A few months ago, Zadie Smith wrote in the New York Times about being an extra in a PBS screen adaptation of her autobiographical debut novel, White Teeth. It was a touching piece in which the writer acknowledged the shortcomings of her novel, and the bizarre experience of being an extra in the movie of … Read more
The truth of the matter is that we’ve blown off Aquatennial for years. Crowds make us nervous, and we certainly don’t need the imprimatur of City Fathers (or Mothers) to enjoy its most bountiful amenity—our lakes and rivers. And yet, Aquatennial has gotten so big that at least one affiliated event is actually drawing national … Read more
One could approach Oak Street’s July retrospective as an aesthetic exegesis of the changing modes of cinematic expression in the mid-century heyday of the Hollywood studio system. One could seek evidence of unique directorial styles finding voice in an artistic medium defined strongly by the visions of the moneymen on top. Alternatively, one could just … Read more
The Walker’s concurrent exhibit on boxing makes a serendipitous theme for this year’s installment of our favorite local open-air arts event. The sweet science has always been a favorite subject in American filmmaking—you could put together a series many times longer than this six-week run without coming close to running out of watchable fare. The … Read more
Writer Alan Moore (Watchmen, From Hell) and illustrator Kevin O’Neill crafted the somewhat geeky premise of a Victorian-era Justice League in the graphic novel The League of Extraordinary Gentlemen. Mina Harker, the femme fatale from Bram Stoker’s Dracula, is appointed to assemble a few literary titans to foil the nefarious plans of the late Sherlock … Read more
Here are two mid-50s films from French director Alain Resnais, both struggling to come to terms with the deep psychic wounds of World War Two. Hiroshima, a collaboration with French novelist Marguerite Dumas, uses the story of the love affair between a French actress and Japanese architect as jumping-off point to explore grief and survivors’ … Read more
It took us a couple of viewings before we grasped Wings of Desire’s quiet beauty, but it’s since grown to become one of our most beloved films, one we’ve seen a dozen times over the last decade. German director Wim Wenders’ story of angels silently witnessing human joys and sorrows is constructed like poetry, meditative … Read more
We were relieved to discover that the atrocious buzz about Liz Phair’s attempt at pop starletry was too harsh. Only some of the new record is cringingly awful. A self-imposed exile from Exile in Guyville, her celebrated debut three albums ago, and a move toward slick pop is not necessarily wrongheaded—why should the field be … Read more
Oh sure, you remember “Fast Car,” the strummy singalong that launched Chapman in 1988 from the subway stations of Boston to MTV and beyond. But she’s had five albums since then, mostly working below the radar—the natural result, perhaps, of someone who helped usher in the now-dated era of the politically correct college-radio singer-songwriter. New … Read more
Pure pop for now people, 2003 edition. The New Pornographers’ Electric Version is even better than their much-talked-about 2000 debut Mass Romantic—it’s easily the catchiest album we’ve run across all year, a sunny, soaring mix of harmonies and jangly chords that has more hooks than the state fishing opener. The Vancouver indie-rock supergroup—which takes its … Read more