Blog

  • Pitching Coach Rick Anderson on the Kids in the Twins Rotation

    Jeff Roberson/AP

    Of the boatload of people who deserve kudos for the Twins’ surprising season, which incredibly has them in the thick of a pennant race just six weeks before Labor Day, pitching coach Rick Anderson belongs near the top of the list. Having traded away their Cy Young Award-winner (Johan Santana) and top young prospect (Matt Garza) and watched their innings-eating middle-rotation guy (Carlos Silva) signed away in free agency, the Twins’ starting rotation for 2008 amounted to a a well-past-his-prime veteran, Livan Hernandez, and a collection of unproven kids as the club took the field on Opening Day in early April.

    Nearly four months later, Hernandez is in danger of being the first hurler in 29 years to surrender 300 hits in a season, yet the Twins have soldiered forward through the dogged improvement of four pitchers between the ages of 24 and 26, none of the highly regarded prospects deemed to have the stuff of an ace. But under Anderson’s steady tutelage and encouragement, each has made a quantum leap forward.

    As a pretty staunch baseball fan, I realized with some embarrassment that I couldn’t really differentiate between the quartet–lefthander Glen Perkins, and righties Kevin Slowey, Scott Baker and Nick Blackburn–and figured others might also benefit from a more detailed thumbnail sketch about their pitching make-up, specifically their strengths and characteristics and what challenges they most needed to surmount to continue their improvement. So, on Saturday before the middle game of the Twins’ three-game series with Texas, I asked Anderson to do just that. Here’s his take on the four cherubic horsemen.

    Kevin Slowey

    Command guy. He throws anywhere from 87 to 91. He works with control and command and he’s got to live on the corners and keep the ball down. He’s also got all four pitches, but his main strength is his command and location. His one thing is sometimes he’ll get a little bit up and get a little frisky and get under the ball and try to overthrow a little bit. If he starts getting up around 91, 92, he’s overthrowing and has got to back down a bit, keep his arm slot up and work the corners and keep the ball down and stay under control.

    Glen Perkins

    Stuff. He’s probably got some of the best stuff of anyone on our team. The ball runs everywhere, moves everywhere, and he’s got a good feel for what he is doing; he’s confident and he attacks the hitters. He is not afraid to pitch inside, which is another good thing you like to see in a pitcher. His big thing–and I’m probably saying this about all the kids–is staying under control, not trying to do too much, let the ball work for you. But his ball goes everywhere and he’s very deceptive and the biggest thing with him is he’s fearless.

    Scott Baker

    You know Scotty came up and down about three or four times over the past few years and in the middle of last year he kind of felt it and figured it out, that you’ve got to throw downhill and locate your pitches, that it is all about command and moving the ball in and out and trying to throw hard. And that’s what he’s learned and he’s got command and heck, every time out now he gives us a good effort. He’s controlling his pitches, he uses all four like the rest of them, but his key is keeping the ball down and being deceptive; and he is deceptive.

    Nick Blackburn

    He’s come out of nowhere. Last year we didn’t even know who Blackburn was until he started doing well in Triple A. He’s continued to progress. He come up last year in September and tried to throw it by everybody and got hammered around pretty good. That was his biggest challenge, coming up here and learning that it is not how hard you throw, it is locating your pitches. It is being under control, like I said about the rest, and letting your pitches work for you. It is changing speeds and it is all about keeping the hitters off balance for him and not just trying to throw it past the hitters. He’s got a good fastball, but his whole thing is just changing speeds and keeping the hitters off balance.

    As a bonus, I’ll throw in the fifth member of the starter kiddie corps, Boof Bonser, who has been banished to the bullpen.

    The biggest thing with Boof is getting things under control. He’s got a good arm, he throws in the low-90s, a great curveball and he’s got all four pitches because he also throws a slider and a change-up. It is just a matter of–when he started he was just overthrowing everything and getting the ball up and so we’ve put him out in the bullpen and just told him to focus on two pitches, fastball and curveball and master those two and then we can add the other things as we go. He’s done a good job out of the bullpen and been a little more consistent.

     

  • A Gourmet Version of the State Fair

    WINE & DINE

    Taste of the Twin Cities Originals



    Are your eyes bigger than your stomach? Put it to the test tonight at the Taste of the Twin Cities Originals
    extravaganza where there will be so much to try that you may not be
    able to handle it. Over 30 of the Twin Cities finest restaurants and members
    of Twin Cities Originals team up for this annual foodie fest, where
    guests are invited to peruse a wide variety of vendor booths laden with
    morsels, tidbits, bites, nips and mouthfuls of savory samples. Some
    stand out vendors (according to me at least) are Spill the Wine, Luci
    Ancora, and the Sample Room. I suppose the only thing I could compare
    this to would be a gourmet version of the State Fair in a much cuter
    location – with free booze. Get there early if you want to be on
    speaking terms with your stomach later on tonight – the crowd will be huge and you don’t want to miss a single bite!



    6-9pm, Nicollet Island Pavilion, 40 Power Street, Minneapolis, $35 Advance or $45 door






    SHOPPING

    Blacklist Vintage



    Ok, well, perhaps this is not technically an event, but it is
    a secret (for the moment anyway) and I thought I’d be nice enough to
    let you in on it. Just over a week ago the lucky Twin Cities became
    home to Blacklist Vintage – a sassy new shop located near the bustling intersection of 27th and Nicollet. Run by two lovely ladies who adore all things fashionable and retro, Blacklist is not only your one-stop-shop for a snazzy party suit,
    it’s also a clever place to pick up fancy vintage decor to spice up
    your Ikeaed-out abode. Don’t worry gents, Blacklist carries menswear as
    well so stop with the eye-rolling. Want to make it an excursion? Shop
    your lights out, then head over to Jasmine 26 on Nicollet and 26th for
    a cocktail with an umbrella in it and perhaps some of their signature
    coconut cream cheese wontons? For a recent Rakish review on Jasmine 26 by Jeremy Iggers click HERE.



    Hours 11am-7pm Tuesday-Sunday, Blacklist Vintage, 2 East 27th Street, Minneapolis



    MUSIC

    Marc Cohn



    Minnesota Zoo regular and songwriting treasure Marc Cohn will perform live tonight in support of his first album in nine years Join the Parade. Perhaps best know for the classic "Walking in Memphis," Cohn has an impressive musical resume that spans back to the early
    nineties and includes a number of well-received albums packed full of
    his soulful stories. On Join the Parade Cohn weaves
    themes from the devastating effects of Hurricane Katrina to the 2005
    incident in which the singer was left with a gunshot wound to the head
    after a carjacking in Denver. Part personal reflection and part social
    commentary with a fleck of spiritual inspiration, Cohn’s new album is a
    look at life through the eyes of someone whose seen plenty of it.
    Performances on the 22nd and 23rd.



    7pm Tuesday & Wednesday, MN Zoo Ampitheater, 13000 Zoo Blvd., Apple Valley, $43

  • Calling For Mr. Franken

    Located on a hellish strip of University Avenue in St. Paul, the utilitarian structure sports the name of the candidate – a name which sparks equal amounts of love, hatred and a lot of stuff in between. The drab walls within, like those for any campaign headquarters, are sprinkled here and there with images of the contender, whose mug, for over thirty years, has graced TV screens, movie screens, book covers, placards, post cards, and, yes, perhaps, even mugs. This was as close as I would come to meeting Al Franken, during the several weeks I spent phoning Minnesota residents and raising support for his bid for the U.S. Senate. Thanks to the hours he spends each day traversing the state and meeting the people who really count – the undecided voters – he is seldom in the office that bears his name. I was, however, able to grill two key members of the corps known as TeamFranken, and Press Secretary Jess Macintosh forwarded some questions to Al that he answered via e-mail.

    Aware that his time was limited, I refrained from asking the former comedian and pundit about his show business past. This is a shame in one small way, because I always wished to have him elaborate on a memorably hilarious anecdote he related to Fresh Air host Terry Gross, about a brawl he once had with KISS bassist and vocalist Gene Simmons. Instead, I focused on more relevant issues, particularly the battle he is now waging to unseat incumbent Senator Norm Coleman. I figured that Coleman’s years as a shameless opportunist in the Republican party (after many years as a shameless opportunist in the Democratic party), and an eager licker of the boots of Bush and Cheney, was the impetus for Franken’s run.

    “No.” Al writes back, ”My impetus for running is my desire to change the disastrous direction we’ve been going in the last seven and a half years. It’s nice that Bush is going, but for us to make real progress, we’ve got to get rid of his enablers too. And Norm Coleman is either at or near the top of that list. But every day I have a new impetus, with every conversation I have around the state.”

    The conversations I, myself, had over the phone with the same independent voters he is courting varied from enthusiastically supportive to disturbingly hostile. One woman, who initially sounded interested in the pitch for Al that I read from a script TeamFranken provided, waited for me to get to the part where I discussed Coleman’s record of voting 90% alongside the Bush Administration, before snarling, “Well, Franken’s got his problems, too!” She then hung up.

    “Look, Al was a comedian for thirty-five years,” says Andy Barr, Communications Director for the campaign, “He wrote a lot of jokes, not all of them were funny, not all of them were appropriate, some of them were downright offensive and people can legitimately be offended. But this campaign’s going to really be about the issues that are affecting people’s lives.”

    This certainly applied to the delegates I rang up the first few weeks I wielded the cell phones the Team provided. All of the persons on my call lists were slated to attend the nominating convention on June 8, where Al eventually received the Democratic party’s endorsement. Though none of these folks exhibited the vitriol expressed by some of the indies, many did say they were thinking of supporting the contender’s then-remaining rival, Jack Nelson-Palmeyer. Nelson-Palmeyer, an Assistant Professor of Justice and Peace Studies at the University of St. Thomas, and author of numerous books on politics and theology, may one day be a strong candidate for the Senate. But, as the convention approached, his name recognition was still far too small to compete effectively against Norm Coleman, and his fundraising was no match for that orchestrated by TeamFranken, which exceeded levels predicted by even their most optimistic supporters.

    This is thanks to the large and diverse group of volunteers I often saw in that sun-baked building near I-94, who were led for eight months by former volunteer coordinator (now coordinator for the second district), Elizabeth Newman: “We’ve had people as young as four – not on the phones, of course – helping us, in addition to phone banking by people in high school, people who are unemployed, people who have left their jobs or who are retired.” Though direct mail and door knocking are pursued, phone canvassing is the key to the voter-outreach kingdom. “Door-knocking is persuasive,” continues Elizabeth, “But, especially in the Minnesota winters, it can take a long time for people to go from house to house, while you can immediately dial one number after another. We try to reach voters on a variety of levels, but on the phone is when we can really talk to people about why Al is such a great candidate.”

    One house I’m glad I did not knock on the door of – not because of chilliness but because I’d probably still be standing on the front stoop listening to its owner – belonged to one delegate I called who was actually leaning towards our man. His support, though, did not allay his concerns about the upcoming nominating convention. Y’see, at the last one he went to, the food was lousy, the service was bad, he couldn’t find a decent place to park, nobody told him that wives could attend, and when Hillary and Barack were in town there were too darn many people, and then there was the time when Hubert Humphrey stopped by in ‘72 and …

    Many of the delegates, though, even if they were considering pledging for Jack, recognized Al’s desire to continue the liberal tradition of the late Senator Paul Wellstone. “To tell you the truth, I think Paul was right on some things I’ve been wrong on, ” Franken writes in response to another e-query, “I thought NAFTA would help Mexican workers so they wouldn’t have to come to the United States, and that a North American trade agreement would be good for everybody. Paul was against it and he was right. In the lead-up to the war in Iraq, I was torn. I didn’t have to vote on it, Paul did. I thought then that his vote (against the war) was courageous – and now I know it wasn’t just courageous, it was right.“

    While Franken did not cut his teeth in the callings Wellstone and most other politicians traditionally pursue, he has been an invaluable public servant as an author of several classic books (with overly long titles) of political observation and satire, and commentator for radio and television. His biggest success has been the awareness he’s raised about the myth of the so-called “liberal media”, and other disinformation spread by right-wing talk radio, network and cable TV news and, most of all, that monstrosity known as Fox News.

    Andy Barr, who worked as producer on The Al Franken Show for part of the three years it was on Air America, explains, “Anytime you bring someone to the Senate who is not a creature of Washington, you bring a whole new perspective – unlike Norm Coleman, who’s been a politician his whole professional life.” When I ask him if Al will be observing the Republican National Convention at the Xcel Energy Center in September, much as he did the 2004 RNC in New York City, where he had duels of wits (at his end, at least) with right-wing belchers Sean Hannity and Michael Medved, Andy admits, “We’ll probably just let Norm Coleman hang out with the Republicans, and let him stand up and take credit for his part in that.”

    Franken will probably be too busy anyway, continuing to make his case to the people of Minnesota that he shares ma
    ny of the same values as his political heroes: “My political heroes are FDR, who inherited a horrible situation and saved the country (there are actually some parallels to today); Hubert Humphrey, who was a champion on so many fronts – civil rights, social justice, poverty, crime-fighting in Minneapolis, labor. As long as we’re talking Minnesotans, we’ve had such a legacy of progressive heroes, people like Gene McCarthy, Walter Mondale, Paul Wellstone.”

    Words like these might have softened the hearts of the continually grouchy independents I rang up. Admittedly, one consistent problem was that I was calling when folks were either driving home, slipping into bed, or settling down to other important functions of daily life. “I’m in the middle of dinner!” snapped one woman before slamming down her end of the line. Noting my wince in reaction to this rejection, another volunteer, a bearded, academic gentleman in his sixties, said, “Well, you know, Casanova, one of the world’s great lovers, got a lot of ‘no’s’ before he got a ‘yes.’” This historical aside reminded me of that brawl the candidate had with another self-styled Casanova, which I had wanted to ask him about in my e-mail but refrained out of deference to his busy schedule. Besides, I have a pretty strong memory of what he related to Terry Gross, who had recently survived her most infamous interview, with one of my favorite rock-and-roll artists.

    In 1982, during a five-year break between stints on Saturday Night Live, but still residing in New York, Al Franken was waiting for another player at a racquetball court. In walked Gene Simmons, looking for trouble, whom the comedian didn’t recognize because Simmons was naturally not sporting the Kabuki-monster makeup that made him and KISS household names. Simmons – who claims to have bedded as many women as soldiers have been killed in the Iraq war he is an avid supporter of – challenged Al to a game. When Franken politely explained he was waiting for somebody else, the man who was the voice behind “Calling Dr. Love," “I Was Made For Lovin’ You” and many other Top 40 hits, growled, “I’ll kick your ass!”

    Annoyed, but ready for a challenge, the comic agreed to a match. He then proceeded to beat the egomaniacal, and, in one respect, impotent rocker, in a matter of minutes. Furious, Simmons demanded another opportunity to “kick (Al Franken’s) ass!” By then, Franken’s racquetball partner had arrived and the SNL veteran said he would have to do without his adversary’s pleasant company. The heavy metal fire-breather then used his historically long tongue – which, in addition to being an important part of his stage act also has what he describes as a “spin-and-dry cycle” for interested ladies – to make chicken noises. Not believing his ears, Al grudgingly agreed to another round, but only for a $500 stake. This caused the multi-millionaire headbanger, whose appetite for female flesh is exceeded only by his lust for making and keeping money in as many ways as possible, to finally fly the coop.

    The lesson of this incident is that where most mortals would either take a swing at this one-time grade school teacher (!) or be intimidated to the point of being beaten by him in a game he has no evident skill in, Al Franken found a way to disarm his opponent with humor and the ability to quickly spot his weak points. And this was before he found out who his opponent was, whom he thought was just some creep who liked to pick fights at racquetball courts, until his partner blurted out, “That was Gene Simmons!”

    Brushes with greatness (?) like that aside, there is no doubt that Al Franken will withstand the Republican attack machine – not to mention a certain persistent local blogger – and lead his historic race for the Senate to a victorious finish. More importantly, he will be a responsible and dedicated member of that body, and is enthusiastic about working with everyone in it, Republicans and Democrats alike. “There are some great leaders in the chamber right now,” he writes in conclusion to our e-interview, “I think so many people on both sides of the aisle are pulling for Ted Kennedy, who’s been a real lion. Senator Durbin, Senator Clinton – I’ll have the honor of calling some of my role models colleagues. And although I disagree with him on many issues, I’m really looking forward to working with Senator McCain.” He then hastens to add about the presumptive Republican nominee for President, “As a colleague. In the Senate.”

  • CSS

    Brazilian band Cansei de Ser Sexy (otherwise known as CSS) will make a
    stop at First Avenue on July 30th to promote their new album *Donkey*,
    which will hit stores July 21st.

    The Go! Team with Matt and Kim and Natalie Portman’s Shaved Head will
    be appearing with the up-and-coming South American group, sponsored by
    89.3 The Current. The show starts at 8 pm in the Main Room. Tickets are
    $20 and can be purchased in advance at www.first-avenue.com.

  • Jenny Dalton's Multimedia Showcase

    The best of the 48 Hour Film Festival will be showcased at Bryant Lake
    Bowl when Jenny Dalton takes the stage for her second annual
    performance. She will be joined by former Cloud Cult members Dan
    Greenwood on drums and Maria Stemm on bass. Local folk heroine Eliza
    Blue and El Perdido will also appear at the show, which starts at 7 pm
    July 24th.

    Tickets are $8 in advance and $10 at the door. Advance tickets are
    recommended. Sponsored by Radio K. For more information, visit www.bryantlakebowl.com.

  • Midsummer Festival

    Just about anyone can be an artist when the Center for Independent
    Artists hosts the Midsummer Festival on Wednesday, July 23 in South
    Minneapolis. The festival will feature welding, Afro-Cuban drumming, a
    T-Shirt studio, performances, free ice cream and more.

    The fun begins at 6 pm in Bancroft Meadows Park on 42nd and Bloomington
    across from the Center for Independent Artists/El Colegio Building.
    Sponsored by the Center for Independent Artists, the Bancroft
    Neighborhood Association and the Midtown Farmer’s Market. Come act up
    for a creative evening! For more information, visit www.c4ia.org.

  • Attitude City Yacht Club 2008

    A glimmering Minneapolis night on the water. And fireworks. What could
    be more perfect? Attitude City’s Third Annual Yacht Club sets sail July
    26th for a night of dancing and celebration on the Mississippi River.

    Boarding begins at 9:15 pm at Boom Island Park. Pre-boarding drinks
    will be served at the Northeast Yacht Club starting at 7 pm. After the
    largest charter yacht sets sail, music by DJs Karl Frankowski and Jeff
    Dubois with special guest Mike the 2600 King will rock the night away
    until the Aquatennial fireworks light up the sky.

    Tickets are $30 and can be bought by e-mailing attitudecity@gmail.com or in person at ROBOTLove and Cliché. Fashion dress is strongly encouraged. Act fast, as the event will be a sure sell-out.

  • Vans Warped Tour 2008

    Less than twelve hours after Nine Inch Nails wraps up, you can roll out of bed and head out to Canterbury Park for VWT, the extravaganza all the snarly-snarky-kewl skate-punks love to disdain. And there’s plenty to curl your lip at, what with 76 bands on the docket (no lie) and a much broader cross-section than the original thrash gatherings. You’ve got the gamut from commercial pop breakthroughs like Katy Perry, to rappers like MURS to ska-punkers like Reel Big Fish to earnest (and must-see) rockers such as Against Me! (ride that tiger logo!) to locals-made good Motion City Soundtrack. So, for every band you love to hate—put me down for poseurs like Gym Class Heroes and the insufferable Angels and Airwaves—there’s bound to be a couple capable of turning your crank who are grinding it out elsewhere on the grounds. Wear comfortable clothes and pray for dry shade, dude.

  • Nine Inch Nails

    The new Trent Reznor isn’t for everybody, including a large portion of his established fan base, who cherished the obsessive perfectionist who pushed the industrial-punk envelope with vintage stuff like Pretty Hate Machine and The Downward Spiral. But after waiting at least five years apiece to put out his first three discs, the sex symbol of brutal gloom has ripped out four or five (decide for yourself if Remix qualifies) since 2005, and two this year alone. The latest, The Slip, continue his plunge toward power-pop, albeit with plenty of angst, dreamy-doomy sound-swoops, and corrosive beats, a fabulous collection to bring into the Target Center with a full-fledged band. The quintet will include guitarist Robin Finck (back from his bit with Guns ‘n’ Roses), Beck bassist Justin Meldal-Johnson and drummer Josh Freese, who is a rhythmic blowtorch on The Slip. According to nin.com, there will be a handful of relatively obscure, also surprisingly poppy, opening acts, the best of whom is A Place To Bury Strangers, whose “To Fix The Gash In Your Head” is industrial-surf-thrash, like a Dwane Eddy/Marilyn Manson mash-up.