Blog

  • Eye of the Storm

    After the press is settled in, the doors open to the general public. It’s about 10 past six. The crowds file in, steadily, slowly, filling the arena. Is this an arena? I think it is. And right now, it feels like we’re the show — broken gladiators. I don’t see anyone turn to the crowd. Photographers line up on the riser before the stage. The rest of us sit at tables behind them, on computers, on phones, jabbering away with fellow reporters, documenters of the times.

    $175 for an internet connection. $175! There are two of us. One of us will Twitter from the phone. Awful. Just awful. $175! (So much for Minneapolis public wi-fi when you’re in St. Paul.) Sodas are $4. They banned me from the $2 soda machine, which I though was bad enough.

    About three sections of the Xcel Center are completely full. That and half the center area — with press folk, of course.

    The crowds will continue to file in. We will continue to wait. It’ll be a while before the Man arrives. But now, he appears on the overhead screens. The crowd roars.

  • When I say "O", You Say "Bama!"

    7:00 p.m.

    Out on the sidewalk, the lines of people snake around the block. A pack of Obama playing cards sells for $10.

    The Obama volunteers are warming up the crowd as they make their way into the venue.

    "When I say O," chants one Obama volunteer. "You say…"

    "BAMA!" the crowd yells back.

  • Meet the Press

    Finding the press area was hard enough. All the way on the other side. No, go back the way you came. Straight down there and to the left. Down by the loading area. Across the street. Down. Down. Really? We have to cross the street — away from the Xcel Center — to get in. You’re kidding me.

    No. It’s true.

    I’ve never been here before, you see. And I’m already overwhelmed. But… this is the press. This is underwhelming — albeit the Harley strapped on to the back of a truck station. That’s something.

    The press area — an underground tunnel across the avenue and into the Xcel Center — is packed with… well — press. Your typical press peeps, really. Lots of ties. Ties with jeans. Slacks. Cameras. Suitcase even. Fairly loaded all around. I’m traveling light today.

    The workers keep telling everyone to be patient. They’re letting in live TV, 5-o’clock news in first. Of course. Makes sense to me. So why are people complaining?

    At least an hour and half until the doors open to the public (the beautiful public). Two more hours, more like three, until Obama steps up to the plate.

    Why are people complaining.

    We talk to a freelance photographer who is also waiting to get in. She never made it outside. Here’s the press, corralled into an underground tunnel, as the stories form outside. What are we doing here.

    Finally, they take us one more stage in the journey that awaits us — about 50 feet forward, to another line. Really? Why do we have to stand in lines? We can’t work here. Can’t we sit off to the sides? Can’t we mingle? Ask questions? Explore? We stand in line.

    But first the people roar as they run — yes, run! — fifty feet to the line. Yay! Another line. You’ve got to be kidding.

    One line here. Another there. There are about four separate lines, all at cross-purposes. The volunteers apologies. They blame it on the dogs. The dogs are busy sniffing for explosives now. I wonderful what god-awful place I may have placed my bag recently.

    Members of the press grow inpatient. Volunteers apologize, keep it in control. Members of the press grow indignant. One man raises his voice, upset because they’ve held him back due to his heavy loads. The dogs need to sniff them for explosives — now more than ever.

    Why are the media folks just standing there? Why is not even a single one of the 30-or-so photographers snapping photos? Why? Why?!

    Meet the press.

    …off to the metal detector.

  • Something in the Air

    I’m not easily moved — not
    by people anyhow, not by masses, that is. I was certainly moved by
    Brendel’s performance at Orchestra Hall a few months ago. And now, now
    I am moved. This time by people coming together. How sappy that sounds.
    How cynical I am.

    The Xcel is engulfed in bodies, live
    beautiful bodies, bodies of all ages, though I see few elderly folks
    (it’s harder and harder to leave the home), bodies in all tones, shades, and
    shapes, all styles, all types. Bodies everywhere.

    Something is happening here. That’s the overwhelming feeling. Something is happening. And I’m overwhelmed.

    A young blonde girl peruses a panel of Obama buttons held by an eager red-faced man in his early 40s perhaps.

    Three Somali women sit cross-legged on the grass behind her, next to six or seven teenagers sprawled across the cement.

    Something is happening and no one seems to want to miss it. They all seem to know.

    I
    get the feeling if it starts to rain these people will build a tent
    together. Perfect item for the 5-o’clock news. (We still have 5-o’clock
    news.)

    I’m a hopeless (helpless)
    romantic; it’s true. I live for this shit, but I don’t really believe
    in it. I’m skeptical, of course. I’m always disappointed. Something is
    happening, but is it? Should I be concerned that so many people think
    something is happening, when in fact, it’s not that big. It’s not that
    huge. Are we so easily impressed?

    No. We’re that desperate. And
    that’s OK. You have to start somewhere. And if this many people think
    something is happening, then, by Jove, something is happening.

    That’s something.


    More later… I’ll continue posting as the evening progresses.

  • Roman de Gare

    It has been more than 40 years since renowned French writer/director Claude Lelouch won the Golden Palm at the Cannes Film Festival and multiple Oscars for A Man and a Woman in 1966. But praise in the French press has eluded Lelouch, even after releasing 40 films since.

    So, to test the bias of the press, and see if a good film by an unknown director would be received differently, Lelouch released Roman de Gare last year under an assumed name … Hervé Picard. The result was another trip to Cannes and the critical acclaim he had been waiting for.

    A clever mystery thriller that takes many twists and turns down the paths of mystery, comedy, and romance, Roman de Gare was a box office success in France — one that made its female lead, newcomer Audrey Dana (making her film debut), into a domestic star.

    The movie opens with the ending, as successful, yet desperate, novelist Judith Ralitzer (Fanny Ardant) is interrogated by police about the disappearance of her ghost writer.

    In a flashback, we see Dana’s character, a single mother named Hughette, abandoned by her fiancé at a gas station while making their way to meet her parents in the country. She is forced to take a ride from a peculiar stranger, played by celebrated French actor Dominique Pinon (Amélie, Delicatessen), and then asks him to assume the role of her fiancé, so as not to disappoint her mother.

    Ralitzer has ties to both Hughette (a fan) and the stranger, who may be her ghostwriter, creating a question about who has been killed and why. The identity confusion is furthered when we learn that the stranger could be an escaped pedophile on the loose, or the husband of a woman searching for a missing school teacher, and that Ralitzer may not actually use a ghost writer. Oh, and Hughette may be a prostitute and/or she may be falling in love with the stranger.

    So, the question becomes who is who, who is real and who is in danger?

  • The Black Orchid

    The Parkway Theater presents its first live stage production with Judy Cooper Lyle’s The Black Orchid, an examination of the immensely influential early twentieth century stage performer Josephine Baker. Performed by the Urban Spectrum Theatre Company and featuring Madeline Howie as Baker, the production begins on June 19 in a preview performance at 8:15 p.m. with a cocktail hour to follow. It runs through June 29, performing Thursday through Sunday at 8:15 p.m. with a Saturday and Sunday matinee at 3:15 p.m. Tickets are $30 for reserved seats, $20 for general admission and $10 for children, students and seniors. The Parkway Theatre is at 4814 Chicago Avenue South, in Minneapolis.

  • Quid Pro Quo

    Visitors to the Walker Art Center may get a glimpse of what it’s like to be a "wannabe" (people who voluntarily want to get amputations) when a First Look premiere of the new film Quid Pro Quo screens on Friday, June 6. Hailed by Variety as "strikingly original and provocative" when it premiered at the Sundance Film Festival, this darkly comic romantic thriller stars Nick Stahl as a wheelchair-bound radio personality who meets a mysterious woman (Vera Farmiga) while researching a story about the "wannabe" subculture. Producer Sarah Pillsbury will be present at the event, which will include a post-screening discussion. Tickets are $12 for the general public and $8 for Walker members.

  • Big Ideas for a Small Planet

    "Going green" has almost become a fashion statement in this day and age, but finding the most effective ways to help the environment can often be tricky, and the impact we have on the world around us is often greater than we think. Throughout the summer, the Walker Art Center will present a series of documentaries created by the Sundance Channel that offers green solutions to some of today’s biggest environmental problems. Big Ideas for a Small Planet, which runs June 3 through August 31, is a series of five 30-minute programs that feature the designers, products, and processes that are at the forefront of environmental sustainability.

    The first piece in the series, "Fashion and Decorate" begins June 3 and runs through June 22. "Live and Grow" runs June 24 to July 13. "Water" runs July 15 to 20. "Transport and Power" runs July 22 to August 10. The series concludes with "Recycling and Business," which runs August 12 to 31. Every showing is free and can be seen in the Walker Art Center Lecture Room beginning at noon and running through normal gallery hours.

  • From Page to Screen: Free Outdoor Movies at the Saint Paul Central Library

    One of Saint Paul’s most popular outdoor film series starts again this summer at the Central Library. The Friends of the Saint Paul Public Library sponsors the page-to-screen themed series, which runs June 20 to July 25. The showings begin on June 20 with a screening of Alfred Hitchcock’s 1945 thriller Spellbound, starring Ingrid Bergman and Gregory Peck.

    The series continues with a screening of the blockbuster classic Jaws on June 27. The superhero comedy Mystery Men will be screened on June 11. On July 18, visitors will see the 1996 adaptation of Shakespeare’s Twelfth Night, starring Helena Bonham Carter and Sir Ben Kingsley. The series closes July 25 with a screening of The Living Daylights, with Timothy Dalton in his first outing as James Bond.

    All showings are free and open to the public. The movies start at dusk on the lawn of the Kellogg Boulevard Courtyard. The films will be cancelled in case of rain. Visit the Friends website or call 651-222-3242 for more information.

  • Surprised? A Little Bit, I Guess

    (AP Photo/Jim Mone)

    If you haven’t been paying attention, you’ve been missing a strange, maddening, encouraging, teetering-on-the-brink-of-disaster one day, triumphing-over-adversity the next, almost wholly improbable stretch of baseball from the Minnesota Twins.

    The Twins season to date doesn’t really add up, and they’re certainly not going about their business the way past teams have. Yet, somehow, every time they get knocked down they seem to find a way to get back up. Bitch all you want about whatever you want (and there’s been plenty to bitch about), but you have to give the Twins this much: they’re battlers, as evidenced most recently in the just concluded four-game split with the Yankees –three one-run games, all sorts of lead changes, and the by now expected assortment of weird plays.

    Obviously nobody expected the Central to be such an undistinguished muddle, and just as surely very, very few people expected the Twins to be a half-game out in the first week of June. Still, it’s probably not really such a surprise that the Twins would be three games over .500 at this point. The real surprise has been how inconsistent –and even awful– the other clubs have been. As erratic as the Twins have been, they’ve been almost a model of consistency relative to the rest of the division.

    I guess it’s also been something of a surprise how the Twins have gotten to where they’re at. Is anybody else sort of taken aback to realize that, among American League teams, Minnesota is now trailing only Boston, Detroit, and Texas in runs scored, this despite the fact that the club is still next to last in homeruns? Is anybody else surprised that the Twins are 18-9 against the Central, easily the best mark in the division?

    I’m not terribly surprised by all the runs the Twins have given up (274 –only Detroit, Texas, and Seattle have surrendered more), so much as by the manner in which they’ve given them up. I think most of us figured going in that the starting pitching would be a sketchy proposition, and we’ve mostly been proven right, even as I’d argue that, Boof notwithstanding, the starters have done a pretty damn good job of keeping the team in games.

    This is a bit of an aside, but here’s a stat I can’t quite get my head around: Nick Blackburn has a WHIP (walk plus hits per innings pitched) of 1.38; Boof’s at 1.40, and Livan Hernandez is at a ridiculous 1.52. Boof leads the starters in strikeouts, and there’s not a huge disparity in homers allowed –Hernandez, in fact, has surrended one more. So what’s the problem with the Boofster? Situational pitching, I suppose, Boof’s inability to work his way out of jams and avoid innings that snowball; a bad inning followed by several good innings, followed by another bad inning; in a word, inconsistency. Translation: Boof’s problems are mental as much as they are mechanical, and, at the very least, he’ll be a much-needed warm body in the pen.

    God knows his presence will be welcomed by the other guys slumped on the bench down the leftfield line. Because the bullpen absolutely got killed in May. Some of this was almost certainly a product of being overworked (an obvious concern in the second month of the season, particularly with so many question marks), but the numbers really were alarming. In the 27 May games in which the bullpen appeared, relievers allowed runs in 19 of those (and that doesn’t take into account inherited runs they allowed to score). For the month the pen pitched 97 innings in those 27 games, giving up 106 hits, 46 walks, and 46 runs. Beyond Guerrier and Nathan, there really isn’t a guy left in the pen that inspires supreme confidence, or even tenuous confidence.

    The obvious remedy to this, or the only way to keep the pen from further implosion (hard as that is to imagine) as the summer wears on, is for the starters to settle in and start grinding out more innings. There are at least tentative indications that these guys –Baker, Blackburn, Slowey, certainly Hernandez, and possibly Perkins– are making progress toward that goal. The guys with the bats in their hands have showed that if the pitching staff can at least keep the game close, they’ll keep hacking and battling until the last pitch.

    The other early concern, of course, has been the defense, but –and I may be in a bit of denial here– I really do expect that to work itself out. I’ve been sort of amazed by what a stabilizing presence Alexi Casilla has been both in the field and at the plate. He doesn’t look anything like the guy we saw last year, and he was scuffling at Rochester before the desperation call-up. So while it’s possible that he’ll regress, I’m cautiously optimistic that he’s here to stay, and is finally ready to deliver on the promise he showed when he was the Twins’ minor league player of the year a couple seasons ago.

    I’ll say the same thing today that I said on opening night: This is a fun team to watch, and consistently fun, which is saying something when it comes to Major League baseball in the 21st century. And with both Cleveland and Detroit struggling to maintain any sort of positive momentum, and Chicago threatening to any day now get swallowed up by the spontaneous human combustion of its manager, the division that was widely regarded as the best in baseball a few months ago could actually go to a team that wins 88 games.

    And, hey, just possibly the Twins –a club that has at times been as frustrating and disappointing as any in recent memory, yet which has nonetheless managed to creep within a half game of the division lead– could be that team, even if that notion still seems somehow utterly ludicrous.

    Finally, I’ll leave you with these mind bogglers: Justin Morneau leads the Twins with 109 total bases, the exact same number that Cristian Guzman now has for the Washington Nationals. And in 88 at bats with Pittsburgh, Luis Rivas has as many homeruns (three) as Delmon Young, Joe Mauer, and Michael Cuddyer combined.