I have always warmed to authors who thank their spouses for preparing their index. Such marital harmony, such mutual society, help and comfort. You can imagine their kitchen: she sitting at the table rummaging through proofs and index cards, he standing at the stove turning Seville oranges into coarse-cut marmalade.
It is surely gracious also for professors to thank their students, not (heaven forfend) because they have published their students’ research, nor from fake humility or a failure to put in the necessary hours in the library, but rather to acknowledge two important gifts. One is the sense that there are others who care about what one loves and wants to study—the pursuit of truth for its own sake can otherwise be a lonely business. The other is a sense of hope. A lifetime of teaching impresses on those who teach that the end is not yet, that people do become wiser, or at least more knowledgeable, given the opportunity. Some more generous professors, I am told, even take this view of telemarketers who call at dinnertime.
I recently spoke to a friend at an English college where admission depends heavily on personal interviews conducted by the people who will actually teach candidates if they are admitted. Potential students in their very late teens, he said, were like young claret—the name given to the great wines of Bordeaux since the seventeenth century, when wines like Chateau Haut-Brion were already being enjoyed by the likes of Samuel Pepys, the diarist. Clarets do not leap into life fully armed, like Athena from the head of Zeus (or Dionysus from his thigh). Samples taken from the cask before the wine is ready to be sold taste largely of tannin. The initial impact on the tongue and palate and the taste left after swallowing (or spitting—in the cuspidor, that’s what it’s for, toreador) may suggest the pleasures of the finished article. But in between there is a hard, dry taste like leaf mold (no, I don’t, not often, anyhow) or dry tea leaves (politesse once obliged me to eat half a pound of dry tea leaves in a train on the Turkish-Syrian border, but that is another story).
These tannins will be absorbed as the wine lies in its bottle, waiting to be drunk. Sometimes, as with a memorable bottle of 1975 Haut-Bages-Monpelou consumed in the late 1980s, they are never absorbed; this was a wine as inky in taste as it was in color. Sometimes one waits too long, the wine lies in the cellar howling “drink me now” through its cork, no one hears, and what is eventually poured is brown around the edges and acid. But more clarets die, I fear, of infanticide than of old age. What my English friend was trying to say was that his interview technique involved assessing the potential for mellowing exhibited by the tannins in his future pupils, while at the same time savoring their possible depth, complexity and fruit. He quoted Mark Twain at me: “When I was 18, I thought my father was an old fool. When I got to be 23, I was amazed how much he had picked up in five years.” Not a scientific method, I guess, but humane and effective.
Not all the wines of Bordeaux are made for the long haul. Indeed, I recently enjoyed a bottle only three years old, which made up in pleasant warmth what it lacked in complexity. Like most red Bordeaux, the 2000 vintage of Chateau Saint Sulpice (Appellation Bordeaux Controlée) is a blend of Merlot (imparting mellowness) and Cabernet (imparting flavor)—in this case rather more Merlot than Cabernet. Upon opening there is little smell to it, but the first impact on the tongue releases a pleasantly “winey” aroma up inside the nose, followed by a light tanniny taste and a lingering flavor of grapes. Left to air for a little while, it mellows further. It would be good with cheese or pork; it made a homemade cauliflower cheese really quite palatable. This is not complicated wine, but it bears thinking about as it goes down. Moreover, at about $10 a bottle locally it does no excess damage to the budget—and that is surely a true foundation for domestic harmony.
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