ART
I’m sure you all ready know about the Uptown Art Fair this weekend. It’ll be the same usual chaos with endless booths of art — paintings, sculptures, mobiles, textiles, pottery, glasswork, wirework, jewelry, photographs, wood carvings, toys, you name it — and food, plenty of food. You’ll find everything from wild rice and bison sausage to smoothies with wheat grass — or at least corn on the cob, cheese curds, and mini donuts; you can always count on those.
If you’re looking for a slightly smaller venue, with just as much clout, make your way to the Loring Park Art Festival. Hell, make a full day out of it and go to both!
But if neither of these options are quiet enough for you — you’re hoping for something with a bit less energy and a bit more air conditioning, here are a few other options:
Segrelicious
Described as a “multi-media, poly-racial-gender exquisite corpse of poetry, performance, and artistic experimentation,” Segrelicious has quite a tall order to fill, which might even be possible, given Shoebox proprietor Sean Smuda’s polymorphous involvement with dance, poetry, photography, iron sculpture, and even improvisational music. Each artist was directed to make work in response to a piece from another artist. On August 4 from 6-9 p.m., in both the Obsidian Arts and Shoebox Gallery spaces, the visual-arts part of the show opens. For the Soul Food gathering on August 25, bring a dish, a drink, and a story or talent to share that afternoon; a physical and intellectual potluck will unroll throughout the Roberts Shoes building at Lake and Chicago. Segrelicious performances begin at 8 p.m. Call it a bohemian rhapsody … — by Ann Klefstad
August 4 – October 25, Shoebox Gallery and Obsidian Arts, Roberts Shoes Building, 2948 Chicago Ave. S., Suite 220, Minneapolis; 612-825-3833.
New Photography: McKnight Fellows
Orin Rutchick, Kristine Heykants, Angela Strassheim, and Mickey Smith now show the fruits of the past year’s labors as winners of the McKnight Foundation’s annual photography fellowships. These are fairly approachable artists, standing in relation to average folks’ uses of the medium: Orin Rutchick’s project is all about tourist snapshots; Kristine Heykants’s theatrical studio work rides atop her commercial work shooting models and brides. Angela Strassheim worked in forensic photography before moving on to document life in the suburbs (arguably more of the same), but her work has always borne some resemblance to both family snaps and famous paintings. Recent fame has encouraged Strassheim to push her candy-colored malign line further; these photos are interesting but you probably shouldn’t have dessert before you go see them. The one photographer here who shows nothing really new is Mickey Smith — someone get that girl out of the library! — by Ann Klefstad
August 4 – October 7, Minnesota Center for Photography, 165 13th Ave. N.E., Minneapolis; 612-824-5500
Plant Worship
Cynde Randall has been in touch with just about every artist in the five-state area, thanks to her work as a longtime associate with the Minnesota Artists Exhibition Program at the Minneapolis Institute of Arts, and as the founder of the annual Bird x Bird exhibition, a benefit for avian well-being. Now, fittingly, she has her own eco-gallery on the shores of Lake Pepin, in the heart of the Mississippi flyway. It opened in June, and its new show, Plant Worship, includes new works by Pat Callahan, Dennis Conrad, Andrew Neher, and Luke and Valerie Snobeck. Randall says the satiric but heartfelt work from this crew illustrates “the problematical relationship between human behavior (and industry) and nature.” As Neher notes regarding the issues his work explores: “What we are facing today isn’t the end of life but the end of a lifestyle.” — by Ann Klefstad
August 4 – September 9, Swan Song Contemporary Arts, 3557 W. Main St., Maiden Rock, Wisconsin; 612-250-9222.
THEATER & PERFORMANCE
Just like the Uptown Art Fair, probably even more so, you’ve heard plenty about the Minnesota Fringe Festival. Man, this town is cool. No, really; I mean it. We have a whole theater festival devoted to the fringe. So cool. I hear a lot of people — mostly theater folks and aficionados — complaining each year when big fringe festival sellers (the “popular” shows that get all the hype) don’t make it into the following year’s lineup. They all argue that at minimum a small percentage of spots should be reserved for those with previous successes. Hmmmm… Doesn’t that defeat the purpose of the fringe festival? How popular must one get before one is no longer fringe? Anyhow, everyone has just as much of a chance as everyone else, and that’s a lovely randomness. The beauty of the fringe fest, despite how much it often pains us, is it’s unpredictability. You win some; you lose some. That’s how it goes. And frankly, I would be terribly disappointed if on any given year I were not at least once terribly disappointed. Nonetheless, each year, so many of us scour the media, and our friends, for some small sign, a hint of direction, for which plays to see, for what to avoid. And of course, The Rake will do its small part.
Here’s a little info on a few selections we’ve deemed important. (This, of course, says nothing about the many more we’ve missed. If you have something to add, please do so in the comments.)
Take a Left at the Giant Cow: A Beginner’s Guide to North Dakota
If the three-minute preview we saw in late June (as part of the Fringe For All sneak peek) was a representative sample, this will be a show that typifies fringey humor — you know, jocular and yet acerbic, delivered with wit and plenty of pop-culture references. Last year, the North Dakota show’s originators, Curt Lund and Laura Bidgood, had a Fringe hit on their hands with the hilarious comedy, Two Queers and a Chubby. This time around, the NoDak natives take aim at a different, but no less susceptible target: their unglamorous home state. They’ve cooked up a script woven with childhood memories and droll observations, making light of everything from North Dakota’s plummeting population to its lack of celebrity exports. — by Christy DeSmith
Pillsbury House Theater, 3501 Chicago Ave. S., Minneapolis; 612-825-0459.
Around the World in Eighty Days in Under Sixty Minutes
If the prospect of staging Jules Verne’s adventure novel seems at all daunting, consider, then, the restraints of the Fringe: All shows must wrap within sixty minutes. Yet if anyone can accomplish this feat, it’s Hardcover Theater, a Minneapolis-based company that routinely transforms novels, short stories, and even poetry into entertaining nights of theater. In adapting Verne’s whirlwind account of a trans-global voyage by boat and train (set in 1873, mind you), Hardcover has turned the expedition into sport. With the cast literally racing to beat the clock — stopping in Egypt, India, Hong Kong, and the American Wild West — this is a serious contender for fastest-paced show at the Fringe. — by Christy DeSmith
Mixed Blood Theater, 1501 South Fourth St., Minneapolis; 612-338-0937.
Deep Boy
One of our favorite local freelance directors, Jon Ferguson, directs a company of six teenage performers and theater-makers (from Stages Theatre Company) in the creation and performance of this original play. So far, Ferguson’s Fringe Fest track-record is unblemished; his past hits include the 2005’s Please Don’t Blow Up Mr. Boban and 2006’s Kill The Robot. In the case of Deep Boy, the scenario, roughly, involves a high school-sponsored summer camping trip attended by a mix of over- and decidedly under-achievers. The kicker is this: The kids’ return to nature is led by a bully of a teacher, one whose favored tactics include intimidation and belittlement. This is fertile territory for the imagination, and Ferguson is well suited to coax every last drop of poetry from his teenage charges. — by Christy DeSmith
Theatre de la Jeune Lune, 105 North First St., Minneapolis; 612-333-6200.
Bards
Still finding the Fringe calendar a bit overwhelming? Feel like supporting the local theater scene, but don’t want to risk boredom or disappointement? For the last two years, with its productions of Inspector Rex and Deviled Eggs, the Four Humors Theater Company has provided (comic) relief to the wary Fringe playgoer. The troupe’s latest creation, Bards, sets Christopher Marlowe as a lead spy for the Queen in Victorian England. And who does he enlist for a dangerous mission? None other than William Shakespeare. Hilarity is sure to ensue. — by Max Ross
Southern Theater, 1420 Washington Ave. S., Minneapolis; 612-340-1725.
Other shows of note: Promiscuous Obedience, at Interact; Shakespeare’s Hystery of Queene Margaret, at Bedlam; and Circumference of a Squirrel, at Bryant Lake Bowl. I’ll be at The Book of Pops on Saturday afternoon.
The Minnesota Fringe Festival, August 2-12, 651-209-6799; $3 button + $12 (seniors/students/MPR memebers $10; children $5), or $45 for a five-show punch card.
BOOKS & AUTHORS
And just in case you need one other fabulous option:
The Man with the Golden Pen
This weekend, Jamaican author Colin Channer makes his Twin Cities debut with readings at the Loft Literary Center (free) and then at the Jamaican Independence Gala Dinner (40$), to promote his new novella Girl with the Golden Shoes. The story is about Estrella, an inhabitant of the fictional island San Carlos who is exiled from her village because of her passion for reading and writing. Channer’s style is evocative of the reggae rhythms of his native Kingston, lending his narrative an upbeat, dreamlike quality, while remaining incredibly visceral. Already lauded by several publications and reputed authors (including The New York Times, The Washington Post, Russell Banks, and Edwidge Danticat), Channing is a rising star of the international literary scene whose every fable has the power to become a classic. — by Max Ross
Friday at 7 p.m., The Loft Literary Center, Open Book, 1011 Washington Ave. S., Minneapolis; free. Saturday at 8 p.m., Jamaica Minnesota Organization Independence Gala, Marriott SpringHill Suites, 5901 Wayzata Blvd., St. Louis Park; $40. 651-639-7687.