash. It seems to me that an empty theater is to Dominique Serrand what a blank canvas is to your average painter… But I didn’t much care for Mefistofele. I have generally loved Jeune Lune’s operas. (Figaro was the exception. But I worked there when that show was going on so I couldn’t tell anybody. Ah… La liberte! La liberte!) But the thing about Mefistofele is that there just isn’t much to hook your ear on. I’m no expert on opera but the libretto seems, well, anti-lyrical. The pictures were pretty as hell, though. Worth seeing just for that.

  • A (Wo)man's Corner Store is (her) his Castle

    Our April issue hit newsstands today. Check out the new Rake Appeal section for a piece about the curious folks who live in storefronts. If you’re interested in joining their likes, check out this storefront–for sale in West St. Paul.

  • Town Talk Diner

    They were painful, those three years we spent waiting for the lights at Town Talk Diner to flicker on again. A series of delays only added to the tension for fans, who were dying to see what a quartet of hotshot refugees from some of the Cities’ (and the nation’s) finest restaurants would do with diner food. What’s the shine? Is it the frickles, a snappy snack of fried pickles? Is it the seemingly innocent cherry shakes spiked with schnapps? Could it be the Banana’s Foster French toast? All of the above, and then some. The reborn Town Talk is all things fun and familiar, concocted with a twist. Its resurrection may have come slowly, but also oh-so-surely. 2707 Lake St. E., Minneapolis.; 612-722-1312

  • Actually, It's a 13-Striped Ground Squirrel

    The North Dakota article by Jennifer Vogel [“No. 1 Hard,” February] made me want to move back to North Dakota. After living in Minnesota for many years, I have listened to put-downs of North Dakota from fellow workers and friends. But I have always taken it with good humor. After all, most of these people went to a school with a rodent for a mascot. I feel fortunate that I have lived in both North Dakota and Minnesota and it is sad to see what is happening in small towns and rural areas in both states.

    Ed Raney,
    Lake Elmo

  • Globalization At Home

    Regarding Clinton Collins’ March column [“Who are you calling an ‘underperformer’?”]: You don’t have to go to Silicon Valley to find this point of view about U.S.-born Caucasian students. You can find it here at the U of M. I am a research faculty member in the Division of Biostatistics, School of Public Health. For fifteen years now, a substantial majority of our students have been from mainland China. The same is true of every biostatistics and statistics program in North America. I know of no instances in which a biostat or stat student from mainland China has returned after graduating, so North American junior faculty are now also mostly Chinese. With our foreign students from other countries, this means our native-born U.S. students are a distinct minority. Now, I think this is great. First, our admissions are not competitive, so our foreign students aren’t displacing anybody, and plenty of biostat jobs go begging, so they don’t take jobs from anybody. Second, because they stay here after they graduate, China is essentially exporting its best technical talent to the U.S. Personally, I like mixing with foreign students and I’ve gradually become more and more interested in Chinese culture, to the point where I’m studying Mandarin at the U, playing in the Minnesota Chinese Music Ensemble, and marrying a woman from Taiwan. However, there is some sentiment that our Chinese students are of higher caliber than our native-born students. A U.S. citizen with an M.S. in Biostatistics foregoes a lot of income in the four or five years it takes to get a Ph.D. Also, ours is not a first-tier biostatistics program, so the better native-born students tend to go to, say, Harvard or Johns Hopkins. Therefore, we need to cut our native-born students some extra slack–exactly the attitude Mr. Collins found in Silicon Valley high schools. My own experience supervising M.S. and Ph.D. theses is not consistent with this argument, and this view is by no means universally held. But it’s there.

    James S. Hodges,
    Minneapolis