Category: Blog Post
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Fringe Me Baby, 156 More Times!
FRINGE FESTIVAL
Dying in Public Places
Lust. Terror. Violence. Outbursts of Song. All of these can happen when
stuck in an invisible box… cannibalism too. Dying in Public Places: a
darkly comic new musical, written by Keith Hovis and
directed by Jenna
Papke, premieres August 1st at 10:00 pm as part of the Minnesota Fringe
Festival. 60 minutes of new musical hilarity ensue as five strangers find
themselves trapped in an invisible box. They soon learn that they must
discover what they have in common if they want to survive. And as the
minutes tick by, each person becomes more desperate and tries to find
another way of escaping, no matter how devastating or bloody the
results may be. –Andrew Newman
FRINGE FEST ROCKS: This is just ONE of 156 plays showing over the next 11 days as part of
the Minnesota Fringe Festival. Make sure to get out and see some independent theater this week!
Dying in Public Places performs on Friday, August 1st at 10pm; Saturday, August 2nd at 1pm; Sunday, August 3rd at 7pm; Monday,
August 4th at 10pm and an audio-described performance on Sunday,
August 10th at 7pm.
Minneapolis Theater Garage, 711 Franklin Avenue, Minneapolis, Tickets available at www.fringefestival.orgTo read brief reviews of 19 other Fringe shows, click here.
ART
The Revolution Will Not Be Televised
The biggest global and political issues of today will be responded to
through artwork when The Revolution Will Not Be Televised opens tonight at Altered Esthetics. Continuing its mission of proclaiming
artists as the historical voice of society, the nonprofit community
gallery accepted submissions from the artists whose work will be on
display in the gallery through August 30th. -Andrew NewmanSAVE THE DATE: On Thursday, August 7th join your pals at The Rake for a special edition of Gallery Grooves at Altered Esthetics as part of the Twin Cities Pan African Fest featuring The Revolution Will Not Be Televised exhibit, as well as art by African Sculptor Rabi Sanfo, live jazz and more.
Friday, Reception 7-10pm, Altered Esthetics Gallery, 1224 Quincy Street NE, Northeast Minneapolis, Free
FILM
Political Scenes Series: Mr. Smith Goes to WashingtonTake a siesta from ranting about the election to simply enjoy this
politically charged outdoor film series at the St. Paul Central
Library. Political Scenes screens each Friday throughout August and
includes a
classic lineup of award winning flicks that will entertain
lefties and righties alike. Tonight will feature Frank Capra’s classic comedy-drama Mr. Smith Goes to Washington, a
story of a naive man, who on a lark, is appointed to fill a vacancy in
the U.S. Senate. Want to make it a date? Grab a pre-flick bite and pint
at nearby Great Waters Brewing Company where their numerous handcrafted beers and eclectic menu will delight most anyone with taste buds.
Friday, Dusk, Central Library Courtyard, 90 4th Street West, Downtown St. Paul, Free
FESTIVALS
Loring Art Festival
While the Powderhorn Art Fair is in full swing over in South, and the Uptown Art Fair
takes over Lake & Hennepin, my
personal recommendation would be a
jaunt over to Loring Park for less pomp and more local sass. You’ll not
only be near such cool post-art nosheries as Bar Lurcat and Nick
& Eddie, but the vibe at the Loring Art Festival
has the right balance of quality, originality, and gypsy-esque pizazz
to entertain serious art buyers and starry-eyed youngsters alike. Be
sure to stop by the Somi Tileworks
booth to visit with fun mother-daughter team Norma Hanlon and Kirsten
Walstead whose thoughtfully handmade ceramic tile art is as pretty as
it is functional. Want to hit all three art fests? Jump on the
Target Art-Hop bus for free, air conditioned transport to and fro.
Saturday, 10am-6pm and Sunday 10am-5pm, Loring Park, Hennepin & Oak Grove Street, Minneapolis, Free
ART
Off Register
Forgive
me for being such an art-pusher this weekend, but I just can’t help it
– the city is bustling with an over-abundance of art-activity that I think you simply must
know about! Tonight stop in the hip art spot that
is Umber Studios
for yet another super-fly show that will give you a glimpse into how
graphic design and fine art intersect in the most aesthetically pleasing
ways. Featuring print-work by a bevy of brilliant local,
national and international artists who are connected through the
professional practice of print design, but do not consider themselves
printmakers. This
traveling exhibition, put on by L.A.’s Foundation Project,
explores the artists’ relationship with design and how fine art and the
commercial trade play off each other. While you’re there, make sure to
check out the amazing work of locally-based design group WeWorkForThem!
Saturday, Reception 8pm, Umber Studios, 3109 E. 42nd Street, Minneapolis, Free
SPECIAL EVENT
Caffetto Craft Fair
The highest concentration of uber-cool handmade wares this Sunday
isn’t at one of the many big art fairs, it’s on the busy corner of
Lyndale
& 24th in Uptown. Some of the city’s most talented hip kids
lay out their cute and kitschy items for public perusal and purchase.
Expect crafty delights such as bicycle accessories by Amber Jensen;
urban bags by nommetric 8; comic books and prints by Roger Loontine;
plus jewelry, artwork, book art, and tons more by local designers,
crafters and artisians. However, the most tempting to me is Annie Larson, whose super-pastel hand-dyed shoes, socks and backpacks are perfectly confectionary. And if it’s art you’re after, make sure to check out the cool cats of Hardland/Heartland, whose charmingly bizarre work is definitely on my Minneapolis Top 10 list.
Sunday, 10-5pm, Caffetto, 24th & Lyndale, Uptown Minneapolis, Free -
Livan's Last Start For Awhile? And The Rockets Get Artest
Those of you who claim to have known the Twins would be playing for first place on the next-to-last night in July, please stop lying.
Other commitments prevented me from going down to the Dome for Slowey’s shutout on Monday and the marvelous manufacture of five runs in the fifth en route to a 6-5 win on Tuesday. But tonight was the Twins’ opportunity to move ahead of the Pale Hose, and for veteran hurler Livan Hernandez to quiet the horde hollaring for him to be replaced in the rotation by Francisco Liriano. I’ve got some sentiment on behalf of Hernandez. First of all, through the first six weeks of the season, he went 6-1 with a 3.90 ERA, enabling pitching coach Rick Anderson to sort through his youngsters with a little more patience knowing that he had a veteran stopper on the mound to prevent things from going too far off track. That by itself made Hernandez a better investment than Sidney Ponson and Russ Ortiz combined the previous season. Second, although Hernandez has been increasingly hit harder, he’s been eating a lot of innings–he’s got 143 and 2/3, with Nick Blackburn’s 127 next-most and the rest of the starters not yet at 100. That means if the Twins stay in the pennant race and need to tax their young arms, they may be able to do so (with the possible exception of Blackburn) without worrying about blowing them out. Glen Perkins has never pitched more than 132 innings in a season at any level and Blackburn’s career high is 160. Baker has gone 190 and between Rochester and Minnesota last year, Slowey reached 200. With 55 games left to play for the five-man rotation and hopes that they’d average at least six innings per start, that’s an extra 66 innings apiece (if they each start 11 times). Baker and Slowey can handle it, Perkins, maybe. But without Livan’s 144 (minus 1/3), a bunch of pitchers in their mid-20s get pushed, and the odds of arm injuries rise.
Hernandez gets by on guile, not a bad role model for a bunch of hurlers without mediocre stuff (with the exception of Perkins). I know I enjoyed watching him befuddle the young Diamondbacks when I went to the Dome late last month. Plus, on a more personal level, as a blogger on the back side of middle age, I’ve got some empathy for an aging guy trying to wheedle his way along in a young man’s game. And a part of me resents picking up my latest Sports Illustrated and reading:
Whether because of an egregious error in evaluating Livan Hernandez or decisions of a financial nature, the Twins have continued to start Hernandez (a 5.31 ERA and fewer than a strikeout every two innings, despite his 10-7 record through Sunday) even as Liriano (10 straight victories) destroys Triple A hitters in the International League. According to Baseball Prospectus’s projections, replacing Hernandez with Liriano would save the Twins 15 to 20 runs down the stretch, making them two games better in a division race that may well be decided by less than that.
Well then, there you go: Put a bullet into Livan and ship him off to the glue factory and you might win a pennant. Because the bean counters figure 15 to 20 runs, which by their pythagoreardon berenguergringo formula comes out to two games.
Yeah, I personally resent it, but I also get the Baseball Prospectus yearbook every spring and have come to admire their scholarship, not least because they are often accurate. I was hoping to catch them badly underestimating one of the Twins pitchers who have come through for the club this season, but their thumbnail sketches of Slowey, Baker, Perkins and Blackburn are all pretty solid.
More to the point, Hernandez got shellacked tonight: 5 runs, 9 hits and 2 walks in 4 innings’ work. The Dome has been his saving grace (he was 8-1 at home before tonight) and he’s generally been able to battle back from a wretched inning to put together a little mow-through-the-order rhythm. But not tonight. Carlos Quentin crushed a pitch for a line drive homer to left center in the first inning, then cleared the bases with a three-run double (again to left center) in the 4th, prompting manager Ron Gardenhire to say "he was missing [with his pitches] but mostly to one guy."
Except that seven of the other eight guys in the White Sox lineup also got hits off Livan in those 4 innings, and none of them were cheap. He pitched out of a couple of jams to hold it to just 5 runs, and his ERA–at 3.90 in May, remember–is now 5.48, and his 6-1 record has slipped to 10-8. Despite the fact that I think Liriano remains an extreme injury risk (unless they have done wonders with his mechanics down on the farm) and should be traded now, while his perceived value is still pretty high, it is hard not to endorse the notion that he should be brought up and thrown into the rotation if he’s not going to be dealt, and that Hernandez should slide into the roles of long relief and informal pitching coach.
Most of the time after a game, I listen to what Gardy has to say and then split. But tonight, I thought it would be instructive to get Hernandez’s reaction to getting shelled at a particularly delicate moment regarding his near-future role on the squad. I waited patiently while the cluster of beat writers asked him all sorts of questions, all the while ignoring the elephant in the room. They asked him about Quentin. They noted that he seemed to get upset with some of the ump’s calls and wanted to know if that were true. They asked if the size of the crowd–over 42,000, the largest non-opening day crowd since the final day of the 2006 season–affected his performance. Hernandez was unyielding, saying he made a couple of bad pitches to Quentin, that he doesn’t get nervous, that he wasn’t frustrated, etc.
Here was a guy who everybody knows is going to get yanked from the rotation sooner rather than later unless things change, soon and dramatically, in his favor. He just crapped out and reporters were asking if it was because of the size of the crowd! So I stepped in it. "You’ve heard all the talk about Liriano I’m sure. Did that have any effect on you mentally as you pitched tonight?" I asked. He looked daggers into my eyes, his mouth somewhere between a sneer and a smirk, said something to the effect of, "Okay, that’s enough," and turned his back on the throng. Interview over.
Now Hernandez doesn’t know me from Adam, so I get his pique at some new guy jumping his case. The question would have been better coming from someone else (and perhaps then would have been more elegantly worded). But the question had to come from somebody. And by turning his back on us, Hernandez answered it.
People who call Ron Artest crazy aren’t exactly lacking for anecdotal evidence. My favorite Artest moment was less than three weeks into the 2004-05 season, when he told his team that he wanted to take some time off to promote his new music record. Yeah, that sounds like a plan. Of course less than a week after that, he went up into the stands and started wailing on a guy who he (mistakenly) thought threw ice at him (it was another guy, of course), precipitating the largest, ugliest, fans-players brawl in NBA history. The domestic abuse and animal neglect charges, and the destroying of a television camera, etc, etc, are also on the books. But I give him a pass for getting into a confrontation with Pat Riley, one of the few times when I understood exactly what he was thinking.
When he wants to be and the planets are alligned, Artest is also an incredible basketball player, especially on defense, where his stuck-on-overrevved motor can change the dynamic of a game. He epitomizes the phrase, "high risk, high reward." And now that the Houston Rockets have acquired him, I can’t imagine a better place for him. Houston is the armpit of America–hot, humid, oily, and unattractive, a huge city that alternately feel like a ceaseless warehouse district and a suburb on steroids. It’s a place without much of an identity–compare it to Dallas, Austin, San Antonio–but craving a winner. Having come from the political cowtown of Sa
cramento, Artest will enjoy the upgrade in visibility and scale. More than that, he’ll love the chance to play for a winner (and the Rockets will win if Artest doesn’t flip out), and for coach Rick Adelman. According to a story today by the Houston Chronicle‘s fine beat writer, Jonathan Feigen, Artest florished in the 40 games he played under Adelman after being traded from Indiana to Sacramento, where Adelman coached before Houston. Artest was named to the All NBA first defensive team, and offered to donate his salary to the Kings if they kept Adelman (they didn’t). The fact that Ron Artest is happy with his coach is a great first building block, if such a thing is possible in the ever-changing world Artest inhabits. One of the reasons the Kings were willing to let him go for an apparent song–Feigen is reporting the compensation is Bobby Jackson, promising rookie forward Donte Green, next year’s top draft pick and another player yet to be named–is because he had begun berating himself for not opting out of his $7.4 million contract in Sacramento. Kings management wisely gauged that as rumblings from potentially damaging volcano, and peddled him forthwith.People have already started to wonder if Artest and shutdown forward Shane Battier are redundant talents. But if you like defense, that is akin to somebody wondering if an art collector’s Monet is now redundant because the collector just purchased a Renoir. No, while Battier and Artest are similar, and have overlapping strengths, the defense they can play together will only seem redundant to the opponents they are smothering.
Of greater concern is how well Artest will mix with center Yao Ming. The men are polar opposites in terms of temperament. Yao is deferential, overrated on defense, and slow. Artest is egotistical and ball-hungry, overrated on offense and very quick. If they are both Rockets, I think they will move in different orbits. As a longtime Yao hater, I see all the ways Yao’s game could get under Artest’s skin, even as Yao is being accorded his usual global veneration, upping the resentment ante. And we won’t even go into all the ways Artest could be the problem.
I am falling prey to the trite temptation to make trades for other ballclubs. I believe it is a trade that would make both participants at least co-favorites to win their respective conferences. It won’t happen for a boatload of reasons I won’t go into now (like the commercial power of Yao’s nationality), but it would be of enormous benefit to both teams: Send Yao, the expiring contract of Steve Francis, and a sign-and-trade deal with Dikembe Mutombo to make the sides match, all to Philadelphia in exchange for center Samuel Dalembert and a sign-and-trade contract for Andre Iguodala.
Philly would have Yao to pair with Elton Brand on the front line, with Mutombo as a backup and Andre Miller still running the point, with emerging scorers like Thaddeus Young in the mix. That is a team that could make some serious noise in the East. Meanwhile, Houston would have a front line of Dalembert, Artest and Battier, with Luis Scola and Carl Landry if you needed to get bigger at the 4, and a backcourt of Iguodala and T-Mac swinging with Rafer Alston at the point. And that is a team that would sit beside the Hornets and the Lakers as monster conference contenders.
Even if they stand pat, Houston is suddenly very much in the championship conversation. No team in basketball has quality muckers the likes of Artest, Battier, Scola, Landry and Chuck Hayes–that’s sweat equity by the gallon, and doesn’t even include your two superstars. And looking at San Antonio and Dallas right now, they’ll own Texas.
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The Guthrie Serves Up 2-for-1 Tickets for "Caviar on Credit"
THEATER
Caviar on Credit
Caviar on Credit, directed by Marcela Lorca (The Secret Fall of Constance Wilde),
casts 14 players in the comedic mystery of swindler Walter Jackson
Junior. A case of masked identity and repeat suckers, the actors take
turns playing the protagonists, lending a Bourne Identity
feel
to it all. Perhaps the most impressive aspect of the show, which was
written by the cast itself, is the physicality: Each member has equal
billing in dance numbers, most of which are cleverly choreographed, not
campy, borrowing moves from eras long (and not so long) ago. With a
heavy film noir influence, Caviar on Credit has fun playing
with time period (jaunty fedoras, but also cell phones). Keep an eye on
Laura Esposito who plays (among other characters) the
spiritually-wandering Feta Karakas. A master of Cheri Oteri-like
cuteness and facial contortion, Esposito doesn’t disappoint, even when
focus is meant to be elsewhere on stage. Runs through August 3rd. -Jill Yablonski
SPECIAL TICKET OFFER: The Guthrie is offering Rake Readers a special 2-for-1 ticket deal on performances of Caviar on Credit tonight at 7:30pm, Saturday at 1pm, and Sunday at 1pm. Call the Guthrie Box Office at 612-377-2224 and quote price code "HR".
7:30pm, Guthrie Theater, Dowling Studio, 818 2nd Street N., Downtown Minneapolis
DISCUSSION
Solutions for the Other 90%
If you missed last year’s Solutions event,
which was pretty amazing, here’s your chance to educated yourself on
the latest ideas in sustainable design in the realms of water, energy,
education, health
care, and
transportation shortages. Billed as an evening of "short, rapid fire,
media-rich presentations" by a number of innovators
in their fields, this presentation will bring to light thoughtful
solutions to many problems that affect 90% of the worlds population. In
conjunction with the Walker’s exhibit Design for the Other 90% and curated by bright minds Troy Gallas and Colin Kloecker, Solutions will make you think twice and may even have you changing the way you use our resources. Not to mention, it’s Target Free Thursdays
at the Walker so admission to the museum is free, and if you stick
around after the presentation, free food, drinks and music will abound.
All in all, the perfect "solution" to an otherwise bland Thursday
evening at home.
7pm, Walker Art Center Cinema, 1750 Hennepin Avenue, Minneapolis, Free (Tickets available in the Bazinet Lobby starting at 6pm)
PERFORMANCE
Raven’s Manor
A haunted mansion on the Louisiana bayou plagued for 200 years. A girl
in search of love, knowing that she is cursed to lose it. Three
malevolent spirits who will do anything to make sure that no one in the
house marries for love. The legends of New Orleans have inspired the
Circus Juventas to create Raven’s Manor,
a Cirque du Soliel-style
production that will have audiences on the edge of their seat. A young
girl wants to marry, but her family was cursed many years ago;
any girl who marries for love will lose her groom to the house.
Determined to break the curse, the girl calls on all the spirits of the
house in a thrilling event to banish the evil. Incorporating thrilling
new acts, including a wall trampoline, the
production will also feature the talents of Peter Ostroushko,
continuing his collaboration with Circus Juventas, and local actor Ansa
Akyea. -Andrew Newman
July 31st-August 17th, Showtimes vary, Circus Juventas Big Top, 1270 Montreal, St. Paul, $20 Adults, $15 Children, $25 VIP, Click HERE to order tickets online.
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The Votes Are In
For nearly a month you’ve waited to learn who the newly
crowned royalty of Minnesota
politics might be. Exhibiting saint-like patience and a knack for painting profoundly inappropriate pictures and imagery of your favorite GOP
Representatives, your votes have piled up in comments and emails,
displaying a passion
heretofore unknown for anything but basketball
in the hallowed electronic pages of The Rake. And last night, at The Liffey, at a raucous gathering of
friends, colleagues, and assorted hangers on, gift packs were doled out and the announcements were made.So, without further ado, I introduce you to the 2008 readers’
choice (by a landslide) for Most Beautiful Man and Woman in Minnesota Politics — Peter Brickwedde and Rachel Hicks!Thanks to all who participated and helped with the contest, especially all our nominees who performed with humor and aplomb! And for those of you who wonder why some other Capitol-based beauty/stud didn’t get the call — hold those nominations for next year.
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Naked Bones at the Brickhouse BBQ
As I get older and balder, I have come to appreciate the t-shirt legend that proclaims, "Only a few heads are perfect – the rest are covered with hair." Something similar is true of barbecued ribs – the best way to serve mediocre ribs is smothered in sauce – but to serve ribs naked, they have to be done just about perfectly.
North Minneapolis has been home to a lot of great barbecue
joints over the years – Amos & Amos, Levy’s, and others that came and went
so quickly that I can’t remember their names. The half-life of restaurants in
north Minneapolis seems to be a matter of months, so if you want to try the
terrific ribs at the Brickhouse BBQ, 4330 N. Lyndale, you probably should go
sooner rather than later. There’s not much in the way of ambience, but at good barbecue joints there never is.The Brickhouse opened about a month ago and the grand
opening pennants are still fluttering outside, but the place doesn’t seem to be
getting much of a new restaurant buzz. I stopped in last night around 7:30 for
the rib and chicken combo, and for the whole time I was there, only three
customers walked in the door – and they seemed to be friends of the owners.It’s a family operation – Brad Bigger, his wife Blanca and
their son Franklin Zumba-Deleg all share the cooking duties, while daughter
Karina Zumba-Deleg works the front of the house. A note on the menu mentioned
that the cooks have 45 years of cooking experience between them. The Biggers
asked me not to mention their previous employer by name, but it’s one of the
oldest and best barbecue restaurants in the Twin Cities – a market leader, you
might say – and it’s famous for serving its bones naked – with sauce on the
side.The Brickhouse ribs are served the same way, but rubbed with
a spice blend before cooking. You have to be a pretty good and confident cook
to serve ribs naked – a pool of sauce can cover a multitude of sins, and make
up for a lack of flavor if the ribs have been parboiled to speed up the cooking
time. These were firm and meaty and full of flavor, with just a hint of smoke –
Brad Bigger says he uses oak and hickory chunks in his smoker, and occasionally
adds a little maple or mesquite. The barbecued chicken was also quite good –
meaty and not too dry.The homemade sauce ("a special recipe I don’t give out
to anybody") was a perfect accompaniment – tangy, and not too sweet – but it added to the flavor of the meat, it didn’t cover it up. My combo
of half a chicken and three pork ribs cost $16.95, including coleslaw, Texas
toast and fries.There is a lot more on the menu that I would like to try,
including the beef ribs (Bigger says his customers call them the Flintstone
bones), the ribeye steak dinner ($16.95-$21.95), and the barbecue beef brisket
sandwich ($7.95 with salad or coleslaw and fries.)The Brickhouse is open daily for breakfast, and offers an
$8.95 breakfast buffet from 8 to 12 on weekends. -
All Music Wednesday: Electro Rockers, Lesbian Karaoke and Dead Composers
MUSIC
CSS & The Go! Team
Tonight First Avenue welcomes Brazilian provocateurs CSS aka "Cansei De Ser Sexy"
– which in Portuguese means "tired of being sexy,"
though by the looks
of them seems to mean the opposite. A fiery electro-rock quintet of
vampiric fashion plates, CSS quickly gained notoriety in the first wave
of the hipper-than-thou music blogsphere
phenomenon, thanks not only to remixes of their songs by some of the
hottest producers around, but also some pretty dance-floor burning
remixes of their own. Their latest album, Donkey,
is a pop-tastic beat-fueled ride that will appeal to music fans of many
genres, and although tonight’s show will most likely have a high ratio
of lenseless glasses
paired with gold medallions and designer sneaks, I’d still recommend it for anyone interested in fresh tunes, even if you’re not a
flashy dresser. With The Go! Team, Matt and Kim, and Natalie Portman’s
Shaved Head.8pm, First Avenue Mainroom, 701 1st Avenue N, Downtown Minneapolis, $20
MUSIC
Karaoke at Pi Bar
Who knew lesbians loved their karaoke so much? Well they do, and every
Monday and Wednesday you can join in the fun at this sassy
night hosted by hot babe TeA.
There are plenty of joints around town where one can indulge in the
embarrassing act of karaoke but personally, I wouldn’t be caught dead
singing in public. But I do really love to watch other people having fun and making asses of themselves,
and Pi Bar in South Minneapolis is a great place to do just that. While
you’re there, you might as well get a bite to eat since Pi boasts a yummy menu
of upscale bar food such as mini-burgers, chimichangas, and even a mock
duck philly sandwich for those of the vegetarian variety. Not to
mention, plenty of lip-loosening booze for potential rock
stars, lesbian or not.9pm, Pi Bar and Restaurant,
2532 25th Ave S, Minneapolis, FreeMUSIC
Sommerfest: Chamber Music III: Korngold’s Piano Quintet
I won’t pretend to know everything about classical music. In fact,
I know very little – I am a child of the here and now after all.
Honestly, I’d probably swap a flute for a circuit-bent Speak-and-Spell,
or perhaps opt
to have my eardrums blown out with some thrashy
crust-core in a basement. However, that doesn’t mean I can’t appreciate
the beauty of classical music, especially when matched with the
ambiance and acoustics of Orchestra Hall. My mother was one of those
people who considered arts and culture the most important part of a
child’s education thankfully, so the appreciation of it all and a
wistful nostaligia for the sound of the Orchestra tuning up will
probably always be ingrained in me. The Minnesota Orchestra’s Sommerfest is
one of the most heralded music events of the summer, with samplings of
work by brilliant composers from around the world. Tonight’s
performance will include a string quartet performing work by composer Felix Mendelssohn, topped off with the sweet sounds of Erich Wolfgang Korngold – as performed by pianist Andrew Litton and members of the Minnesota Orchestra.
7:30pm, Orchestra Hall, 1111 Nicollet Mall, Downtown Minneapolis, $20 -
Dancing and Double Axels Downtown
I promised this story about my years as a figure skater awhile back, but I wasn’t ready to fall on my ass -again- until I knew in my heart it was time. I could write a book on my years of experiences as a figure skater but from the looks of things as they stand now…I will blog instead.
Last night my daughter, her friend and I went into Downtown Mpls for our ballet class at Zenon Dance School. Bear with me because the juices are flowing here…
Downtown Mpls has always given me so much energy that this former figure skater was in no need of caffeine or any other beverage to give me liquid courage.
I fly when I am on energy (naturally) which is why I was leaping down Nicollet Mall past (our lovable Jason DeRusha’s TV station) WCCO. Yes, there were looks of disgust from the yuppies that were having happy hour while enjoying the beautiful patios that grace the mall, but I didn’t care. I was on my way to dance class.
When I arrived at Zenon, which is located in the Hennepin Center for the Arts Building, I was feeling that same feeling I used to when I would warm- up before a competition: Excited, sick to my stomach and happy all at the same time.
Last night was not a competition of any kind, but it was nerve racking to me because I was about to dance not only in front of my daughter and her friend, but also in a group with total strangers that were of all age groups.
You can think what you want, but wearing tights and moving your body into awkward positions in front of complete strangers is still really awkward for me.
Why? Well first of all, I am a "lefty" which means that since I was a little girl my coaches informed me that my body moves naturally in the opposite way of pretty much everyone else, including my skating peers.
For those skating enthusiasts, that means when you see everyone warming up at skating events –skating one direction, jumping one direction, and spinning one direction– you would fine me skating, spinning, and jumping in the opposite direction. Being a "lefty" was hard for this reason…I had to fight my way for 15 years, trying to use the portion of the ice rink that I needed to skate– at the same time everyone else was lining up for their turn to practice double axels.
Yes sir indeed, that last jump I was able to land (cleanly and consistently) was a Double Axel.
I was able to land a few Triple Toe Loop jumps but I would be stretching the truth if I said that I had perfected a jump that at the time seemed like a big deal but is now— done a lot in skating competitions.
So tonight, as I stretch in my office and get ready to go back to class and attempt to share the floor with the other dancers, I am going to try to let go of the years of repression that have been holding me back from the one thing I fell head over heels, mind over body, music over talking– in love with.
Skating.