Game show hosts, goateed beatniks, and a chorus line of bathing beauties? Why, it could only be a McCarthy hearing! Time Track Productions takes an absurdist look at the red scare by envisioning the questioning of J. Robert Oppenheimer as a fifties-era variety show. It’s hard to take on the politics of fear, whether vintage or contemporary, without being heavy-handed, so The Train Wreck is Proceeding Nicely takes the opposite tack, inviting the audience to join the father of the atom bomb and suspected Commie on his romp through patriotism, conscience, camp films, and the late, late, late show. 1420 Washington Ave. S., Minneapolis; 612-340-1725; www.southerntheater.org
Category: Article
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Apartment 3A
It’s usually not a good thing when your landlord takes an interest in your love life. But in Annie Wilson’s case, a little meddling is just what she needs. Having recently lost what she thought was the love of her life, she’s uprooted herself to a new apartment across town. The landlord tells her 3A is the best apartment in the building, in large part because of a mysterious yet eligible next-door neighbor. Apartment 3A was penned by the actor Jeff Daniels, the oddball everyman whom we loved in Something Wild (and who currently appears in the family flick, Because of Winn-Dixie). 245 Cedar Ave. S., Minneapolis; 612-333-3010; www.theatreintheround.org
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Jane Eyre the Musical
Yes, it seems outlandish, but that’s the correct title. Charlotte Bronte’s classic tale of bitterness and resignation, rendered as a musical. Poor dowdy Jane cultivated an air of invisibility as she skulked about doing her menial work and watching her cruel crush woo other ladies, so the very thought of this mousy heroine breaking into song is a stretch. Nor is this happy ending any kind of Cinderella story. Yet somehow John Caird’s play, with music by Paul Gordon, earned five Tony nominations when it appeared on Broadway. How? By looking on the bright side of things! Laurine Price and Tim Kuehl star as plain Jane and the angst-ridden Rochester, diving head-on into the whirl of emotions that makes this Gothic romance so compelling. 805 Hennepin Ave., Minneapolis; 612-673-0404; www.aboutmmt.org
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Soundtrack to Mary
We’ve all heard about the different levels of grief and Abraham Maslow’s hierarchy of needs. Lately I’ve had reason to re-examine the varying levels of “relevance and cool” in the music business. There are phases, to be exact.
Level 1. You start out, fresh, unknown, and interestingly unstudied. Someone more famous than yourself has gone on the record as saying that you’re cool–motivated likely by his or her own impending relevance slippage. You’re not reinventing rock ‘n’ roll, but you are adding something to the pantheon of rock that hasn’t been bludgeoned to death. Yet.
Level 2. You as a performer are at your most confident. You’ve tasted success and are fairly certain of your own cool factor; you now have people surrounding you that do little more than affirm your great taste and unlimited sex appeal. However, it’s at this exact moment in your career that no one who isn’t on your payroll would agree with them.
Level 3. This is the most depressing phase. You are now painfully aware of how uncool you are, but at your manager’s/ spouse’s insistence, you try to keep a brave face and live publicly in utter denial. It’s at this point you might seriously consider developing a wicked drug problem, if you don’t have one already. Words like “royalties” and “publishing deals” are now being replaced with words like “health insurance,” “restraining order,” and “comeback.”
Level 4. You are so irrelevant and uncool, it’s become ironically cool to dig what you do again. You’re a hack and the weird offers start pouring in. Indie-rock vampire boys want to produce your next record. You will embrace your small role in the next Quentin Tarantino flick. If for some reason you became impatient after Level 1, charter a small twin-engine plane to your next gig. Works every time.
Email Mary at popularcreeps@yahoo.com
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Stand Down
Exit 127 off Interstate 90 doesn’t seem to go anywhere. There are no towns, no farms, no apparent reason to build an exit in the middle of the driest, flattest section of South Dakota, a desolate expanse of land. If you steal a glance at the right moment, though, you may notice a nondescript vinyl-sided building sitting just off the highway. It’s surrounded by a tall chain-link fence and topped with a yellow weather vane.
“Here we are!” announced my cheerful guide, Ranger Mark Herberger, dressed in a tan park ranger uniform and wearing a stiff, wide-brimmed hat. We were entering one of the country’s newest national parks: the Minuteman Missile National Historic Site. It was established in 1999 as a sort of Cold War museum. Limited guided tours began last summer.
“This is Delta One Launch Control Center, where they controlled ten missile silos,” explained Herberger. The park is but a remnant of a missile field that once spanned 13,500 square miles of South Dakota countryside. Under grazing cattle and bison, and barking prairie dogs, lay dark secrets: one hundred and fifty Minuteman II missile silos and fifteen launch control centers. Built in 1962, these were the nation’s first solid-fuel intercontinental ballistic missiles. And for thirty years, they stood ready to annihilate every living being in the U.S.S.R.—and possibly the rest of the world. According to the doctrine of the time, if the Soviets initiated a nuclear war, it was believed that at least some of South Dakota’s missiles might survive the attack. They would be used to return fire.
Though the building looks like an average house, curious sightseers during the site’s active days would have been greeted by unhappy armed guards racing toward them in armored vehicles, known as Peacekeepers. “Millions of people drove by every year on the interstate and did not realize they were on the front lines of a war zone,” he said.
Many South Dakota residents were just as oblivious to the existence of the silos, but that was part of the appeal in building the silos here in the first place. There weren’t a lot of people around to ask questions. Recently declassified documents explain that here, there was “an existing network of roads, large amounts of easy-to-acquire public land, and a low population density to minimize civilian casualties in the event of a nuclear accident or attack.” There were other strategic reasons. The government figured that if the Soviets attacked, they would have gone the most direct route, over the North Pole and through our undefended border with Canada. Suddenly, in the era of intercontinental ballistic missiles, sleepy South Dakota was flung into the middle of the Cold War.
The same goes for North Dakota, where many national defense sites are still in operation (though the targets undoubtedly have been updated). For example, the five-thousand-acre Air Force base in Minot, built in 1956, along with the base in Grand Forks, currently provides staging areas for hundreds of bombers equipped with nuclear warheads. When the Minuteman silos were still online, North Dakota had the heaviest concentration of nuclear weapons on earth. People used to joke that if the state seceded from the U.S., it would have been the third largest nuclear power in the world.
The specter of the apocalypse did not dampen the upbeat tone of Herberger’s tour. Stretching an upturned hand toward the parched yard, he said, “Here’s a volleyball court where soldiers could pass their time, and a horseshoe pitch, too.” While officers perfected their bump-set-spike, two officers below ground maintained a hot line to the White House and plotted coordinates in the Soviet Union, calculating nuclear strikes that would cause maximum damage.
This site, along with others like it, was decommissioned after President George H. W. Bush and Soviet leader Mikhail Gorbachev signed the Strategic Arms Reduction Treaty in 1991. Inside the house, Herberger opened a door that led to a garage-like space. “We call this the Retro Room,” he said, “because of all this old exercise equipment and the bumper pool.” In this carpeted area, soldiers relaxed, shot the breeze, and kept in shape. A long-neglected Ultra Gympac weight-lifting system with cables, bars, and iron weights sat slumped in the corner.
Next to the Retro Room, plush modular furniture filled a lounge with a picture window that framed an expansive view of the empty skyline. “Everything in here is exactly as the Air Force left it,” said Herberger, with more than a little pride. “All the books, magazines, and videos.” He picked up a yellowed copy of Popular Science from the early nineties. The magazine’s cover depicted an ominous-looking nuclear weapon under the headline, “Taking Apart the Bomb.” Apparently, the soldiers stayed in touch with their sensitive sides, too: A dog-eared copy of Shirley MacLaine’s Dance While You Can held a place of honor at the center of the coffee table.
The launch control center was a self-contained little world. It had a backup generator that could produce enough power to supply all of Rapid City. It had its own well, three thousand feet deep. There was a helicopter pad and a hardened antenna system, designed to survive attack. “Everything above ground is just to support those two men underground,” said Herberger. Even if a near miss knocked out all the above-ground equipment, he added, the underground capsule still could have operated for two weeks. “Nothing could have withstood a direct hit, though.”
We went down for a look at that underground capsule. A shabby old service elevator lowered us three stories—about forty feet—and stopped with a clunk. Herberger opened the lift gate to reveal a large mural of an American missile dramatically piercing a Soviet flag. “Each site had its own artwork that the men painted,” he said. He showed me a photo of a mural from another silo. It showed a pizza box with the ominous promise, “Worldwide delivery in thirty minutes or less—or your next one is free.”
At the mouth of Delta One, the launch center itself, I noticed a cryptic message stenciled on the wall. Near a wide yellow line painted across the floor, it read, “No-Lone Zone Two Man Concept Mandatory.” Herberger explained. “If you crossed this line alone you’d probably be shot. At all times there had to be two people in the capsule.” We crossed a little gangplank, passing five-foot-thick concrete walls reinforced with quarter-inch steel plates. The capsule looked like a train car suspended by enormous springs—the idea being to lessen the shock of a nuclear blast.
Inside the pod, there were two red chairs set on runners so they could roll from control panel to control panel, all festooned with sixties-era dials, knobs, and switches. Next to the capsule was a cot for catnaps, a toilet, and an ancient microwave oven. It was like a tiny high-tech bachelor pad, circa 1962, buried deep in the earth.
To prevent any horrific mistakes, each officer wore a key around his neck. These had to be inserted simultaneously into two separate locks, ten feet apart, in order to activate the missiles in any of ten remote silo sites. But that was just the start: Two codes and two more keys allowed access to a red do-not-touch box prominently mounted on the wall. “Actually, you needed more than two people to fire the missiles,” says Herberger, “because the command had to be approved by another launch control center.” If the Soviets knocked out all fifteen control centers managing the one hundred and fifty missiles in South Dakota, the Air Force crossed its fingers that confirmation could be obtained from a launch control center in another state.
Although it’s true that the fixed locations of these missile silos made them sitting ducks for a Russian strike, they were less vulnerable to accidents than the mobile bombs the military carried around on submarines and airplanes. (According to some sources, as many as fifty nuclear weapons lie at the bottom of the world’s oceans, jettisoned from distressed planes or lost during naval mishaps.)
The threat of nuclear annihilation had its benefits. The silos brought jobs and federal funds to an often financially strapped state. “The interstate, jobs, and rural electrification—they were all put in because of the missile fields,” explained Herberger. Many Dakotans also thought the missiles made them safer. They didn’t necessarily consider that their wheat fields were now ground zero on a map somewhere in Moscow.
Herberger pulled aside a Velcro patch on the ceiling of the pod and told me, “Here’s the escape hatch, but it just dead-ends in five feet of dirt, tar, sand, and clay.” Herberger said that in order to escape, a soldier would have had to shovel. And what would they have found, had there been a serious attack? “Some guys who manned this launch control center called the escape hatch a joke, because you’d find total destruction and nuclear winter,” he said.
Now that we’d viewed the switches and panels, the brains of the operation, it was time to inspect the brawn. “Do you want to see a nuclear weapon?” asked Herberger. We drove about ten miles farther down the interstate to another exit to nowhere. Standing in an empty field with the wind howling, Herberger explained that we were right next to the Delta Nine silo, which was invisible except for a tall fence and a thick cement slab.
He opened the padlock and we scrambled onto the silo’s concrete lid. Pointing to a group of ten-foot pilings fifty yards away, Herberger said, “See those cement pillars out there? In the early days, they took measurements for navigation from pillars placed in the field and by the stars.” In other words, if the little cement poles were moved or misread, the navigation system sent the missile to the wrong city. And back then, there was no turning back, he added, “no redirecting it, no self-destruct mechanism like there is now.”
We stepped up on a platform and peered down, into the silo, sunk eighty feet into the earth. Cupping my eyes against the sun’s reflection on the protective Plexiglas cover, I could see it. Poking up from the enormous concrete pit, a gigantic Minuteman II missile. It had been waiting here—silent, lethal—for more than forty years, ready to level Moscow within a half hour. Looking down into the hole was like peering into the business end of a gun, except that this thing was designed to kill not just one person, but an entire nation. Suddenly I was overcome by the powerful memory of maps showing the impact-radius of a twenty-megaton bomb; old newsreels of Hiroshima; scenes from The Day After—all the fantastical, nightmarish visions I inherited from my parents and their war. And here was the weapon itself, the real deal, more or less pointed at my forehead.
These are the silos my grandmother refused to believe existed when I pointed them out on our way to the Rocky Mountains. Other relatives of mine, who lived in Montana, remember seeing the missiles on flatbed trucks in the parking lot of a restaurant called Eddie’s Corner. The airmen used to go inside to ogle the voluptuous Fergus County sheriff’s daughter, Carol Couch, who waited tables in a pink low-cut T-shirt. David Arnott of Moccasin, Montana, remembered this beautiful threat to national security. “The Air Force boys used to hang around quite a lot in those days, and she could keep a whole counter of them occupied for hours,” he said. “The missile and warhead trucks would sit idling in the parking lot.”
Through eminent domain, which allows the government to take personal property for certain public purposes, Arnott’s father had a missile silo placed on his ranch. His sister Sigrid remembered, “The Air Force would drive three hours from Great Falls to check on the silo and always forget to close the gate so our cows would get out. We used to joke that the cattle could trigger the alarm and start a nuclear war. One day, my dad wound the gate shut with wire and snipped off the ends so they’d have to use wire cutters to open it. A colonel called and yelled at Dad. ‘This is a threat to national security!’ he said. ‘You’ve endangered our country!’ After that, the Air Force remembered to shut the gate.”
The fenced perimeter of each silo, including the one on the Arnott property, was equipped with dozens of motion sensors, in case industrious teenagers tried to break in on a dare. With little to do on a Saturday night, why not break into a missile silo? Thankfully, even if a group of drunken teens did manage to get through the fence and past the sensors in an attempt to blackmail the world with a thermonuclear device, they’d never penetrate the silo’s blast-proof doors. Plus, as an extra layer of security, the missiles were controlled remotely and couldn’t be detonated on site.
The Delta Nine missile was the last of the Minuteman II missiles in the Midwest. The other underground silos in the Dakotas, Montana, and northwestern Minnesota were imploded beginning in 1991, as part of the START treaties. The resulting craters were left open so Russian satellites could verify their destruction. The missiles casings themselves, minus the warheads, are in storage for possible future deployment or even as space launch vehicles. The government has tried to sell the abandoned land back to local farmers, but it’s tough going since just two feet below the topsoil, there is plenty of asbestos, leaked fuel, and PCBs.
A visit to the Minuteman Missile National Historic Site may feel like a trip back in time to the heart of the Cold War, but the credo “peace through superior firepower” is still very much on active duty. Eight countries possess the thirty-thousand or so nuclear weapons known to exist in the world—the U.S., Russia, China, Great Britain, France, Pakistan, India, and Israel. In all, forty-four countries have the technology and material to build nukes, including North Korea and Iran. (Experts now believe North Korea has twelve to fifteen nuclear weapons.) Today, the U.S. spends $100 million per day to maintain our existing, though significantly diminished, nuclear arsenal. Currently, we possess the explosive force of roughly 140,000 Hiroshima bombs.
In 2002, President George W. Bush and Russian President Vladimir Putin signed the Strategic Offensive Reduction Treaty to further reduce our nuclear arsenals by 2012. Still, peace is tenuous at best. As rustic as the Cold War may seem today, and as scintillating as it is to look down a hole at a neutered Minuteman II missile, the possibility of nuclear war is hardly a relic of the past.
The U.S. withdrew from the Anti-Ballistic Missile Treaty of 2001. We have developed—and exercised—a policy of preemptive military strikes. Some of our leaders still dream of a missile defense shield in outer space. Others seriously consider using new, smaller, “tactical” battlefield nuclear weapons. And three years ago, an interesting document was leaked. It was a “Nuclear Posture Review” that recorded official U.S. strategies for nuclear strikes against Russia, China, Syria, Iran, Iraq, and North Korea. Perhaps most discouraging of all: Despite its overwhelming lethality, the U.S. nuclear arsenal apparently has not deterred countries like North Korea and Iran from developing their own weapons in the post-Cold War world. Even if the Minuteman silos are being turned into parks, there are new targets being mapped every day.
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Can the Public Library (and Democracy) Survive?
On the third floor of the temporary library in downtown Minneapolis—a retrofitted office building that once housed the Federal Reserve Bank—a skinny man with a shock of white hair paced hurriedly up and down the aisles carrying a bouquet of roses wrapped in a wad of shredded newspaper. He looked disheveled, a little like Sam Shepard on a bad day or, maybe, Hume Cronyn on a good day. Though I hadn’t set foot inside the main library for years, I recognized the man immediately as one of the usual cast of unusual characters that inhabit the downtown branch.
What the man was doing with the roses was a source of speculation, as was his reason for walking back and forth, over and over, past the same aisles of books. And then, finally, he darted right and disappeared. The man, it turned out, had been waiting for an open seat along the floor’s west wall, where large windows overlook Cancer Survivors Park, with its pathways and small grove of birch trees. Along the wall, apparently cherished among library regulars, there is a row of tables and chairs where mostly men sit and read newspapers or books about collecting baseball cards or negotiating real estate contracts. Everyone with their passions and projects and secret missions. Two mustachioed friends, maybe brothers, spoke Spanish over a vocabulary book. At another station, a would-be professor with white paint splattered on his jeans worked feverishly on a series of handwritten documents, a dense manifesto. Beside a stack of yellow legal pads, there were a packet of Kleenex, a driver’s license, and a Social Security card aligned perfectly with the edge of the table. A few places down, the man with the roses sat erect and gazed outside, flowers in hand. He watched as working men lowered windows from the roof of the new Cesar Pelli-designed main library across the park, just a block away. He leaned in slightly for a sniff.
As I looked down the line, at the faces gazing out the window or nosing through books, it struck me that none of these people would have been sitting here, would never have enjoyed such a pleasant view, when the temporary library was still the Federal Reserve Bank. The opportunity to gaze down at birch trees, to watch myriad passersby, would have been reserved for managers and executives. Higher-ups. Bureaucrats. But at the library, things are more democratic.
In fact, the library is the ultimate democratic institution. A person, with or without a library card, can hang around all day long, assuming her beverage has a lid on it, without buying anything or being subjected to a single ad. There are no greeters at the door to acknowledge and assess incoming patrons. On the contrary, library staffers understand that this is your place as much as it is theirs, and you may go about your business fully ignored, which ought to be every person’s right. Unless, of course, you need assistance in finding a book about kite-building, or the ownership tentacles of General Electric. Then, you will have at your disposal a dozen experts, better versed than Google in locating what you need from an enormous store of books, magazines, newspapers, DVDs, videos, CDs, pictures, government documents, pamphlets, websites, and even microfiche. If you don’t remember microfiche, it’s the silent film of information technology, crooked photographs of documents that existed before electronic databases and must be viewed through a special, old-timey machine. There is no keyword search in a microfiche document, no clicking down. Just a reel that sends the pages scrolling by at various speeds.
Libraries are the face of government as it existed before we started hating government and, therefore, ourselves. It is munificent in the way public agencies simply aren’t anymore. A librarian isn’t going to arrest you. Nor is she or he going to tell you, thumb driving back like an umpire’s, two years and you’re off welfare! There is no punitive or moralistic aspect to the library, only trust and goodwill. The library says, Here, please take any of our millions of volumes for free. We trust you to make good use of them. We trust you to bring them back. All you need is an ID and maybe a phone bill and you’re in.
These are places for people who want to know; libraries nationwide have seen a steady increase in patronage since at least 1990. They hold a special and sentimental place in the minds of the citizenry and are widely regarded as institutions where browsing and borrowing lead to meaningful knowledge. According to a 2003 study from the Marist Institute for Public Opinion, ninety-four percent of Americans rate their local public library as “very valuable” or “valuable.” The majority even said they’d pay more taxes to support libraries—an average of forty-nine dollars more per year. Currently, taxpayers spend around twenty-five dollars per person, the approximate cost of one new, hardcover book.
Despite that kind of passionate support, libraries everywhere are falling on hard times. The American Library Association (co-founded back in 1876 by Melville Dewey, namesake of the venerable Dewey decimal system) reports budget cuts of up to fifty percent in at least forty-one states. That means reduced staff and operating hours, and fewer new books on the shelves. In John Steinbeck’s hometown of Salinas, California, the city’s three libraries will soon close their doors altogether. Minnesota, long a state that prioritized education and literacy, has hardly taken an enlightened view. Across the state, libraries are paring back essential services, thanks to reductions in state funds to cities and counties.
In 2003, Governor Tim Pawlenty dramatically reduced local government aid in response to a projected state budget deficit. This, rather than violate a no-new-taxes promise he made during his gubernatorial campaign. Those cuts directly impacted libraries, in some cases brutally. When local governments are forced to cut services, libraries seem like an easy target; people get a lot more exercised about police and firefighters and schools. It’s a pattern in nearly all fifty states, and throughout Minnesota. St. Paul, to secure future funding, created a library board and a dedicated city property tax. Ramsey County closed its North St. Paul branch and, in 2003, saw a forty percent reduction in its book budget. Hennepin County, until recently, kept six of its libraries closed on Fridays.
Minneapolis was hit especially hard. Because the city’s library board operates independently of the City Council, its budget is less flexible than, say, that of the Public Works Department. Up until the cuts, more than forty percent of the library system’s $20 million budget came from local government aid. Now, some branches are open only three days a week. Money for new books was reduced dramatically: from $2.6 million in 2000 to $1.9 million in 2004. Minneapolis must now rely more heavily on less predictable private funding sources, along with the determined efforts of Friends of the Library organizations.
“I think libraries are very invisible,” said Minneapolis Library Director Kit Hadley. “I think they have been taken for granted. There have been people who support libraries, but it’s nobody’s big cause.” Yet, she continued, sounding more ardent than your stereotypical librarian, “Libraries are fundamental institutions in a democracy. We talk about the value and importance of libraries in promoting the information necessary to active self-governance, the notion that this kind of availability and discourse is necessary for democracy to be alive. And all of us on the staff feel very strongly about that.”
It’s easy to be discouraged by the notion that nobody seems to read anymore. There is a distinctly anti-intellectual atmosphere circulating in a country that has a tradition of skepticism toward high-minded ideas. These days, more than ever, being American means making decisions with our guts, not our heads. It has culminated in a president who brags about not reading newspapers and is referred to in international circles as the “Texas twit.” In 2004, the National Endowment for the Arts produced a study that showed a dramatic decline in the reading of literature, with fewer than half of American adults bothering to pick up a novel. NEA Chairman Dana Gioia, sounding a little like Kit Hadley, said, “This report documents a national crisis. Reading develops a capacity for focused attention and imaginative growth that enriches both private and public life. As more Americans lose this capability, our nation becomes less informed, active, and independent minded.”
No doubt there is a relationship between the decline in reading and the increase in societal fear and jingoism. As a person learns more about the rest of the world, enlightenment and tolerance tend to follow. Higher levels of education mitigate prejudice and increase the support for civil liberties. “These are not qualities that a free, innovative, or productive society can afford to lose,” said Gioia.
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Downtown Hopkins
We’ve long heard about the charms of Hopkins’ Main Street from folks who once cruised it at night as partying teenagers, and who now enjoy patronizing its antique stores on weekends (just as their mothers do). We, too, appreciate goods from yesteryear, but let’s be honest, antique-shop districts can get a little precious—despite the presence, in Hopkins, of shops like World of Knives, A+ Vacuum, and our favorite, Steve’s Train City. Doubtless this has something to do with “antique” becoming adjective, noun, and verb.
It was with this in mind that, on our most recent visit to Main Street, we wandered toward the strip’s west end, where the antique stores trail off, to see what we could see. Around Tenth Avenue, past the assertively “new urbanist” Marketplace Lofts, past Tinkerbella and Somewhere in Time, the balance tips—here’s a gun shop, there’s a tanning salon—and the street also gains a more open feel as it heads into what was once farmland.
Along this stretch, in small-town fashion, no-nonsense enterprises like the MN Low Vision Blind Store, Carpet Resources, and Gopher Cash Register co-exist peacefully with a gift shop whose name—Live! Laugh! Love!—is perhaps overly whimsical but heartfelt, we’re sure. Near Twelfth Avenue, the awning of Munkabeans Café adds color to the street; across the way at Custom Wheelz of Hopkins (“where the players shop”), there’s a wall display of merchandise more dazzling than many a contemporary art installation.
It’s at this corner, too, where one can take in a full spectrum of arts: the Hopkins Center for the Arts hosts productions by Stages Theatre, concerts, films, art exhibitions, and classes; the Hopkins Cinema 6 is a discount theater that features mainly quality second-run films.
Out-towering Cinema 6’s neo-retro sign is the plain brick belfry of St. Joseph’s church, a block away. Built in 1953, this church is one of those modern yet still welcoming models. Next door, the former parish school, dating to 1922, recently became the Main Street School of Performing Arts (its students take advantage of the Center for the Arts).
We were heartened to see all of these institutions, plus a funeral home, lined up together on Hopkins’ Main Street; too often they are flung far and wide throughout a suburb. Watching a woman stroll by St. Joseph’s with a wagonload of day-care kids, the strip felt like a place that incorporates the full cycle of life. This is not just a great shopping street, we realized, but one that puts the very idea of civil society into practice.
—Julie Caniglia -
Scraptastic!
“Can I pick those up tomorrow?” Frank Stone stands at the bottom of a thirty-foot mountain of stainless steel scrap metal and points to its peak—a bouquet of four-foot-long, auger-like spirals, salvaged from crop sprayers, flailing in the chilly wind. Employees at the American Iron scrapyard in North Minneapolis are well acquainted with Stone, who is perpetually on the hunt for metal that he can weld, bend, and hammer into furniture and decorative artworks, such as the fence surrounding the Surdyk’s parking lot in Northeast Minneapolis. After fifteen years of scavenging for scrap, he has accumulated enough brass and copper to fuel a small militia. (“My wife has more copper plant stands than any woman should be allowed to have,” he says.) These days, though, his taste for stainless steel frequently leads him to American Iron, which has a “nice nonferrous department.”
The American Iron warehouse is a surprisingly spic-and-span place, where Stone’s musings about ancient gears and punch-press skeletons echo across rows of bins of neatly organized alloy. “I’m workin’ on a table and I need some feet,” Stone tells Mark Christensen, American Iron’s manager. The two men wander among four-foot bins of bullet casings and fishing lure remnants. They scoop up handfuls of nispan (the curled remnants from drilling holes in stainless steel, if you didn’t know) and let it slip through their fingers like raw wheat or soybeans.
“This is probably from a cruise missile,” says Christensen, plucking an aluminum helix from his stash.
“It’d be better as a coffee table,” replies Stone.
He doesn’t find feet for his table on this trip, but Stone arranges to pick up the spirals later. Then it’s time to motor a few blocks north to Kirschbaum-Krupp. Whereas American Iron’s five-hundred-pound minimum limits it to corporate giants like Rosemount Aerospace and General Electric, Kirschbaum-Krupp is a more, shall we say, populist yard—a magnet, so to speak, for citizen scrappers with shopping carts filled with aluminum cans and other metals.
At Kirschbaum-Krupp, where the staff is blasting “American Woman” and tossing footballs, Stone scales heaps of discarded lampposts and dodges forklifts loaded with electrical cords or bales of crushed cans in the warehouse’s littered corridors. He gets excited when he spots a two-foot-diameter gear buried deep in a pile of junk. “I love round things, ’cause you can cut ’em in half.” But after climbing into the pile to investigate, Stone discovers that it’s missing a tooth. Rats! Wading out, he stumbles upon a consolation prize, a copper Washington, D.C., ashtray.
“Over the years, I’ve learned about shapes,” says Stone, whose playfully functional forms are easily recognized by collectors and copycats alike (he’s not the only artist/scrapyard scrounger). But those who admire his work might be surprised to learn that his artistic roots lie in stained-glass mosaics. “I started off making metal brackets to hold my stained glass,” he says.
“Then I started having more fun with metal than I was having with glass.”—Christy DeSmith
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Directions in Music: Our Times
In 2001, keyboardist Herbie Hancock, tenor saxophonist Michael Brecker, and trumpeter Roy Hargrove teamed up under the moniker New Directions to pay tribute to the music of Miles Davis and John Coltrane, and their chemistry clicked so well they decided to keep the collaboration going. This time out, they’re setting their sights on an even broader range of composers from more recent history, namely Wayne Shorter, McCoy Tyner, Chick Corea, Jaco Pastorius, Stevie Wonder, Ray Charles, and, appropriately enough, Hancock himself. That lineup suggests funk and soul will be in the house along with jazz, and we’re certain that Mr. “Rockit” will make it especially groovy. Bassist Scott Colley and drummer Terri Lyne Carrington round out this talent-drenched quintet. 84 Church St. S.E., Minneapolis; 612-624-2345; www.northrop.umn.edu