Blog

  • Fear to Trudge

    In the cards for tonight, so long as I’m not buried: The Stephen Petronio [dance] Company at the Walker Art Center. Don’t know much about ’em, I’m afraid. But they come recommended by my friend, the very knowledgeable and talented Ms. Linda Shapiro.

    Looking on the bright side of all this powder and slop: I guess this means we’re in like a lion, at the very least. But it couldn’t be a worse weekend, in terms of happenings, to get snowed out. For now, I plan to strap on my snowshoes and trudge to the DIVA MN fashion event (wouldn’t that be something?) as well as to opening weekend of Don Juan Giovanni.

  • Another One Bites the Dust

    My apologies for the paucity of posts. I’ve been out of town since Saturday. But I’ve returned with a head full of savagely deep thoughts. Until one bites me there is this …

    I am not pretending that many will notice or care, but my alma mater, KTLK, (noted in previous posts for its’ gruesome ratings performance to date), has terminated morning host, Andrew Colton, as of this morning, Feb. 28. No further details at this time other than a comment from a KTLK insider describing, “a dramatic scaleback of news operations”. Odd,I wasn’t aware there was a news operation at KTLK. Don’t you need reporters for that? Maybe the source means KTLK missed a payment for access to all those Fox News rip ‘n reads.

  • WATCH THIS SPACE!

    Beginning Sunday night, Britt Robson, late of City Pages, will be bringing his Timberwolves blog to The Rake. Check back here for the latest, and best, Wolves coverage after every game.

  • Cho-Down pt.2

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    Just a quick and dirty update on the Chodorow vs. Bruni saga …

    Apparently, Jeffrey has banned Bruni from all of his restaurants. Not only that, but he’s going to post a picture of Bruni on his website and offer a free vacation for anyone who spots Bruni in a Chodorow joint.

    What did I say yesterday about believing your own press?

  • Buca Big House

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    the pope’s table

    Joe Micatrotto was sentenced yesterday to 13 months in prison for his illegal actions as head honcho at Buca di Beppo.

    I have such odd feelings about this.

    As a young something, I believed in the crazy fun and cool world of Buca. I was the first Training Coordinator and running around the country opening restaurants and learning how to grow a national concept.

    It was the hardest work I’d ever done and the most fun I’d ever had. We were Una Famiglia and it was great to spread the Buca love to a bunch of fresh and wide-eyed innocents. I talked about humility and having fun and working together as a team, and I believed in every word I spoke. For a while.

    The restaurant world is a counter culture, normal rules of “office etiquette” usually don’t apply. So you don’t bat an eye when the dirty jokes flow from all levels, it’s really not that big of a deal. But sometimes, when you’re the only female traveling with an all-male executive team, it wears a little thin.

    And when you grow a company, things change, that’s a given. Systems are refined and streamlined to be more efficient. Shorten training to save money? ok. Stick the trainers in the cheapest, rattiest furnished apartments to save money? Uh, ok. Cut a day of learning and add a training party so the Big Cheese can feed all his friends for free? Huh?

    The day I truly lost my religion, the day I realized that every word from my mouth was fluff was a sweet day in Pasadena. For over a week I had spent countless hours in front of the trainees talking about how we were there to support them, giving them everything they would need to be successful and confident in their jobs. That night the training party was meant to be a training exercise: we invite people in and buy their food in exchange for their patience and understanding as we practice on them. The number of people invited is held to a manageable amount, so that each server is well paced but never slammed. That way they have the chance to focus on the smaller things that improve service.

    But Micatrotto lived near Pasadena, and the invite list grew to an absurd amount. By prime time, the entire restaurant was full and there was a two hour wait. The service staff and trainers were overwhelmed and just trying to survive. I knew that Micatrotto’s son Justin was holding court at a booth in the bar (the tables were supposed to be no more than 4 people, his held 8 or more) and that the server happened to be one of the weaker ones. But instead of having the chance to learn from her mistakes and become a stronger server, she was crushed by the pressure and the disdainful glare of the King of the Company.

    Of course she screwed up, that’s what they are supposed to do at training parties. Isn’t it better to mess up on someone who isn’t paying anyway? I went into the kitchen to plead her case with Joe, when I saw him in a fury at the front line. He was checking up on her ticket and realized she had forgotten to order something for Justin’s table. He then started kicking the kitchen equipment and shouting “that f**king c*nt!”. Over meatballs or pasta. Una Famiglia.

    I wanted to walk right out the door, but I didn’t. In fact it took me a few more years to realize that I couldn’t save the crazy cool and fun culture I’d loved. The company I’d believed in and helped grow was rotting from the head down.

    But I feel sorry for the guy. Prison is a high price to pay for a big ego. And yet … choices were made.

    I still crave the lemon chicken and could eat many wheels of the aromatic garlic bread. Under the new management Buca is again a happy place, I am told. In a way I have to appreciate my time under the Micatrotto regime, if only for the lesson I learned: Don’t believe your own press.

  • Best Documentary, in Fragments

    More on movies: the film that, in my humble opinion, should’ve won for best documentary is playing at the Bell–through tomorrow only! Not that I disliked An Inconvenient Truth. But let’s face it, folks; it was, essentially, a PowerPoint presentation, whereas Iraq In Fragments took some very bold, and quite poetic, snapshots of three different Iraqi subsets: the neglected Sunni schoolboy; the rambled and radicalized Shiite south; and finally, the seemingly quiet life of a rural Kurdish schoolboy. Rich in hot reds and cool blues, the pictures are beautiful to boot–and considering how difficult the content was to gather, that must’ve been the filmmaker’s happy accident.

  • Gone to the Gowns

    If there was one resolution made during last night’s Academy Awards viewing, it was this: I resolve to go see The Queen. I missed it, thinking it looked tearfully boring at the time of its release. Plus, I generally try to avoid biopics–unless, that is, they have something to do with Truman Capote. But in an evening wrought with political handouts and unflattering eveningwear, Helen Mirren was the class-act standout. For one, she wore her dress, by Christian Lacroix, better than anyone else wore theirs–kudos to her to her for daring to wear something so low cut. And at her age!!

    (Here’s my parenthetic thoughts on last night’s dresses: Penelope Cruz’s Versace was the best dress, in my humble opinion. I also liked Nicole Kidman’s red Balenciaga number with the big shoulder bow, although her plasticized forehead did nothing for the overall look. Cameron Diaz’s white, origami-inspired Valentino was also nice; this is something I’d actually want to wear! But aside from that, I’m not diggin’ the futuristic metallics, which can make even a starlet look paunchy. Jennifer Hudson, I love you ‘n all, but get rid of that Oscar de la Renta rag–and fast!!)

    In any case, for those, like me, who still haven’t seen The Queen, it’s playing at The Heights this evening through Thursday.

  • Conversations Real and Imagined: Scorsese's Acceptance Speech

    At the mention of his name, and with a look of profound relief and that usual squirrel-spark in his eyes, Martin Scorsese nods to himself, rises from his chair and makes his way to the stage. Steven Spielberg, George Lucas, Francis Ford Coppola and that tall brunette, whose presence speaks of sold souls, waits to hand Martin his Oscar. Hugs are exchanged. Martin admires the little gold fellow. He steps to the mike, and begins.

    Thank you, thank you everybody. Academy members, Steven, Francis, George, boy, this is an honor, thank you so much. I have so many people to thank, I barely know where to begin.

    I guess I’ll begin by offering my gratitude to Paul Greengrass, Alfonso Cuaron, Pedro Almodovar, Florian Henckel von Donnersmarck, Guillermo del Toro, and any other director this year who made powerful and original films, much better than my own. It feels strange being up here, looking down at these directors, remembering when I was beaten by films like Rocky and Ordinary People and Dances With Wolves, a trio of perhaps the most embarrassing Oscar wins in its admittedly weak history. I know what it feels like, boys, to think about the little masterpiece you made and watch that big-budget, heavily-marketed, lugubrious film pass you by. Or the award for the guy who gets it just because he’s paid his dues.

    See, I paid my dues. I know The Departed is far from my best, ignores so many of the things that made my other films great, and is such a bald-faced attempt at winning the little gold man that it’s nearly embarrassing. But it worked. Now I can move on and make the movies you want me to make.

    See, for the longest time I did exactly what I wanted to do, and look at my success–money, popularity, films that are not only acclaimed by critics but the public as well. Good god, you’d be surprised how many people will see me on the streets and go, “You lookin’ at me?” or “You think I’m funny? Funny how? Funny like a clown?” or even that guy at the deli who calls himself Rupert Pupkin, claims that he even had his name changed legally. Well that’s great. It’s wonderful. People know me, they love me. But my best work–just like the best work of the directors I just thanked–didn’t get me one of these.

    Now you may ask yourself: why the heck do I care if I get an Oscar, when so many great directors never won the gold? Good question. In fact, a friend of mine–he’s a sommelier at this great little restaurant in wine country–pointed out how similar my career was to Hitchcock’s. Critical and popular. Thrillers that meant more, so much more. Old Hitch’s immortal, just as I will be regardless of whether I ever win one of these. Well, my friend’s right. I don’t know what to say except that these little gold statues are an addiction, I think. I don’t know.

    A girl no longer in my employ also pointed out that, for a man who directed the life of the Dalai Lama, I sure seem to have jettisoned my Buddhist belief in rejecting attachment. Again, I have to say she’s right.

    The Oscars are a funny thing, aren’t they? I mean, so many people watch them, and tomorrow the sales for The Departed are going to skyrocket. And that’s great. If you’re going to make it in Hollywood, really you have to sell your soul at least a little bit, and if you want one of these, you have to sell your soul a lot. The statue is a way of showing, to a world of people who might want to live a good and decent life, the sacrifices we make when we want to give you Taxi Driver or GoodFellas. I mean, I try to have it both ways, making those little PBS movies about Dylan and the Blues, but really I can’t. I had to hurt or kill a very important part of myself to win an Academy Award, and I did it because… well, I’m still not sure. Right now I’m just giddy to be up here, spilling my guts.

    The thing that scares me is this: that same woman who wondered about my Buddhist beliefs also wondered, once I’ve given myself over to making the kind of movies that will win me an Oscar, if I can ever go back. If I can ever be edgy again. Pure. Or if I’m stuck casting guys like DiCaprio and Nicholson, instead of talented, hungry newcomers. If I’ll be able to make the cinema charged with electricity, the way guys like Cuaron and Lynch and Tarantino still do. Guys who don’t give a shit about Oscars.

    The answer is that I don’t know.

    Well, at least I’ve got my Oscar. That’s out of the way. Francis, you’ve got yours. Stephen, you’ve got yours. Hmm. But I remember, Francis, looking at the your Godfather statuettes, behind that thick glass at your vineyard. I was surprised: yours were almost black. They tarnish so easily, don’t they?

  • Murder by Numbers

    Viewed through the prism of memory, some years take on a character, a distinctive tone. In 2006, crime reclaimed its place on the front pages of newspapers across the United States, including the Star Tribune. And in this year of murder, Courtney Brown and Trevor Marsh were like twin poles on a violent globe. Brown died on a Saturday night in September, while walking with friends near the intersection of Lyndale Avenue North and Dowling Avenue. He had been playing basketball. The young man who shot him wanted Brown’s basketball shoes and jersey, a replica of an old Morgan State University uniform. Brown was about to start his sophomore year at Edison High.

     

    Minneapolis had been recording homicides at a rate not seen here in a decade, but Brown’s killing, which occurred on the fringes of Minneapolis’ most troubled neighborhood, struck a chord. Spurred by media attention and aided by cooperative citizens, the police quickly arrested several suspects, including the alleged shooter. He was seventeen. Charges have since been dropped.

    Trevor Marsh’s murder occurred nine miles away, bringing a half-dozen squad cars and police barricades to a quiet, middle-class neighborhood. A student at South High, he was shot in the woods near the Mississippi River, below the intersection of Thirty-second Street and West River Parkway. It was October 26. Another South High student had been murdered just three weeks earlier.

    Police said little about the circumstances of Marsh’s killing, but rumors swirled at the school and throughout the Longfellow neighborhood, where violent crime is rare. Marsh had been in trouble. He was shot execution style. The killers had taken his shoes, a sign of gang involvement. In late December, Minneapolis police charged two alleged gang members, one of them only sixteen, with Marsh’s murder. According to the criminal complaint, Raine C. Neiss shot Marsh at close range near the left ear because he had lied about being a member of the Gangster Disciples. An eyewitness allegedly told investigators that Neiss was playing Russian roulette with a pistol that Marsh brought to the meeting.

    Along the river, a memorial grew and morphed, withered and was revived. A framed photograph in a wicker basket, flowers, balloons. Saints candles. Briefly, a blue bandanna. In December, a Christmas wreath with handwritten notes.

    These murders made for two sharply contrasting tales: One victim black, the other white. One lived north, one south. One was the epitome of innocence on the fringes of a troubled neighborhood; the other, apparently living what Minneapolis Mayor R.T. Rybak indelicately called a “high-risk lifestyle,” albeit in a supposedly safe part of the city. And yet each death created the same anguish, confusion, and even rage.

     

    By year’s end, Minneapolis had recorded sixty homicides, thirteen more than in 2005 and the highest number since 1996, when eighty-eight people died violently in the city. Twenty-nine—nearly half—of last year’s killings occurred in a six-square-mile area of North Minneapolis, from Glenwood Avenue north to Dowling, and from the city’s western border to the Mississippi River on the east (minus the North Loop neighborhood in the southeastern corner). According to the 2000 Census, 49,405 people live here, which equates to roughly fifty-four homicides per hundred thousand residents. Were North Minneapolis a separate city, that murder rate would put it just behind such municipalities as Compton, California, and Gary, Indiana. If Longfellow neighborhood had the same homicide rate, there would have been fifteen homicides there in 2006, instead of three; in southwest Minneapolis, there would have been thirty-four instead of the single case—the shooting of graduate student Michael Zebuhr in Uptown—that caused such an uproar last March.

    Granted, last year’s total was far below the 1995 record of ninety-nine homicides, which earned the city mention as “Murderapolis” in the New York Times. And, in fact, experts routinely caution against extrapolating from homicide data for a single year, since the numbers involved are relatively small and can be influenced by many factors, including luck. But the Minneapolis-based Center for Homicide Research has used police data and other sources to locate all seven-hundred-odd homicides in Minnesota between 1996 and 2000. Zooming in on Minneapolis shows that nothing substantial has changed between those years and 2006—there are just more dots. “Homicide doesn’t occur randomly,” pointed out Dallas Drake, the center’s principal researcher. “It clusters. It clusters in space and time.”

    Minneapolis is not alone. From Orlando to Oakland, Philadelphia to Indianapolis, to Milwaukee, to Little Rock, violent crime, particularly murder, was big news in 2006. Oakland, the San Francisco Chronicle reported last October, “has hit a 10-year high for homicides.” A headline in the Houston Chronicle proclaimed that same month: “Homicide rate on track to be worst in a decade.” Wrote the Orlando Sentinel on November 3: “Death brings murder count to record 44.” In August, the Philadelphia Daily News reported that “blood is spilling at a record rate this year—not only on the streets of Philly—but in supposedly friendlier locales …”

    These figures in many cases rose for the second year in a row. “Among violent crimes,” the Washington Post reported, “the biggest rise in 2005 came in the number of homicides, which leapt 4.8 percent, to nearly 17,000. Some of the hardest-hit cities included Milwaukee (up 40 percent), Cleveland (38 percent), Houston (23 percent), and Phoenix (9 percent).” According to recently released FBI figures, violent crime rates accelerated four percent in the first half of 2006. This follows a 2.5 percent increase in 2005, which was the largest increase in a decade.

     

    No matter how it’s broken down statistically, murder is ultimately just a surrogate for the broader perceptions about security and danger that profoundly shape our lives. We focus on homicides, in part, because they can be measured with relative accuracy. Few go unreported; the demarcation between life and death is clear. In legal terms, too, it makes a huge difference: When a man was shot at a downtown Minneapolis bus stop in late November, the fact that he survived meant that the shooter could not be charged with murder. Knowing that the victim survived, however, does not make those who witnessed the shooting, or who wait at that bus stop every day, feel measurably safer.

    Among themselves, criminologists often speak of homicide as merely one type of aggravated assault, in which numerous factors—the shooter’s skill, proximity to advanced trauma care, and sheer luck—influence the fate of the victim. A half-inch difference in where a bullet hits can mean the difference between life and death. Researchers at Harvard University and the University of Massachusetts have estimated that the U.S. murder rate would be roughly three times higher without the advances in emergency-room medicine that have occurred since 1960. And so Minneapolis’ overall homicide rate is surely reduced by the proximity of two Level I trauma centers, at Hennepin County and North Memorial Medical Centers.

    But trauma surgeons saving the lives of gunshot victims masks the true dimensions of the problem, which is not so much murder as it is violence in general. A better measure of that violence might be a tally of those who are intentionally shot, or shot at, in the city; however, such figures are unfortunately only “semi-accurate,” said Minneapolis police Lieutenant Greg Reinhardt. “You don’t see a gang member saying, ‘I want to make a report that I was shot at.’ They’re going to take care of it themselves.”

    Still, even the number of reported shootings in 2006 rose twelve percent over 2005, according to police figures. Aggravated assaults, which include shootings, were up sixteen percent in the same period, and weapons-related arrests were up fourteen percent. Nearly three-quarters of Minneapolis’ homicide victims in 2006 were killed with handguns; a decade earlier, when the city had eighty-eight homicides, handguns were used in about half of them. One logical response to violent crime, then, might be to take away guns from those with a propensity for violence. Police in Kansas City, Missouri, for example, cut gun crimes nearly in half when they dramatically increased enforcement in “gun crime hot spots” of laws that prohibit the carrying of concealed weapons. They took away sixty-five percent more guns than in the previous year. Researchers have reported similar results in other cities, but the methods used to seize those guns have often proved controversial, with frequent charges that police rely on racial profiling to decide whom to search.

    At universities and think tanks across the United States, a small cottage industry of researchers has tried to understand why and how murder occurs, and by extension how to curb it. There is even a peer-reviewed journal, Homicide Studies. (From its November 2006 issue: “The Murderer Next Door: Why the Mind is Designed to Kill.”) Like law-enforcement officials, those researchers routinely classify homicides in a variety of ways: by the relationship between victim and killer, say, or by looking at whether illegal drugs or gang membership were involved.

    If the goal is to reduce the number of murders, those distinctions make sense. Preventing the death of a young child at the hands of a caregiver (No. 13, three-year-old Ethan Hamilton) or of an intimate partner (No. 43, Martell Delaney) requires a different strategy from, say, stopping drive-by shootings (No. 50, South High student Gennaro Knox ), violent robberies (No. 12, Michael Zebuhr), or drug-related murders (No. 16, Garey Hannah). Likewise, this analysis helps us gauge risk and protect ourselves.

    But these distinctions have negative consequences, as well. They inherently place at least part of the blame for murder on the victim. One was buying illegal drugs, a second argued with a gang member, another chose to live with a violent partner. In this crude calculus, it is the random act of violence that haunts urban America. Thus, as the Star Tribune reported in the wake of that November bus-stop murder: “The downtown shooting wasn’t random … The boy was shot by another person who … knew the parties involved.” The subtext: You, dear reader, are safe.

    These distinctions create a sort of economy of homicide, in which some lives are more valuable than others. And in this economy, daily news coverage becomes a rough measure of value. Only a handful of the city’s murders in 2006 made front-page news, and those often had a ready-made nickname (the Block E shooting, the Uptown murder), or at least a shocking detail (killed for a basketball jersey). The killing of Michael Zebuhr merited 7,500 words. Including the trial and its aftermath, the death of Alan Reitter, near Block E, generated more than 11,000 words. Michael Eide, shot near Twenty-ninth and Morgan Avenues North, was worth 313. Erman Edmonds, shot on the 3700 block of Columbus Avenue South, warranted 105.

    At the very nadir of this process, the act of living in or even visiting a neighborhood plagued by violence tacitly becomes equated with risk. Murder, Drake says, “becomes normal. ‘That’s just a bad neighborhood.’ It becomes acceptable—expected—that homicide will occur there.”

    In recent years, researchers in the field of public health have become involved in this discussion of homicide. From their perspective, murder might be seen as a disease that disproportionately afflicts men: In Minneapolis, the murder rate for men (27.9 per hundred thousand residents) is nearly eight times higher than it is for women (3.6). Homicide disproportionately affects African Americans, especially men: Their murder rate in Minneapolis (eighty-seven per hundred thousand) is about fifteen times that of white men (5.6). Homicide rates for black male teenagers (202 per hundred thousand) and black men aged twenty to twenty-nine (244 per hundred thousand) are staggeringly high. (The rates for whites are fifteen and eleven, respectively.) As with the maps plotting out murder locations in Minneapolis, these figures remain fundamentally consistent, year after year, decade after decade, both here and in many American cities.

    Not that plenty of people aren’t trying to reduce the violence, using myriad strategies, both obvious (a police juvenile-crime apprehension unit, gun buy-back programs, increased patrols in hot spots, the new “Shotspotter” technology) and not so obvious (nonprofit organizations that rehabilitate problem properties).

    We also talk good. Last August, Mayor Rybak spoke of public safety as a “civil right.” Quoting the mayor, the Strib wrote an impassioned editorial, pointing out how angry we would be if armed thugs terrorized the streets of Edina. Governor Pawlenty called the violence in Minneapolis “a statewide concern.” We write this article.

    But lacking a coherent, systematic plan to address violence, all of the above amounts to tinkering. Some years see more cops added to the police force, or more dollars budgeted for overtime. But by leaving the problem to the cops (as though a thousand more officers might alone solve the problem), we forget that our safety depends most on voluntary adherence to law. As a city and state, we make a cost-benefit analysis, essentially deciding that a certain number of lives are expendable.

    By contrast, Boston radically reduced its youth homicide rate in the 1990s with a comprehensive, multidisciplinary effort that has been dubbed the “Boston Miracle.” According to figures published in Murder Is No Accident, by Doctors Deborah Prothrow-Stith and Howard Spivak, fourteen children aged sixteen and under were killed by handguns there in 1988. By 1996, the city had in place more than a dozen antiviolence programs that involved numerous organizations, including community groups, the police, and hospitals. Schools, for example, taught an antiviolence curriculum. Hospitals assessed victims of violence to determine whether they were at risk of additional attacks; doctors, social workers and nurses attempted to prevent them much as they might try to prevent asthma attacks. Community groups sought to give young people alternatives to joining gangs. The police department instituted community policing and worked with probation officers to hold youth offenders accountable. The result: Between 1996 and 1998, Prothrow-Stith and Spivak report, not one child sixteen and under was killed with a handgun in Boston. Over an eight-year period, the city averaged just one such killing a year, compared with an average of seven per year in the preceeding eight years.

    Many of these same programs have been implemented in cities all over the U.S., including Minneapolis. So what made Boston special? Even the authors of Murder Is No Accident, who were themselves primary architects of the Boston Violence Prevention Project, say they “don’t know exactly what happened.” While politicians and police chiefs are often quick to claim credit for reductions in crime, criminologists admit in moments of candor how little we truly know. “It’s a Crime What We Don’t Know About Crime,” the Washington Post titled one essay last July.

    In this context, Courtney Brown’s death in September was, paradoxically, both random and predictable. There was no way to know that this “innocent” and “sweet” boy (as then-Hennepin County Attorney Amy Klobuchar described him) would die a “senseless” death, any more than we can know exactly who will die from secondhand smoke, and when. But the circumstances were volatile in Courtney Brown’s neighborhood. Similar killings outraged the city in the Murderapolis years. A similar killing will likely happen this year, too.

    “When the [homicide] rates are going down, we feel relieved,” said Drake, “but there’s never a sense that we can eliminate homicide altogether. We expect a certain number. That’s a sick way of thinking. Not all countries have the homicide rate that we have.” By implication, the invocation of public health tells us something else important: Murder is preventable. So says a sign on the wall of Drake’s office.

  • Spinning "Climate Change"

    Aquatennial and Winter Carnival to merge.

    More Speedo time!

    Northwest Passage soon to be completed.

    Global Warming: Beats the hell out of an ice age.

    It’s treatable! Sort of like a meteorlogical bi-polar disorder.

    Won’t that hole in the ozone be a handy escape hatch when the planet blows up?