Category: Blog Post

  • Forgetting My Cynicism for a Moment

    I try not to be a cynic. When the “fall color watch” is on the cover of the newspaper and local magazines run “top drives for fall colors” articles, I can’t help but think there must be something better to cover.

    But maybe there isn’t. Don’t get me wrong. I can’t stand the manner in which many of those are written. However driving across the Mississippi River Bridge on 94 at 7:30 on Saturday morning reminded me that it is still possible to find wonder in this world. The banks were lit up by the morning sun and the trees glowed with yellow and orange hues. Luckily at that time of the day the road was empty so slowing down to 35 miles per hour didn’t cause an accident.

    It also brought me back to the ritual of climbing the fire tower back in Side Lake every fall when the leaves were changing. Now up on the Iron Range there are a lot more pine trees so the colors aren’t as dramatic, but the opportunity to look out over the tops of the trees from the 108 foot tower and have no cities in view for miles drew us up there with every season change. The fence surrounding the base was topped with barbed wire and getting over that was always a trick and probably more of a challenge than a deterrent to 16 year olds. I think my name is still etched in the paint at the top.

    If leaves changing color can elicit that sort of spiritual connection from a cynic, perhaps they are worthy of front page treatment.

  • Faith Of Our Fathers

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    –Michael Langenstein, “Play Ball”

    Lord, I believe; help thou mine unbelief.

    –Mark, 9.24

    Who hath believed our report? And to whom is the arm of the Lord revealed?

    –Isaiah, 53.1

    And ye shall gird yourself for battle and go forth against that city where the wind blows without rest, and against the unbelievers for whom gold is more precious than blood, and ye shall smite and quench, and flay them in the streets and homes, and where they are at work in their fields and counting towers. When there is not a mouth left moving to utter blasphemies, ye shall offer their fat to the Lord.

    –The Additions of Esther, 34.7-10

    There is, of course, only one conclusion a reasonable person can make at this point: The Twins are God’s team.

    None of us has ever seen anything like the 2006 season, and there isn’t a person on the planet who can offer an explanation for the things we’ve seen.

    I’ll confess that my faith had been shaken –shaken by the dispiriting and punchless 2005 season, by the March death of Kirby Puckett, the steroid scandals of the off-season, and by the Twins’ hamstrung break from the gate back in April.

    Shame on me. Shame, shame, shame on me.

    I have a thing about numbers, though. I like to add them up, isolate them, and basically move them around until they cough up some sort of magic. The day Kirby died I turned to the numbers to distract me from my devastation. March 6 was the date of Puck’s death: 3-6. There was some good Minnesota baseball mojo there; Both three (Harmon Killebrew) and six (Tony Oliva) have been retired by the Twins. Put the three and six together and you have 36, Jim Kaat’s old number, which currently belongs to Joe Nathan. Add them and you have nine, which was worn at one time or another by Larry Hisle, Bombo Rivera, Slick Gardner, Mickey Hatcher, and Gene Larkin.

    Stetch it out to 3-6-06 and add it up and the magic starts to fade a bit. Fifteen has sort of a lackluster history with the Twins (Disco Danny Ford, Tim Laudner, Ron Coomer, and Cristian Guzman have all worn it). Make it 3-6-2006, however, and it’s considerably better so far as numerical omens go: 17 was the number of Camilo Pascual, Leo Cardenas, and Rick Aguilera, not to mention Joe Grzenda and Fred Manrique.

    There’s some point there, I’m sure, even if I can’t quite put my finger on it. I do know, though, that when I get to monkeying around with numbers it’s almost always a prelude to a fit of religious mania. Numbers inevitably drive me to the Bible, where they tend to make even less sense to me than they do in real life.

    As spring rolled into summer, and as the Twins rolled out of a miserable early spring and into history, I was wearing my hairshirt and poring over my dog-eared Bible, all the while keeping at least one ear tuned to the Twins on WCCO. I was alternately muttering imprecations and howling hosannas (from the Hebrew: “Save, we pray”).

    I spent the season –the first one in a long time– as just another fan. I listened to the games, went out to the ballpark occasionally, ran through the boxscores every morning, and chatted about the Twins with friends and folks at work. I was tired of the dissecting game, and learning to fall in love all over again with the game of baseball.

    It was thrilling.

    It was absolutely thrilling.

    It is.

    It continues to be.

    My gratitude for what I –I who am so entirely undeserving– have been given knows no bounds, and so, late on a beautiful Sunday afternoon in autumn, I collapsed in the grass in my backyard and showed my teeth to God.

    I also asked him to look out for Wayne Hattaway, one of the greatest characters and human beings it has ever been my privilege to meet.

    As a feeble –a so, so feeble– token of my gratitude I’m going to do my damndest to return here to grind out some sort of appreciative or anguished nonsense throughout the playoffs.

    I’m going to do what I can.

    The Twins, though, are in God’s hands.

  • Who's thirsty?

    Thirst Theater embarks on another performance season tonight–this time at a new venue, Jitter’s. If you don’t know what Thirst is, it’s basically a program of little playlets by local writers, as performed by card-carrying union actors. And the brains behind the deal is none other than Alan Berks, the writerly fella responsible for this year’s very well written Fringe Festival hit, How To Cheat. Here’s something to ponder: I suspect that Thirst is part of a larger movement to take some sorts of professional theater out of the more expensive and, in some instances, intimidating traditional performance venues, in favor of putting on shows in more communal spots where a girl can more easily get a drink!

  • You Call That A World?

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    I’ve got the world on a string. I’ve got the whole world in my hands. I’m on top of the world. I’ve got all the time in the world.

    Wonderful world. World of wonders. World of the future. Mattress World. Disney World. Sea World. Auto World. Tractor World. Reptile World. Sex World. Robot World. Sound World. Drowning world.

    A world of fine dining.

    The world is your oyster.

    The luckiest guy in the world.

    World champion. World expert. World renowned. World leader. World class. World record. World War. World Peace.

    World above. World below. World within. The afterworld. The underworld. Crime world. Invisible world. Dream world. The hidden world. Strange world. Beautiful world. Troubled world. Spirit world.

    The world in a grain of sand.

    Off to see the world. World Traveler. All over the world. Out of this world. A world of difference.

    The old world. The new world. Brave new world. The lost world.

    Third world.

    The world of our fathers.

    End of the world.

    Man of the world.

    Light of this world.

    For He so loved the world.

    In his own little world.

    Hard world.

    What in the world?

    Why in the world?

    How in the world?

    Welcome to my world.

    Any world that I’m welcome to.

    I’m in a world of pain.

    I’m a stranger in this world.

    Stop the world, I want to get off.

    World without end.

    Cruel world.

    World of Pants.

    Amen.

  • Let's Go Demo

    Here are the rules of the demolition derby at the 150th Vernon County Fair, as explained to me by the 68-year-old lady who sat to my left for the evening’s entertainment.

    1. No hitting the driver’s side door; all the doors are painted a different color from the rest of the car to help with following this rule.
    2. If a firefighter shines you with a flash light, you’re done. The last car moving wins.
    3. If the firefighters wave red flags and the trucks flash their lights, then stop – they have to put out a car fire.
    4. Umm…

    That’s right, the 150th Vernon County Fair ‘s demolition derby. I’m not quite sure how many of the 150 years have featured the demolition derby, but my dad remembers sneaking into them as a child in northeast Wisconsin, so it could be almost 50.

    This year, the power system overloaded and we had to wait a half hour until they decided to just position the fire trucks around the track and use their spotlights to illuminate the track so they could get the thing started. We sat in the grandstand in the dark, soaking up the smell of fried foods that is all too familiar to Minnesotan fairgoers. Don’t they know that stuff should come on a stick?

    Some highlights:

    – I guess I didn’t expect this at a demolition derby, but the National Anthem was sung, and loudly.

    – Two in the first group (called a heat) of cars raced full throttle at each other in reverse. The impact crushed their trunks like beer cans.

    – One of those cars continued to compete without a trunk or rear axle until the firefighters decided it was too dangerous to have cars repeatedly slamming into the back of it with only the back seat to protect the driver.

    – The third heat was won by a woman in a Beretta that was christened “The Queen Bee” (stinger included), and whose seat broke while backing into her final adversary, prompting the announcer to yell: “I think she ended up in the trunk on that one!”

    – The announcer. On someone stealing tools: “If you catch that guy don’t tell the cops. Give him some self justice.” Even the locals looked around uncomfortably, until he corrected himself, “I guess that’s a good way to get the cops mad at me.” On the social utility of firemen derby officials: “They get valuable experience for dealing with highway accidents.”

    – The lady sitting next me saying that there was no way one of the drivers was 70 years old (as the announcer had claimed) because she’d gone to grade school with him and “If I’m 68, he’s 68”.

    Next year I’ll have to follow the lady’s advice and come back for the tractor pull.

    Some photos:

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    New Friends

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    Firefighters in Training

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    Action

  • Cool Water

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    I could be mistaken –I could always be mistaken, I often am– but this seemed to be the scenario: I was asking for a glass of water. I was begging for a glass of water. I was so fucking thirsty that I could barely swallow. My tongue was all fat and fuzzy. It felt like a dried cow tongue lodged in the middle of my face.

    I’d been crawling for days. I couldn’t even begin to tell you how many days. Crawling across empty suburban strip mall parking lots, across busy city streets, along old state highways, and right out into the fields and the darkness. I crawled across creeks and rivers.

    If you spend enough time crawling across fields, I can tell you that eventually those fields might as well be deserts. You get parched. You get thirsty as the devil himself for a glass of water. Your hands and shoulders and knees throb. Your whole body hurts.

    These days not one person will bat an eye at a crawling man, let alone stop to offer him a glass of water. You crawl long enough, though, and the law is eventually going to get tired of what they’ll call your “routine,” as if you were a gymnast or a ventriloquist.

    The police will drag you up off your hands and knees and haul you away. They’ll want some answers, which you will be unable to provide. They’ll put you in a room with a plain table and bad fluorescent lights. You will ask them for a glass of water. You will beg them for a glass of water, and they will bring you a styrofoam cup of scalding hot coffee.

  • Material issues…

    The first-ever Rake Appeal event is tonight. It features trend master Robyn Waters reading from and discussing her new book, The Hummer and the Mini. And it’s set at a BMW dealership, which, coincidentally, sells the Mini… Some wine and cheese are tossed in for good measure–‘cept this is a tricky instance cuz you might want to do a test drive, too.

    And after a very exciting, and very sexy, Collage fashion show last night, I’m quite excited to plug the Sashion Flow event at Soo Visual Arts… (Can you spot a favorite Rake intern among the models?) If memory serves, this one’s being done in collaboration with Lula’s Vintage, over on Selby Ave. in St. Paul, a fine place to score 50s- and 60s- era wares.

  • Conversations Real and Imagined: The Substitute

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    The Science of Sleep, 2006. Written and directed by Michel Gondry. Starring Gael Garcia Bernal, Charlotte Gainsbourg, Alain Chabat, Miou-Moiu, and Emma de Caunes.

    Now showing at the Uptown Theater.

    Hello class, my name is Mr. Fresno and I’m your substitute for today. What do we have here–this is Health Education? You guys are, what… 13, 14? Sophomores? OK… they tell me this is a sex education class, but I’m assuming you guys know the biological score, yes? You in the back row, pull those out of your ear and turn off that iPod! What I have to say is important, and then you can watch this movie called The Science of Sleep. This lovely thing is about being in love with someone–something you cats probably don’t know shit about. This freaking little gem is about how you boys can win the love of a woman, and for you girls, it is about what you should demand from your man. It’s sexy–you kids wouldn’t know sexy if I locked you in a room with P.J. Harvey. Watch this movie and you will. The Science of Sleep will not be sunny and have a sugary ending like those J-Lo crapfests, but it will be mysterious and bizarre and painful, which is really what love is all about. And anyone my age should know.

    The Science of Sleep is about a young man, a hunk to you girls, this fellow named Gael Garcia Bernal. You may remember him from Y Tu Mama Tambien, a film that every high-schooler should see–especially boys. Girls too: listen, if you can’t get a one of these lunks to go down on you, then don’t let him into your pants. If I could get every teenager to follow that advice we’d certainly have a lot less ‘accidents’, if you know what I mean. Anyway, The Science of Sleep is about young Stephane, returned from Mexico to visit his mother in Paris. He is a fabulous artist, a real crazy dude, whose dreams quite often follow him into the day. On his first morning in Paris, he meets the new girl next door, Stephanie, played by the ravishing Charlotte Gainsbourg. Unfortunately for this lug, he is at first attracted to her friend Zoe. When he overhears Zoe suggest that the landlady (his mother) is a bitch, he decides to lie about living next door, which is a great comic twist. Soon, he realizes that it is Stephanie who is his true love, although his subconscious thwarts this by making him sleepwalk naked in the night, slipping a note under Stephanie’s door that concludes by asking for Zoe’s number. See, Stephane–that’s the hunky boy, pay attention!–has such powerful dreams they interfere with his daily life. He loves Stephanie, but can’t quite figure out if Stephanie loves him or not, and he’s too chickenshit to really find out. So what does he do? Anyone? You there in the back row… well, no, he doesn’t bust her cherry. Damn, you kids these days, no respect. Boy, you’re on the short track to a lousy marriage, let me tell you.

    Now I want you kids to pay close attention to Ms. Gainsbourgh. See, the guy, Bernal, is a typical Hollywood-style hunk. He’s ripped, nice face, be around for a long time. But the girl is simply beautiful. Here’s a picture of her, pass it around, but you better give that son of a bitch back or I’ll kill you. You can see she’s not some Jessica Alba-type you young studs typically appreciate. But Gainsbourg, lovely Charlotte, probably can’t find a decent job in Hollywood because she’s not conventional enough. In the movie she even acknowledges having less-than-ample breasts, though any man would give a pirate’s fortune to be acquainted with them. Excuse me for saying that: anyway, Stephane still falls in love with her, despite her not looking like a starlet, and wants to make love to her badly. Because–pay attention!–she is beautiful and this movie is about lovemaking instead of raging sex. This actually happens in real life! Men falling for women who don’t look like Chalize Theron! Charlotte has wit and strength and anger, and she’s got beautiful legs and that face… well, kids, that’s beauty. Boys, look around you. There are Charlottes walking everywhere around you. There aren’t too many J-Lo’s. One’s real, the other’s plastic.

    And no, guys, there’s no nudity. Well, I take that back: you get to see Bernal’s ass. Calm down, girls, it’s brief. I don’t have a clue why it’s rated R.

    Listen: So Stephane tries to talk with Stephanie, and tap into her intelligence. He knows that being with her will be a challenge, that his own powerful imagination will grow by mingling with hers. But the poor sap blunders along the way, many times. In fact, and there’s so many miscommunications between them, you wonder if they will ever get together. Sound familiar, kids? If not, that means you have never tasted the bitter draught that is a serious relationship. See, both are artists, and the artist is a temperamental soul, children. Both seem to communicate with each other in a way that is very special, with little gestures that do not go unnoticed, with each person feeding the other the best parts of themselves, saving some for later, actually, to use a silly old term, wooing one another. On the other hand, they also pay close attention to each other’s every move, cautiously, so as to protect their own hearts. She doesn’t want a boyfriend; he does not want to be rejected.

    This movie is a charmer! That’s right, charm! You know, being yourself and encouraging the best in one other! Ladies, young women, please, pay close attention: Stephanie is not bug-eyed over this guy because of his crazy little tricks and his dashing looks. A guy’ll do that to you every time, show off, look like he’s a genius and then bam! Once he’s got you, it’s back to being a jerk. I see you nodding, you know I’m right. Well, Stephanie doesn’t let him walk all over her, doesn’t let him have all the magic tricks–she’s got quite a few of her own, thank you. And soon he’s reeling.

    Stephane’s a crazy character. He’s someone who can barely hold a job for the dreamworld he’s stuck in. Stephanie clearly loves him, but she wants him to stop being such a dip. He’s terribly confused, cries easily, doesn’t know what he wants. Give him this: he’s persistent. And his dreams are too cool to ignore.

    The Science of Sleep gives you cellophane streaming out of kitchen faucets, gives you cardboard cars and trains, and wacky little toys that jump and play on their own. But that’s just the tobasco in the Bloody Mary, kids: the real substance, the liquor if you will, is the characters. Stephane, Stephanie, Zoe, the lascivious Guy… like life, it is the people who make the day shine.

    The Science of Sleep will teach you how to make nervous small talk when you meet someone new. It will instruct you on the value of friendship and conversation. A man throws his television into the river, a great lesson for all you tubeheads. Guess what? It also shows you how to party, how to treat your mother, how to be bold and how to retreat. The Science of Sleep proves there’s still imagination in the world. You could almost make this movie yourself from stuff laying around your McMansions–its special effects are cheap and contain more imagination in one frame than Harry Potter, Lord of the Rings, and Narnia thrown together.

    Look, guys, if you can just slow down for a moment, pay attention and let a movie soak into your brain, let it be this one. The person who wrote it and directed did so with love in his heart. Michael Gondry has an imagination and he trusts that you do, too. Trust is good, right? You kids get sick of the fact that no one trusts you with the car, with a credit card, with booze–this Gondry guy, he trusts you’ll get him. I think he made this movie for everyone, but especially people your age. He wants to give you a roadmap through this treacherous time in your life. He wants to show you something beautiful, to do for you what the movies did for generations before Star Wars and Shrek ruined everything. Some movies are meant to waste two hours of your time, give you an excuse for greasy popcorn and a cheap date. Sure, it’s often good that you get a break from having to actually talk for two hours. But this one’ll shut you up, too… but it will make your heart quicken and you might just look over to your date and see the silver reflecting off their face, their reaction in the dark. And afterward, you might talk, really talk, and good things will happen. Jesus, if I had this movie to win the heart of that Laura girl back in the day, I’d probably have three kids by now. But forget that: The Science of Sleep might just make you look around in wonder at this awful planet, and realize that it is good to be vulnerable, and that it takes two hearts to endure. Michael Gondry made this movie because he cares about his audience! He loves you.

    You! Please turn out that light. Thanks. That’s enough talk. Enjoy the The Science of Sleep, kids, let its beauty and humor and wisdom feed you for the next couple of hours. At your age, you need all the love you can get.

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  • Mercy, Mercy

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    I fell asleep briefly and was startled awake at three a.m. Upon getting up and muddling about I was additionally startled to discover that there were apparently no pens to be had anywhere in the world. There was no ink. There were no pencils.

    There was no way for me to write anything down, to leave any kind of permanent or even (the more realistic scenario) hopelessly transitory record.

    And I realized as well that the words weren’t taking shape, weren’t coupling, weren’t forming sentences in my head. They weren’t getting in line. They weren’t even in solitary evidence.

    There were no words at all. They had completely left me. Nothing would take words to my tongue. I heard no speech, saw no signs, and opened book after book to blank pages. I went to the stoop and saw there was no newspaper on the welcome mat. The welcome mat didn’t even say ‘welcome’ anymore.

    All that was left were these vague urges crawling in my blood, this wordless sadness. I didn’t, in fact, even know that it was words I was missing, lacking as I did words to articulate or explain their absence. I couldn’t speak at all.

    And then I heard Ornette Coleman, and found the first small comfort of the wordless day.

  • Tommy Keene

    Tommy Keene, one of the “greatest, underappreciated indie rock icons of all time” (nugget courtesy of Mr. Brad Zellar), plays the 400 Bar this eve. If you haven’t heard of ‘im, please refer to the college music charts from the 1980s. The inimitable Mr. Keene has since had the good taste to align himself with the likes of Jeff Tweedy and Jay Bennett (you know, that poor guy whose canning was the thick of the plot in I Am Trying to Break Your Heart) as well as Guided By Voices’ Robert Pollard.