Author: Cristina Córdova

  • Written in the Wind

    by Cristina Córdova

    written_on_the_wind_2.jpg

    This Douglas Sirk movie, playing in Loring Park on Monday evening, is easily the original Lifetime movie; yet it manages not to make my life feel insignificant simply by my watching it. It’s the original. How can that be bad? This is old school, baby. It’s the love triangle, the deep dark side of alcohol, neglect and abuse, unrequited love, best friends in love with the same woman, the evil hand of jealousy, the damsel in distress — and none other than Lauren Bacall, of course. No wonder they’re both in love with her. You’d have to be crazy not to be in love with her. And yet her charms aren’t nearly exploited or explored in this film. I’ll take her with Bogie any day. Rock Hudson just doesn’t seem to make her shine. Actually, it’s the bad guys in this movie that actually make it worthwhile — which is actually pretty amusing considering they’re not the big names on the marquee. Robert Stack’s drunken Kyle and Dorothy Malone’s portrayal of the spurned vixen are enough to keep me entertained. (Of course, I’m a sucker for the classics.)

  • Art, Fairs, and Fringe

    ART
    I’m sure you all ready know about the Uptown Art Fair this weekend. It’ll be the same usual chaos with endless booths of art — paintings, sculptures, mobiles, textiles, pottery, glasswork, wirework, jewelry, photographs, wood carvings, toys, you name it — and food, plenty of food. You’ll find everything from wild rice and bison sausage to smoothies with wheat grass — or at least corn on the cob, cheese curds, and mini donuts; you can always count on those.

    If you’re looking for a slightly smaller venue, with just as much clout, make your way to the Loring Park Art Festival. Hell, make a full day out of it and go to both!

    But if neither of these options are quiet enough for you — you’re hoping for something with a bit less energy and a bit more air conditioning, here are a few other options:

    Segrelicious

    SLTsegrelicious.jpgDescribed as a “multi-media, poly-racial-gender exquisite corpse of poetry, performance, and artistic experimentation,” Segrelicious has quite a tall order to fill, which might even be possible, given Shoebox proprietor Sean Smuda’s polymorphous involvement with dance, poetry, photography, iron sculpture, and even improvisational music. Each artist was directed to make work in response to a piece from another artist. On August 4 from 6-9 p.m., in both the Obsidian Arts and Shoebox Gallery spaces, the visual-arts part of the show opens. For the Soul Food gathering on August 25, bring a dish, a drink, and a story or talent to share that afternoon; a physical and intellectual potluck will unroll throughout the Roberts Shoes building at Lake and Chicago. Segrelicious performances begin at 8 p.m. Call it a bohemian rhapsody … — by Ann Klefstad

    August 4 – October 25, Shoebox Gallery and Obsidian Arts, Roberts Shoes Building, 2948 Chicago Ave. S., Suite 220, Minneapolis; 612-825-3833.

    New Photography: McKnight Fellows

    grocery_pub.jpgOrin Rutchick, Kristine Heykants, Angela Strassheim, and Mickey Smith now show the fruits of the past year’s labors as winners of the McKnight Foundation’s annual photography fellowships. These are fairly approachable artists, standing in relation to average folks’ uses of the medium: Orin Rutchick’s project is all about tourist snapshots; Kristine Heykants’s theatrical studio work rides atop her commercial work shooting models and brides. Angela Strassheim worked in forensic photography before moving on to document life in the suburbs (arguably more of the same), but her work has always borne some resemblance to both family snaps and famous paintings. Recent fame has encouraged Strassheim to push her candy-colored malign line further; these photos are interesting but you probably shouldn’t have dessert before you go see them. The one photographer here who shows nothing really new is Mickey Smith — someone get that girl out of the library! — by Ann Klefstad

    August 4 – October 7, Minnesota Center for Photography, 165 13th Ave. N.E., Minneapolis; 612-824-5500

    Plant Worship

    Cynde Randall has been in touch with just about every artist in the five-state area, thanks to her work as a longtime associate with the Minnesota Artists Exhibition Program at the Minneapolis Institute of Arts, and as the founder of the annual Bird x Bird exhibition, a benefit for avian well-being. Now, fittingly, she has her own eco-gallery on the shores of Lake Pepin, in the heart of the Mississippi flyway. It opened in June, and its new show, Plant Worship, includes new works by Pat Callahan, Dennis Conrad, Andrew Neher, and Luke and Valerie Snobeck. Randall says the satiric but heartfelt work from this crew illustrates “the problematical relationship between human behavior (and industry) and nature.” As Neher notes regarding the issues his work explores: “What we are facing today isn’t the end of life but the end of a lifestyle.” — by Ann Klefstad

    August 4 – September 9, Swan Song Contemporary Arts, 3557 W. Main St., Maiden Rock, Wisconsin; 612-250-9222.

    THEATER & PERFORMANCE
    Just like the Uptown Art Fair, probably even more so, you’ve heard plenty about the Minnesota Fringe Festival. Man, this town is cool. No, really; I mean it. We have a whole theater festival devoted to the fringe. So cool. I hear a lot of people — mostly theater folks and aficionados — complaining each year when big fringe festival sellers (the “popular” shows that get all the hype) don’t make it into the following year’s lineup. They all argue that at minimum a small percentage of spots should be reserved for those with previous successes. Hmmmm… Doesn’t that defeat the purpose of the fringe festival? How popular must one get before one is no longer fringe? Anyhow, everyone has just as much of a chance as everyone else, and that’s a lovely randomness. The beauty of the fringe fest, despite how much it often pains us, is it’s unpredictability. You win some; you lose some. That’s how it goes. And frankly, I would be terribly disappointed if on any given year I were not at least once terribly disappointed. Nonetheless, each year, so many of us scour the media, and our friends, for some small sign, a hint of direction, for which plays to see, for what to avoid. And of course, The Rake will do its small part.

    Here’s a little info on a few selections we’ve deemed important. (This, of course, says nothing about the many more we’ve missed. If you have something to add, please do so in the comments.)

    Take a Left at the Giant Cow: A Beginner’s Guide to North Dakota

    687.jpgIf the three-minute preview we saw in late June (as part of the Fringe For All sneak peek) was a representative sample, this will be a show that typifies fringey humor — you know, jocular and yet acerbic, delivered with wit and plenty of pop-culture references. Last year, the North Dakota show’s originators, Curt Lund and Laura Bidgood, had a Fringe hit on their hands with the hilarious comedy, Two Queers and a Chubby. This time around, the NoDak natives take aim at a different, but no less susceptible target: their unglamorous home state. They’ve cooked up a script woven with childhood memories and droll observations, making light of everything from North Dakota’s plummeting population to its lack of celebrity exports. — by Christy DeSmith

    Pillsbury House Theater, 3501 Chicago Ave. S., Minneapolis; 612-825-0459.

    Around the World in Eighty Days in Under Sixty Minutes

    677.jpgIf the prospect of staging Jules Verne’s adventure novel seems at all daunting, consider, then, the restraints of the Fringe: All shows must wrap within sixty minutes. Yet if anyone can accomplish this feat, it’s Hardcover Theater, a Minneapolis-based company that routinely transforms novels, short stories, and even poetry into entertaining nights of theater. In adapting Verne’s whirlwind account of a trans-global voyage by boat and train (set in 1873, mind you), Hardcover has turned the expedition into sport. With the cast literally racing to beat the clock — stopping in Egypt, India, Hong Kong, and the American Wild West — this is a serious contender for fastest-paced show at the Fringe. — by Christy DeSmith

    Mixed Blood Theater, 1501 South Fourth St., Minneapolis; 612-338-0937.

    Deep Boy

    658.jpgOne of our favorite local freelance directors, Jon Ferguson, directs a company of six teenage performers and theater-makers (from Stages Theatre Company) in the creation and performance of this original play. So far, Ferguson’s Fringe Fest track-record is unblemished; his past hits include the 2005’s Please Don’t Blow Up Mr. Boban and 2006’s Kill The Robot. In the case of Deep Boy, the scenario, roughly, involves a high school-sponsored summer camping trip attended by a mix of over- and decidedly under-achievers. The kicker is this: The kids’ return to nature is led by a bully of a teacher, one whose favored tactics include intimidation and belittlement. This is fertile territory for the imagination, and Ferguson is well suited to coax every last drop of poetry from his teenage charges. — by Christy DeSmith

    Theatre de la Jeune Lune, 105 North First St., Minneapolis; 612-333-6200.

    Bards

    730.jpgStill finding the Fringe calendar a bit overwhelming? Feel like supporting the local theater scene, but don’t want to risk boredom or disappointement? For the last two years, with its productions of Inspector Rex and Deviled Eggs, the Four Humors Theater Company has provided (comic) relief to the wary Fringe playgoer. The troupe’s latest creation, Bards, sets Christopher Marlowe as a lead spy for the Queen in Victorian England. And who does he enlist for a dangerous mission? None other than William Shakespeare. Hilarity is sure to ensue. — by Max Ross

    Southern Theater, 1420 Washington Ave. S., Minneapolis; 612-340-1725.

    Other shows of note: Promiscuous Obedience, at Interact; Shakespeare’s Hystery of Queene Margaret, at Bedlam; and Circumference of a Squirrel, at Bryant Lake Bowl. I’ll be at The Book of Pops on Saturday afternoon.

    The Minnesota Fringe Festival, August 2-12, 651-209-6799; $3 button + $12 (seniors/students/MPR memebers $10; children $5), or $45 for a five-show punch card.

    BOOKS & AUTHORS
    And just in case you need one other fabulous option:

    The Man with the Golden Pen

    colin_photo.jpgThis weekend, Jamaican author Colin Channer makes his Twin Cities debut with readings at the Loft Literary Center (free) and then at the Jamaican Independence Gala Dinner (40$), to promote his new novella Girl with the Golden Shoes. The story is about Estrella, an inhabitant of the fictional island San Carlos who is exiled from her village because of her passion for reading and writing. Channer’s style is evocative of the reggae rhythms of his native Kingston, lending his narrative an upbeat, dreamlike quality, while remaining incredibly visceral. Already lauded by several publications and reputed authors (including The New York Times, The Washington Post, Russell Banks, and Edwidge Danticat), Channing is a rising star of the international literary scene whose every fable has the power to become a classic. — by Max Ross

    Friday at 7 p.m., The Loft Literary Center, Open Book, 1011 Washington Ave. S., Minneapolis; free. Saturday at 8 p.m., Jamaica Minnesota Organization Independence Gala, Marriott SpringHill Suites, 5901 Wayzata Blvd., St. Louis Park; $40. 651-639-7687.

  • The Day After

    What do you do the day after a bridge collapses? Maybe just stay in. True. But it’s also the start of Fringe Festival today, and you don’t want to let fear push you around. (Respect it. Yes. But don’t let it push you around.) Here’s what you do. Regroup. Breath. Inform yourself. I’ll give you as many good links as I can find on the bridge collapse. When evening comes, let it go. Find yourself a good show (there are so many), and allow yourself to be entertained. You’ll enjoy the distraction.

    RAKING THE WEB
    Interstate 35W Bridge Collapses into Mississippi River

    I’m not going to give you links to the mainstream media sources you should be reading, but do go check them out. I have actually been pleasantly surprised so far with the quality of the local coverage. I thought WCCO, for example, offered some very nice coverage — despite what appeared to be a glitch in their signal that left a nice pink line down the left side of my screen. You should be able to get the other links at Twin Cities Daily Planet.

    Flickr Photos
    Metafilter
    Metroblogging Twin Cities
    More Metroblogging
    MNSpeak
    Blanked Out
    Captain’s Quarters
    Peace Like a River
    Eyeteeth
    American Patrol
    Twin Cities Sidewalks
    Party of Pawlenty
    Bachmann’s Statement
    Ellison on Bridge Collapse
    Daily KOS
    Wikipedia
    MPR
    Minnesota Monitor – on blogs
    Anti-Strib
    Fark Forum
    The Huffington Post
    Best Front Design

    Related (or not related) Links

    Hoan Bridge
    Silver Bridge
    Webber Falls Bridge
    Webber Falls Bridge Outrage
    Troy-Green Island Bridge
    Tobin Bridge
    Understanding a Truss Bridge

    “Oh! Ill-fated bridge of the silv’ry Tay
    I now must conclude my lay
    By telling the world fearlessly without the least dismay
    That your central girders would not have given way
    At least many sensible men do say
    Had they been supported on each side with buttresses
    At least many sensible men confesses
    For the stronger we our houses build
    The less chance we have of being killed”
    — William McGonagall

    THEATER & PERFORMANCE
    Fringe Festival

    The Minnesota Fringe Festival will open today at 5:30 p.m., as planned, despite the tragic collapse of 35W crossing the Mississippi River. Should any schedules change, they will be posted the Fringe Festival website. Alternate travel information will also be available on the website.

    See tonight’s lineup.

  • Educate Yourself with Book and Film

    BOOKS & AUTHORS by Max Ross
    Release of Barack Obama’s Biography

    9780060858209.jpgSince the beginning of Barack Obama’s campaign for a seat in the Illinois Senate, David Mendell has covered Obama’s career. Now Mendell has compiled a biography of the politician, Obama: From Promise to Power, culled from his observations, as well as from exclusive interviews with Obama’s aids, adversaries, and family. Sure, it’s yet another icon of pre-pre-election buzz, but this particular one seems strangely devoid of partisanship: Mendell’s account doles out equal parts criticism and praise for Obama’s tactics, while reaching nearly as in-depth into the subject’s personal life as Obama’s own memoirs.

    FILM
    Beijing Meets Minneapolis

    n002.jpgFilmmakers and enthusiasts are invited to IFP tonight to meet fourteen delegates from the Beijing Film Academy. The delegates, all faculty of the Academy — which is internationally recognized as one of the most vital film production institutes in the world — represent various disciplines, including screenwriting, directing, scenic design, director of photography, sound recording, research, and more. Tonight’s reception will feature clips of their work, along with an opportunity to share your own work and vision with them. The group has been invited to visit Minnesota for ten days at the behest of the University of Minnesota. While they are here, they will visit the Minneapolis Institute of Arts and Walker Art Center, and attend lectures on American Cinema at the University of Minnesota.

    7 p.m., IFP MN, 2446 University Avenue West, Suite 100, St. Paul; 651-644-1912; free.

    A Remarkable Man

    RM-Ed Arms Up.jpgThe libertarians are at it again — trying to educate you, that is. This month’s movie offering is A Remarkable Man: The Ed Thompson Story, a documentary about a boxer, professional poker player, tavern owner, construction worker, and salesman, who hated politics but got sucked into it upon facing an 8-year prison sentence for paying an undercover agent $5 from a penny video poker machine. “Ed Thompson’s story is about the determination of a not-so-ordinary guy who refuses to bow to injustice, battling for both himself and others against the forces of a powerful political machine.” You really can’t go wrong with that. And kudos to the libertarians for wanting us to stand on our own two feet rather than bowing to the machine. Watch a trailer.

    7 p.m., Liberty Center, 799 Raymond Ave., Saint Paul; 651-646-8980; $5 donation with R.S.V.P.

    On the Waterfront

    malden_brando_saint_waterfront_1111522013.jpgA classic is a classic is a classic; and this is one of the best. If you haven’t seen it, go NOW. This evening’s screening of Elia Kazan’s On the Waterfront — featuring none other than Marlon Brando — will begin after a concert by Build My Gallows High, a movie trivia contest, and a short film history discussion.

    7 p.m. (movie at dusk), Steven’s Square Park; free.

    MUSIC
    Legends Take Time to Create

    Buddy_plays_2nd_time.JPG_729600497.jpgColour Revolt is playing this evening at the Varsity Theater, with Manchester Orchestra and The Deaths. This is definitely an indie rock show with a lot of potential. Maybe I’m getting old (or maybe I’m already there), but I’m somehow far more excited about the Buddy Guy show at the Minnesota Zoo. This guy is a blues legend. There is absolutely no denying the impact his music had on musicians like Hendrix, Clapton, Beck, Vaughan — the greats! This is the top of the line, folks. When it comes to blues guitar, it just doesn’t get much better. Buddy Guy has played with both the oldies and the newbies — but all of them legends of their own time. He has recorded with Muddy Waters, Howlin’ Wolf, Little Walter, Sonny Boy Williamson… the list goes on. And if that’s just not enough for you, well.. here’s a little secret: he’s also the father of a sexy young rapper named Shawnna — the first female rapper to sign with Def Jam.

    7:30 p.m, Minnesota Zoo, 13000 Zoo Blvd., Apple Valley; 952-431-9200; $39.

    HUMOR
    A Hump Day Laugh

    This is just too funny not to share. I hope you enjoy it as much as I did.

    And check out elastic boy.

    I suppose you’ve all seen Beyonce tumbling down the stairs already. Baby can take a fall. Damn! Maybe if she weren’t flipping her hair so hard…

  • Now on DVD: They Live by Night

    by Peter Schilling

    odonnell_livebynight_poster.jpgDirector Nicholas Ray’s first film (from 1948) has been called the most auspicious debut in American movies since Citizen Kane. Based on the dynamite Depression-era gangster novel Thieves Like Us, They Live by Night begins with the daring prison break of three men: a 23-year-old killer named Bowie and the aged, hardened criminals Chicamaw and T-Dub. Unlike the source material, Ray focuses on Bowie, who’s been jailed since he was sixteen, and his tormented relationship with the teenage girl Keechie. Ray’s instinct for troubled youth may not have been better expressed — even though he did go on to direct Rebel Without a Cause. Here, he perfectly captures the dangers of that delicate age when a person is thrust from childhood into a world where love and violence are suddenly fraught with (often deadly) significance.

  • You Can Always Stay in with a DVD or a Book

    FILM – DVD RELEASE by Peter Schilling Jr.
    They Live By Night

    odonnell_livebynight_poster.jpgDirector Nicholas Ray’s first film (from 1948) has been called the most auspicious debut in American movies since Citizen Kane. Based on the dynamite Depression-era gangster novel Thieves Like Us, They Live by Night begins with the daring prison break of three men: a 23-year-old killer named Bowie and the aged, hardened criminals Chicamaw and T-Dub. Unlike the source material, Ray focuses on Bowie, who’s been jailed since he was sixteen, and his tormented relationship with the teenage girl Keechie. Ray’s instinct for troubled youth may not have been better expressed — even though he did go on to direct Rebel Without a Cause. Here, he perfectly captures the dangers of that delicate age when a person is thrust from childhood into a world where love and violence are suddenly fraught with (often deadly) significance.

    BOOKS
    History, Real and Imagined

    41XG6tSOFrL._BO2,204,203,200_PIsitb-dp-500-arrow,TopRight,45,-64_OU01_AA240_SH20_.jpgThere have been a couple of interesting new book releases lately, so maybe it’s time to make your way to the nearest bookstore and restore my faith in the readers of the world. Yes, we still read. Don’t we?

    Pulitzer-Prize-winning New York Times correspondant Tim Weiner released his new novel, Legacy of Ashes: The History of the CIA, just last month. In his absorbing study of the Central Intelligence Agency, Weiner exposes the institution’s incompetence and delusional tendencies. He argues that, contrary to the accepted image of an agency gone awry, the CIA has always been just as dysfunctional as it is now; it has always been victim to the incompetent Ivy Leaguers running the show.

    The World Without Us, by Alan Weisman, offers a fascinating study of what would happen to our world if we were to suddenly disappear from the face of the earth. Apparently, only days after our disappearance, Manhattan subways would flood and skyscrapers would start to crumble. Read it for yourself and find out how long it would take to erase any trace of humankind.

    MUSIC
    Independent Hip Hop Festival

    felt2.jpg

    OK. The story goes something like this: Back in 2001, Murs (Living Legends) and Slug (Atmosphere) were on tour together, driving from Eugene, Oregon to San Francisco, California. As is probably quite common on the road, the rappers began a heated discussion over who had the better chance of sleeping with Christina Ricci. Seventeen miles later, Murs and Slug decided to make a record dedicated to Christina Ricci, a seduction album of sorts, each rapper hoping to bed her. In 2002, Slug and Murs met up in Los Angeles to record FELT: A Tribute To Christina Ricci, which has since sold over 50,000 copies and made Dan Monick’s Volkswagen famous worldwide. Two years later, neither rapper had even met Christina Ricci, so they moved on to their next project: Lisa Bonet — this time in Minneapolis.

    While you probably won’t be meeting (or sleeping with) either Christina Ricci or Lisa Bonet this evening, you can at least surround yourself by people who might like to do so as much as you. Tonight and tomorrow is the Paid Dues Independent Hip Hip Festival at First Avenue, featuring FELT. See, hear, and dance to some of the best in hip hop. The evening begins with Lucky I Am and Hanger 18, at 5 p.m.; Blueprint and Grouch Eligh at 6 p.m.; Mr. Lif and Cage at 7 p.m.; Brother Ali at 8:30 p.m., Sage Francis at 9:20 p.m.; Felt at 10:15 p.m.; and finally, Living Legends, at 11:15 p.m.

    4 p.m., First Avenue, 701 First Ave. N., Minneapolis; 612-332-1775; $35.

    THEATER & PERFORMANCE by Danielle Kurtzleben
    Review of Private Lives

    PrivateLivesCouple.jpg

    Noel Coward’s Private Lives is a deceptively difficult play to produce. While the premise is certainly amusing — Amanda and Elyot, five years divorced, and their respective new spouses by chance honeymoon at the same French resort, in adjacent rooms that exit onto the same terrace — the majority of the play consists of little more than spousal bickering. Two-and-a-half hours of marital strife could easily become tiresome, but Director Peter Rothstein imbues the Guthrie’s Private Lives with energy, moving it along at an almost feverish pace — a tactic that works well with this screwball comedy. The actors maintain this energy admirably; it is only when they fail to contain it that the comedy loses its spark.

    The opening act is a hilarious portrayal of mismatched coupling; the desperation is almost tangible. Rothstein keeps his touch light by keeping the characters vivid, even cartoonish. As a result, it takes only three minutes to understand the dynamics of the two newlywed couples. Amanda (Vianne Cox) sweeps around the stage dramatically, while hapless, feeble Victor (Kris L. Nelson) stands aside. Elyot (Stephen Pelinski) strides commandingly about, while girlish, insecure Sibyl (Tracey Maloney) knits her hands in the corner. The comedic timing works nicely here; Ms. Cox’s marvelous facial expressions and Mr. Nelson’s fidgeting prove that a beat or two of silent reaction can generate more laughs than any well-timed barb.

    Perhaps the best part of this production, however, is the even dynamic between the four characters – all are flawed, but all are likable. Thus, when Amanda and Elyot run off together to Paris at the end of Act I, one can neither judge them nor pity Victor and Sibyl. The situation is just too ridiculous and the characters just crude enough to give the audience the distance to laugh. It is to the ensemble’s great credit that they pull this off.

    It is in Acts II and III, when the pace moves from feverish to frantic, that the wheels occasionally come off. Perhaps it is the speed of Coward’s script that causes this; every line is a potential joke, and the actors are eager to oblige. Act II shows us Elyot and Amanda one week after running off together, and as one would expect, arguments come easily. Pelinski and Cox allow themselves to get caught up in these arguments, and the superb comedic timing of Act I disappears, replaced by shouted lines that trip over each other and are not always understandable.

    Act II’s bickering culminates in a prolonged physical fight between Amanda and Elyot that ventures out of slapstick territory and into forced, unnecessary silliness. It is the arrival of Sibyl and Victor in Act III that stops both Amanda and Elyot’s relationship and the play from veering off the rails. Nelson and Maloney are riotous as jilted but hopeful spouses. The awkward dialog between new and old loves allows everyone to take a breath. The easy, smart laughs are restored, and Amanda, Elyot, Sibyl, and Victor live combatively ever after.

    The look of Private Lives matches the broad strokes with which the characters are painted. Costumes are brightly colored, and sets are vibrantly art deco. There is, however, a garishness that is perhaps unnecessary; Amanda’s Paris flat in particular (the setting for Acts II and III) is so overdone as to be distracting. In the end, the design parallels the production; it could stand to be taken down a notch or two in places. Still, Private Lives is perfectly acceptable for a carefree summer night out at the theater.

    7:30 p.m., Guthrie Theater, 818 South 2nd St., Minneapolis; 612-377-2224; $29-$49.

  • Putting July to Bed

    MUSIC
    Urban Bohemian – Born and Bred

    amel_photo4_artists.jpg“Tell me if you want me to give you all my time. I wanna make it good for you cause you blow my mind.” R&B duo Groove Theory had it going on in the ’90s with hit songs like “Tell Me” and “Baby Luv.” And the voice behind the magic was that of Amel Larrieux. These days, she’s gone from theory to practice, but she’s just as groovy. If you’re lucky, you already caught her show last night, and you can even catch a second round; but those of us who are little slower on the uptake can still enjoy her worldly take on contemporary soul.

    7 p.m. & 9 p.m., Dakota Jazz Club & Restaurant, 1010 Nicollet, Minneapolis; 612-332-1010; $35 & $25.

    BOOKS
    Beau is Back

    3904334243.jpgI’m not a big fan of mystery novels, but every now and then I grab one for a quick flight read — you know, the perfect novel for a two- to four-hour plane ride. I’ve read all sorts of jems. And I have to tell you, though, for the most part, I find it best to stay away from the ones written by women. Oy! I hate to say that. But.. I simply can’t deal with the whole sexy bail bondwoman crap thing. And the chic, urban romances make me want to weep for my gender. Bottom line? It’s nice to read a fluffy mystery novel by a female author and not even notice. Woohoo! We can surpass our gender. Man, woman, mystery freak all, head out for Roseville tonight for a guest appearance and reading by author of Justice Denied, J.A. Jance.

    7 p.m., Barnes & Noble Booksellers Roseville II, Har Mar Mall, 2100 Snelling Ave. N., Saint Paul; 651-639-9256.

    FILM & MUSIC
    The Knotwells and The Tarnished Angel

    tarnished.jpgIt’s not much of a secret anymore, but another Monday night means another movie in Loring Park, preceded by music on the green. What should you really listen to before a Douglas Sirks movie? The Walker has done well with the musical selections so far, and tonight is no exception. Country, punk, bluegrass, gypsy — you name it — the Knotwells will serve up the perfect melodic chaos for you to unleash all that energy into the park. Chaos, you say? Only Faulkner can follow. The Tarnished Angels, based on Faulkner’s novel Pylon stars Rock Hudson as a journalist who falls for another man’s wife.

    7 p.m., Loring Park, 612.375.7600; free.

    ON THE NET
    Oddities with which to Start the Week

    In the end, nobody wants a dentist who’s a jokester.

    But apparently, people do want things made of elephant poo. Go figure!

    On that note, let’s end with a duck omelet.

    It’s an odd place we live, this world.

  • Down and Out in West Saint Paul

    Back in the early 1980s, when the Commodore 64 first hit the market and Apple became the first personal computer manufacturer to hit the $1 billion mark for annual sales, Mark Hull had a wife, two kids, a nice house in Fridley, tailor-made suits from Madrid, and a nine-to-five systems analyst job with benefits and a fancy title that progressed from Big Shit to Holy Shit. Two decades later, fighting a constant battle with depression that keeps him from steady employment, he’s avoiding calls from a landlord who is apparently too kind to toss him to the wind, and after many trips to a nearby food shelf, he’s just regained the thirty pounds he lost last year from sheer hunger. It’s simple, alright: You don’t eat, you lose weight.

    With this in mind, Hull started Hulles, a blog that he describes in his first post—dated August 16, 2006—as “a how-to manual and a survival guide” for living in extreme poverty.

    The result is a haphazard journal of real and imagined recipes, humorous anecdotes and narratives that highlight the suckiness of poverty, and of course, man’s favorite endeavor: cataloging.

    Hull’s offerings toggle between Spartan functionalism and pure Athenian aesthetics. Consider toilet paper: “There are too many other things you can use instead, no matter how poor you are,” he writes. “What you are looking for is something that disintegrates in water and doesn’t feel like the business end of a belt sander.” Something like newspaper.

    Smoking, however, is a ritual whose dignity must be preserved. “Believe me,” writes Hull, “when I get money, the very first thing I buy is not food or gasoline or coffee, it’s a pack of Camel straights. … That must be why they call it an addiction.”

    “I find I have become an accomplished butt-breaker,” he jokes in his typical, innuendo-infused humor as he explains the practice of splitting up cigarette butts and smoking the leftover tobacco out of a pipe.

    The mission is simple: Lose all the weight you have to, but don’t lose your dignity. When all you have left in the kitchen is an airline-size bottle of cheap Dominican rum a friend brought back from a trip and the liquid dregs from a can of pears, mix a cocktail and toast your great fortune.

    It is precisely this attitude—Hull’s unflinching grasp on his dignity—that has raised suspicion among the more hesitant internet voyeurs stumbling into his world. A MNSpeak thread about Minnesota’s first poverty blog called him a fake, a phony, a no-good, lazy, gold-brickin’ … you get the idea. “He must be greatly exaggerating his plight,” wrote one anonymous commentator. “If you are depressed and broke to that degree, blogging does seem like it should be pretty low on the list of priorities.”

    Ironically, blogging provided just the distraction Hull needed. “It was therapeutic,” he explains, “a great way of combating the isolation of depression.” He pauses as a longtime employee at Costello’s Bar & Grill in St. Paul greets him with a kiss. You’d never guess today’s social butterfly suffers from depression. He speaks matter-of-factly about his illness, and is all smiles and coquetry as the server announces the start of happy hour, signaling Hull’s switch from Hamm’s beer to Black Russians.

    While it may seem a bit offbeat for a guy in such dire straits to spew self-deprecating humor and witticisms, the blog provided Hull with a means of communicating with the outside world. Hull quickly learned that “funny” was, in fact, all people wanted. “They didn’t want to hear about what I had to go through during the day,” he says with no hint of bitterness. “Nobody really cared about what happened to me, only in so much as it made for a good story.”

    By September, Hull was stretching his writing muscles. The poor man’s recipes dwindled, replaced by underwear confessionals and raunchy narratives derived from cocktail napkin missives. And by October, his readership was growing from a few sentimental fools seduced by the notion of a poverty blog to a loyal, international crowd that, judging from the commentary laced with literary references and sophisticated humor, is highly educated and heavy with writers.

    From the confines of Nina’s Coffee Café, where he usually blogs since he is clearly without cable or phone connection, Hull has plugged into what he describes as a “whole world of people who are brilliant, interesting, and fun.”

    “The thing that fascinates me about writing a blog—as opposed to other media—is the interactivity,” says Hull. “You instantly get people’s reactions, for better or worse … Works in progress can be affected by reactions and suggestions.”

    This interactivity has led to new projects. After commenting on a computer graphics image created by a Michigan blogger who goes by the name of Visual Snark, Hull found himself collaborating on an illustrated story starring a sexy P.I. by the name of Cuervo Korbel, and a cohort of other characters. “The graphics are so great that it’s very intimidating to write to,” he confesses. “With every word I think, ‘Fuck. This has to be as good as the illustration.’” Now the project, which is not yet public, has spun out to include blogs for each character, allowing for seemingly real interaction with readers that could affect the story’s plot.

    As he enters his second year of blogging, Hull can catalog his past successes. He learned enough Portuguese to flirt with an attractive Brazilian reader. He ate Garrison Keillor’s sandwich. (Sorry. You’ll have to see the blog for that one, but perhaps it accounts for his recent weight gain.) And he even had a couple of stories published in Avenues and The Highland Villager, for which he actually got paid.

    These new opportunities are keeping Hull busy enough to neglect his blog, but it’s not staving off his landlord. And while this would certainly be fodder for his MNSpeak critics, Hull has no complaints. “Now I have an excuse for being broke,” writes Hull in a celebratory post. “I’m a writer, dammit, I’m supposed to be poor.”

  • The Simpsons Movie

    by Peter Schilling Jr.

    simpsons_movie.jpgThis could be the best episode ever and still not live up to the hype. After all, the movie is, what, nearly twenty years in the gestation? Give Matt Groening and company credit for assembling the best writers from seasons’ past and pulling in David Silverman, co-director from Pixar’s superior Monsters, Inc., to help them launch this behemoth. Already acclaimed by British critics as brilliant, the plot is ostensibly about the environment, but reports have it that Green Day, Al Gore, “President” Arnold Schwarzenegger, the religious right, and the New Age left are all skewered. Rumor has it that the story also includes a romance between Lisa and an angst-ridden Irishman, Bart skateboarding in the nude, and the end of the world as we know it.

  • Another Sunday Addition

    Riot Act Reading Series
    by Max Ross

    What transpires at a typical session of the Riot Act Reading Series is
    something like a poetry slam without the pretense, which is to say the
    readers rarely delve into the realm of performance art, instead focusing – gasp! – on their actual content. One of those rare literary events that showcases literature, this Sunday’s fare includes readings by local writers Laura Brandenburg, Paula Cisewski, Paul D. Dickinson, and Sam Osterhaut. Stick around after the readings, and listen to Dreamland Faces play their tangos and waltzes on their weapons of choice: an accordion and a singing saw.

    Sunday at 7 p.m., Turf Club, 1601 University Ave., St. Paul; 651-647-0486; $3.