If the three-minute preview we saw in late June (as part of the Fringe For All sneak peek) was a representative sample, this will be a show that typifies fringey humor—you know, jocular and yet acerbic, delivered with wit and plenty of pop-culture references. Last year, the North Dakota show’s originators, Curt Lund and Laura … Read more
If the prospect of staging Jules Verne’s adventure novel seems at all daunting, consider, then, the restraints of the Fringe: All shows must wrap within sixty minutes. Yet if anyone can accomplish this feat, it’s Hardcover Theater, a Minneapolis-based company that routinely transforms novels, short stories, and even poetry into entertaining nights of theater. In … Read more
One of our favorite local freelance directors, Jon Ferguson, directs a company of six teenage performers and theater-makers (from Stages Theatre Company) in the creation and performance of this original play. So far, Ferguson’s Fringe Fest track-record is unblemished; his past hits include 2005’s Please Don’t Blow Up Mr. Boban and 2006’s Kill The Robot. … Read more
Albert Eckwright reluctantly spoke at a local bookstore. His voice was hoarse, but still had a hint of paternal timbre, a tone immediately soothing and unobtrusive and familiar. He’d been losing weight steadily for a little over a year—since Lynn, his second wife, had died—so that his cheeks caved in at the molars and his … Read more
Admit it: You think neons push the boundaries of good taste. At the very least, their shocking brightness does little to enhance so many complexions: Canary yellow can make a wide range of pigmentations look jaundiced; hot pink makes even flawless pale skin look as though tinged by rosacea. Even so, now that all other … Read more
Director Nicholas Ray’s first film (from 1948) has been called the most auspicious debut in American movies since Citizen Kane. Based on the dynamite Depression-era gangster novel Thieves Like Us, They Live by Night begins with the daring prison break of three men: a 23-year-old killer named Bowie and the aged, hardened criminals Chicamaw and … Read more
This could be the best episode ever and still not live up to the hype. After all, the movie is, what, nearly twenty years in the gestation? Give Matt Groening and company credit for assembling the best writers from seasons’ past and pulling in David Silverman, co-director from Pixar’s superior Monsters, Inc., to help them … Read more
Nigerian sensation Femi Kuti didn’t merely ride the coattails of his late, great father, Afro-beat legend Fela Kuti. The progeny did, after all, play sax in his dad’s band for nearly two decades—right up until Fela’s death in 1997—and Femi’s solo projects have not only impressed critics, but even managed to legitimize him in the … Read more
When bassist Matt Sharp left Weezer, the group he cofounded, in 1998, he traded in stardom for something a bit more obscure. Listening to The Rentals (Sharp’s main project since the mid-’90s), there’s a sense that their songs are targeted at the mainstream, yet the band itself tends toward shyness. Since their 1995 single “Friends … Read more
Translated From Love, Willis’s first CD in five years (Christmas collections don’t count), shrewdly acknowledges that after four kids and five previous discs, she’s too shiny for cultdom and too prickly for stardom, and aims to please nobody but herself. “I Must Be Lucky” would go platinum if you told C&W jocks it was by … Read more