Blog

  • Doc Martens in Heaven

    doccobain.jpg

    (Via Stereo Gum) Children of the ’80s and ’90s, how do you feel about these ads? They feature posthumous celebrity endorsements from the likes Kurt Cobain, Joey Ramone, Sid Vicious, and Joey Strummer … In each of the ads, the dead (!) rock-n-roll luminary appears toga-clad and hanging out on a cloud. But nevertheless, he persists to wear his beloved Doc Martens. Tacky? Tasteless? Hipper than thou? Note that the ads will appear exclusively in the UK. Here they’d probably cause all sorts of wrecks, thereby sending various other Doc Marten wearers to the pearly gates.

  • Shopping the Coasts

    Amen de Girlshop
    Did you ever have the pleasure of trolling Girlshop? This was a trailblazer among women’s fashion sites. For almost a decade, it sold the finest threads from various emerging NYC designers. There was absolutely zero chance of head-on collision (at parties, say) with your dress-double, so long as you stayed put in Minnie and were clad in your (uh, expensive) Girlshop duds. It could be said that Girlshop has gone out of style; last month, it permanently closing its cyber shop. Now, it appears, that the Girlshop email list has been sold to the more mainstream Net-a-porter.com. (Psst. Here’s what I hear: Enter GIRLSHOP into the promotional code box and get free shipping.)

    Go West
    On the other hand, if you’re more interested in a West Coast look, or into getting sweet deals on suggestive clothing for that matter, try Funkythreads.com.

  • Ready, Set, Go, One, Two, Three, Be Bobby

    Tonight is the Annual Bob Dylan Sound-Alike-Contest at the 400 bar. Need I say more? 9 p.m., 400 Cedar Ave. S., Minneapolis, 612-332-2903.

    FILM
    Ready, Set, Film

    2334843963.jpgLast Saturday, filmmakers took to the streets, the studios, and the computers to create an original short in just 12 hours. This might seem like a lot of time for a four-minute film, but it leaves only three hours to concept, write, storyboard, shoot, and edit each minute of film. If you don’t know — in film time, that ain’t much. In fact, it often takes longer than that just to log the footage you shot. As if time didn’t pose enough of a challenge, the filmmakers were given a theme and a surprise element with which to work — the theme, a favor; and the surprise element, duct tape. Curious? Go see a screening of the submissions. All of the completed films from the Minneapolis Film Race will premiere for the public tonight at the Oak Street Cinema. Winners will receive prizes and advance to the national competition.

    8 p.m., Oak Street Cinema, 309 Oak Street S.E., Minneapolis; 612-331-3134; $8.

    One, Two, Three

    cstars.jpgYes, folks. While it may feel ridiculously cold outside today (remember, this is Minnesota), we are in fact well into “outdoor season.” The restaurants and cafes have their patios open. Nicollet is bustling all night long. And the time has come for outdoor movies. Yay! While the Walker’s movies in the park don’t begin for another couple of weeks, Take-Up Productions is offering a series of three Thursday-night films on the back wall of The Soap Factory by the Stone Arch Bridge. This week’s outdoor screening, Billy Wilder’s Cold War comedy One, Two, Three, features James Cagney in his last starring role. And what a role it is! This is some of Cagney’s finest work. He plays a Coca-Cola representative in West Berlin who agrees to watch over his boss’s wacky daughter. We’ve certainly seen this story repeated since the movie’s 1961 release date — guy has to keep the boss’s troubled daughter under control in order to keep his job. Yup. Seen it — only back then the enemies were the Communists, so clearly the daughter gets mixed up with a Commie. Regardless, it’s Cagney. It’s funny. It’s outdoors. You can’t go wrong (as long as the rains don’t come).

    9:15 p.m., The Soap Factory, 518 2nd Street SE, Loading Dock, Minneapolis; 612-623-9176; free.

    ART AND MEDIA
    Be a Zinester

    2751629729.jpgFor decades, zines have offered an alternative outlet through which to publish original or appropriated texts and images that fall far enough outside of the mainstream to be prohibitive of inclusion in more traditional media. One might even say that Thomas Paine’s Common Sense was published as a zine of sorts. Since then, the punk movement took the medium on in the 70s, and more subcultures followed with a boom in the 80s and 90s. (Granted, the Internet seems to have caused a dwindling of print zines, but the idea lives on in many forms electronically.) The current Walker exhibit Paper Trail: A Decade of Acquisitions features artists who have found innovative ways to narrate experience through works on paper while challenging viewers to consider both technique and concept in printmaking. Using these works as inspiration, printmaker Aaron Johnson-Ortiz will be leading a zine-making workshop this evening. Focus on the politics and art of printmaking as you carve printing blocks and use stencils to construct a unique narrative on paper. Do you have something to say? Watch it materialize before your eyes.

    6-9 p.m., Walker Art Center, Star Tribune Foundation Art Lab, 1750 Hennepin Ave., Minneapolis; 612-375-7600; free.

    ART
    Ruskie Art

    100111_1_dt.jpgLooks like paper is the name of the game tonight. This is the final week to catch the Works on Paper exhibit at the Museum of Russian Art. This collection of drawings, etchings, and watercolors covers the entire spectrum of social and historical subjects of life in 20th century Russia. The museum is open until 8p.m. tonight, so it’s a great time to go. See Works on Paper in the Fireplace Gallery and be sure to catch other exhibits as well. The Soviet Breadbasket, on the main and mezzanine levels, includes almost 50 paintings featuring Russian landscape scenes and images of Soviet agriculture. And Russia, which just opened on the 14th in the Lower Gallery, features 20 large-format, high-fidelity color photograps by Andrew Moore that capture a glimpse of the grandeur of Imperial, pre-Revolutionary Russia as well as scenes reflecting the painful transition from the Communist to market economy of the 21st Century.

    10 a.m. to 8 p.m., The Museum of Russian Art, 5500 Stevens Ave. S., Minneapolis; 612-821-9045.

    Also opening today at the Hopkins Center for the Arts is The Northern Landscape in the Charles D. Redepenning Gallery — photographs by Dave Eisenlord, woodcuts by Cecilie Lieder, and sculpture by Dean Rehpohl. And in the Lobby Gallery, Imagined Landscapes is opening with painting by Craig Bell and Deborah Thomas, and manipulated photography by Jes Lee. The opening reception is this evening from 6-8 p.m. at the Hopkins Center for the Arts, 1111 Mainstreet, Hopkins; 952-979-1103.

    BOOKS AND AUTHORS
    Changing Minnesota’s Future

    JF.jpgJeffrey Feldman, author of Framing the Debate: Famous Presidential Speeches and How Progressives Can Use Them to Change the Conversation (And Win Elections) and editor-in-chief of the political blog Frameshop, will be sharing and discussing his ideas this evening at Open Book. Clearly, you’ll notice the repetition of the word “frame” in Feldman’s titles. The concept of “framing” — originated by George Lakoff — centers on the idea that language can be used to evoke a moral worldview or core values that are already stored in our brains. Feldman suggests that progressives can use framing to communicate with each other, experience the world, and solve problems. Changing the Conversation, Changing Minnesota’s Future will feature a talk by Feldman, followed by a discussion about how progressive candidates, advocates, and citizens can make framing work for them.

    6:30-8 p.m., Open Book, Target Performance Hall, 1011 Washington Avenue S., Minneapolis; 651-917-6037; free with rsvp.

    LAST MINUTE ADDITION

    ShowLetter.jpgRandall Throckmorton and The Dreamland Faces are performing tonight at Clubhouse Jaeger. Stop by and catch the crooning troubadour with sawer/vocalist Andy McCormick and accordianist/vocalist Karen Majewicz. If you enjoy them this evening, you can catch them again on June 2nd at the Vaudevillian Stages show.

    9:30 p.m., 923 Washington Ave. N., Minneapolis; 612-332-2686.

  • Beware of Chuck Taylors

    allstars.jpg

    Just dropping in to leave this entertaining link to a ridiculous television news story coming out of Utah this week. It’s a wake-up call to parents about the dark side of their sulky-chic teenagers’ ugly tastes in music and fashion. They call their story “Emos Exposed.” And yes, fearful friends, they do refer to “emo” as in “emo culture” as in Conor Oberst, Jeff Buckley, and every other pouty boy you’ve wanted to bed. The reporter even makes a leap by connecting emos to self-mutilation.

    Note that the Wikipedia page to which the reporter links is in danger of deletion. What sport! Beware the teenager clad in All-Stars and concert tees …

  • The Eskola Dilemma

    By now the question, “What’s going on with Eric Eskola?” has been pretty well answered among media insiders. The question remaining is, “How do we explain it to the general public, if we do at all?”

    The position taken by WCCO-AM is to say simply that Eskola, the station’s heretofore indefatigable government and politics reporter, “Is taking a well deserved rest, we wish him only the best, we love him and we expect him to be back.”

    My first inclination has been to let that stand. But, if I were to apply The Golden Rule to this situation, where Eskola suddenly stepped away from coverage of the State Legislature in its final, most newsworthy hours, I would not want to hear whispers that I was being disciplined for some reason or another, or that my employers had yanked me from the beat.

    Eskola is a bit of a Minnesota icon for good reason. The guy is, and has been, tireless in his coverage of Minnesota politics and government, (not always the same thing, you know). Colleagues and competitors marvel at the hours he puts in covering his beat, which of course sprawls from WCCO radio to TPT’s “Almanac” and on and on.

    WCCO is, as I say, taking the position that it is, “respecting Eric’s privacy”, and on one level I can appreciate that. But my experience is that the public at large is tremendously sympathetic to public figures — especially those they admire for their work ethic and credibility — who reach a point of exhaustion, for whatever the reason, and have to leave the stage for a while.

    More to the point, it simply isn’t possible to pretend nothing is happening, or allow rumors to build that the reasons for Eskola’s absence are related to anything disciplinary or a dissatisfaction with his professional conduct.

    When Eskola returns from “a well-deserved rest” he can explain as much or as little as he wants. But for the time being, be advised that his issues are entirely personal and there is no truth to any suggestion that WCCO or CBS has made a move against him.

    I do wish him the best.

  • Reach for the Stars, the Cocks, or a Laugh

    SCIENCE
    Star Gazing

    stars.jpgWho would have thought that reaching for the stars only meant a short drive to Champlin. The Jackson Middle School Observatory is hosting a public star gazing this evening. Tour the observatory, see constellations in the Spring sky, and discuss your findings with the staff on hand. The public star gazing will occur whether clear or cloudy, but may be canceled due to foul weather. Check here for news on cancellations. And remember to dress for the weather. Park in the school’s West lot, and walk behind the school — between Park View Kindergarten Center and Jackson — to get to the observatory.

    8:30 p.m., Jackson Middle School Observatory, 6000 109th Ave., Champlin; 763-506-5372; free.

    MUSIC
    Thirteen Clear-Singing Cocks

    ensemble copy.jpgNamed for the “clear-singing” rooster in Geoffrey Chaucer’s Canterbury Tales, the San Francisco based vocal ensemble Chanticleer was founded in 1978 by tenor Louis Botto. As the name suggests, the Grammy award-winning ensemble is best known for its vivid interpretations of vocal literature, from Renaissance to jazz, and from gospel to venturesome new music. With its seamless blend of thirteen male voices, ranging from countertenor to bass, the ensemble has earned international renown as “an orchestra of voices.” The highlight of this evening’s performance is the premiere of a piece entitled Jalepeno Blues, set to the words of Chicano poet Trinidad Sanchez Jr.

    7:30 p.m., Fitzgerald Theater, 10 E Exchange St., St. Paul; 651-290-1200; $27-$27.

    Fill a Strange Vacancy

    m_fd45a79548675d059242357b0f7668f6.jpgDanny Jack started out playing solo last summer after self producing the LP Three Chords Maybe Four. And while he still plays solo from time to time — you can catch him tomorrow night at Dusty’s — his main focus is now on Strange Vacancy, a new band playing his original music. Other band members include Dane Larson on drums, Hugh Springer on bass and vocals, and Jeff Stender on guitar. Tonight’s show offers an interesting mix of music, as they’ll be playing with The Twin Cities Playboys — who play a wide range of folk, bluegrass and country — and Morrison,

    8 p.m., Fine Line Music Cafe, 318 1st Ave. N., Minneapolis; 612-338-8100; get free tickets here.

    Watch and listen to Strange Vacancy.
    Listen to Strange Vacancy.
    Listen to The Twin Cities Playboys.

    COMEDY
    A Middle-of-the-Week Laugh

    woodst_m4.jpgGet a good laugh this evening. Tony Woods will be performing his first show in a 4-show stretch at the Acme Comedy Company. Recently brought to the forefront by Comedy Central, Woods knows how to play an audience and bring them into his strange world. His playful and cool demeanor, combined with sharp and mischievous subject matter, create a show that is unmistakably entertaining

    8 p.m., Acme Comedy Co, 708 North 1st St., Minneapolis; 612-338-6393; $15 ($27 for dinner and show).

    Watch a Tony Woods skit.

    ART by Ann Klefstad
    5 @ Gallery Co Ends This Week

    5.jpgThis show gathers some of the city’s best younger artists, across a broad spectrum of styles and media. Sean Connaughty takes a thoughtful conceptual approach to the intersection of natural form and cultural tropes, using ink, photo, sculpture, words, and whatever else comes to hand. Clea Felien searches for the essence of portrait subjects in her small, left-handed drawings. Celeste Nelms constructs weird photographic metaphors whose open-ended resolutions act like telescopes that track the psyche’s trail across the sky of time. Ben Olson’s expressionistic self-portraits seem to look for the borders of the bearable. Melissa Stang hasn’t shown around here lately but was an important figure in the ’90s, with shows at the Soap Factory and elsewhere. It’ll be fascinating to see what she’s been up to.

    10 a.m. to 5 p.m. or by appointment, Gallery Co, 400 1st Ave. N., Minneapolis; 612-332-5252.

  • Game Two In Texas: That There's The Team I Imagined Back In April

    Tonight’s game, along with last Friday’s win in Milwaukee (Bonser’s 11 strikeouts, Hunter’s grand slam), was a blueprint for the kind of team I thought the Twins were going to be coming into the season.

    Sort of, anyway.

    It still perplexes me that the guys in the middle of the order are being forced to pretty much score and drive in all the runs (Luis Castillo is batting .319 with a .368 OBP and he’s still a distant fourth on the club in runs scored –behind Morneau, Hunter, and Cuddyer). Considering how well those guys have done (and the absence of Mauer), it’s odd that the team has struggled as much as they have to score runs.

    The reason for that, of course, is that nothing much has fired on all cylinders for the Twins all season. Going into tonight the team had lost four of Johan Santana’s last five starts.

    They didn’t lose tonight, and the way Santana (and Neshek and Nathan out of the bullpen) pitched, the firepower of Morneau and Hunter was pure gravy, though certainly lots of fun to watch. Still, Morneau and Hunter drove in all seven of the Twins’ runs, and the 3-4-5 hitters (Cuddyer, Morneau, and Hunter) scored six of them. And those three pitchers combined for this extraordinary line: 18 strikeouts, five hits, and two walks.

    Hunter’s season has been an astonishing thing to witness, and I’ve never placed much stock in that old monkey business about guys putting up huge numbers in the last years of their contracts; the game’s just too damn hard to play for even great players to just crank it up a notch at will when there are tens of millions of dollars on the line.

    I’m still not sure what the hell Hunter’s doing differently this year, but he certainly looks like a guy who’s all of a sudden got things figured out. How often, though, does a guy make such great strides after he’s turned 30 (and Hunter will turn 32 in July)? Granted, it’s May, but the guy is on pace to post career bests in everything. He should easily have more doubles by the All Star break than he had in either of the last two seasons, and despite the fact that he’s slugged over .500 just once in the last six years, his slugging percentage currently sits at .616.

    I can’t figure it out, especially since he’s been hitting without any real protection all season.

    At any rate, that $12 million option the Twins picked up in the off-season –which I thought was a dicey move– is looking smarter all the time, even as Hunter is looking more and more like a guy who is pricing himself well out of Minnesota’s budget.

    It will be a damn shame if Torii finally puts together a monster year and the Twins finish in the middle of the division.

  • Open Thread: Lottery Disaster

    Okay folks, it really couldn’t have turned out much worse for the Timberwolves in the lottery tonight. True, the Wolves got the #7 choice, which was their mathematical likelihood in terms of record and ping-pong balls. But more importantly, the two top studs in the draft, Greg Oden and Kevin Durant, will be playing for teams in the Wolves’ Northwest Division, which will likely become the toughest in basketball over the next two or three years. Denver and Utah are both quality teams with a good mixture of youth and experience, and talent such as Deron Williams, Carmelo Anthony, Allen Iverson, Carlos Boozer, Nene and Andrei Kirilenko. Portland, with the top pick and the current rookie of the year in Brandon Roy, and Seattle, with Ray Allen and the second pick, now leapfrog ahead of Minnesota in terms of overall potential.

    Just to rub it in: Portland’s 5.3% chance of landing the top pick was no better or worse than Minnesota’s.

    What’s your take? Any chances of trading for one of Portland’s big men? Who should the Wolves grab with #7? And what’s your take on this latest bit of discouraging news?

  • Screw It

    90088l.jpg

    Don’t get me wrong. I’m as caught up in the romantic rituals of wine drinking as anyone: the instruments, shining and nearly surgical; the bottle long stored at a tilt; the small effort required to remove the cork; the serious sniff, the careful pour, the sip. But there are times I’m just not in the mood for the whole production. It seems there’s always a bottle of corked wine sitting on my countertop, waiting to be taken back. And I’m tired of my corkscrews being confiscated at the airport.

    The solution to all this: screwcap closure. Good for the industry, which loses a substantial amount of cash on the roughly 7 percent of wine bottles (according to a recent Wine Spectator study) containing TCA — a bacteria whose scientific name is 2,4,6-trichloroanisole — that are returned after purchase. Cork taint causes a wine to smell musty, like wet dog, and taste both rancid and "flat." The incidence of corkedness may be on the rise because some pollutants catalyze TCA. Also, in my opinion, we’re getting more discriminating about wine, rejecting the ever-so-slightly tainted bottles our parents might have drunk.

    We’re also an active generation, drinking wine wherever we go. My husband and I, for instance, are bikers who take long road trips by motorcycle, stopping along the way in inexpensive roadside motels, buying a bottle to share in our room after the day’s riding is done. At least one trip in three, we forget to pack the corkscrew, which means either buying one or picking up a screwcap wine. In a lot of small towns, this limits us to a couple sweet, dull, bottled-yesterday varieties. But happily, better wine stores now carry a range of no-cork wines from reputable vintners including Beringer, Hogue Cellars, and Beam Wine Estates.

    Haskell’s, the largest purveyor of fine wines in the five-state area, carries dozens of screwcap options. Today, Mitch Spencer, wine director for Haskell’s, says most of the screwcap wines he sells go for less than $15. But that’s changing. "Two years from now, I’ll have a full line of more expensive wines under screwcap," Spencer predicts. "The winemakers in Oregon, California, and Washington are all going in that direction."

    Luckily, though, the affordable screwcap wines he has available right now run the gamut from adequate to amazingly tasty. Here are some you might want to try:

    Gazela Vinho Verde 2006 (Portugal) — this is a sweet, frothy, nearly sparkling white with a melony aroma, effervescent mouth feel, and a clean, complete, finish; a beautiful label (which I’m told is important to the majority of female buyers) featuring artistic renderings of flowers and rain, 9% alcohol

    d’Arenberg Stump Jump White 2006 (Australia) — conjured out of Riesling, Sauvignon Blanc, Russanne, and Marsanne grapes, this blend is lemon-yellow and clear; mildly citrusy with a little chalk; and mellow but with a surprisingly musky finish; simply nice and a great accompaniment for a meal of pasta or white fish, 13% alcohol

    Domaine de Pouy 2005 (Cotes de Gascogne) — a clear, sun-filled white so clean it tastes diamond-cut; an aroma of wet rocks, hay, and field, with a full, assertive grassy flavor that lingers on the back of the tongue; excellent for drinking alone, 11.5% alcohol

    Bonterra Sauvignon Blanc 2006 (Mendocino and Lake counties) — so startlingly redolent of cantaloupe, drinking this wine is like eating a slice of fresh fruit; secondary notes of wildflowers and tart fruit; a full-bodied wine that can be paired with everything from shellfish to pork, 13.3% alcohol

    Newhaven Sauvignon Blanc 2006 (New Zealand) — a bewildering blend of sharp green pepper and pink grapefruit, this is an aggressive wine with complex layers of flavor and a full, flinty finish; a big taste that may not be for everyone but will provide ballast for a hearty vegetarian meal, 13.5% alcohol

    Le Grand Pinot Noir 2006 (Southern France, vineyard not specified) — truth, I detested this wine, but it’s one of Haskell’s top sellers, so others must disagree; flavors include soft plum, licorice, and — to my palate — a stale bit of shoe leather; light with no finish to speak of, 13% alcohol

    Laurel Glen Reds 2005 (Lodi, CA) — a blend of Zinfandel, Carignane, and Petite Sirah, this is a big, nearly heavy table wine with plenty of fruit; nice, if slightly off balance, it tastes of oak, cherry, and cassis; best served with burgers or brats, 14.5% alcohol

    d’Arenberg Stump Jump Red 2005 (Australia) — the first cousin of Stump Jump White is equally as drinkable, with an ultra-smooth blend of Grenache, Shiraz, and Mourvedre; woody, with notes of perfume and black cherry; big flavor with a dazzling finish; a great choice for a picnic: bread, cheese, fruit and wine, 14.5% alcohol

    Fess Parker Lot 71 Frontier Red (California) — this is a brand-new wine from a new vintner, and it’s phenomenal; earthy and ever-so-slightly meaty with generous touches of blackberry, cherry, violet, sandalwood, cinnamon and cassis; it’s a colossal taste that’s overtly sexy; drink this alone or with food, just drink it, 15.5% alcohol

  • Who do that voodoo?

    voodoo_doll.jpg

    Voodoo Doughnut, that’s who.

    Not only is this possibly the coolest doughnut shop on the planet, it’s a lesson.

    It’s a lesson about quitting your job and finding your life … about putting out a great and attention grabbing product … about having fun.

    Do you have a voodoo dougnut in you?