Author: Britt Robson

  • The Three Pointer: The Lakers Lay an Egg

    (AFP/Nicholas Kamm)

    Game #2, NBA Finals: Los Angeles 102, Boston 108

    Series to Date: Boston up 2-0

    1. No D in Los Angeles Lakers

    After watching the last 2 and a half quarters live and then the entire game on tape, I’ve got to say that for all my babble about the superiority of the Western Conference this season, the Celts lose last night’s game if the opponent was the Cavs, and probably the Pistons too. What a dreadful, dreadful lack of defensive commitment shown by LA, beginning at the top with Kobe Bryant–has an all defensive first-teamer ever mailed it in so thoroughly at that end of the floor in a big game?–and extending down to poor Trevor Ariza, who needed GPS to figure out where Paul Pierce was on the court during his mercifully brief 7:19.

    These were supposed to be the old, veteran Celtics, the team whose Big 3 have double-digit years in the league and who bring dinosaurs like PJ and Sam I Am off the pine. These were supposed to be the neo-Showtime Lakers, young and fleet, especially lanky big men Pau Gasol and Lamar Odom and the go-go backup backcourt of Sasha Vujacic and Jordan Farmar. So why did the Celts have more fast break points, 14-10? Why was Doc Rivers correctly telling his team at halftime that every time they forced a miss they could get layups and open treys if they pushed in transition? Yeah, the Lakers were embarrassed on the boards in Game One and determined not to let it happen again, so they hit their offensive glass hard and likewise posted up frequently in the first half. But how many times did we see whatever Lakers bothered to hustle back in transition necessarily play out of position to staunch that early flow, creating all sorts of chaos and mismatches if indeed the Celts had to wait for a second wave of offense on the controlled break–that is if they didn’t score immediately?

    Things didn’t get much better when the tempo slowed and the Celts operated their half-court sets. The Lakers’ pick-and-roll recognition and response was pathetic–if Kevin Garnett had hit half of the wide open midrange jumpers he usually knocks down, Boston would have been up 20 instead of 12 at the break. (And BTW, KG very rarely got those looks against Cleveland or Detroit or even on the road against Atlanta.) Of course Boston often didn’t bother with the pick and roll because Vlad Rad and Ariza were totally stumped by the fact that Paul Pierce could put the ball on the floor–that newfangled dribble move! They must have been reading all the breathless hype about how banged up and incapacitated Pierce was from his 96 second absence in Game One. That’s about as far from "the Truth" as if he’d had to tap out from a figure-4 leg lock from Ric Flair in wrestling. In any case, imagine how badly Radmanovic would have looked if Pierce had two good knees.

    Kobe? It was hard to tell who he was guarding half the time, although twice running out to slap palms with Ray Allen on the latter’s uncontested treys provided some clues. A couple of times Kobe was matched up on Leon Powe, and we know how that worked out–well, better than when hapless Luke Walton was forced to try and guard somebody.

    You really could go right down the Lakers’ roster. Odom totally allowed the wily vet PJ Brown to get in his head at both ends of the floor. Derek Fisher hasn’t gotten the memo that you see if Rajon Rondo is hitting his jumper before you allow him to become a playmaker, especially if you are much slower than Rondo (who had just 4 shots versus 16 assists). RonyTuriaf was too slow for Powe–and for PJ Brown.

    Put bluntly, the Lakers played shockingly bad defense, and that, to me, was the ballgame. Consider that the Celts shot 46% in the Atlanta series, 42.5% versus the Cavs, 45.8% against the Pistons, and even 42.1% in Game One against the Lakers. Last night they were 52.9%, including 9-14, or 64.3%, from beyond the arc, and that’s with KG having an off night at 7-19 FG. Boston’s bench shot 11-16 FG–69%.

    If Jackson and his crew are smart, they will change their priorities for the next game. Put Kobe on Pierce and tell him to shut Pierce down. Kobe is capable of it and it would get his mind off trying to do too much at the other end. Pierce will try and get him in foul trouble but the refs will have heat on them for the free throw disparity in Game Two and won’t call the borderline contact. Put Vujacic on Ray Allen and tell him that he is only allowed to shoot as often as he makes Allen miss. On offense, Kobe will be taxed from actually playing some defense, so Los Angles should play more inside-out with ball movement, posting up Gasol and running Odom off screens and forcing KG to decide which one he is guarding. Because if a dinged up Perkins or an ancient PJ Brown can stop Gasol in the low block, the series is pretty much over anyway.

    2. Overrated: Referee Bias and Laker 4th Q Comeback

    Anyone who cares about pro hoops intimately knows the feeling of believing your team is getting screwed by the refs. The violence you wish to do is totally out of proportion (hopefully) with the way you normally view setbacks and petty grievances and injustices in your non-fan existence. I’ve found myself rooting for the Lakers against the Nuggets and the Jazz, and rooting against them versus the Spurs. I favor the Celtics in this series due to my longstanding observation of KG during his time in Minnesota, and my growing respect throughout these playoffs for their team-wide commitment to defense. But I have affection for the Lakers too, and have found that you really detest the refs when you are not only pulling for someone to win, but equally pulling for the other team to lose, and the whistles therefore double down on your passion.

    This long preface is meant to stake my claim as a slight, but certainly not blind, Celtic partisan here. To Laker fans screaming bloody murder about the free throw discrepancy, I understand–but don’t feel–your pain. Remember, I’m the guy who claimed the Lakers’ Game Four win against the Spurs was "tainted" due to the referees. Believe me when I say that the anger will subside and perspective will set in. And the perspective that is required here–as was true in the LA-SA Game Four–is that the refs weren’t the difference here.

    Let’s get specific. Early foul trouble on Kobe Bryant was to my eyes (and I played back the tape a lot on my second viewing of the game) comprised of both legitimate and questionable calls. The first foul, when Pierce tried to rub him off on a screen and he reached around to keep contact with Allen, was an understandable call and a legit foul. It also could have been a no-call. The second foul–the arm-shove to Allen before he got the ball–was deemed by Van Gundy and Jackson as a cheap foul, but it looked pretty blatant to me and was in any case unnecessary. Whether or not it was called, it was a stupid move by Kobe and a tribute to Ray Allen, whose defense on Bryant has been something of a revelation this series. The third foul on Bryant was an obvious flop by Paul Pierce–that’s not the way players fall, if they fall at all, when someone runs into them. It was a borderline flop if Kobe had the ball and was going to the hoop: that it was whistled as Kobe was trying to move through a pick (and Pierce is a master at slightly moving to the side on his picks) was a bad call, especially so because it was #3 and sent him to the bench. Ditto the technical on Kobe after the layup seemed like a rabbit-eared move. I’m all for ringing up technicals on blatant protests by players, but it is being enforced so haphazardly–hey, Kendrick Perkins could get a technical every single time he commits a foul, and ditto Gasol–that to whistle Kobe, especially when it looked like a Celtic reached in and raked him during his drive, was bad judgment by the official. Also, there was more than once when Kobe got hammered driving the lane–once
    Pierce knocked him so obviously that Kobe changed his hand and scored lefty–and no whistle was called. So, yes, I believe there was a pro-Boston bias on balance to the calls. I think even more than Kobe, Gasol got screwed, but some of this is Gasol’s fault–he’s just not very aggressive by nature down in the paint, and that matters to the refs. Nevertheless, I saw Gasol get fouled as often as I saw Leon Powe get fouled and Powe had 13 free throws to Gasol’s one.

    So why don’t I think it swung the outcome of the game in which LA only lost by six points? Because the large lead caused the Celts to lose their focus, as happened at least twice before in the Pistons series. These lapses are a weakness, but thus far not a fatal weakness, with Boston. The smaller the lead, the tighter their focus, and while that was indeed an impressive scramble-back by the Lakers, it was that combination of one team’s desperation and another’s nonchalance that makes for second-rate, sort of novelty basketball. I don’t believe that improbable comeback is any more successful if the refs call a totally balanced game.

    The ending of that comeback, by the way, was to my eyes poetic justice. On the Celtic end, Boston put the ball in the hands of the person who is their crunchtime assassin, Paul Pierce. (A reader/commenter briefly convinced me that Kevin Garnett has an equal right to that claim for the Celts, but after reviewing some old crunchtimes for Boston in these playoffs, I reverted back to thinking that when it comes to the team needing a basket, Pierce is going to be their preference about 8 out of 10 times.) Pierce drew the foul and hit the crucial free throws. At the other end of the floor, the Lakers’ and arguably the NBA’s premiere crunchtime assassin never touched the ball because Sasha Vujacic mistakenly continues to believe he’s the second coming of Manu Ginobili and got his ill-advised shot blocked by Pierce. Replays showed Kobe getting open on the weak side just before Vujacic launched. A fitting ending to a horrible game if you are a Lakers fan.

    3. Worst Assist Ever Called

    Hey, I grew up worshipping the Celtics, who won their first ring with Russell when I was five years old, growing up approximately 7 miles from the old Garden, and even I think all this "Celtic tradition" stuff is getting out of hand. Don’t believe the hype.

    And speaking of hype, does everyone recall the play that typified LA’s brain dead, foot cobwebbed, approach to defense last night, when Leon Powe dribbled the length of the court and sank a layup while Gasol, Vlad Rad and others had garlands strewn in his path to the hoop? Perhaps you’ll recall that Powe received the ball beneath the foul line in his own end, and thus had to dribble about 85 of the 94 feet. Well, the player who gave him the ball–it could have been an out-of-bounds pass, or perhaps just a "why don’t you bring it up, Leon?" gesture–was Rajon Rondo. And the official scorer in Boston gave him an assist on the play. Sort of puts those 16 assists Rondo tallied, and the 31 allotted to the Celtics team, in a new, less favorable light.

  • Downbeat’s Rising Stars

    Let’s not get too hung up on labels like "Rising Stars."
    At age 48, with 17 discs of wildly varying merit to his credit (I’m one of the
    precious few who loved his ’80s meld of jazz and hip hop), saxophonist Greg Osby
    is less a rising star that an established albeit iconoclastic member of the jazz
    firmament. Ditto trombonist Wycliffe Gordon, who joined Wynton Marsalis’s band
    back in 1989, and 51-year old guitarist Dave Stryker.

    Instead if trying to pigeonhole the ages and career
    stations of the nine musicians tabbed to participate in this highly enticing
    concert, let’s just stipulate that all of them are top-notch technicians
    interested in both pushing the envelope and enhancing the tradition of jazz
    through their compositions and arrangements. And as opposed to the Young Lions
    marketing hype of the 1980s, even the twentysomethings in the group have
    impressive pedigrees. Trumpeter (and the curator for this project) Sean Jones
    and pianist Dan Nimmer both have been reared in Marsalis’s Lincoln Center Jazz
    Orchestra; saxophonist Marcus Strickland was first caught locally blowing away
    Artists Quarter patrons on the bandstand with drummer Roy Haynes. And 32-year
    old trumpeter Jeremy Pelt got his start with the Mingus Big Band.

    Everyone I just mentioned in an agile, probing stylist,
    and thoroughly grounded in jazz scholarship. In a repertory set-up somewhat similar to the SF Jazz
    Collective, each member of the group has written new arrangements to jazz
    standards and will perform them with various permutations of the ensemble. This
    is musically specifically commissioned for this concert, bringing together some
    musicians who rarely if ever have played together. It’s a great way to honor and
    further enrich jazz, the music famously dubbed "the sound of
    surprise."

  • John Hiatt: Same Old Man

    Same Old Man indeed. This is between Hiatt’s 15th and 25th release — depending on how you count best-ofs, live recordings, and groups like Little Village — and the reliability factor remains high. He’s an ersatz curmudgeon, a faux eccentric, a dilapidated Everyman with an undeniably big heart and an equally undeniable knack for songwriting. He can jangle a slant-back country blues song or ambush you emotionally by confessing for redemption. He’s got elements of a Nashville pro and a guy who’s listened to a lot of Dylan. He’s a painstaking lyricist who doesn’t try to make it all add up. This may be his most enjoyable outing since the sweet spot two-fer of Bring The Family and Slow Turning in 1987 and ’88, but it isn’t that much better than the ones in-between.

    The lead-in, "Old Days," is a string of shaggy-dog anecdotes about life on the road with real blues musicians—Sonny Terry, John Lee Hooker—set to a cloppity beat to keep the mood ragged. Then the first, and maybe the best, of the disc’s three riveting valentines, entitled "Love You Again," offering profound gratitude for a woman’s grace in favorably reconsidering their relationship. "On With You" appropriates Dylan’s "All Along The Watchtower" riff while Hiatt slips into character, singing like an old codger, a little kitschy, like a pale version of Larry Blackmon from Cameo. "Hurt My Baby" is a song about living with a woman with deep emotional, and perhaps physical, scars, made all the more harrowing if you know Hiatt’s second wife committed suicide in 1985. Four songs in, even relative newcomers to Hiatt begin to realize that while the mood and subject matter may careen, a core sensibility guides the project.

    "What Love Can Do" is a dead ringer for a Nick Lowe tune. Given that Lowe himself isn’t listed in the credits, that’s apparently Hiatt singing with Lowe’s highly enunciated croon, and aping his old friend and colleague’s wizened-parable approach to songwriting. "Ride My Pony" benefits from ex-North Mississippi All Star Luther Dickinson’s slide guitar, which rustles the mix like your hand rustles the water when you drape it over the side of a slow-moving rowboat. "Cherry Red" rocks harder than the others in its own shambling way, and may be the most accessible tune on the record.

    "Our Time" is the second gorgeous valentine, raw memories of a old flame, and Hiatt’s typically croaky, phlegmy voice seems further strained by the emotion, as he recounts vivid details ("now you’re feeding me fabulous Chinese takeout on the dampened bed sheets) in a talk-sung blues narrative while Dickinson’s adds great mandolin garnish. That begins a run of love songs that close out the album, including the title track ("a few less brain cells and a lot less hair/Honey, tell me, do you still care?") and "Let’s Give Love A Try" ("I’m a long shot baby/But they do come in"), the latter juxtaposing pristine guitar with raconteur irreverence.

    Some Hiatt fans will probably wince at the preponderance of unabashed romance here, while others wonder if his voice has officially crossed over into Tom Waits/Bob Dylan "acquired taste" territory. In either case, I don’t think Hiatt has much of a choice in the matter. I’m partial to the new stuff and look forward to seeing how the fresh material gets conveyed and folded into the massive Hiatt catalogue when he and a new band he’s dubbing the Ageless Beauties come to the Pantages on June 28.

    John Hiatt
    Same Old Man
    New West

    **** (four stars) 

  • John Hiatt and the Ageless Beauties

    John Hiatt
    is an ersatz curmudgeon, a faux eccentric, a dilapidated Everyman with
    an undeniably big heart and an equally undeniable knack for songwriting.
    He can jangle a slant-back country blues song or ambush you emotionally
    by confessing for redemption. He’s got elements of a Nashville pro
    and a guy who’s listened to a lot of Dylan. He’s a painstaking lyricist
    who doesn’t try to make it all add up. His latest album, Same Old Man between his 15th and 25th
    release, depending on how you count best-ofs, live recordings, and groups
    like Little Village — may be his most enjoyable
    outing since the sweet spot two-fer of Bring The Family
    and Slow Turning in 1987 and ’88, but it isn’t that much
    better than the ones in-between.

    Some Hiatt fans will probably
    wince at the preponderance of unabashed romance here, while others wonder
    if his voice has officially crossed over into Tom Waits/Bob Dylan "acquired
    taste" territory. In either case, I don’t think Hiatt has much of
    a choice in the matter. I’m partial to the new stuff and look forward
    to seeing how the fresh material gets conveyed and folded into the
    massive Hiatt catalogue when he and a new band he’s dubbing the Ageless
    Beauties come to the Pantages on June 28.

  • The Three Pointer: Celts Draw First Blood

    (AP Photo/Winslow Townson)
     

    Los Angeles 88, Boston 98

    Series thus far: Boston 1-0

    1. The Buck Stops With Pierce

    I firmly believe that Boston’s postseason prospects took a dramatic leap forward when Paul Pierce went off for a monster performance in Game 7 of the Eastern semis versus Cleveland. Up to that point, the Celtics unbelievably still hadn’t sorted out a pecking order for their offense.

    I’ve generally been contemptuous of the way ex-players who do color commentary on NBA games, especially in the playoffs, constantly focus on pushing the alpha status of the stars, or, conversely, blaming those same stars when they aren’t expanding that alpha profile to (in my view) too lopsided and thus predictable levels. But the greater point they are trying to emphasize is legitimate, and particularly acute on the Celts: There needs to be a consensus on the crunchtime assassin, the player considered first as you sort through your options. That doesn’t mean the assassin takes the shot: He might be the decision-maker, or merely the effective decoy. But as things get increasingly tight and emotionally chaotic, you don’t want three or four players thinking they are The Man, and, perhaps worse, all the role players unsure about how they prioritize their trustworthy options on offense.

    I don’t tend to watch a lot of coverage directly before or after games, so it is fortunate that I was able to catch what became for me a revealing interview with the Celts’ "Big 3" right before the Atlanta series. The best question was simultaneously put to all three at once: If the game is on the line, who takes the last shot? Garnett and Pierce both said Ray Allen at precisely the same time–and at the same time Allen himself was saying Whoever has the best look. But then Allen went through his wretched shooting slump, and besides, as longtime go-to guys on their respective teams, Pierce and KG themselves didn’t seem totally certain about how they pecking order lay. But then Pierce, despite the enormously taxing assignment of guarding LeBron, went off for 41 in a series clincher that blatantly carried the Celts to victory, the kind of performance that turns a player who is a crunchtime contender into the crunchtime assassin in the eyes of his teammates and, hopefully, himself. It was huge for Pierce, and huge for the Celts.

    In retrospect, Boston was lucky to be able to survive in the postseason for so long before this role-defining performance. Part of it was that Atlanta and to some extent Cleveland just wasn’t capable enough to capitalize. But let’s give the bulk of the credit where it is due: Boston’s defense covers for a multitude of their offensive sins. In fact, I’d argue that the phenomenal democracy, teamwork and ego-less trust in each other required to play the sort of suffocating D Boston deploys probably was a factor in their inability to create a pecking order at the other end of the court. Great defenses have no pecking order–they are, as the mostly accurate cliche goes, only as strong as their weakest link.

    Now this alpha-dog thing can also get overblown, which is why I get impatient with Magic Johnson and Charles Barkley leaning on it for so much of their analysis. I’d argue that Kobe Bryant’s ability to ratchet back his alpha tendencies played a huge role in the Lakers’ revitalization this season, for example. But I don’t think it can be overlooked that the Celts are a much more dangerous team now that it is clear that Pierce is the straw that stirs the drink for them on offense. We saw it in the clinching Game Six against Detroit, and we saw it last night in the all-important (for the underdog Celts, anyway) Game One of the NBA Finals.

    By now, many of you are wondering how I’m overlooking Kevin Garnett. Granted, KG’s break the gates in an aggressive and highly efficient and effective manner on offense gave Boston a great boost and launched their Finals with noteworthy confidence. And to clarify, I’m hardly knocking KG–I picked him as the league MVP (it was a mental tie with Kobe; you can go back in my archives and read the tortuous prose). But that’s because Garnett was the league’s greatest difference-maker on the most important end of the court–the defensive side. As a career 20 ppg scorer, KG is no slouch on offense, obviously–for one thing, he is a criminally underrated midrange jumpshooter. But, as has been said many times, whether in criticism, confusion, exasperation or resignation, Garnett does not have the natural temperament to be the assassin on offense–he’s too selfiless, too legitimately team-oriented, and, by now, both too inexperienced for someone of his NBA tread (I think Bill Simmons initially made that point) and too laden with controversy (a la T-Mac) about his ability or lack of ability to handle the role. Bottom line, when Garnett missed eight shots in a row down the stretch last night, it wasn’t a psychological buzz-kill for the Celts. But if Pierce had been missing those relatively open looks? Yeah, I think the concern would have been heightened.

    At the risk of sounding like a grumpy old man, I also chafe at the melodramatization of merely piquant or poignant moments. Thus the Pierce-LeBron shootout had to be anointed as a Bird-Dominique redux and Pierce’s return to the court after his unfounded fears that he had seriously injured his knee was hailed in terms only slightly less hyped than the great Willis Reed legend. So let’s remember two facts: Pierce was sidelined with the knee injury for a grand total of 1:45–just 105 seconds–during which time the Celts outscored the Lakers 6-0. So, yes, losing Pierce for the rest of the game, let alone the series, would have been a steep challenge for Boston to overcome, but the net effect of the whole thing was great bonus to the Celts–players have sat because of foul trouble a lot longer than Pierce was in the locker room, so his actual absence was negligible in terms of court time, yet the psychological advantage of first facing the prospect of going into crunchtime without your assassin, and then having that daunting prospect suddenly vanish was all mental gravy. Cap that with Pierce bookending his injury with the mini-explosion to start the second half and the pair of treys that, to me, permanently shifted the momentum of the game over to Boston. For the third quarter, it rang up as 15 points on 5-5 FGs, two dimes, a rebound, steal and turnover in 9:27. It was Kobe-esque.

    (Update: For those of you who usually don’t read the comments, I urge you to scroll down at least this once and check out the rebuttal from reader drza44–at 3:19 on 6/6–who argues that if anyone is the Celts’ crunchtime alpha scorer, it is Garnett, not Pierce. It’s an argument more grounded in factual reality than the one I just offered.)

    2. In Praise of Celtic Defense

    Of the 15 players who attempted more than one field goal, 12 missed over half their shots. The accurate players? Pierce, who was incredibly efficient with 22 points on only ten shots (7-10 FG). But the other two, at 6-11 FG apiece, were Pau Gasol and Lamar Odom. That’s because the Celtics were determined to pressure the perimeter and the midrange between the arc and paint, a strategy that worked beautifully. I frankly don’t know if Tom Thibodeau is the defensive genius he’s reputed to be or whether Doc Rivers is unfairly shortchanged, but it is obvious that having a veteran team that hasn’t won very often–an experienced, yet hungry team, in other words–is a great recipe for being to execute supple, seemingly complicated defensive sets and rotations with a minimum of blown assignments. I mean, Ray Allen is nobody’s idea of a quality defender, but I counted at least three times when Kobe was spinning away from his man and turned right into a rotating Allen on the double team–twice it caused him to alter his shot. The Celti
    cs defended the perimeter with dogged help for each other and they anticipated rather than reacted to Kobe off the dribble–kudos to whoever logged the film time to divine his tendencies and figure out ways to deter it. Kobe shot 9-26 FG and no more than a handful of those attempts were easy. It was a rugged night for the MVP, and I’d wager that in the next game or two he is going to be a lot more aggressive at drawing the foul rather than trying to get clear. When it comes to disarming assassins, how does a pair of free throws in the final 11:48 of this ballgame sound in terms of shutting Kobe down? Two points. Zero field goals after twelve seconds were gone in the fourth period.

    Meanwhile, even without Kobe’s 0-3 from behind the arc, the rest of the Lakers went 3-11 3pt FG. Contrast that with the Celts’ 6-19 and the free throw disparity (28-35 versus 21-28) and that’s the ballgame in a contest where the overall field goal percentage was a virtual tie (32-76 for the Celts, 32-77 for the Lakers).

    Boston’s luxury of not having to double either Gasol or Odom also has something to do with their superb perimeter and midrange defensive activity–the personnel is there. But the schemes were likewise very impressive. In fact, after watching Detroit miss a bevy of open looks in the previous series, I’d figured the Lakers’ ball movement to be a huge advantage for this series. And it still may work out that way as the teams inevitably keep adjusting to each other. But Boston’s team defense–I’ll hand out an individual kudo or two in the next point–was simply marvelous in its forethought and coordination.

    3. Kudos and Brickbats

    How good was PJ Brown on Gasol after Kendrick Perkins got dinged and in foul trouble in the second half? The best bench guys deepen the personification of their team’s identity and Brown, as well as Posey, definitely qualify: They are fundamentally rock-solid, defense-first, emotionally intense yet relatively unflappable players.

    On the other end, what idiot was lauding the backcourt depth of this Lakers team just the other day? I didn’t like the decision-making of Vujacic and Farmar in the previous postseason series but couldn’t argue with the overall results. But watching Sasha bomb away, and clank, while a frustrated Kobe called for the ball with the Celts up just 90-85 with 2:34 to play, crystallized a game’s worth of bad backup play from the gold and purple.

    Actually there wasn’t much backup guard out of the Lakers yesterday, was there? I guess I understand why Phil Jackson flipped Kobe over on to Sam Cassell after Sammy got hot on Derek Fisher in the first half–a temporary solution for a temporary brushfire–but why was Kobe picking up Cassell during Cassell’s second-half rotation? Why not use Jordan Farmar for more than 7:11–at least let Cassell post Farmar up once or twice and see what happens. Because meanwhile, if Farmar could pick up where he left off offensively in the San Antonio series, Cassell would have been in a heap of trouble. Personally, I think the law of averages says that at this point in his career Cassell will follow a boon with a drought, which happened, as we saw, and would have with Fisher or Vujacic or probably even Farmar on him.

  • NBA Finals Preview

    Anyone who has watched the two NBA conferences from November to April this season, and then watched the respective conference matchups in the postseason, would be hard-pressed to deny that the Lakers should be favored in the final series that begins this evening in Boston. But let’s begin by being counter-intuitive and considering the reasons–the legitimate reasons–for a potential Celtics upset. And no, I’m not talking about things like the Celts beating the Lakers in their only two meetings this season. Neither one occurred in calendar year 2008, and in the latest meeting, on December 30, Tony Allen led the Celts in minutes-played and plus/minus, and was effective at hounding Kobe Bryant into a 6-25 FG (0-6 3pt) performance. All you folks who think a reprise of that Tony Allen-Kobe Bryant matchup more than five months later, even if Allen hadn’t tweaked his achilles this week, would be a net plus for the Celts, are delusional homers who’d probably be more comfortable on a reflexively pro-Boston site.

    The frontcourt matchups are potentially very favorable for the Celts. Yes, L.A. is very long and quick up front, but Boston is uniquely well-qualified among NBA teams (well, along with Chandler/West/Peja in New Orleans, anyway) in their ability to counter it. After getting outhustled on the glass by Cleveland’s tag-teams of big men in the conference semis, Kendrick Perkins was huge–arguably the most important X factor–in the surprisingly efficient Boston triumph over Detroit. Perkins discovered a motivating passion in that series that gave his play a relentless tinge that was just shy of nasty–he cultivated an attitude that needed to be taken out of him physically, and none of the Pistons’ big men were up to the task–although thanks to Flip Saunders, Jason Maxiell didn’t get enough minutes to try. Now Perkins faces off against Pau Gasol, whose instincts are soft. Can Gasol mix it up? Sure, but that’s not his wont: He is at heart a finesse player, no less than KG. He is quicker than Perkins and if he can hit that 12-footer that wasn’t going in often enough against Tim Duncan and the Spurs, he might draw Perkins out just far enough to abuse him and put Perkins in foul trouble. Perkins also can’t do too much helping on Kobe Bryant, or Gasol will feed on Kobe’s garbage for putbacks and alley-oops that will swell his confidence. No, if Perkins is able to keep Gasol off the boards and limit his scoring to the short jumpers on post-ups and putbacks of long rebounds–and if Perkins can stick the occasional baseline jumper and bull for his own putbacks, as he did against Detroit–that negates what two weeks ago looked like a big Laker advantage. The question is, which Perkins shows up. I don’t think Gasol can take the starch out of him. I think there is a good chance he maintains his momentum. BTW, PJ Brown is also the kind of gritty blue-collar guy that can frustrate the hell out of Gasol.

    At the power forward slot, Lamar Odom is a matchup nightmare…for almost everyone but Kevin Garnett. Odom is a poor man’s KG in more ways than one: The incredible athleticism and versatility, and the shaky psyche and occasional crunchtime disappearance. If Garnett dedicates himself to moving his feet on defense (especially against Odom’s dribble penetration down the left lane), boxing out on the boards, and taking Odom down in the left block for his classic baseline-shoulder turnaround J’s and feint-toward-the-middle-reverse-up-and-under moves, Odom’s confidence, never a particularly rock-solid substance, melts and corrodes his skills and reactions. Now this presupposes a few things that are far from certain. One is that Garnett won’t be at least as preoccupied with helping out on guarding Kobe, particularly in cutting off penetration and showing on the pick and roll and triangle schemes. The dirty little secret in the Detroit series was that Garnett’s pick and roll defense was more facade than brick wall–he showed but never stayed, and the Pistons never made him pay for his no man’s land by either zipping in the pass before he could recover or sticking the semi-open jumper. Kobe and the triangle will feast on facade defense. The second thing is KG’s desire to launch midrange jumpers. If he doesn’t take Odom into the low block and either compel the double team or put Odom in the torture chamber, it will be a monumental strategic blunder. Put it this way, if Ronny Turiaf isn’t getting more time than Phil Jackson would prefer due to Gasol and Odom being plagued by fouls or otherwise overmatched, the Celts aren’t pressing their advantage and executing properly.

    At the small forward slot, I’d put Ray Allen on Vlad Rad and Paul Pierce on Kobe. Radmanovic does most of his damage from outside the arc anyway, which is where Allen roams, and if the Lakers are running post-ups to capitalize on his 5-inch height advantage over Allen, that’s a moral victory for the Celts–Vlad Rad on the block may be the 15th best offensive option for the Lakers.

    Which brings us to the all-important Kobe-Pierce matchup. The rehabitation of Pierce’s defensive reputation in these playoffs–first in dogging LeBron, then in adding to Tayshaun Prince’s postseason disappearing acts on offense–has been a great surprise to most observers, including me, that don’t buy Pierce’s contention that he’s always been an above-average defender. Okay PP, you’re 6-7, 235, can you stay with the 6-6, 205 Kobe or is he simply too quick for you? Personally, I think a dedicated Pierce limits Kobe more than Ray Allen certainly, and probably even James Posey, who although 6-8, 217, isn’t as quick as Pierce. Meanwhile, whether Kobe is guarding Pierce or Allen, that Big 3 member has to make Kobe exert himself and not play center field on D to conserve his energy.

    One more item in this Celtic scenario: the foot speed of Rajon Rondo over Derek Fisher. Both Fisher and Rondo have been fitfully inconsistent this postseason but in a good way–both have stepped up to have monster games, especially at crunchtime, at various points, and yet have almost totally disappeared at other times. Both have the capacity to embarrass the other–Rondo is too quick for Fisher, and Fish is light years ahead of Rondo in terms of experience and all that entails–composure, court vision, sneaky shortcuts on offense and defense, playing within himself, and overall maturity. If Rondo happens to come up huge in a nip-and-tuck contest, the Celts could steal one.

    I’ve listed these potential Celtic pluses in order of descending likelihood–in other words, I expect Perkins to control the paint against Gasol more than I expect Rondo to embarrass Fisher. The point is, the Celtics cause isn’t helpless. Yeah, they played in an inferior conference, but their record against the West was superb. They play suffocating team defense, the most chronically underrated aspect of pro hoops. They managed to win two series with their best outside threat enduring the worst slump of his 12-year career, and, like the Lakers, have never once trailed in this entire series.

    But the smart money–and mine, if I was betting–is on the Lakers for good reasons. In order of importance, here they are:

    * Kobe.

    Ten years from now, people will look back on this as the best season of his career, the year he finally understood what it meant to elevate himself by elevating his teammates, in ways that are as much mental/psychological/intuitive/selfless as they are physical and competitive. Kobe’s competitive fire and freakazoid athleticism have never been in question. Putting his arrogance in a positive context has often been the missing ingredient. But this year, and especially this postseason, the guy has not only been unstoppable–which isn’t exactly novel–but has figured out exactly when to seize the moment.

    Consider that Denver began the playoffs by throwing the thuggish K-Mart on Kobe, which worked for maybe a half, until Kobe found his rhythm and started shaking his head no with every jumper round about the third quarter. Then Utah–was there a team better equipped to go against K
    obe, what with AK-47, Ronnie Brewer, and Jerry Sloan’s elbows-and-knees defensive philosophy? Didn’t matter. Except for Game Four when he played hurt and tried to do too much at crunchtime, Kobe surmounted. Then San Antonio. The Jordan comparisons that have arisen out of that series are unfortunate, but offered up for a reason: Kobe destroyed the Spurs with game-altering elevations of his game not seen since Jordan. The bookends of Game One and Game Five should give the Celts serious pause. If Kobe keeps regulating his peaks and plateaus (there really are no valleys) to maximum advantage in terms of game flow and momentum psychology, there isn’t a credible counter-attack. Remember, the Celtics are all about low-scoring games. That makes a player who on certain occasions can score when he wants to all the more valuable.

    * Phil Jackson vs. Doc Rivers

     Doc Rivers is in the Finals, which means he can legitimately tell all his critics to kiss his ass–seriously, this is as far as the Celts are supposed to go, and if Flip Saunders had made it here, he’d still have a job. But Mike Woodson, Mike Brown and Flip Saunders are not remotely in the same time zone as Phil Jackson in terms of playoff coaching prowess, and neither is Doc Rivers. Jackson’s teams win the big ones–the dude has nine rings. When he sprang that small lineup on Gregg Popovich and the Spurs, it shifted the entire dynamic of the series, and salvaged Game One for the Lakers. When he steadfastly rested his three best players despite a steep first-half deficit in Game Five, he fortified his bench with his faith and conserved the energy of his stars for the second half comeback that clinched the series. For those who say that Jackson simply has great players, consider how many rings MJ, Kobe, and Shaq have won *without* Jackson. That would be one–Shaq’s in Miami, under Pat Riley.

    In my opinion, Rivers’ misuse of Eddie House in favor of Sam Cassell and chastising of Rondo for taking "heroic shots" in this postseason dramatize the talent gap between himself and the Zen Master. It is bad enough for Boston that Jackson is the better coach. He also has more, and more flexible, weapons at his disposal. Which brings us to…

    *Backcourt depth

    Cleveland and Detroit both exposed the Celtics’ thin backcourt and then inexplicably didn’t press that advantage–literally press it. Bluntly put–can either Cassell or House handle the pressure LA can bring with Vujacic and Farmar and Fisher and Walton and Kobe and Odom? If Rondo gets in foul trouble or simply needs a blow, who gets the Celts into the offense? By default it has to be Pierce–but if you’re Jackson, isn’t that when you appeal to Kobe’s competitive arrogance, tell him "LeBron couldn’t stop The Truth in Game Seven, so let’s see what you can do." And not just Kobe. Snipe with Farmar and Vujacic. Double hard with Odom.

    Unless Rondo plays all 48, how does Boston handle a Laker lineup of Vujacic, Farmar, Walton, Kobe and Odom? That gives Fisher and Gasol a breather and makes it extremely hard for the Celts to get into their offense. Or maybe swap in Fisher for Farmar, or Vlad Rad for Walton, or Gasol or Turiaf for Odom. The Laker bench is vastly superior to the Celtic bench, especially in the backcourt.

    I grew up with the Celts during the heyday of Bill Russell. I covered the Timberwolves every single one of KG’s dozen years in town, and I’d be less than honest if I said I’m not pulling for Boston so he can bag that trophy and permanently put to rest the whispers about his crunchtime primacy. But the other guys, the ones in gold and purple, have the best player. The best coach. More depth. Lakers in five or six.

  • Angie Stone

    Stone has always struck me as a latter-day Gladys
    Knight
    , a lady who sings like she knows her way around the church and the
    high-rise and the rural South, who’s comfortable to a fault with conservative
    soul trappings, not realizing that her best moments come when she steps beyond
    the mix and indulges her supple voice and emotional credibility in seemingly
    spontaneous testimony. Having endured enough of a career trough to suffer the
    indignity of appearing on Celebrity Fit
    Club
    a while back, Stone’s fourth and latest disc, The Art of Love & War on the
    reconstituted Stax label, is not her best (I’d opt for Mahogany Soul), but of a self-assured
    piece with her previous output. There are echoes of Stevie Wonder ("My People"),
    her stint in the Soul II Soul spinoff Perfect World ("Go Back To Your Life"),
    Philly soul ("Here We Go Again"), and slow jam romance ("Pop Pop"). Some of them are sure to be mixed in the
    Stone favorites like Raphael Saadiq’s "Brotha" and the shimmering "No More Rain
    (In This Cloud)" — which borrows a groove and sense of romantic-spiritual uplift
    from Knight’s bag of tricks. It all adds up to R&B-pop with a dash of hip
    hop that cuts a little deeper than neo-soul.

  • Lakers Best in West, Celts Seize Control

    (Photo by Evan Gole/NBAE via Getty Images)

    For casual basketball fans who stop by only in the postseason to get their taste of the NBA, the Los Angeles Lakers made their four-outta-five domination of the defending champion (now ex-champion) San Antonio Spurs exceeding simple to understand. MVP Kobe Bryant played exceptional basketball, particularly on the offensive end and especially in the second half, when the aging, dinged up Spurs were most vulnerable. Kobe racked up 52 points (or an average of 10.4) in the first halves of the five games, and 94 (18.8) in the second halves. And yet Bryant has become so talented that this almost effortless 29.2 points per game licking he put on the Spurs probably enhanced the defensive reputation of his primary matchup, Bruce Bowen. Whereas Bowen was beaten, his replacements were embarrassed, casually demolished, unable to even slow Kobe down a little bit, let alone prevent him from proving that this matchup would decide the game in LA’s favor without plentiful reinforcements. Kobe’s hang times were longer, his dribble penetrations quicker and smoother, his competitive instinct just a tiny bit keener. Best of all for Laker fans, and for Kobe’s Laker teammates getting fitted for rings, his conference finals performance wasn’t spectacular but clinical, and serious as a heart attack.

    Who else on the Lakers had a really good series at both ends of the court? Certainly not the two long, quick, big men, Pau Gasol and Lamar Odom, nor point guard Derek Fisher. Role players Vlad Radmanovic and Jordan Farmar played better than expected, but neither one averaged double figures in points, or made the Spurs think twice about adjusting their priorities to try and stop them. No, take Kobe out of the equation and this is a 4-1 series the other way, even with Manu Gibobili hobbled.

    On the other hand, the Lakers are very long, very quick, and very deep, and defensively, although their focus wandered and their immaturity showed on occasion, their athletic talent and persistent energy frustrated the hell out of San Antonio. Their rotations were rapid and varied, and that speed and unpredictability coupled with their obscuring length effectively robbed more open looks away from the Spurs than either Phoenix or New Orleans had been able to manage in the first two rounds.

    It really would have been fun to see this series had Ginobili been at full capacity. In the normal course of events, the likes of Gasol/Odom/Vlad Rad/Turiaf/etc would have thwarted some of Manu’s patented kamikaze penetration. And Ginobili’s ankle woes likewise would have thwarted some of that penetration even against an ordinary team. But put the two together–the Lakers’ interior D and Ginobili’s lack of mobility to cut and twist in traffic–and that aspect of the Spurs offense was effectively eliminated. It thus became all about how many treys San Antonio could sink. And while that is an important part of the Spurs’ attack, it can’t be the meat *and* the potatoes of what they do.

    Before we turn to the Celts and Pistons, a few words about the horrible officiating at the end of Game Four, and the equally horrible reactions by the players and commentators.

    First of all, I understand it is the final seconds of a crucial playoff game. I understand that Bones Barry didn’t "sell the call" by leaping up with a shot attempt into the body of Derek Fisher as Fisher leapt toward him. And I agree that both of these can be mitigating factors that keeps the whistle out of the officials’ mouths– *if* the play and the infraction are a borderline call. But this was a foul, flat out, and to argue that it wasn’t is to engage in stupidity or delusion. Derek Fisher jumped into Barry, landed with his hands and elbows on Barry’s neck hard enough to buckle his knees and torso and knock him off balance as he tried to dribble his way clear to attempt the shot. Does anyone disagree with that? If you don’t call that, then where do you draw the line?

    The NBA has a code of honor that you don’t whine to or about the refs on a make-or-break play. The problem with having pretty much nothing but former players doing postgame commentary–Reggie Miller, Charles Barkley and Kenny Smith–is that they don’t think rationally because they are following the code. Ditto Spurs coach Gregg Popovich, who obviously didn’t want the controversy distracting his team’s preparation for Game Five, and obviously instructed his players not to utter a peep of protest or rebuttal over the accuracy of the non-call. Consequently, the three commentators–who looked stricken, as if they were at a funeral, immediately after the game, knowing they’d have to render a judgment on something upon which their heads and hearts disagreed with their eyes–came around to blaming Barry, or patronizing him for "not being in that situation much before." Miller said it was "a good non-call," Barkley actually said that because the Lakers had outplayed the Spurs so thoroughly, the refs were reluctant to award potentially game-winning free throws to San Antonio. Smith at least acknowledged it was a foul, but essentially agreed with Miller.

    I actually wrote a long item about this after the game, but it got eaten by the computer and I went to bed. But the gist of my sentiment, then and now, is that the refs swallowed their whistles three times in the final 90 seconds or so, an incompetent display that sets a very bad precedent. First, Tony Parker should have gotten a free throw as Lamar Odom ran through him as they tumbled out of bounds after Odom’s goaltended on Parker’s layup–that should have been a potential three point play. Second, the Lakers should have gotten a new 24 second clock after their jumper grazed the front iron on the next possession. This would have forced the Spurs to foul to get the ball back, sending the Lakers to the line for two shots. Third, Barry was obviously fouled while he was trying to get in position to shoot, meaning that, with LA over the limit, it was a two-shot foul (this is what the league office ultimately ruled the next day). Add it up and the Spurs should have had three foul shots, the Lakers two. Of course if Parker hits his free throw and/or the Lakes hit their free throws, who knows how that would have affected the final Barry possession. Bottom line, it was a tainted win for the Lakers, who were clearly the better team in this series, and deserved an unblemished demonstration of that.

    On to the Celts and the Pistons. Once again, I’m late to the instant commentary party (I’ll probably try to rectify that by posting three pointers for games during the Finals), and know that you don’t need to hear me repeat kudos for the monster Game Five effort delivered by Kendrick Perkins, or to note Ray Allen’s return to accuracy on his jumper. So I’ll be a little counterintuitive and instead remind everyone how vital it is to have players delivering consistently strong performances this far into the postseason. That’s another reason why Kobe was so obviously the MVP of the Lakers-Spurs series. In the Celts-Pistons matchup, barring any earthshaking, melodramatic development in the next game or two, the hands-down MVP should Kevin Garnett if Boston wins, and Rip Hamilton if Detroit triumphs.

    Both KG and Rip play with all-star teammates in lineups that are renowned for spreading the scoring around to at least three players, and yet both are leading their respective teams in scoring by at least 6 points per game. The reason for this is consistency. While Allen or Perkins or even Paul Pierce for Boston, and Billups or McDyess or ‘Sheed for Detroit have all had significant dropoffs in production during at least one of the five games that have been played thus far, Garnett and Hamilton keep delivering double-digit totals, while putting up gaudy or at least respectable numbers in other fa
    cets of the game such as rebounding, assists, blocks or steals. Each player’s opposing coach has burned a lot of brain cells trying to figure out how to deter this high level of production, to no avail. That’s impressive, and yet too easily overlooked as we anoint heroes on a game-to-game basis.

    That said, there are some fascinating subplots involved as we head into Game Six in Detroit tonight: Will Lindsay Hunter’s on-ball defense continue to checkmate the Celts’ backup point guards to the degree that Rondo plays nearly the entire game again? And will the Celts finally counter by giving Pierce more play-making and ball-handling responsibilities while Rondo gets a blow? Given the stakes involved–two veteran teams with windows closing on shots at a ring, trying to avoid plummeting from highly successful regular seasons (the two best records in the NBA) to not even reaching the Finals–and the intensity of the suffocating defense each team plays–are the incidences of technicals, flagrants, and controversial non-calls going to continue to rise, and if so, which team keeps its cool? Is Ray Allen back for good this time? Will Flip Saunders continue to ride his veteran starters even if Stuckey is outplaying Billups and Maxiell keeps proving he deserves more burn? Should PJ Brown and Kurt Thomas announce that they won’t sign with anybody until February and then again pick the playoff-bound team that is most complementary with what they bring to the table?

    My answers: Yes, no, yes, Detroit in Game Six, nearly back but not all the way, yes, and emphatically yes.

    I don’t see Detroit winning two straight–remember, the Celts, like the Lakers, have never been behind in a series during this postseason–but I wouldn’t bet against them at home.

  • The Three Pointer: The Pistons Square the Series

    Photo by Nathaniel S. Butler/NBAE via Getty Images

    Eastern Conference Finals, Game #4: Boston 75, Detroit 94

    Series record: Tied 2-2

    1. The "Little 3"

    I’m not the first one to unimaginatively pervert the "Big 3" sobriquet for tonight’s no-show troika of Celtic stars, and the way they are playing, I certainly won’t be the last. Among Boston’s starting five, the two role players stepped up fine, especially Kendrick Perkins. But the stars were all dim bulbs, collectively shooting 11-38 FG and refusing to take control of what remarkably, all things considered, was a winnable game until about 3 minutes left to play.

    Begin with Paul Pierce, the man whose guidance of the offense in the half-court is what ultimately swung the Celtic series versus Cleveland. Tonight Pierce had his shot blocked as many times as it went in the hoop, making just 3-14 FG while getting housed three time. Worse than that, though, was that he doled one measly assist compared to four turnovers. Yes, his defense on Tayshaun Prince was stout, and yes he got to the line 11 times and sank ten of them. But in the half-court sets, Pierce, who has become the floor general and go-to creator, never really made anything happen via either the pass or the jumper.

    On to Kevin Garnett, who had an embarrassing night first getting his shot blocked from behind by Jason Maxiell on a breakaway, then getting shown up on two straight defensive sets, the first on a spin move and layup for ‘Sheed Wallace, quickly followed by a Stuckey alley oop lob to Maxiell over KG’s leaping fingers. Now with the exception of the ‘Sheed spin, a charitably inclined individual could say Garnett was just in the wrong place at the wrong time. But there is no excuse or justification for Garnett’s disappearance in the first quarter. During the regular season and the first three games of these finals, KG has owned ‘Sheed and the Pistons from about 16 feet on in, averaging 24 points and converting well over half his shots. So tonight the Pistons come roaring out with a 10-0 run and Detroit’s matchup nightmare is MIA. The other nine starters on the floor had all attempted at least one field goal before Garnett deigned to clank a jumper with the score already 16-4 Detroit and the first quarter more than half over with 5:19 to play. His second shot was the breakaway dunk attempt swatted away by Maxiell with 2:22 to play. He sat about a minute later with his team down 20-12.

    During that entire first quarter, in other words, Garnett followed through on a post-up move exactly once. That is ridiculous and typical of the self-effacement that crops up enough to stain his reputation. He finished with decent numbers, given the context of the Celtics offense: 6-16 FG, 16 pts, 10 rebounds, 3 assists (vs. 3 turnovers) and two steals. But when your team is up 2-1 on the road with a chance to essentially make your winning inevitable and your desperate, talented opponent races to a lead, and you are the best mismatch for your ballclub, you make yourself available and then you succeed or fail on that availability. You don’t shoot 0-2 FG with one of the shots being a breakout in transition.

    Which leaves us with Ray Allen. I am sick and tired of color commentator Mark Jackson (and to a lesser extent his colleagues Breen and Van Gundy) detailing every imagined flaw in Rajon Rondo’s game, especially on offense, while Allen gets a free ride for a stretch of abysmally cold outside shooting that has gone beyond a slump and is entering Nick Anderson or John Starks territory for historic, career-footnoting ineptitude. Less than 6 weeks ago, Allen ranked with Peja Stokjaovic and Steve Nash as one of the NBA’s best outside shooters. Tonight he once again failed to hit a single jumper, going 2-8 FG in four seconds less than 35 minutes, with both buckets being layups. He missed three treys and turned down about 15 other open looks. Compared to the way Allen is shooting, Rondo is Pete Maravich.

    I know that none of this is Allen’s "fault," in that he’s been lax or malicious or brought this on by any karmic retribution that would make sense. He’s been forthright and classy about his woes. He’s moved the ball relatively well and has been mostly automatic from the free throw line. But it is getting to the point where patience is appearing to be less and less of a virtue. Allen has already had his breakthrough game to end the doldrums when he shot 9-16 FG in the Celts’ Game Two loss–then promptly went back to abject clanking in the next two games. Tonight’s fourth quarter had to be a bad dream for him: Not only couldn’t he buy a basket, he missed two crunchtime free throws (!) and had Rip Hamilton toy with him on two crucial crunchtime buckets en route to Rip’s 10 4th quarter points and game line of 8-10 FGs. It might be time to experiment with Rondo on Hamilton and either Cassell or Eddie House guarding Billups at the point, at least for brief stretches. That’s two tough matchups on the defensive end, but maybe a little more offense–some shots that go in, in part because they are attempted by someone not worrying about being an albatross every time they pull the trigger. The Celtics as a team shot 31% tonight, and Allen’s 2-8 didn’t elevate that putrid accuracy. I understand that the Celtics don’t win the NBA Finals against the likes of LA or SA without Allen being on his marksman-like game. But that doesn’t mean you can’t rattle the mix–Tony Allen, even?–for four or five minutes stretches, just to see if you can stir a change.

    2. A Night For Large Role Players

    As in large guys who are role players, but also guys who play large roles. The consensus among those who saw tonight’s tilt would be that Antonio McDyess was the player of the game, and not just because he scored more points (21) and grabbed more rebounds (16) than anybody else. Although he continues to be deadly from midrange, McDyess was perhaps most valuable as the team’s emotional leader. With Rip and ‘Sheed bedeviled by fouls, Billups obviously not right in his hamstring, and Prince experiencing shooting woes, McDyess became the regulator, the one to keep things on a consistent keel that blended both passion and self-control. He came up huge. Ditto Maxiell, who in additon to his signature block and nifty alley oop played staunch half-court D and was a perfect 6-6 FG in 20:28 off the bench. And over on the other sideline, Kendrick Perkins was probably Boston’s best player tonight, ensuring that nobody got anything easily in the paint and warring for defensive boards and putbacks while stoking the desire in what seemed a curiously blase, or perhaps just disspirited, Celtics ballclub. After a horrible series against the Cavs, it has been enjoyable to watch Perkins’s series-long revival vs. Detroit.

    3. Quick Observations

    If I’ve got a rooting interest in either team, it is Boston, who I picked to win in 7 and who stars one of my favorite players in Garnett. But without the refs blowing their whistles, the Celts lose by 30 tonight, as Hamilton (8-10 FG) and ‘Sheed (6-9 FG) were both limited by foul trouble while the Celts lived at the line, registering more than half of their first 53 points via free throws. That said, the refs are getting wise to Hamilton’s arm-locking manuvers and push-offs to get open, and ‘Sheed still commits some really obvious and circumstantially dunderheaded infractions, like 4th foul showing hard on the pick and roll with more than 7 minutes to play in the third.

    Flip Saunders and Mark Jackson seem to want to agree that Chauncey is more rusty than dinged up, but the rest of us don’t have to buy that bullshit. Billups has always moved like a cat, he a bunched-up and spring player with a great first step. That stuff is nowhere to be seen in this series. Instead
    we see Billups missing badly on his jumper (3-12 tonight) and walking with a hitch during breaks in the action.

    I understand that Lindsay Hunter’s on-ball defense is preventing Eddie House from getting much burn, but have the Celts forgotten that Pierce was frequently bringing the ball up in Game Seven of the Cleveland series? For that matter, KG and Ray Allen also have pretty good handles. It sure would have been interesting to see if House’s microwave act from way outside could have made up that perpetual 5-10 point margin that existed from midway through the first until about 4-5 minutes left in the game. Boston was 1-9 from trey territory tonight, and that was Posey in the corner off a KG double team. I mean, if Sam Cassell is going to chuck a trey with 16 seconds on the shot clock in the fourth quarter and the Celts down 6 without nobody under the hoop for a rebound, is there any justification for keeping House under wraps?

     

  • A Hit and a Miss for Ellis Marsalis

    Irvin Mayfield and Ellis
    Marsalis

    Love Songs, Ballads and Standards
    Basin Street Records

    Trumpeter Irvin Mayfield has
    often been an artist who wears his heart on his sleeve. This sentimental
    exuberance has helped put the panache in Los Hombres Calientes, made
    his breakup concept CD, How Passion Falls, especially vivid, and
    has fueled his tireless efforts (as musician, cultural ambassador, library
    board member, you name it) to resurrect New Orleans after the hurricane
    and flood that took the life of his father. But the combination of overripe
    ballads and the chance to record with his mentor, the pianist and patriarch
    Ellis Marsalis, makes Mayfield’s most every bleat bathetic, and the
    sum of Love Songs corny and starchy. I wouldn’t quite call
    it elevator music. But if I heard it on an escalator, I’d want to
    get off.

    The disc’s problems are symbolized
    by the fact that there are not one, but two versions of the hoary, somnambulant
    Beatles standard, "Yesterday," bookending the record with a studio
    opener and concert closer that aren’t different enough to justify
    the redundancy even if the improvisational acumen were more apparent.
    The song selection sets a high bar—"Superstar" and "A House
    Is Not A Home" have plenty of stirring versions even without Luther
    Vandross’s definitive takes, and material like "Round Midnight"
    and "In A Sentimental Mood" require more than lush atmosphere and
    a few swoons to become distinguished.

    The best things here are a
    solid version of "Mo’ Betta Blues," a "Don’t Know Why" that
    provides much needed whimsy, and Marsalis’s elegant piano on Corinne
    Bailey Rae’s "Like A Star." Not coincidentally, they are three
    of the four tunes recorded last June, post-Katrina; whereas the other
    ten numbers are from 2004. Most of these arrangements were sufficiently
    dewy just with a quartet (drummer Jaz Sawyer and bassist Neal Caine
    abet the leaders), but the Louisiana Philharmonic Orchestra is brought
    in for further sweetening, another sign of overreach. In the liner notes,
    Mayfield says he "didn’t intellectualize" his song choices. Next
    time, a few more brain cells might be a better investment.

    Love Songs, Ballads and
    Standards
    * (one out of five stars)

     

     


    Ellis Marsalis Quartet

    An Open Letter to Thelonious
    ELM

    An Open Letter To Thelonious,
    likewise, had the potential to be stodgy and hackneyed. Monk tributes
    come a dime a dozen, and Ellis Marsalis—the father of Wynton Marsalis,
    after all—is a thorough but resolutely orthodox jazz scholar and musician.
    He remains that way on Letter, and proves you don’t have to
    take liberties with classic material to keep it refreshing.

    Marsalis admits in the liner
    notes that he didn’t initially "get" Monk, and there is the diligence
    of atonement in the way he burrows into the crevices of Monk’s fractured
    rhythms and invests himself in both the earnest and wry aspects of the
    great composer’s work. Ellis himself takes the lead on songs involving
    the ladies in Monk’s life, unveiling the languid contentment of "Crespuscule
    With Nellie" and the sweetness of "Ruby, My Dear." He delivers
    a brief but memorable two-handed solo on "Light Blue" (misspelled
    "Light Bue" on the disc) that helps portray an essential Monk contradiction,
    relaxed complexity. And his dappled notes showcase the beauty of "Monk’s
    Mood," including a solo that captures Monk’s ability to be elliptical
    and allusive yet never lax or otherwise inattentive.

    The other star of the quartet
    is Ellis’s youngest son, drummer Jason Marsalis, who among other things
    was Irvin Mayfield’s cohort in Los Hombres Calientes. His drum solos
    on Letter are plentiful and thus inevitably garrulous on occasion,
    but his turn on "Jackie-ing" is pure delight, an adventurous mixture
    of crisp Monk and New Orleans march time, and his hard-bop propulsion
    on "Straight, No Chaser" gives the tune the feel of Blakey’s Jazz
    Messengers
    . Saxophonist Derek Douget and bassist Jason Stewart round
    out the ensemble, with Douget’s soprano horn leading the dialogue
    on "Epistrophy" and the whole band exuding a light-hearted vibe
    on "Teo" (Monk’s paean to his longtime producer, Teo Macero) and
    the irrepressible "Rhythm-A-Ning." After a nifty solo that drops
    in a "Sweet Georgia Brown" quote on the latter tune, Marsalis closes
    out the disc with a solo rendition of "Round Midnight" that is luscious
    with sentiment yet never cloys. Compare its acuity to the pro forma
    romance contained in the "Round Midnight" on Love Songs, and
    hear why good intentions don’t suffice without an artistic follow-through.

    An Open Letter to Thelonious
    **** (four stars)