George Saunders

An entrepreneur who sells his memories for three thousand dollars per decade, a verisimilitude inspector for a Civil War-themed amusement park, ghosts who relive their deaths every night when their son comes home from work: This is the stuff of a typical George Saunders story. What, then, happens when Saunders turns his pen to nonfiction? Consisting of essays on literature, travel, and politics, Saunders’s narratives in The Braindead Megaphone continue his explorations into the absurdities of modern life — only now his writing stems from observation. Here, his humor assumes a doleful tone, as does his subject matter. But it is undeniably real and equally intense and as disturbing as anything Saunders has conjured from his imagination.