Stand and Deliver

So, I’m sitting at this casino bar outside of Carlton, Minnesota, last month, and this rather handsome gent rolls up alongside me and says, “Nice mustache-ride joke. Can I buy you a drink?” I’d just closed out the bill at the Black Bear Casino’s “Free Comedy Night Thursdays.” Now, I don’t mean to brag, but that’s headlining, baby. Top o’ the hog pile.

When I say the guy rolled up, I mean that literally. My beer benefactor was in a wheelchair. Marine Corps, Vietnam, but that came out after the second round of beers. He told me he lost the leg in a poker game.

As it turns out, the guy wanted to talk shop. He’s just started making the rounds with his own stand-up act at open mikes in Minneapolis. That’s a long drive for someone who lives in Hinckley, but when you love performing, a couple of hours’ drive time can weirdly sweeten the deal. Whets the appetite for a crowd.

I took the Lady Slipper Lounge gig for the money. No mistaking that. But also for love. I’m called a comic, but I’m more of a B.S. artist. Anybody who has the audacity to take a microphone in hand and stand on a stage alone in front of strangers in a strange place with the intent to bring them together in a symphony of delight is both an artist, and full of it. I mean, talk about the impossible.

In truth, it had been years since I headlined a room of any size as a stand-up. You can leave the stage, but you never get over the laughs. I wanted to see if my old love would have me back.

The stage was a set of steps that led into the bar and a mike on a stand. No lighting, pre-show music cued in from a Discman. The crowd numbered fifty. The house emcee wore matching “Ziamond” pinky rings on each of his hands and did a pretty convincing Burgess Meredith impersonation. Kind of a mid-eighties vintage if you ask me, but the crowd lapped it up. Every grunt was underscored by the ringing slots.

In the middle of the first comic’s act, a drunken heckler roared to life. She was the prototypical Birthday Girl. Slumped in her seat, melon breasts spilling out of a shiny party blouse. Toy tiara from Wal-Mart perched on her head, queen for her day. She emitted giant eruptions of slurred sass, angrily ensuring that all eyes remained on her. Because they were tanked, she and her friends could only understand so much of what was being said to them from the stage.

The opening comic handled her like a brilliant neurosurgeon that is suddenly forced mid-operation to work with butter knives. He had a pattern. Mollify, compliment, insult. Apology, flattery, personal attack. Dig, dig, push. Tamp down the dirt. Bye-bye birthday girl. Twenty minutes later, she and her friends were stunned into shamed silence, the rest of the audience laughing at them. The comic killed her. He killed them. He killed.

I followed, and my set went fine. What I like to call “wildly OK.” My beer buddy was right; the best joke of my set was the mustache joke. It was a toss-off, part of a crowd riff. A fella in the front row sported a humongous Tom Selleck tickler, and I couldn’t take my eyes off it so I said: “Hey Tiger, how much are they charging for a mustache ride these days? Used to be twenty-five cents, and you’d see those T-shirts everywhere. What happened? Do you think there might have been a big mustache-ride accident? What do you think it was—whiplash? Or a dislocated jaw? That’s a damn shame. Bunch of litigation-happy people gotta screw it up for the rest of us!”

It was hilarious—really, it was, but I guess you had to be there.