Category: Blog Post

  • How and Why the Media F***ed Up

    Gary Kamiya at Salon has as thorough an indictment and theory for how all levels of the mainstream American press screwed up after 9/11 and before the invasion of Iraq.

    It’s a long-ish read, but both cogent and provocative. The mainstream press — your local newspaper, the local TV news and all the national outlets are “info-nannies”, responsible for maintaining a national consensus.

    This is particularly good, “… our mass media is charged with presenting not just an accurate view of the world but also an ‘appropriate’ one.

    “What ‘appropriate’ means in absolute terms is impossible to define. In practice, however, its meaning is quite clear. It’s reflected in a cautious, centrist media that defers to accepted national dogmas and allows itself to shade cautiously into advocacy on issues only when it has the popular imprimatur to do so.”

    Obviously there is also the problem of deferring to commercial dogmas, but you can see where he’s going.

    Excellent stuff.

  • Imus at a Tipping Point

    The upside to every one of these Don Imus-style broadcast faux pas is the “national dialogue” we get for a few days afterward. Everyone reports and weighs in, usually expressing dismay at the blunder and/or condemnation at the commonplace nature of this kind of stuff. It’ll disappear with the next Anna Nicole DNA report, but it’s worth having.

    What with Proctor & Gamble and a couple other major sponsors bailing on Imus’s show the old goat appears likely to suffer more than I first expected. That’ll be for the good. (There is also a report that he will donate his two weeks’ salary to charity. Also good. But let’s not be chumps on that point. Demand he specify who gets the dough and take notice when the check gets cashed.) It’s money that matters.

    Among the better facets of the “dialogue” over the Imus affair is how much the sexist imagery and attitudes of hip-hop contributed to his comfort level with witty street-crede jive like “nappy-headed hos”. Imus clearly figured the culture norms had moved his way on jargon like that. So it’s a fair and valuable point of conversation asking why the hell successful black “artists” get a pass on that kind of obnoxious crap if it’s offensive enough to pillory a white millionaire talk jock? A couple of the women on the Rutgers basketball team responded to exactly that question by saying they thought the excesses of hip hop were just as offensive.

    The growth in the national dialogue I’d like to see is where the trans-racial consensus is equally comfortable condemning a grizzled old coot like Imus AND the producers of the kind of absurdly misogynist “entertainment” that gets regular play on cable and mainstream TV and radio. I mean, the Rutgers women have every reason to be personally offended, but the Imus act, and all the Imus-like morning drive clods — Opie & Anthony, Bubba the Love Sponge, and on and on all across the country — are just as offensive to reasonably broad standard of decency. I say they all deserve a ripping.

    But don’t pull them off the air. Let the marketplace decide their fate.

    Keep their advertisers notified of exactly the kind of asinine spew they’re trading in. The sponsor-boycott of Don Imus will make an infinitely bigger impact on the standards of CBS Radio and NBC than any FCC fine.

    But I’m still curious, “Why now?” Imus, as I say, has a long, long history of saying obnoxious things about women and minorities — and like his imitators on morning drive around the country — it is very consciously contrived act, built to appeal to the large, “don’t screw with me” lunkhead demographic.

    But something in the air made this particular blast of stupidity resonate like never before. Imus, I think, has met a tipping point of some kind.

    Has, I wonder, the mass of media watchdogging coalesced with the mass of the instantly interactive cyber community to the point where garden variety vulgarity like Imus’s gets immediately flagged? Has the backlash to a decade and a half of ever-coarser commercial bullshit matured into a permanent, potent force for civility? A bona fide vox populi? Is there any connection to the newly invigorated liberal sensibility, disgusted by government and corporate corruption and corrupting influences wherever they emerge?

    I don’t know. But Don Imus has to be asking himself, “What in the hell hit me?”

  • Wow! It's a lot to take in for a Wednesday!

    THEATER AND PERFORMANCE
    Talk about Dark Humor

    06season_figaro.jpgTonight is the opening — or rather, re-opening — of Jeune Lune’s Figaro. If you didn’t see it last time around, don’t miss it. And if you did see it last time around, you already know — don’t miss it. First presented in 2003, Jeune Lune’s Figaro is a unique blend of all three of Beaumarchais’s plays about Figaro, set to Mozart’s sublime music. The story begins at the end and incorporates Mozart’s adaptation of Beaumarchais’s second play as a flashback, thereby giving Mozart’s The Marriage of Figaro historical context.

    8 p.m., Theatre de la Jeune Lune, 105 North First St., Minneapolis, 612-333-6200; $30.

    FASHION AND MUSIC
    Rocking down the Catwalk

    designer_runway.jpgAfter so much hype, the Voltage: Fashion Amplified has finally arrived.
    Bands and designers unite tonight for an incredible runway rock show at First Avenue. Come feast your eyes on new designs by Katherine Gerdes (of Project Runway), Laura Fulk, Anne Seldon, Red Shoe Clothing, and many other designers, as they send their models down the catwalk to the music of The God Damn Doo Wop Band, The Plastic Constellations, The Alarmists, and others. Proceeds from the show will benefit the Springboard for the Arts Artist’s Access to Healthcare program, as well as Mnfashion. And it doesn’t stop there. If you like what you see, be sure to stop by our local boutiques this weekend for Voltage Fashion Weekend. You’ll be able to pick up your favorite collections from the show at Cliche, Design Collective, and Robot Love.

    8 p.m. (7 p.m. doors), First Avenue, 701 First Ave. N., Mpls., 612-338-8388; $15($12 advance).

    MUSIC
    Ahhh, Bliss…

    feat128Lucinda.jpgWithout a doubt, the best concert I’ve seen in the past decade was last year’s Lucinda Williams concert at the O’Shaughnessy. So perfect was the sound that Lucinda actually stopped midway through the show to comment on it. And, yes, it was perfect indeed. Tonight she’s back — this time at the Historic State Theater — but it promises to be a great show, especially now that Lucinda is no longer happy and in love. Come on — we all know she’s best when she’s downtrodden.

    7.30 p.m., Historic State Theater, 805 Hennepin Ave., Minneapolis, 612-673-0404; $31.50-$36.50.

    Watch and listen to Lucinda Williams.

    More Female Songstresses

    rainingjane.jpgAlso performing tonight are Raining Jane and Emilia Dahlin. California’s Raining Jane and Maine’s Emilia Dahlin will share the stage in an eclectic acoustic performance. Composed of four songwriters, three of whom are vocalists, Raining Jane offers a unique interpretation of rock-folk and an unusual array of instrumentation including cello, cajon and sitar. Emilia Dahlin, voted Best Singer/Songwriter of 2006 and Best Female Vocalist of 2005/2006 in Portland, Maine, weaves tales of Greek mythology, robotic messiahs, epic floods, and tax evaders, with raw, rootsy folk and jazz vocals.

    7:30 p.m., Gingko Coffeehouse, 721 N. Snelling Ave., St. Paul, 651-645-2647; donations encouraged.

    Listen to Raining Jane.
    Listen to Emilia Dahlin.

    READINGS
    150 Years of Minnesota Poetry

    Voice.gifIf you’re big on local poetry, you really can’t miss this one. Celebrate the publication of a new collection of poetry from the Minnesota Historical Society Press, Where One Voice Ends Another Begins: 150 Years of Minnesota Poetry, with readings and book signings by many of the featured poets. Robert Bly, Bill Holm, Michael Dennis Browne, Deborah Keenan, Heid Erdrich, Wang Ping, and Angela Shannon will read from their work, and many of the other participating poets will attend and sign copies of the new book.

    7 p.m., Mill City Museum, 704 South Second St., Minneapolis, 612-341-7555; free.

    A Low-Profile Literary Lion Steps into the Limelight

    Doctorow.jpgIt’s not often we get a chance to see E.L. Doctorow in person, so you might not want to miss this. “And judging from the man’s eclectic body of work, distinguished by its broad historical sweep and social criticism, it’s likely that Doctorow will have something of substance to say. Over a career that’s now spanned almost fifty years, Doctorow’s writing has consistently garnered critical hosannas and literary honors alike: He’s got a National Book Award, a PEN/Faulkner Award, and a couple of National Book Critics Circle Awards under his belt. His last novel, 2005’s ambitious The March, offered plenty of evidence that he’s still got stories he wants to tell.”

    7:30 p.m., Ted Mann Concert Hall, 2128 Fourth St. S., Minneapolis, 612-626-1528; free.

    Learn from a Master of Comics

    cover-mc2.jpgToday’s readings don’t leave anyone out of the mix. Are you a comic book fan? Do you long to make your own? Come out and meet Scott McCloud, author/artist of Understanding Comics, Reinventing Comics, and Making Comics. Currently on a 50-state tour of the United States, he’ll be in Minneapolis tonight talking about his work and signing books.

    7:30 p.m., DreamHaven Books, 912 W Lake St., Minneapolis, 612-823-6161; free.

    FILM
    Stories from All over the World

    As if there weren’t enough to choose from already, there are a few great films to see tonight.

    darfur.jpgThe documentary Darfur Diaries: Message from Home chronicles the history, hopes, and fears of the people of Darfur since the Sudanese Liberation Army in Darfur (the western region of Sudan) responded to decades of oppression by taking up arms against the Sudanese government. Up to 400,000 civilians have died since the beginning of the conflict and over 2 million people have been displaced. And if you’re interested, check out Darfur on Google Earth. Google Earth maps atrocities in Darfur.

    6 p.m., Coffman Memorial Union Theater, 300 Washington Ave. SE, Minneapolis, 612-624-INFO; free.

    A cross-generational story of ostracism, love and legacy of the past, Dam Street (directed by Li Yu) chronicles the life of a Chinese woman whose teenage indiscretion continues to haunt her years after the event.

    7 p.m. (other showings this week), Walker Art Center, 1750 Hennepin Ave., Minneapolis, 612-375-7600; $8 ($6 members).

    Set in war-torn Algeria in the 1990s, Barakat! (directed by Djamila Sahraoui), follows two women on the dangerous search for the younger woman’s husband, a journalist whose writings resulted in his disappearance. Ignoring curfews and the constant threat of ambush by armed militias, the two women journey across the picturesque landscapes of Algeria, to a deeper understanding of how their lives were shaped by their country’s history.

    9 p.m. (2 p.m. on April 22), Walker Art Center, 1750 Hennepin Ave., Minneapolis, 612-375-7600; $8 ($6 members).

    Academy Award Winner for Best Foreign Language Film (Germany), The Lives of Others chronicles the disillusionment of Captain Gird Wiesler, of the secret police, from 1984, five years before the fall fo the Berlin Wall, to 1991, in what is now reunited Germany.

    4 and 7:05 p.m. (today and tomorrow), Heights Theater, 3951 Central Ave. NE, Columbia Heights, 763-788-9079; $5.

  • Why am I thinking about Audis?

    I have been thinking, talking and looking at alot of Audis lately.

    Not too long ago someone mentioned on The Road Rake that Audis were pieces of crap (no need for literary flourish here). This is true. The early model A6s with the 2.8 liter engine were prone to electrical gremlins and leaks.

    Today, however, Audi does have two or three proven gems in its stable when it comes to engines. While at an Audi dealer this evening (of all places) the salesman waxed about the little 2.0 liter turbo that currently powers the base A4 (and also the VW GTI and EOS–great new convertible for under 30k from VW.) While at times salespeople get things wrong, this guy knew his stuff–it is, by all accounts a great engine with proven reliability.

    I have written in other entries about the 2.7 liter bi-turbo found in the first generation S4 (AllRoad and A6 Quattro as well), which has proven to be an easily rodded German engine (rare).

    Finally, I have also been hot for awhile on the Audi 4.2 liter V8. At this stage its primarily an emotional attachment that has something to do with the ballsy move of stuffing this large engine into the bay of a diminuitive S4 (years before the M3–which is only recently getting around to it).

    I have not heard anything really bad about this engine, and I also know it can accept twin turbos to pump its output up to exactly 469 HP (the rating in the fast but clinical RS6).

    Finally, I really dig the second generation re-skin of the A4. Its a change that actually makes this model look more contemporary that the third and current generation model. When you combine those good looks with a proven 4WD handling package, sweet interior and mondo engine in a little chasis, you have a recipe that John DeLorean would love.*

    (*John DeLorean remains a hero to many car guys, if only for the fact that he may have been the rare Engineer with matinee looks.)

  • Don't Look At Me

    Goodness gracious, as my mother would say.

    Goodness fucking gracious.

    What the hell can you say about a ballgame like that?

    Well…

    It only counts as one.

    It’s still early.

    Tomorrow’s another day.

    It’s a long season.

    It’s a marathon not a sprint.

    The sun ain’t gonna shine on the same dog’s ass every day.

    Still, the last week has raised some potentially alarming questions (Nick Punto, Denys Reyes, Jason Bartlett, the entire bottom of the order, etc.), has it not?

  • A Night of Unexpected Arrangements

    THEATER AND PERFORMANCE
    High Art Meets Low Art

    pp-MacHomer.jpgWho would have thought that The Simpsons and Shakespeare would ever come together? You really have to see it to believe it. MacHomer, written and performed by Rick Miller, is a one-man show featuring over 50 voices from TV’s favorite dysfunctional family, the Simpsons, in a comedic multi-media performance of Shakespeare’s bloodiest tragedy, Macbeth. Yes, it sounds ridiculously odd, but the show has toured the world to rave reviews and awards in Scotland, England, Australia, and New Zealand — and has finally arrived to the Twin Cities. You have to give it an “A” for ingenuity if nothing else. And it’s guaranteed to make Simpsons fans laugh. Of course, if you don’t know the Simpsons (And who doesn’t know the Simpsons?) you might be utterly lost and confused.

    7:30 p.m., The O’Shaughessy, College of St. Catherine, 2004 Randolph Ave., St. Paul, 651-690-6700; $25.

    A Gothic Fairytale Goes from Screen to Stage

    Edward1.jpgIt’s hard to imagine Tim Burton’s Edward Scissorhands without Johnny Depp (forget Winona Ryder), but… well… now you don’t have to imagine it. You can see for yourself. Tonight, Matthew Bourne and his New Adventures are presenting a new adaptation of the Burton movie, Edward Scissorhands, at the Ordway. This musical adaptation tells the story of a boy created by an eccentric inventor — after his son dies playing with scissors. With only scissors for hands, Edward must find his place in a candy-colored suburban community. Don’t miss it. Edward Scissorhands broke all Box Office records when it premiered at Sadler’s Wells in November 2005.

    8 p.m., Ordway Center for Performing Arts, 345 Washington Street, Saint Paul, Box office: 651-224-4222, Main: 651-282-3000; $20-$50.

    Watch a video of Matthew Bourne’s Edward Scissorhands.

    MUSIC
    Swamp Rock Funk

    jjgrey2.jpgApparently, there’s more to Florida than a retirement town and a Spring break destination. Hailing from the swamplands, JJ Grey & Mofro serve up some gritty country ghetto music tonight at the Varsity Theatre. Not so appealing? How about Southern funk and soul music? Bringing a fresh take to an old American sound, JJ Grey draws from rock, blues, gospel, and soul to deliver a great show. The lyrics are raw and folksy, telling tales of the Southern life over guitars, organ, drums, and occasionally horns, harmonica, and tambourine. Grey’s vocal range is impressive, as he shifts from a high-range lulling sound to a lower grittiness that seems to fill the space with that wretched Florida heat. Don’t dismiss it ’til you hear it. You won’t be disappointed. Playing with them is Dubconscious, a progressive reggae band from Athens, Georgia.

    9 p.m. (8 p.m. doors), Varsity Theatre & Cafe des Artistes, 1308 4th Street SE, Minneapolis, 612-604-0222; $15.

    Listen to JJ Grey & Mofro.
    Watch and listen to JJ Grey.
    Listen to Dubconscious.

    Transcendental Virtuosity

    JeffreySiegel1.jpgLooking for something slightly more conservative — with unleashed passion? Tonight, American pianist Jeffrey Siegel brings his Keyboard Conversations series to St. Paul with Liszt: The Devil Made Me Do It! The program, designed to make classical music more accessible to newcomers and enhance the concert experience for connoisseurs, begins and ends with discussion. Before the performance, Siegel will speak to the audience about the composer and the historical context of the music. Following the performance will be a question-and-answer session. Come learn about one of history’s most sublime musicians, Franz Liszt, inventor of the symphonic poem; and learn from one of the current world piano masters. Jeffrey Siegel has been soloist with the world’s great orchestras, as well as conductor from Minnesota to Pittsburgh to France to South America. In addition to solo piano works of Rachmaninoff (one of the most difficult composers to play), Hindemith, and Dutilleux, Jeffrey Siegel has recorded Gershwin’s complete works for piano and orchestra with Leonard Slatkin and the Saint Louis Symphony.

    7:30 p.m., Sundin Hall, Hamline University, 1536 Hewitt Avenue, Saint Paul, 651-523-2459; $17 ($12 seniors and students).

    Art-Inspired Compositions

    Tonight, award-winning students from the School of Music will be performing compositions inspired by art from the Weisman Art Museum’s permanent collection. Join the Art Sounds concert and reception in the museum galleries, where you can listen to the music as you absorb the art that inspired it.

    7 – 8:30 p.m., Frederick R. Weisman Art Museum, University of Minnesota, 333 East River Road, Minneapolis, 612-625-9494; free.

    LECTURES
    Which Way South Africa?

    mangcu.jpgJoin South African political analyst and commentator Xolela Mangcu as he discusses the future of South African politics when South African President Thabo Mbeki’s term comes to an end. Often described as the heir to Steve Biko, leader and martyr of the Black Consciousness Movement in 1970s South Africa, Dr. Mangcu calls for a revitalization of the democracy movement as a whole. Founder and past executive director of the Steve Biko Foundation and former director of the Division of Social Cohesion, Identity, and Leadership at the Human Sciences Research Council (the main research body in South Africa), Mangcu is now director of the Centre for Public Engagement at the University of the Witwatersrand in South Africa, syndicated weekly columnist for Business Day, and assistant editor of the Sunday Independent. He is a regular political commentator and has been featured on both local and international broadcasting networks.

    8-9:30 p.m., Humphrey Institute of Public Affairs, Cowles Auditorium, 301 19th Ave. S., Minneapolis, 612-626-5054; free.

    BOOKS
    Hang with the Minnesota Book Award Nominees

    Don’t settle for being a passive reader. Join April’s Raking Through Books tonight to celebrate the Minnesota Book Award nominees. Come to our Kieran’s happy hour, hang out and chat with the authors, and get your books signed. Rake readers receive 20 percent off the Raking Through Books selections at the University of Minnesota Bookstore at Coffman Union.

    5:30-7 p.m., Kieran’s Irish Pub, 330 2nd Av. S., Minneapolis, 612-339-4499; free.

  • Abbreviated Three-Pointer: Canadian Clubbed

    Regular Season Game #77, Home Game #38: Toronto 111, Minnesota 100

    1. The Kids Are Alright, Part 729

    For a variety of reasons I wasn’t able to make it to the Target Center until 4 minutes were left in the third period tonight and the Wolves were up four. Since there was no television coverage, this will be an abbreviated trey. Comments are welcome, and for a change of pace I’ll use point three to address some of the questions from respondants in the previous post.

    Shortly after I’d arrived and was straining to catch up with the ongoing flow and nuances, all the things that accrete when you see the whole game (which is why it’s so important to catch it from tap to buzzer), there was a moment that made me feel good about the future. Craig Smith and Rashad McCants were fighting each other for a defensive rebound and contested the ball out of bounds. An exasperated Smith sternly told McCants something to the effect that, “I was telling you I had it!” and was about to launch into a second sentence when McCants just casually put out his hand in apology. Smith just as casually grabbed it for a second, stopped talking and let it–the hand and the subject–go. The very next possession, Davis was on the low left block (the KG spot, except he was on the bench) and Smith cut baseline and got the feed. At the time, Smith was 8-9 FG and having a marvelous game, so the Raptors bum-rushed his baseline penetration from all angles. Smith teased it right until he was under the hoop–and then zipped a pass to a wide open McCants in the corner, who promptly buried the three-pointer.

    Neither Smith nor McCants are perfect players. Tonight, and increasingly throughout the season, Smith has become a drama queen when he believes he isn’t getting calls from the officials (as if an undersized rookie who is fond of drawing charges and using his big butt for textbook box-outs is going to have it easy with the refs). For McCants’s part, he was scoreless until 1:24 remained in the 3rd, and then erupted with a series of impressive drives and jumpers (for their strength, agility, and savvy) to rack up 11 points over the next four minutes. But during and shortly after that marvelous spurt, he played some of his worst defense of the year, frequently forgetting to close out his man in the corner (ditto Ricky Davis–Trenton Hassell was the only one who did, although I didn’t see any of Marko’s minutes). I’m hoping that as McCants retrieves his sublime athleticism, he doesn’t forget the superb D that has made him so valuable despite not being 100 percent physically. But seeing the way Smith and McCants handled their little misunderstanding, that was a comfortable sign of mutual maturity.

    2. Sam Mitchell Would Make a Nice Timberwolves Coach, eh?

    When the final horn had sounded and the Raps had rung up 38 points in the final quarter to beat the Wolves for the sixth straight time under Sam Mitchell (he has never lost to his former team), Wolves owner Glen Taylor scurried over and gave Mitchell a warm handshake and spoke with him for a minute or so.

    It would be nice to start a rumor that Taylor wants Mitchell to come run the Timberwolves. After all, Mitchell is a free agent after this season, and had to endure lots of speculation about how he would be gone by Christmas this season, if not before, pushed out by new Toronto GM Colangelo, who would obviously want his own man. People remembered Mitchell’s run-in with Rafer Alston and his hard, abrasive ways with last year’s team. They figured he was on his way out. Now Mitchell will get some consideration for coach of the year, having guided the injury-wracked Raptors to 45 wins and counting, with a favorable matchup with the depleted Wizards a distincts possibility in the playoffs. It is Mitchell’s time to call the tune in Toronto and it might be delicious to take a lucrative deal somewhere else… like in his old stomping grounds of Minnesota, guiding his most renowned protege, Kevin Garnett, who frequently cites Mitchell as an invaluable mentor when the two were teammates.

    It almost certainly won’t happen, of course. This franchise seems committed to Randy Wittman, Mitchell knows and likes his current team after a tumultuous first couple of years, and Mitchell and former Raptors GM (and current Wolves assistant GM) Rob Babcock weren’t the best of buddies during their stint together up north. But one can dream…

    Anyway, I hadn’t talked to Mitchell since he came to town in his rookie year as coach two seasons ago, and then only briefly, so I figured I’d skip the Wolves post-game and shake his hand and offer my congrats on his stellar season. I do my best not to feign friendships with millionaire athletes because I loathe jock-sniffers and also worry about it compromising my coverage. But I’d covered Sam Mitchell’s long tenure with the Wolves for all but the first year he was in town, and, like everybody else, had a pleasantly contentious back-and-forth with the guy over the way I’d ask questions or apprach the game. And he had a habit of confirming suspicions or theories I had about the internal workings of an often dysfunctional franchise without actually coming out and saying so–he was a smart and good source. Besides, there was another sportswriter who wound up being very good friends with Mitchell, to the point where Mitchell was the best man at his wedding. And on two occasions, including a Roy Hargove gig at the Dakota, we all went out and socialized.

    Anyway, Sam came out and gave a gracious postgame media chat, praising his team for sucking it up in the fourth quarter of a back to back, and indicting the Wolves perimeter D by lavishly lauding his own players, TJ Ford and Jose Calderon: “TJ and Jose: 29 points, 17 assists and 3 turnovers from the point guard spot. What can I say?”

    Then the Q&A was over and Sam offered hearty greetings to Tom Hanneman and sports columnist Larry Fitzgerald, and Terrell, the former PR liaison for the Wolves who had stopped by, and former Raptors assistant coach cum Fox Sports commentator Mike McCollow. A couple of times his eyes flitted my way, almost enough for me to extend my hand and congratulate him, ask him how the kids were doing, the usual. But it soon became obvious to me that Sam couldn’t place me; that he might be having this nagging feeling he knew who I was, but had forgotten at least my name if not the entire context by which he might know me, and just thought it better to ignore me. And I was trying to figure out how to still congratulate him without embarrassing the hell out of the both of us. I got my chance shortly after Mike James (who played for Mitchell last year) and his wife came by and had warm, playful words. I just stuck out my hand, said, “Britt Robson, Sam, and I just want to congratulate you on your season,” and split.

    Every now and then it is good to get your ego deflated a little bit, so you’ll remember who exactly you are, as compared to the famous athletes and coaches you rip or praise, and glean a smidgen of notoriety by association from along the way. I’m serious. It helps you concentrate on the things that matter, the passion and quality of what you have to say. So, it was awkward, but I don’t have to be buds with, or even recognizable to, Sam Mitchell to admire what he did as a player and what he has done as a coach. Congratulations, Sam. Wish you were here.

    3. Comments and Queries

    Shawn in Rochester asks if I think KG and/or Wittman agree with me that “KG + the kids” is the team’s best lineup. I think Garnett does. I suspect Wittman does. I know that Dwane Casey used to go crazy behind the scenes about Ricky Davis and yet still play him copious minutes. Davis has been even more inconsistent under Witt than he was under Casey. For instance, tonight he was fabulous, not only leading the team in scoring and assists, but warning KG that he had to go cover the baseline shooter in rotation–and sure enough, a Raptor squeezed off a trey a split second before KG arrived there after heeding Davis’s words and flying over. The part I don’t know is whether anyone within the franchise can see the forest for the trees after 77 games.

    Right on cue, Nate asks why the organization show more “tough love” on Davis. You’re preaching to the choir with that question, Nate, and it baffles me too. But maybe the answer is that RD is what he is, and you have to accept it. After all, he’s been dealt three times already. I know there is a large segment of fandom in Boston who really like Ricky’s game, and I daresay a similar, though perhaps smaller, throng of folks feel that way here. Maybe Davis isn’t teasing with his inconsistency–he’s just one of those guys who explode in a good way every now and then, and if you think there can be anything more, you’re deluding yourself.

    Born To Be Hated….(a name obviously connoting a McCants lover, since it is Shaddy’s tattoo saying) wants to know what kind of off-season moves this squad will make, and helpfully chimes in with the notion of getting rid of Mark Blount and getting something for Trenton Hassell. Quick answer is, I don’t have a clue what the franchise can do. First off, find out whether or not you have a draft pick. Second, find out, right after the final game, whether KG is still committed to the franchise, and, if not, how uncommitted he is–in other words, is making moves to placate him a doomed strategy? The draft pick and KG are two variables that determine every other move.

    Bottom line, Blount is untradeable but this squad cannot go another season without securing a reasonably good banger, whether or not KG stays. Hassell could fetch a decent player in return, and probably should go, unless Jaric is more highly valued. Finally, a decision has to be made on whether Randy Foye is this franchise’s point guard of the future or not. If so, maintain a crash course and stop supplementing him with shoot-oriented points like James and Huddy; get a quality mentor either on your roster or your coaching staff. If the conclusion is that Foye can’t be enough of a quality point guard to hold down that position, then either he or McCants need to be dealt and a point needs to be acquired. Time is a-wastin’ and KG isn’t getting any younger.

    Patrick thinks we’re playing the vets to showcase them. I think scouts are smarter than that. I firmly believe that Davis, James and Blount are all worth much less right now than they were on opening day. And I don’t think all the minutes in the world will appreciably boost their stock, and may very well hurt it.

  • The Horror…

    The horror.

    It’s always a dozen different kinds of bad omen when Big Sid takes the hill. We all knew going in there was no way in hell the ball club was going to get through this day without incurring casualties. Thing was, though, was that there was really no way any of us could have imagined things would go quite so wrong, or so wrong in such a hurry.

    Dude sweating like that gets everyone around him all jittery. You could tell right away the fellas were just hoping like hell he’d be showered and dressed by the time they got to the clubhouse.

    No worries there, of course, but that don’t stop folks from worrying all the same.

    Kurtz: Are my methods unsound?

    Willard: I don’t see any method at all, sir.

  • Why Stop with Don Imus?

    I’d like to hope there is something precedent-setting in CBS Radio and MSNBC suspending veteran talk jock Don Imus for two weeks … (with or without pay, I’m not sure.)

    What with the current administration’s 3-to-2 advantage on the FCC we’ve sat through three fairly ridiculous years since Janet Jackson’s “boobgate” at the 2004 Super Bowl. There has been endless huffing and puffing about “indecency” and threats of fat fines for any and all TV and radio stations who air offensive content, even though what is offensive may be pumped through their transmitters by some network or syndicator.

    Other than Howard Stern flipping off CBS and terrestrial radio and taking another massive pay-day via his mentor, Mel Karmazin, (himself a world class corporate vulgarian), the FCC’s puritan fervor toward sexual displays and profanity hasn’t had much effect on pop media’s biggest names. Its kind of like Abu Ghraib. No officers need suffer. Punishment is strictly for the hillbilly grunts.

    You see, what Imus said about the Rutgers women’s basketball team, calling them “nappy-headed hos”, doesn’t qualify as “indecency” according to the current FCC. Imus did not show a nipple. Nor did he call the women, “[effin’] nappy-headed hos”? No way.

    But Imus’ display of racial vulgarity is such a staple of morning drive radio everywhere in the country — the Twin Cities are almost a prime example — I’m telling you kids, it’d be crickets from sea to shining sea if the FCC ever re-wrote its rules. Characters of the Imus genre make millions, sometimes individually, playing the race card for their cloddish audiences.

    Without even getting into the futile discussion of whether Don Imus is racist, lets just say there is a healthy minority of folks out there that don’t particularly appreciate some chronically sullen, grandly remunerated white guy tossing off “comedy” like that. I’m willing to bet some of them even find it indecent. Moreover, I’m guessing that if you ran down a greatest hits of FCC infamy, including Janet Jackson’s — which, remember, was “seen” by America’s huddled families only as a indiscernible long-shot as it played live, but forever after, after magnification, as a kind of cultural lap dance — there might be as many people offended by Imus as the sight of Jackson’s nipple, or Bono dropping a cheery “F-bomb” at an awards show.

    Point being, the FCC standard is both silly and gutless. Silly because of who is punished. Offended by a nipple? Really? Well, go fine the nipple-ee. And gutless, because if they were truly serious about enforcing decency on the country’s air waves — which giant media corporations pay exactly zero to use and exploit to their maximum financial advantage — they’d have fat fines for vulgar racial “humor” like Imus today and about dozen other examples here in the Twin Cities that spring immediately to mind.

    Technically anyone can file a protest with the FCC over anything. But under current conditions, you’re chances of prevailing, through the FCC “investigation”, is only if there was a wayward ta-ta involved or one of the seven dirty words.

    And “Nappy-headed hos” ain’t none of those.

  • Monday

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    Saturday afternoon I was approached outside my house by a down-on-his-luck character who told me he was trying to buy a used car over on Pillsbury Avenue and had found himself fifty bucks short. He’d taken the bus from St. Paul to look at this car, he explained. He’d just gotten a job in Maplewood and was starting on Monday. He was clearly desperate, and seemed almost frantic. If he didn’t get this car, he said, he would have no way to “drive backwards and forewords to work.”

    Backwards and forewords
    . That, I thought, felt like the way I usually come and go from work every day.

    I’ll admit, though, that I was a bit skeptical, so I offered to walk over with him to check out the car, figuring this character would balk and that would be the end of that. He didn’t balk, however; if anything he responded with almost alarming enthusiasm to this offer, and we walked the several blocks to Pillsbury without much in the way of conversation passing between us.

    And sure enough, there it was, some kind of white, four-door family car in the garage of a townhouse.

    I found myself trying to negotiate with the car’s owner. Couldn’t he, I asked, do any better than $800? The man was emphatic. He had already agreed to shave the price down from $1000 to $800. He’d just listed the car on Wednesday, he said, and he was confident he would eventually find someone willing to pay his original asking price.

    The potential buyer and I walked down to the end of the driveway and talked things over. Did I think it was a good deal? he asked.

    I told him that he was unfortunately asking the wrong guy. It looked like a decent car, I said. He pulled a wad of rumpled cash from his pocket and counted it out. He was, in fact, $48 short.

    I gave the guy his fifty dollars so that he would have a car to drive backwards and forewords to work. “Long may she run,” I told him as I handed over the cash.

    I left the two guys to complete the transaction, but as I walked away down the sidewalk the buyer scurried after me and asked for my name and address. I wrote this information for him on an index card and handed it over.

    Easter afternoon I came home to find an envelope in my mailbox. The envelope contained two twenties, and twelve ones.