Tag: native american

  • Reservations

    I first met Dennis Banks two years ago, at a gallery opening featuring the work of Dick Bancroft, a local photographer who specializes in chronicling the American Indian Movement (AIM) and father of the famous polar explorer, Ann Bancroft.

    We were at Ancient Traders Gallery, on Franklin, and Banks was dressed that night in feathers and skins, his long hair loose, eyes tired but warm. Someone mentioned I was a food writer and suddenly Banks chimed in, saying he’d recently started a natural foods company up on the Leech Lake Indian reservation. He was selling native foods, such as chokecherry syrup and wild rice. Was I interested?

    I was. My editor at the time was not. Dennis Banks was old news, he told me. But I was dogged: I’d read Larry Oakes’s terrific 2004 series on the Leech Lake reservation in the Star Tribune. I knew about the soaring rates of obesity and diabetes on Indian reservations nationwide. Later that year, when I visited Pine Ridge, a woman whom I met told me all her granddaughter’s teeth were pulled when the child was three, because the Coca-Cola in her baby bottles had destroyed them. We were in Kyle, a town of just under 1,000 families. She took me to the area’s only “store” — a shack that sold mostly Doritos, white bread, cigarettes, and bottled soda pop.

    I never forgot that meeting with Banks. And when I got a new food-writing job with a different editor, I called him and asked if he was still willing to talk.

    He was silent for a long time. I expected him to say no. In my mind, I was already going through the list of other people I could call. Then he cleared his throat and said, “Sure I remember you. How about tonight? I have to go down to the Cities anyway.”

    Originally, he chose the buffet at Mystic Lake Casino for our dinner. And I have to admit, I paused. It’s my policy to go wherever my guest chooses, but I never expected this: the lights, the noises, the sheer quantity of food — not to mention my ambivalence about state-sanctioned gambling. But I swallowed and said, certainly, I’d meet him there.

    Three hours later, when I called him to confirm, he told me his plans had changed. There was a barbecue being held in his honor and I should meet him there. “Won’t the host mind?” I asked. Again, Banks was silent for a time.

    “Nah,” he finally said, then gave me the address. “I have to go; I’m supposed to pick someone up at the airport in three and a half hours.” He was still in Leech Lake, about four hours away.

    I took this into account and showed up at the barbecue roughly half an hour late, ready to slink away if the owner seemed miffed. The address led me along winding roads to a rambling wooden structure on a treed lot in Plymouth. Inside the garage, four dark-haired young people were preparing mountains of food: burgers, grilled chicken, a gargantuan bowl of macaroni salad of which Mystic Lake would be proud.

    “I’m here to interview Dennis Banks,” I said.

    “He’s not here yet,” said a man in his 20s. Then he grinned. “But there’s a bunch of Indian guys inside. Pick someone else.”

    He wasn’t kidding. Sitting in a screened porch, decorated with dream catchers and strings of white lights that hung like shards of broken glass, were Vernon Bellecourt, Bill Means, and Floyd “Red Crow” Westerman.

    I explained to Syd Beane, the owner of the house: I’d been invited by Banks, whom I hoped to interview.

    “Welcome!” he said. “We have plenty of food.” He introduced me to everyone seated on the porch; each of the elders rose to shake my hand. “Now sit,” said Beane. “We were just discussing some of the issues we face as Native Americans. Our agenda.”

    “What is your agenda?” I asked.

    “The protection of sacred sites.” It was Westerman’s voice, a low sound that unfurled like smoke. “Better media to advance our causes. A treaty for all indigenous people. Also,” his face barely changed, “we build canoes to send Europeans back to their native land.” Everyone laughed. Even Westerman smiled, like a baby does, pleased but surprised.

    I was convinced we’d met before, and we might have crossed passed once or twice. But the real reason this man seemed so familiar was that I’d seen and heard him at least a dozen times: as the shaman in Oliver Stone’s The Doors, “One Who Waits” on Northern Exposure, and Albert Hosteen on the X-Files. He rose with a bowl and a sheaf of herbs to perform a smudging ceremony before the meal, and I felt as if this were something I knew. Westerman recited a prayer that sounded like a song. He purified the room and the people in it with the burning sage. Then he walked to a tree I hadn’t noticed before — the porch is built around it, with a hole cut in the ceiling that allows it to grow upward — and blessed it, patting the bark all around, as if it were a brother.

    Then it was time to eat. We trouped to the garage, all but the elders — Bellecourt, Means, Westerman, and Beane — whose plates were filled and brought to them by Beane’s three 20-something daughters. The burgers were fat, juicy, cooked medium rare at most; in a word, perfect. The macaroni salad, which one of the daughters proudly told me was made with a whole jar of mayonnaise, contained crunchy bits of apple and celery. But it was the homemade baked beans, spiked with sorghum, that tasted like every summer barbecue should: sweet, smoky, wholesome, chewy.

  • The Voyage of the Heath Ledger

    On June 17, 2006, we quietly paddled the Heath Ledger across the Canadian border. We hadn’t exactly planned to sneak into Canada. Joe and I were on a mission—to reach Hudson Bay by canoe, still hundreds of miles to the northeast—and as we approached the border we realized that interactions with government officials might endanger that mission. For one thing, we were unsure whether the guards would let Joe, with his extensive juvenile record, into the country. We also carried a 12-gauge shotgun (for protection against the polar bears we expected to meet downriver), which authorities in firearms-phobic Canada would seize if declared. So we chose the path of least resistance across the frontier, paddling through swirling waters into shimmering twilight.

    We could hear the distant rumblings of semis, and between silhouettes of weeping willows, we saw the glow from floodlights at the Pembina/Emerson border post a mile beyond the muddy banks. But on the Red River there was no customs station, no sign of welcome to “Friendly Manitoba.” The border here was marked only by a black trestle of crisscrossed girders without so much as a single red maple leaf. As we slipped under the railroad span, floating illegally into the country, we were pushed along by a welcome rush of current, the first significant natural flow we’d seen since the trip began on June 4, four hundred river miles south at Wahpeton, North Dakota—the headwaters of the Red.

    Already we had been interrogated by officials from five different law enforcement agencies in the U.S. They seemed to think we were either terrorists, immigrant smugglers, or perverted lovers: a big sick white guy with a lip ring and his skinny younger Puerto Rican/Lakota boy-toy acting out a canoe version of Brokeback Mountain. The movie had come out a few months earlier and now it seemed that two men couldn’t go camping together without the assumption that they were gay. In response, we named the canoe after one of the film’s stars.

    They all asked the same questions:
    How do you two know each other?
    Where are you going?
    How long do you expect that to take?
    How did you get time off for such a long trip?
    How will you know where you’re going?
    What are you going to do for food?
    Why are you doing this?

    I insisted on taking charge of these conversations after watching Joe lose his cool at the sight of uniformed authority figures. He would start running at the mouth, each jittery falsetto utterance sounding more sketchy and full-of-shit than the last.

    My responses were cautiously worded to prevent the cop, sheriff, ICE official, game warden, or forest ranger from opening new lines of inquiry. If they had hauled us in for questioning they might have connected Joe to the recent Frogtown incident.

    So I always told them the truth, albeit a painstakingly tailored version. Nevertheless, the cop, sheriff, ICE official, forest ranger, or game warden would nod suspiciously at what must have sounded, to their post-9/11 ears, like a hastily manufactured cover story: I was Joe’s mentor. We had met five years earlier at New Voices, a Minneapolis-based journalism program for American Indian youth. We expected our trip on the Red, Nelson, Echimamish and Hayes Rivers to take roughly two months. Joe’s employer, Pawn America, had granted him a leave of absence for the summer. I was a teacher, so I got summers off. We were navigating with topographical maps, compasses, and a Global Positioning System receiver; for sustenance we had freeze-dried camping food and the occasional gas station or restaurant meal.

    I was careful not to mention that this trip was Joe’s way of lying low for the summer. My nineteen-year-old paddling partner had recently been mixed up in a street incident involving a sawed-off shotgun and a crack dealer named Sonic. Luckily, no one was hurt. But word in Frogtown was that Sonic was seeking swift retribution. Joe left with me days after the episode without telling anyone where he was going—not his older brother D, his closest friend and confidant, not even his mother.

    Nor did I volunteer the intimate details of my life: I was a single father of four, an unemployed writer with no certain job prospects to return to, and no goal in life except to make it to Hudson Bay with Joe or die trying. I had embarked on this journey to try to stave off a nervous breakdown, having spent much of the previous six months alternating between dizzying waves of anxiety and fits of uncontrolled sobbing, symptoms of a depression resulting from a series of deaths and personal losses that began with my divorce in 2003.

    Each time the police ran our names for warrants, there was an increasing fear that the law had caught up with Joe, and that this trip would end for us not at the sea, but in the penitentiary. I don’t know if it was the fact that we were an unusual pair of travelers heading toward an international border in an age of terrorism hysteria; or perhaps it stemmed from the kind of extralegal scrutiny many dark-skinned people in America endure every day. Either way, it seemed our trip was being viewed by government officials as a criminal act. In Grand Forks, we were issued a trespass warning after we spent the night camped atop a flood dike. In the tiny Red River Valley town of Climax, Minnesota, we stopped one night for cheese curds and beer at the Corner Bar and were questioned by a patrolman who said he had received “reports of two men with backpacks.” Thirty miles north of Drayton, North Dakota, a pair of game wardens in a speedboat approached cautiously after scrutinizing us through binoculars; they then grilled us at length about fishing regulations, even though we weren’t fishing.

    The trickiest part of these interrogations was inventing answers the authorities would believe in response to that last question: Why? They demanded to know what was motivating this odd couple to travel over water and land from the heart of the Great Plains to the far edge of the continent, an endeavor that, judging from their uniformly dubious expressions, no sane person would undertake without sinister motive.

    There was no innocent-sounding answer, so I again went with a clipped rendition of the truth. This trip was about physical and spiritual renewal. That’s what I told them: physical and spiritual renewal.

    Joe, on the other hand, would puff out his chest and bluster righteously, Vacation! The word sounded suspect coming out of his mouth—anyone familiar with the Red River knows it is one of the most hellacious, unforgiving American waterways to paddle—but it, too, was partially true. Joe would often say life on the river, however difficult, was a cakewalk compared with his day-to-day in the city. The torture of paddling ten or twelve hours a day to make thirty or forty miles, eating and sleeping on riverbanks that were essentially mud pits, baking under the withering sun, and freezing through frequent cloudbursts, was, to us both, a welcome respite from the heartache and stress that had come to dominate our lives in St. Paul. There was an aspect of our days on the river that was similar to self-mutilation; the physical pain relieved our suffering hearts.

    Crossing the border without incident, Joe expressed relief by mocking me for having intended to report to customs. It had been his idea from the start to steal across the border under cover of night. “Fuck them border bitches,” he laughed. “Them bitches can’t touch us out here.”

    I realized how absurd some of my assumptions about the river had been. Even though we had seen a total of only five other boats in the past fourteen days, I half-expected to find a fully functioning customs station on this all-but-abandoned river. But since I was relying for guidance on Canoeing with the Cree, a book chronicling a 1925 expedition from Fort Snelling to Hudson Bay, I was bound to be wrong once in a while.

  • The World’s Toughest Indian

    When Sherman Alexie came to town last month to promote
    Flight
    , a novel in which a teenager nicknamed Zits is driven to the verge of committing mass murder, one of his intentions was to continue his fight with author and University of Minnesota English professor David Treuer. Alexie’s smile was ever-present throughout our interview in the lobby of the Millenium Hotel, even (perhaps especially) as the subject of Treuer’s criticism was broached. I had feared—needlessly—that Alexie would be sensitive about responding to the disparagement that appeared in Treuer’s recent book, Native American Fiction: A User’s Manual. Treuer, a member of the Leech Lake Band of Ojibwe, compared Alexie’s Reservation Blues to one of the most despised books ever written about Indians, Forrest Carter’s The Education of Little Tree, and argues that the popularity of Alexie, Erdrich, and other Native American writers rests not on their skills, but on readers’ assumptions that their tales are accurate depictions of Indian life. Alexie clearly relished the opportunity to respond to the charges on Treuer’s home turf.

    How do you see the Twin Cities area in terms of its status in Native America?
    It is the capital of Indian USA. It’s the center of Native American indigenous urban life.

    What makes it so?
    Sheer population, the number of tribes that are represented in the city, and the rowdiness. I feel more Indian in Minneapolis than I do on my own damn reservation. I feel more appreciated here. And as rowdy as I can be, and as competitive, it’s still nice to be appreciated.

    One criticism I often hear about your work is that it’s not political.
    Isn’t political? Everything is political.

    Right, I know, but you’re not Dennis Banks.
    Fuck Dennis Banks. Thank god. I wake up every morning thanking god I’m not Dennis Banks; I say that because of his willingness to pick up the gun. No FBI agents are going to die as a result of my books. No Indians are going to die as a result of my books.

    In what way is Flight political?
    It’s political when the character Zits says, “How do you tell the difference between the good and the bad guys when they say the same things?”

    You clearly understand the psychology of someone who could perpetrate mass murder. How did you come to that?
    I’ve felt that rage. I’ve been that mad, growing up on the rez, being bullied, being frustrated, having all sorts of fantasies about killing people. If I’d had a more fragile mental state or less supportive parents, who knows?

    Can you extend that understanding to those who commit terrorist acts like 9/11?
    Oh yeah. It’s narcissistic adolescent male rage. It gets me so mad when liberals say the terrorists were “freedom fighters. They were reacting to oppressive conditions.” Bullshit. They were upper-class, college-educated, cosmopolitan world travelers. How do you think they blended into Europe and the United States? They were spoiled-brat rich kids who were frustrated for various penis-related reasons; they were flying dicks is what they were. I understand their narcissism. I am afflicted with a minor league version of it myself.

    Native people have been living a subsistence lifestyle for centuries. Now that you don’t need to live that way, how does that history play out in your life?
    Was it Dolly Parton—no, it was Mae West who said, “I’ve been rich. I’ve been poor. Rich is better.” I do not romanticize poverty whatsoever. Not even remotely. I was there and it’s a miserable, terrifying existence. I am tattooed by my poverty, and so even now that I’m upper-class it is a part of who I am.

    Is there an aspect of the poverty you grew up with that you’re now thankful for?
    Thankful for? Oh god, no. If I had a time machine I’d go back to 1972 with thirty-thousand dollars and invest it wisely.

    What about people you’ve met along the way who’ve never been poor? There must be things that you know that they’ll never understand.
    I’ll take their problems. That’s going to be my sons. You know, they’re brand-new Indians. They have never seen an Indian take so much as a sip of alcohol.

    Are you bringing them up in any sense in a traditional way?
    No.

    Do you plan to teach them their Native language?
    No.

    Why not?
    Nostalgia is terminal. Whatever language they decide to learn and use, that’s their decision. I’m teaching them mine, English.

    When you go around you must talk to a lot of people like me who ask stupid questions. What are some of the stupidest questions people ask you?
    You haven’t yet, but oh god! This fog of privilege that surrounds me has blinded people to the fact that I’m still Indian, so they ask these theoretical questions that have to do with Indians as if it’s two non-Indians in the discussion, as if I don’t deal with these issues every day. My brother works at the casino; my sister works for Indian Health Service. They all live in that same HUD house that I grew up in.

    That’s like me saying—and I grew up Jewish— I’m poor now so I’m no longer Jewish.
    Yeah. [Laughs.] Yeah, so that’s been sort of the tone. But this book in particular has caused stupid questions.

    Can you share any of them?
    It might be the way we promoted the book; the cover says Flight is my first novel in ten years, which is true. But I was in a bookstore in Iowa, and the owner, who I’ve known for years, said “Well, you dropped off the map.” And I said, “You mean the three books of poems, two books of short stories, and two movies I’ve made since Indian Killer is dropping off the map? You mean, being named one of the New Yorker’s Writers for the Twenty-First Century doesn’t count? You mean the three stories in The New Yorker, the essays in Time magazine, Men’s Journal, The New York Times, the
    LA Times
    , the hundreds of appearances I’ve given. What the fuck are you talking about?”

    Do you have any guilty literary pleasures?
    Why would I feel guilty about enjoying something? That’s the kind of question you ask John Updike. And John Updike’s more than happy to answer it. But, I mean, I’m a kid from the rez. I still eat potted meat product.

    Gross.
    You know. I still like Funyuns. I pour Tabasco sauce on my French fries. I feel highly sacred and traditional when I’m reading westerns and murder mysteries, because that was my dad. Oh, you know what I get a guilty pleasure from? I love bad reviews—of me.

    Really?
    David Treuer’s book that just hammers on me, reading that really feels like reading porn. We’ve been having an email exchange since he trashed me.

    What’s been the tone of your exchange with Treuer?
    Oh, I just give him shit.

    Does he respond?
    He quit responding.

    Was he surprised to hear from you?
    No, because we were friendly over the years. I, in fact, wrote him letters of recommendation when his first book got sent out; publishers called me to ask me if he was real. At one point, when his major publishing career wasn’t going well, I helped him contact my agent. I’m saying this stuff because this is where he lives and I want the world to know this: He wrote a book to show off for white folks, and we Indians were giggling at him.

    What’s his problem with you?
    He’s insecure about his Indian identity because he’s blond and short. But, as I told him, “David, no matter what you write, it’s autobiography. And you’ve said so much about yourself, more than you realize.” When David and other Native scholars criticize me, it’s like 2001: A Space Odyssey, and David and his ilk are like the Neanderthals with bone clubs and I’m the monolith [laughs].

    You just like mixing it up.
    I’m competitive and I love it. I told him, “David, you can intellectualize, you can go sentence by sentence, you can pull my bad sentences out of my books—there are plenty of them—you can say this fails or that fails, you can point out bad reviews or whatever. But in the end, when I get up in front of people, when people read my books, they connect in an inexplicable way. They always have. And I don’t know what it is, you don’t know what it is, but there’s something."

     

    Alexie discusses Zits, the teenage narrator of his new novel.

  • Dakota Diaspora

    Twenty-eight-year-old identical twins Kate and Carly Beane share similarly striking features—demure brown eyes and hair, high cheek bones, and quick smiles that precede regular bouts of easy, endearing laughter. Both say they are now content with their lives, a state of being that had eluded them until a few years ago, when they decided to end their family’s exile from Minnesota—almost a century and a half after their ancestors were uprooted from Cloudman’s Village at Lake Calhoun.

    In the spring of 2003 the Beane twins gathered with their parents and older sister Sydney around the dining table of their home near Berkeley, California, and reached a consensus: The time had come to return home.

    “Kate had just pulled herself out of an unhealthy relationship, my mom had just lost her job because of budget cuts in the Oakland School District, and the Center for Community Change office where our dad worked was closing,” Carly said. “The family needed a fresh start. We held a meeting and decided to move to Minnesota. We thought of it as home even though most of us had never spent time there.”

    Following the U.S.-Dakota War of 1862, Dakota people throughout southern Minnesota were rounded up, imprisoned at Fort Snelling, and eventually forced onto steamboats and exiled from the state. Many Dakota ended up where thousands still remain—on the barren prairie reservations of South Dakota and Nebraska. Many others, like the Beane family, wandered from place to place searching for somewhere to call home.

    The Beane twins were born in Phoenix, moved to Lincoln, Nebraska at age four, and moved again to the San Francisco Bay Area at fourteen. “We just didn’t feel we belonged anywhere,” said Carly, who, along with Kate, dropped out of Berkeley High at age sixteen.

    The twins had long been frustrated with school, which never matched the rigor of the lessons they received at home. By the time Kate and Carly were twelve, their parents had them reading radical philosophers like Saul Alinsky and their great-great uncle’s books about growing up in what is now Minneapolis. As a result, they can rattle off family lore like memorized prayers, quickly filling in details when the other hesitates. “…Seth Eastman was a famous painter, and a lieutenant in the army. His daughter, Winona, married Many Lightnings. They raised several kids, including Charles Eastman, the author of Indian Boyhood, and From the Deep Woods to Civilization, and one of the first Indian doctors … ”

    “When I dropped out of school I told my dad, ‘I’ll just be a waitress. I’ll be fine.’ But I was not fine,” Kate said.

    “One day in 1998,” Carly interjected, “Kate’s boyfriend pulled up in his pickup; she jumped in and was gone for five years.”

    “I moved to Tennessee, Atlanta, back to Phoenix. My boyfriend was a carpenter and I waited tables. I didn’t realize at the time that I was looking for home. In 2003, I ended up in Chicago and had to get away quick because my boyfriend had a drug problem and had gone off the deep end. I called my sister in the middle of the night and told her I was afraid and needed to get out. She sent me a plane ticket and I went back to California. I had to change.”

    Six months later the Beanes were on the road to Minnesota. The first thing they wanted to do, upon arriving in Minneapolis, was see Lake Calhoun. “We thought, that’s our lake; let’s go see it. So we drove around it and were shocked. I guess I was picturing it to look like a Seth Eastman painting. He depicted scenes of traditional Dakota life with tipis, lodges, women cooking, trees, kids playing and lots of dogs.”

    “It was the middle of summer,” Carly said, “and Lake Calhoun was packed—people rollerblading, tons of traffic, mansions everywhere. All we knew was that this lake was where our people came from, and that it was sacred.”

    “It’s not as if we were expecting Cloudman’s Village to still be here,” Kate added. “We knew things would be different. But we saw Lake Calhoun with our hearts; we saw how it used to be, because that was the last time our family was all together, living in our homeland, and in peace.”

    Realizing the incongruity between their vision of traditional Dakota life and the reality of modern-day Minnesota was one of the most disappointing experiences of their lives. And the Beane twins soon learned Lake Calhoun was not the only place that had been significantly altered in the past 140 years. Many of the cultural sites of which they had long heard—such as the Dakota mounds on the bluffs of the Minnesota River—were buried under the city’s concrete footprint.

    It took some time for the twins to realize that coming home was right for them. The sisters eventually found jobs at Louise Erdrich’s Birch Bark Books, enrolled in the University of Minnesota’s Dakota language program, and discovered that the Dakota community, which seemed to have evaporated like a dream upon waking, was still here.

    “It’s in the people. It’s in the language. You see it everywhere in the names of places like Wabasha, Chaska, Winona, Shakopee, Minnetonka, and Minnewashta,” Kate said.

    Today the twins’ lives are deeply engrained in Dakota culture. They teach Dakota classes to preschoolers and kindergartners at the Wicoie Nandagikendan (Learning Language) Early Childhood Urban Immersion Project, and are working with the legislature on measures to protect Minnesota’s native languages from extinction.

    “In the boarding schools our people were punished for speaking Dakota,” said Carly, who recently lobbied state legislators in support of the establishment of a Minnesota Office of Indigenous Language. “When I speak to these politicians, I’m not just speaking for myself. It can be daunting. But when you speak for your ancestors, that’s a beautiful thing.”