Category: Blog Post

  • Take this cup and drink from it

    pavao3.jpg

    My mother is a gifted caretaker.

    She’s nursed me through three births and two surgeries. I’ve watched her sit with dozens of friends and relatives who were sick or grieving. When I was very young, she volunteered at a hospital and I remember the things she told me when I would go with her: people who are frightened or heartbroken need to be touched, carbohydrates are comforting, those who are stricken often want to talk.

    It was with these things in mind that I made dinner last week for friends whose teenage son had been killed suddenly in an accident. Remembering all my mother’s wisdom, I made a very simple meal: marinated chicken, cold tortellini and vegetables, a green salad with fresh strawberries and a balsamic vinegar dressing.

    Midafternoon, my husband called to ask what kind of wine he should pick up. I had never seen this couple consume alcohol. And the funeral for their son had been a conservative Christian ceremony with incense and scripture, so I told him the wine likely was unimportant. But just in case, could he get something very light, easy and drinkable, a Viognier, or perhaps a Vinho Verde.

    He came home with a wine I’d never before seen: Pavão Vinho Verde, with a picture of a peacock on the label and no vintage.

    Our friends arrived at 6:30, clearly exhausted but bearing a gift for us. At first, they refused anything but water, sitting close on our couch, holding hands. “We’ve lost our appetites,” the husband admitted. He didn’t need to: both of them were worn-looking, drawn and small.

    Like many parents, I’ve dreamed that one of my children was dead and I know what it’s like to awaken with my heart pounding and my legs full of ice. I’ve written a novel in which I imagined the death of a child for the characters, and it felt — for those few minutes that I made myself re-live the nightmares — like a loud, black, empty place from which there was absolutely no escape. There is, I think, a wildness to this grief: something you must work every minute to contain. What I wanted, more than anything, was to reach through that darkness if only for a few minutes.

    We moved to the table. These two gracious people took tiny spoonfuls and placed them on their plates. Then they sat staring at them, as if wondering how it would be possible to open their bodies enough to put the food in.

    My husband offered wine. “I would take a little,” the wife said. “Maybe half a glass.” So we opened the peacock wine and I tasted it, hoping it would be right. And it was. The most utterly drinkable white I’ve ever had: not so effervescent as other Vinho Verdes and a little drier, too, but lemony and clear and glinting with a touch of steel.

    I’m not a believer in the divine intervention of God or the wisdom of the world — I don’t adhere to the “everything happens for a reason” school of thought. But if there is luck, it was with us that night. The couple tasted the wine and said, as if surprised, “This is good!” Both of them pushed their glasses forth.

    Do I care that they drank or that the wine was successful? No. Here’s what I care about: their world was gentled, however slightly. Because I recalled another of my mother’s donations to my bank of knowledge — a little wine or beer can stimulate the appetites of people who need desperately to eat: the elderly, pain patients, those who are lost in grief.

    The light dimmed, which helped somehow. The gift our friends had brought was a rosewood candle with a wooden wick and we lit it. I watched as our guests relaxed, the wine and the candlelight softening their world, if only for an hour. Over dinner, we talked about their son, about his love of cars and his mastery of certain video games and his plans to attend college in the fall. Once or twice, they laughed. And they actually ate.

    It is my business to talk about the qualities of wine and most of the time I do this as if the substance itself is the focus. In this case, however, the wine was simply a palliative — one that the savior in whom our friends believe ardently offered to his followers when times were tough.

    It was comforting, just as my mother said it would be. And for that, I am grateful.

  • The Book of Pops

    Looking for a great Fringe Festival show to see this weekend? Go see Ben Kreilkamp’s The Book of Pops. Here are a few video previews of some of my favorite scenes.

    The Book of Pops will be performed Friday at 10 p.m. and Sunday at 6 p.m., at the Bryant Lake Bowl, 810 W. Lake St., Minneapolis; 612-825-8949.

  • Sibling Revelry

    bloody O.jpg

    Soooooo my sister is coming to town.

    With my natural hospitality tinged by a pinch of sibling rivalry, it means that I need to bring my A-game … without it seeming like I’m bringing my A-game.

    I have to pull off flavorful and different, while exuding simplicity and ease.

    Spain may be the key. I’ve already started a big vat of Sangria for the weekend, so I might as well carry through. While many cutting edge gastronauts are Spanish, there really are so many accessible and yummy Spanish eats that won’t freak out the average eater.

    Nothing is cleaner, fresher and more disarmingly simple than a true gazpacho: a real garden-to-kitchen creation that allows for personal interpretation.

    If you’ve had a lackluster paella, then you probably poo-poo the dish. But don’t punish your gut, punish the cook. Great paella just takes focus and seriously fresh ingredients.

    Keeping a couple tins of ventresca on hand always pays off. When people arrive and we start milling around, filling glasses and making introductions, I can just slip a little on a plate with some roasted red peppers, capers, cornichons, crusty toasted bread, serrano ham, idiazabal and voila: instant tapas.

    Score one for the fat sister.

    Sangria, roughly.
    Here’s what I do: take a 3L jug of cheap dry red wine. Pour it all out into a non-reactive bowl (plastic or glass). I throw in about 1 cup of sugar, 1/2 cup Cointreau, and 1 cup of brandy. Then I slice all manner of fruit: oranges (squeeze them in), granny smith apples, carambola, grapes, plums, apricots,a peach maybe. Throw them in and stir everything about so that the sugar is dissolved. Stick it in the fridge for at least 4 hours, better if you can leave it overnight.

    If you’ve done it on the short, you can leave the fruit. If you’ve let it sit for 8 or more hours, scrap the old fruit and add a few fresh new slices. For pretty pretty: cut blood oranges, halved grapes and slices carambola.

    Serve over ice.

  • The Grindstone And The Garden

    mendon- fishing.jpg

    …if people who expect nothing come away empty-handed, then there really is no hope.

    William Maxwell, Time Will Darken It

    The dead flicker like candles around you. They are burning their memories for warmth.

    Kelly Link, “Flying Lessons”

    This world is full of war criminals, many of whom have never fired a weapon in their lives. Most of them don’t commence their truly devastating assaults until the enemy has laid down its arms.

    What good are fighting words in a world where there are no longer any fair fights?

    At any rate, let me start by thanking you for a few moments of your time. I’m genuinely grateful. I always try to be genuinely grateful.

    My fingers have all been broken and my tongue was nearly cut from my face.

    Listen: hear that? Yes, that’s right, almost silence. I’ve let the clock go. It was the sound of another time, other nights, a soundtrack of sorts for the strange, confusing, often magical nights behind me.

    I’ve moved on.

    The pygmy with the long shadow –a sort of giant pygmy, if such a thing is possible, and I’m here to tell you that I believe it is– has gone off to swing its wrecking ball at other targets.

    Protege of a Shar-peian witch who had a prodigious and legendary libido and kept a stunted oaf captive in her cellar, the pygmy was a dog killer and a ferocious biter, a sociopathic narcissist trapped in the amber of its own damage, prisoner of its obsessive routines, haunted childhood, and self-created myths; a spectacular creature, really, but one must ultimately be willing to pronounce a monster a monster and leave it at that.

    Oh, make no mistake, the pygmy was remarkably gifted so far as monsters and myth-makers go; alas, as an imitation of a human being (which it seemingly aspired to be) considerably less so. Still, yes, no getting around it, a marvel, a chimera, an absolutely indestructible (and destructive) beast who was able to go about the world in a carefully contrived costume of vulnerability.

    It’s amazing how many people are charmed out of their shoes –sometimes literally– by the appearance of vulnerability.

    I tip my hat, really I do, even as I am somehow both relieved and saddened to be rid of the monster once and for all.

  • Drinking with Minneapolis

    drinkwithian.jpgIt all started a couple years ago with Bob. Bob started video taping his 60-second rant and posting them online. These were your typical daily rants, rants about the news, rants about the world, rants about Tyra Bank’s dolphin phobia — Drinking with Bob — rants that you could hear at any bar on a Friday night, after a long week of work — only they were taken out of context, just a 60-second rants into the void (ok, in this case, cyberspace). The guy was funny, is funny — hilarious in fact. Some time last year, my boss at the interactive advertising agency where I was working went on and on in a meeting about the beauty of Drinking with Ian. “You’re sure it’s not Bob,” I asked. It wasn’t. It isn’t. And while he might not be the most original act in town, he’s certainly funny. But here’s the real comedy: you could a part of his act tonight. I don’t have the full details, but there’s a Drinking with Ian live televised event at First Avenue tonight. Go out and flaunt your stuff.

    Friday at 8 p.m., First Avenue, 701 First Ave. N., Minneapolis; 612-332-1775; $5.

    PERFORMANCE
    Burlesque in Minneapolis

    natalie_icon.jpgIf you’ve previously experienced Le Cirque Rouge de Gus Cabaret and Burlesque! then I don’t have to say a word. This is great stuff, folks. How often do you get anything even remotely resembling burlesque in Minnesota? I don’t know; maybe I’m missing something here. Apart from a few theatrical performances each year that include short skirts and perhaps even a funny hat, we’re not much of a burlesque town. (Strip clubs don’t count, people. I don’t consider a cooch grinding in my face burlesque at all. It’s just not funny. Slightly parodic perhaps, but not funny.) Just go. Check it out. Give a little more kudos to the 331 Club for all the cool stuff that they’re doing.

    Saturday at 10 p.m., 331 Club, 331 N.E. 13th Ave., Minneapolis; 612-331-1746.

    MUSIC
    Damn, We’re Lucky!

    Friday:
    Son Volt is playing with former Leatherwoods and Jayhawks drummer Tim O’Reagan at the Minnesota Zoo ($27).
    Mason Jennings is playing with the fabulous Pieta Brown at the 400 Bar.
    Bruce Henry is serving up his jazz and blues blend “with echoes of Luther Vandross,” at the Dakota Jazz Club and Restaurant.
    Johnny Winter is sharing his old school whiteman blues at the Cabooze. You really shouldn’t miss this master guitarman.
    And Keyshia Cole is offering up a little R&B at Trocaderos ($45.25, table-seated VIP $83, couch-seated VIP $110.50).
    How are you going to choose?!

    Saturday: The Rentals

    mattrentals.jpgWhen bassist Matt Sharp left Weezer, the group he cofounded, in 1998, he traded in stardom for something a bit more obscure. Listening to The Rentals (Sharp’s main project since the mid-’90s), there’s a sense that their songs are targeted at the mainstream, yet the band itself tends toward shyness. Since their 1995 single “Friends of P,” The Rentals’ tunes have been delightfully poppy, but still somehow enigmatic — uplifting melodies pinned down by mournful lyrics. Their new album, The Last Life EP, builds on their past work, offering densely layered (think synthesizers, synthesizers, and more synthesizers) yet delightfully harmonic songs. Expect an all-out rock performance, even though several of the band members are prone to wear thick, face-obscuring glasses. — by Max Ross

    Saturday at 6 p.m., First Avenue, 701 First Ave. N., Minneapolis; 612-332-1775; $16.

    Also here this weekend, before continuing the tour, is our very own Sick of Sarah. Saturday at 8:30 p.m., at the Cabooze, Minneapolis; Sunday at 9 p.m., Dinkytowner, Minneapolis.

    NOTE: I’ll be updating this post shortly with a few great videos for the Fringe Fest show you should look out for this weekend.

  • Mix 'n Commingle

    Flyer_4.jpg

    Notice: There is actually a respectable fashion event going down tonight. However, in my dual roles as theater and fashion writer (and a triple as a full-time employee), I’m afraid I’ll be missing Commingle in favor of catching one, maybe two Fringe Festival shows this evening. Nevertheless, my fashionable friends, this Commingle show was a fine piece of entertainment when last year I saw the thing. The clothes weren’t all that, as I recall (at least for the likes of an old lady like me). But the music was topnotch.

  • Gin and Cobbler

    topchef_ep307_19.jpg
    lucky boozers…

    Am I becoming disenchanted with my favorite show?

    I’m ok with cross-marketing when it highlights chefs and their restaurants, or maybe a high quality name brand ingredient or sweet blender or something. But I’m a little worried when Cold Stone asks the kids to come up with a Mix-In for ice cream as a challenge. No wonder Hung went all freaky with the cauliflower foam, isn’t this supposed to be high-level sutff? And worse yet, before they cut to commercial, they highlighted Dale’s wining peach cobbler recipe and tagged it “which is a perfect pairing with Bombay Sapphire Gin” and a big ol’ graphic of the blue genie bottle. Yeah, because when I’m indulging in creamy-peachy-fruity all I’m looking for is sharp and piney to wash it down. It was a disgusting plug for their Perfect Pairings promotion, which OOOPS has been canceled for 2007.

    But maybe that was the theme this episode, drunk consumption.

    I liked the fact that they had to cook for clubbers from a hot-truck. That they thought they were going out to party and had to work instead, well that actually happens in the real restaurant world quite a bit. When a cook walks off the line in the middle of a Saturday night, it doesn’t matter if you have tickets to the moon, somebody’s gotta cook.

    The chick factor bugged me. Sara wore the heels to dance in, but she can’t grocery shop in them? Suck it up sister, there isn’t a grrrrl cook in the world who hasn’t come home from the club with a gaggle of hungry drunks that demand sustenance. I can picture a particular New Year’s with my husband flipping hashbrowns dangerously low to the floor while I made sure my earrings didn’t fall into the eggs. Way it goes.

    As for my boy Brian, did he put on a show or what? I’m still a little whipped over CJ (you know I like ’em tall), but Brian knows how to work a crowd and I think he should have won the challenge. Tre’s food looked really good, but Brian threw the party and kept the eaters hooked. When you think about what it takes to run a restaurant, to read what the guest wants and deliver it, that’s a Top Chef.

    And what about Govind? Was he the most boring guest judge yet? All I could think about was poor Dale, dinner conversation might have been the tougher challenge. Unless it was sponsored by Bombay.

  • Reading about Writing about Writing, Talking about Reading, Talking about Writing

    BOOKS
    Writing the Unwritten

    3373416723.jpgWith Burning Down the House (1997), a collection of essays on writing, Charles Baxter became a fixture, by proxy, in fiction workshops everywhere. In his new book, The Art of Subtext: Beyond Plot (Graywolf Press), Baxter goes on to explore the unwritten aspects of writing. He sets out to prove that, in fiction, “What is displayed evokes what is not displayed, like a party where the guests discuss, at length, those who are not in attendance.” Remarkably (but just as expected) Baxter does so with eloquence and conviction, using literary reference and personal anecdote to mine the meanings hidden in prose, and to cement his reputation as a guru of contemporary fiction. — by Max Ross

    7:30 p.m., Magers and Quinn Booksellers, 3038 Hennepin Ave. S., Minneapolis; 612-822-4611.

    The Artist’s Bookshelf: The Inheritance of Loss

    3978920594.jpgSome of us are not blessed with a group of superbly intelligent friends who want to sit around for hours each week discussing literature. No, not any more. (And at times I’m even almost glad for that; but mostly it makes me want to weep.) In the end, you have a few choices. You could become a neurotic internet freak who learns to count caresses in bytes. You could spend thousands upon thousands of poorly earned dollars on endless years of therapy. Or you could get out more, perhaps even admitting that you need “events” to bring you together with others like you. Woohoo. Onward. Start out this evening with a discussion of Kiran Desai’s The Inheritance of Loss at the Walker. Set in mid-80s India, on the eve the Nepalese independence movement, Desai’s latest novel examines just about every contemporary international issue you can imagine: globalization, fundamentalism, poverty, terrorism, and exile — all with a very personal touch. Check out the discussion questions before you go, so that you’ll sound truly brilliant. And if you have an hour to spare beforehand, start out the evening with the 6 p.m. gallery tour.

    7 p.m., Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600.

    LECTURES
    It’s News to Me

    Jeremy copy.jpgWell, how do you like that. As I’m raking the net and my files for things to do, I come across this little doozy: Our very own Rake food critic is speaking tonight at the Minneapolis Central Library — and it has absolutely nothing to do with food. While most of us know Jeremy Iggers from his many years as the Star Tribune food critic, his talents extend far beyond any dining room table. In fact, in addition to his work with The Rake, Iggers also “daylights” as executive director of the Twin Cities Media Alliance. You’ll find numerous articles of his at Twin Cities Daily Planet. If you like what you see, then you should definitely put your name on the waiting list for “New about the News: The Scoop on Today’s Media” tonight. That’s right; there’s a waiting list. But don’t worry. If you don’t get in tonight, you’ll have another shot next week to hear what Iggers has to say about media in the digital age.

    6:30 p.m., Minneapolis Central Library, Doty Board Room, 300 Nicollet Mall, Mpls; 612-630-6000; free, but R.S.V.P.

    THEATER & PERFORMANCE
    Ahhh… Kevin Kling Appears After All

    3916451743.jpgOK. Maybe all the Kevin Kling fans will stop complaining now. When he didn’t make it into this year’s Fringe Festival, everyone starting crying injustice. It’s random, isn’t it? Too bad. But the great thing about previous years of Fringe Fest success, is that you don’t really need the Fringe Fest in the end.The truth is, theaters are lucky to get his shows. And the lucky theater this evening (or should I say theatre?) is the Open Eye Figure Theatre. Tonight’s show, Come and Get It is a collaboration with Open Eye’s Michael Sommers, cellist Michelle Kinney, and songstress/squeezebox artist Simone Perrin. Their description? “Think of it as an exploration of the seen and unseen world via story, image and song.” Not exactly very informative, but certainly at least somewhat intriguing.

    7:30 p.m., Open Eye Figure Theatre, 506 E. 24th St., Minneapolis; 612-874-6338; $15 (discount students/seniors and Fringe button-wearers).

    MUSIC AND STYLE
    Commingle: Urban Fashion and Music Show

    In its third year, Commingle: Urban Fashion and Music brings together music and fashion. OK. Tell me when the two are NOT together, for crying out loud. What we have here is another fine example of the new trend of featuring musicians and designers together for a full fashionista extravaganza. This evening’s designers include D. DeAoni Clothing, Kacey Kubiszewski, Kristin Johnson, Mary Pass, Susan Vue, and Wone Vang. The music cuts across numerous genres — jazz, hip-hop, house, rock, reggae — and includes performances by Lolly Pop, Niknyc, and Soulacious.

    9:30 p.m., Trocaderos, 107 Third Ave. N., Minneapolis; $18, $45.25 VIP Section (Premiere Seating, Bottle of Wine, Backstage Access).

    VIDEO
    Owen Goes . . . to the phrenologist

    Check out the new Owen video.

  • Why Are These People So Happy?

    This photo was passed along to me without any idea who the photographer was. If anyone knows, I’ll happily credit them for what I think captures an iconic moment in Minnesota government, namely Gov. Pawlenty and his, uh, anti-government, “No New Taxes,” transportation advisers, (note Lt. Gov. Carol Molnau beaming at left), vetoing last year’s pittance of a gas tax increase.

    I am prepared to host a pool on when Pawlenty throws Molnau under the bus to protect himself from direct criticism for going to the Taxpayers’ League well one time too often. The Governor has other places to go, if you know what I mean, and is far too adroit a politician to allow himself to be tarred with accusations of gross short-sightedness or errors of judgment in relation to the collapse. So I say sometime around Thanksgiving Molnau will suddenly feel the urge to, A. “Spend more time with my family,” and/or B. “Explore new opportunities.”

    Meanwhile, for a taste of the new, post-collapse Taxpayers League talking point meme, where the real issue is proper allocation of existing resources, (i.e. wasteful education and social spending can always take another hit), you owe it to yourself to catch former State Rep. now Taxpayers League President Phil Krinkie in action on Gary Eichten’s show this morning.

    Also, Mr. Krinkie, please, do you really think it is necessary for the entire state and every media and government agency to avoid discussion of the hows and whys of this tragedy and instead remain in a state of prolonged respectful sorrow for the dead and their families? Most of us can multi-task. We can show respect for the dead and injured AND demand that the people most responsible for the policies that guaranteed inadequate maintenance maintain a high public profile.

    I think I’ve already said that the best time to engage the public in the musty but critical business of state budgets is when people have an acute focus on an issue.

    Veto gas tax.jpg