Category: So Little Time

  • moe.

    In terms of wank-out psychedelia, this Buffalo, New York-based jam band is more peyote than purple microdot: organic, smooth, and offering a slightly shorter trip than the Grateful Dead or Phish, or their friend Umphrey’s McGee. After using concert improvisations to flesh out the tunes that run like flowing ribbons through previous albums like Wormwood…

  • Jazz at Lincoln Center Orchestra with Wynton Marsalis

    Ever since Wynton Marsalis seized the reins of the JLCO in the early ’90s, both the orchestra and the organization have been hallmarks of supreme scholarship and top-notch quality control in the effort to enshrine jazz as America’s classical music. The only danger was that Marsalis would smother his project with love, favoring hermetically sealed…

  • Abbado Conducts Schubert

    Italian conductor Roberto Abbado knows the difference between flair and flash, or sophistication and ostentation. After a series of typically elegant performances with the Minnesota Orchestra earlier this decade, he became an artistic partner of the Saint Paul Chamber Orchestra two years ago and ascended the podium for five weeks of solid Beethoven last February…

  • Bill Carrothers’ Armistice Band

    Jazz pianist Bill Carrothers was born in Minneapolis in 1964 and, even as a tyro getting his artistic bearings, elevated the local jazz scene with his cerebral gravitas (No one, for example, untangled the Gordian knots of altoist Lee Konitz better than Carrothers in concert.) While his best-known disc is probably Duets with drummer Bill…

  • Electronica!

    This program of cutting-edge, contemporary classical music for amplified cello isn’t likely to give Yo-Yo Ma a run for his royalties, but might be the perfect antidote for the benumbing holiday hubbub. Cellist Lauren Radnofsky made her Carnegie Hall debut last year, premiering a Brad Lubman composition. Now she will be conducted by Lubman in…

  • Matt Wilson’s Carl Sandburg Project

    Nearly five years ago, drummer Matt Wilson brought a quartet into a fledgling, soon-to-be shuttered jazz nook called Brilliant Corners in downtown St. Paul and blew about sixty listeners away with music that blended visceral skronk with the sort of exotically forceful swing that could summon forth dancing elephants. Now former Brilliant Corners proprietor Jeremy…