Year: 2007

  • Jumpstart Your Weekend

    ART AND NIGHTLIFE
    Gallery Grooves

    gg_0805.gifJoin us for Gallery Grooves, The Rake’s monthly art, jazz, and wine event. Socialize and discuss the latest jazz with Kevin Barnes from KBEM. Enjoy free libations compliments of The Wine Company and airforce Nutrisoda, and hors d’oeuvres. Featured jazz selections include the Turtle Island String Quartet’s A Love Supreme, Kurt Elling’s Night Moves, and Dean Magraw’s Unseen Rain. Your Arts Desire hosts an eclectic mix of Twin Cities artists, including Sara Rosenblum Jennifer Nelson, Linda Mix, Steven Lang, and Tanya Garvis.

    7 – 9 p.m, Your Arts Desire, 12928 Minnetonka Blvd., Minnetonka; 952-988-9772; free.

    MUSIC AND ART
    Open Art-A-Whirl with a Little Music

    heliotrope4.jpgToday marks the unofficial start of the Northeast Minneapolis Art-A-Whirl weekend, and what better way to start it than with the Heliotrope music exhibit, which begins this evening and goes all weekend. Heliotrope aims to bring some of the area’s most interesting and exciting musical artists together in a theater setting. Psychedelia, free jazz, damaged folk, sound collage, no wave, improv, noise, instrumental rock, and even some Tin Pan Alley influence will all be on display this year. As in the past, film projections will also be featured throughout the festival.

    7 p.m., Ritz Theater, 345 13th Ave NE Minneapolis; 612-623-7660, 612-871-6659; $8.00 per night, $15.00 for two nights, $20.00 for all three nights.

    DANCE
    Tradition or Truth?

    2059603092.jpgThis weekend, you’ll have an opportunity to see Ballet Minnesota’s rendition of Swan Lake at the Fitzgerald Theater — and there are few traditional ballets as beautiful as this one. But start the grand fantasy off with some real tradition — commerce and colonialism. Get a little truth in the form of beauty, with Faustin Linyekula’s performance. Dancer/choreographer Faustin Linyekula of Kinshasa, Congo, is both a powerful dancer and a powerful advocate. His 30-minute solo installation/performance piece deals with themes of displacement and circulation that reference the dark part of his heritage and the commerce of colonization, decolonization, and organized tourism. Don’t miss this. It’s a one-night-only deal. And follow if up this weekend with SwanLake at the 19th Annual Minnesota Dance Festival.)

    7 p.m., Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600; free.

    THEATER AND PERFORMANCE by Christy DeSmith
    The Savage Joy of Breaking Things

    JoySavage.jpgDavid Lynch meets Mother Goose“: That’s the vision Hardcover Theater’s writer/director Steve Schroer has for his new play, inspired by an obscure Victorian fantasy called The New Mother. This source material was written for children — it’s a fable that warns, with rich imagery and plenty of fright, against being naughty. And yet Schroer insists his play is for grownups. He lists a secondary source of inspiration as Edgar Allan Poe’s essay, “The Imp of the Perverse,” which allows him to riff on the human compulsion to behave badly at any age. Schroer also has layered in enough sexual tension and bone-chilling ambience (via set, sound, and lighting designs) to turn this creepy kids’ story into a hair-raiser for adults.

    8 p.m., The Playwrights’ Center, 2301 Franklin Ave. E., Minneapolis; 612-581-2229; $18.

    And this is also the final weekend to see Future Perfect: A Genetically Modified Musical at the Interact Center for the Visual and Performing Arts, 212 N. 3rd Ave, Suite 140, Minneapolis, 612-339-5145; $15.

    FILM
    The Imaginative Mind

    gondry sit.jpgThis weekend, the Walker is running a few Michael Gondry films as part of their Michel Gondry: The Science of Dreams film retrospective. Jumpstart the weekend with a look into the filmmaker’s creative process in the documentary I’ve Been Twelve Forever — a look at some of Gondry’s memories and dreams. The documentary will be accompanied by as number of his eclectic music videos

    7:30 p.m., Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600; free.

    Filmmakers: Today is the deadline to register for the Minneapolis Film Race. On May 19th you’ll have 12 hours to write, shoot, and submit an original four-minute film with a pre-determined theme and surprise element.

    Share your secrets. If you know of any interesting upcoming events, let me know (cristina@rakemag.com).

  • It's Soon and It Ain't Lookin' Good

    I don’t envy Strib writer, Matt McKinney, who has the job of walking the razor’s edge describing the convulsions at the Strib to the satisfaction of both his employers and the general public.

    But in his May 8 story on the latest round of cuts, there were these graphs …
    .
    .
    .

    “The Star Tribune’s problems aren’t unusual: Newspapers nationwide saw daily circulation fall 2.1 percent and Sunday by 3.1 percent, according to the Newspaper Association of America.

    Other papers also are focusing locally. The Dallas Morning News last year closed foreign bureaus and refocused the paper on local coverage. It’s too soon to know if that has paid off, but the trend is clear, said Rick Edmonds, a newspaper industry expert at the Poynter Institute in St. Petersburg, Fla.”
    .
    .
    .
    While it is “soon” to be assessing the impact of calling home foreign correspondents in favor of emphasizing more “local” coverage at The Dallas Morning News, with Strib executives determined to mimic the same strategy here, it isn’t exactly a testament to their due diligence to note that circulation at the new, more “local” Morning News dropped a stunning 14.27% in the most recent circulation report.

    Here are the Top 25 Daily and Sunday Newspaper lists from Audit Bureau of Circulation for the six-month period ending March 2007. Industry-wide, circulation slipped more than 2% daily and 3.1% for Sunday. All daily averages below are for Monday-Friday. The comparisons are based on the six-month period ending March 2007 and the six-month period ending March 2006.

    Newspaper, Daily circ as of 3/31/07; % Change:

    USA TODAY 2,278,022; (+0.23%)
    THE WALL STREET JOURNAL, 2,062,312; (+0.61%)
    NEW YORK TIMES, 1,120,420; (-1.93%)
    LOS ANGELES TIMES, 815,723; (-4.24%)
    NEW YORK POST, 724,748; (+7.63%)
    NEW YORK DAILY NEWS, 718,174; (+1.37%)
    WASHINGTON POST, 699,130; (-3.47%)
    CHICAGO TRIBUNE, 566,827; (-2.12%)
    HOUSTON CHRONICLE, 503,114; (-2.00%)
    ARIZONA REPUBLIC 433,731; (-1.14%)
    DALLAS MORNING NEWS, 411,919; (-14.27%)
    NEWSDAY, 398,231; (-6.91%)
    SAN FRANCISCO CHRONICLE, 386,564; (-2.93%)
    BOSTON GLOBE, 382,503; (-3.72%)
    STAR-LEDGER OF NEWARK, 372,629; (-6.08%)
    ATLANTA JOURNAL-CONSTITUTION, 357,399; (-2.09%)
    PHILADELPHIA INQUIRER, 352,593; (+0.61%)
    STAR TRIBUNE OF MINNEAPOLIS, 345,252; (-4.88%)
    CLEVELAND PLAIN DEALER, 344,704; (+0.45%)
    DETROIT FREE PRESS, 329,989; (-4.70%)
    ST. PETERSBURG TIMES, 322,771; (-0.08%)
    PORTLAND OREGONIAN, 319,625; (-1.05%)
    SAN DIEGO UNION-TRIBUNE, 296,331; (-6.58%)
    ORANGE COUNTY REGISTER, 284,613; (-5.07%)
    SACRAMENTO BEE, 279,032; (-4.83%)

  • Strib-Watch: Hard News, Re-Design and the End Game

    I gotta tell ya, it is a real, “Where to begin?” situation following the no-ups and all-downs of the Star Tribune lately.

    Indecision over where to begin may explain why what follows is even more scatter-shot and incoherent than usual.

    1. As expected, Guild employees of the Star Tribune voted overwhelmingly yesterday to accept the paper’s terms for a buy-out offer that commences this Friday and closes at 5 p.m. June 1. (I was in error when I said yesterday that the “window” would open today. My apologies.) The company then has until the end of business on June 8 to post a list of those who are walking away.

    2. A supreme irony of this latest round of “right-sizing” is the trashing or marginalizing of significant elements of the paper’s very expensive, (over seven figures) and absurdly protracted “redesign” which it unveiled in October in 2005. Don’t get me going on “re-designs”.

    The joke at the Pioneer Press when I was there was that preparing for and working on the next re-design was every management regime’s best excuse for avoiding dealing with garden variety problems like under-performing beats, redirecting assets to better effect, yadda yadda. The standard response to any suggestion/complaint was, “We can’t get to that until we finish the re-design.” Then, once it was finished, the next one began.

    But I think it is safe to say now, after 17 months, that the Strib’s 2005 re-design added little if any value to the paper. Circulation has dropped steadily if not precipitously in its aftermath. I know my first reaction to seeing it was a shrug. “All that time and money for this?” It was pretty much one, “Big whoop”.

    But the Strib’s features section played a prominent role in the grand design. Yes, it came with the usual mantra of “shorter, shorter, shorter”. (Modern, design-driven managers are convinced all readers are averse to “long” stories, i.e. 20 inches or more. But they see the supposedly younger and more female audience for features sections being even more impatient and having almost no tolerance for words. Any picture and any list trumps every “wordy” story.) But under the re-design the Strib’s feature section was key to that other mantra, the preeminent, “local, local, local” babble.

    (I don’t know which image is more appropriate to newspaper managers chanting, “local, local, local”, a sprawling turkey farm or a radical, head-bobbing madrassa.)

    Anyway, the excising of what were once key locally produced components of the Strib’s Arts and Entertainment; TV, classical music, architecture, some percentage of theater, Randy Salas’s eminently readable “Web Search” and DVD columns, along with talk of folding in, cutting or “right-sizing” the whole jumble of “Scene”, “To Go” and all those other barely identifiable sub-sections effectively confirms suspicions that the vaunted re-design has proven a non-asset, at best.

    For the record, the Strib is planning to continue TV coverage via syndication, classical music looks likely to move to some kind of free-lance status, architecture will get added atop a visual arts beat and while both theater critics, Graydon Royce and Rohan Preston will stay on, Royce will devote some yet-to-be-determined percentage of his time to editing.

    The very ironic overall effect: However it is cut, the new post re-design Strib will be less “local” than previously.

    3. A recurring theme from meetings Stribbers are having with bosses Nancy Barnes and Scott Gillespie is the two editors telling reporters they are making tough cuts in features because they simply have a “hard news” orientation. (Several staffers have expressed notes of sympathy for the two, quoting Barnes and Gillespie subtly pleading for understanding, saying, “We have bosses, too.”)

    To be fair, Barnes and Gillespie are only following a tread-worn strategy first laid out by publisher Par Ridder’s father, Tony, across the entire Knight-Ridder empire through the 1990s. It was a re-organization plan that when matched with Ridder’s deal with Wall St. devils seriously undermined the quality of every Knight Ridder newspaper and eventually led to the entire chain’s abrupt sell-off. (I’m broad-stroking there. But the Tony Ridder survival strategy is an object lesson in how NOT to enhance the value of your product.)

    There’s no point belaboring my opinion that regular, sustained coverage of suburban community minutiae is anything but, “hard news”, or that the Strib is open to serious criticism over how “hard” it has been on several very high profile, relevant stories in recent years. My point is only to suggest that Barnes and Gillespie might want to dial back the “hard news” talking point if they want to maintain credibility with their staff.

    Based on my conversations with Stribbers there isn’t a person in the newsroom who believes these latest cuts (or the buy-outs before them) have anything whatsoever to do with improving the paper’s production of news, “hard” or otherwise. More to the point, if there is anyone in the newsroom who thinks Ridder and Avista are committed to producing a better, healthier, more relevant product, those people have no business or future in journalism.

    Finally, 4. I have the utmost respect for reporters who take on Guild steward jobs. I was far too lazy and misanthropic to volunteer for anything of the sort. In the current situation at the Strib, Guild stewards are like exhausted, under-equipped smoke-jumpers mashing down forest fires with shovels. Forget about getting your day job done. It’s everything you can do to answer dozens of frantic, anxious questions from colleagues in between attending and holding meetings.

    The concern here is that the Strib Guild not be played like the pre-Rahm Emanuel Democrats, who got flattened in every big game by ruthless operators focused solely on the bottom line. The Guild really ought to reach out beyond its usual legal representation/advisors to some aggressive local labor law firm for advice on a strategy that considers how best to play several key elements in the current situation, not the least of which is the impatience of Avista Capital Partners with a worse-than-expected financial performance of the Star Tribune and an expensive and an embarrassing civil law suit thrown at their publisher, Par Ridder.

    Like everyone else in the world the Guild needs leverage, and there may be some to be had in toying with Avista’s impatience and their fear of discovery, if some kind of legal action can be mounted.
    Guilds have been accused of playing easy on personnel disputes relative to their effect on the next contract negotiation. But in the current situation it would seem prudent to apply a worst case scenario mindset to that next (2008) contract and assume Avista will be even more insistent on guaranteeing return on investor dollar via truly draconian cuts in employee compensation and staffing levels.

    Ten years ago laid-off newspaper people had some hope of sliding into another paper in another town. That ain’t happenin’ no more. At the risk of sounding hysterical, now is good time to approach all events leading to next year as though they were part of an end-game for an industry as we once knew it.

  • Fashion Guide to Art-A-Whirl

    It’s not that I lack a soft-spot for watercolors. But when a girl’s got a teensy budget to mind, such as I do, that bit of cash seems so much better directed when spent on … well, let’s just call it wearable art, for politics sake. (I’m all for supporting those NE Artists!)

    Far as I know, there are no shoes for sale at the weekend’s jam-packed Art-A-Whirl festival. But with the help of some kind folks at NEMAA, I’m able to toss off this abridged version of an AAW shopping list–for the fashionista set. Something for everyone; now the clotheshorses and shopaholics can enjoy Art-A-Whirl, along with everybody else.

    FIRST, A FEW JEWELRY SELECTIONS:
    CariJohnson.jpgCari Johnson
    Northrup King Building

    1500 Jackson St. NE

    Studio 423

    These are bubbly pieces inspired by coasts and shorelines

    daphnekoop.jpgDaphnae Koop
    Northrup King Building

    1500 Jackson St. NE

    Suite 401-B

    Daphnae Koop is showing her beach stone and bead jewelry. Bonus: she’s sharing a studio with the well-known fiber/print artist Ingrid Restemayer (someone a clotheshorse can appreciate).

    CariJohnson.jpgLauzon Ciresi Jewelry
    IBR Gallery

    2844 Johnson St. NE

    Kathy Lauzon and Rae Ciresi create their one-of-a-kind jewelry from flameworked glass and polymer clay beads made in their studios.

    CLOTHES, CLOTHES, AND MORE CLOTHES:
    anotherland.jpgAnother Land
    Northrup King Building

    1500 Jackson Street NE

    Studio 263

    Specializing in hand-made, fair-trade accessories inspired by traditional Barabaig fashions. They’ve also got some fashionable, earthy-chic handbags by local artist Nichole Smaglick.

    * Another important stop is Foat Design (sorry, I didn’t get my hands on any pics) — This company is the brainchild of twin sisters KKaja and Zoë Foat. They do two lines: Urban Yoga Wear and Born Again, a line of funky, eco-conscious knits.

    AFTER A HANDBAG:
    Jean_Rostad_handbag.jpgJean Rostad

    Grainbelt Bottling House

    79 13th Ave.
    Jeanne Rostad has been making handbags since 1991 using new, recycled and vintage fabrics.

    LAST BUT NOT LEAST, FURNISHINGS:
    furniture.jpg
    Spinario, a new Northeast boutique specializing in mid-century modern furnishings (to go along with the Danish Teak Classics store in NKB) celebrates its grand opening at Art-A-Whirl this weekend, too. Happy Shopping!

  • From Milan to New York to Minnesota

    DINING
    A Rake’s Tour of World Flavors: Milan

    TreVina2.gifChef William Salvador, born just north of Milan, brings a taste of authentic Italy to Minnesota. TreVina features a menu where everything is made from scratch, from breads and sauces to gnocchi rolled by hand to steaks and fresh fish butchered in house. Enjoy dishes with distinct flavors expertly paired with wine. Join The Rake, Whole Foods Market, and The Wine Company for a monthly food and wine experience. Travel to the best restaurants in the Twin Cities and sample wine and cuisine from regions far and near. Includes a multiple course tasting menu and wine pairings.

    6 p.m., TreVina Italian Steak House, 200 North Concord Exchange, South Saint Paul; $40 (plus tip), reservations required.

    MUSIC
    Casual Classics: All That Jazz

    3308327469.jpgDavid Alan Miller completes his eighth and final season as conductor and host of The Minnesota Orchestra’s Casual Classics with a concert featuring conversation and New York-style jazz. Snap, swing and dig into cool with pieces ranging from Ellington and Bernstein to Gershwin’s quintessential Rhapsody in Blue. Then join Miller in the lobby for a champagne toast and salute.

    7 p.m., Orchestra Hall, 1111 Nicollet Mall, Minneapolis; 612-371-5656; $19.25-$44.25.

    FILM
    It’s That Time of the Month Again

    lounge_main.jpgIt’s the third Wednesday of the month again, and if you’re a film freak like me, you should know what that means by now. It’s time for Cinema Lounge again — independent short films from Twin Cities filmmakers. Stop by and see short films by SleepyEye; Rick Fuller and Tim Buckley; Koerner, Ray, and Glover; and John Fleetman. Have a drink, hear from the filmmakers, ask any questions you like, and schmooze with other film folks.

    7 p.m. (doors at 6), Bryant Lake Bowl, 810 West Lake St., Minneapolis; 612-825-3737; donations accepted.

    BOOKS & AUTHORS
    Beneath the Surface

    0873515781f.gifDo much fishing? Wanna improve your game? This may be one of the few book readings that can help. Join Bruce Carlson and the Minnesota Historical Society Press for a reading, discussion, and signing of the new book Beneath the Surface: A Natural History of a Fisherman’s Lake. After fishing and studying Ten Mile Lake in central Minnesota since 1955, Carlson explores how the dynamics of a lake shift from day to night and from season to season. He outlines the effects of a storm on the wildlife below and explains the intricacies of a beaver’s lodge design. And through special chapters that reveal the rhythms and constraints of various species of fish, Carlson shows anglers how to hone their techniques to heighten fishing success.

    7 p.m., St. Paul Public Library – Highland Branch, 1974 Ford Parkway, St. Paul; 651-695-3700; free.

    ON THE NET
    Boys Will Be Boys

    Warning, some of this material may be inappropriate for work. You might want to make sure your boss isn’t looking over your shoulder — just in case.

    Good Magazine: Internet Porn

    Taking Sports Too Far

    What Is It about Xerox?

    Real Men Knit

    How To Shower: Women vs. Men

    Dear Penis

    The Big Woo

  • wikifood

    itm_headerSite.JPG

    Food & Wine has launched a Chowhound meets MySpace kinda thingy called Food & Wine Across America.

    Does it feel like they’re using locals to ferret out story ideas?

    Well, check it out … there’s an interactive map and everything!

  • Mistake By The Lake: Game One In Cleveland

    I’ll have to do some more digging around to figure out what exactly happened, because I left the room for what seemed like five minutes during tonight’s game, and when I came back Jesse Crain was gone and the Indians had tacked six unearned runs on the board.

    I used to think I had a pretty good understanding of the rule covering unearned runs, but I’m still having a hard time figuring out how a guy could give up six unearned runs on 25 pitches. It sort of hurts my head to think about it.

    It’s never nice
    to know one of your guys is hurt, but I guess it’s still sort of nice to know that Crain has been pitching hurt, if only as a way of explaining his lousy performance in the last month.

    Ramon Ortiz was
    not just disappointing tonight, but alarmingly disappointing. He looked absolutely nothing like the guy who pitched so aggressively and with so much enthusiasm in the early going. Maybe that’s the problem now; Ortiz works so quickly, and is so aggressive in going after hitters, that it seems like the scouting report is encouraging opposing batters to be equally aggressive in their approach against him. The guy gave up six runs on just 34 pitches.

    How nice of
    the Twins to pick this particular night to slug four home runs. The real problem, though, was that those home runs might have actually meant something if Glen Perkins hadn’t come in to relieve Ortiz and given up three runs of his own (two IP, four hits, two walks, 48 pitches: that line would represent a bad night for Sidney Ponson). Those three runs, and Crain’s later blowout –aided by Nick Punto’s first error of the season– made moot Minnesota’s late mini-rally.

    It was nice to see Garrett Jones, though, and Morneau’s two homers moved him into second place in the AL (now just five back of Alex Rodriguez). And the offense had a pretty decent night overall –every starter but Hunter had a hit– but with all the injuries, the offensive inconsistency, and the recent struggles of most of the starting rotation, this is increasingly a team that looks to be in a serious bit of trouble.

  • Guild Expected to Accept Buy-Out Terms Today

    Pressured by a small group of colleagues inclined to take the buy-out offer presently on the table, Guild employees at the Star Tribune are expected to accept company terms in a 4 p.m. meeting/vote today. A similar vote yesterday fizzled when Guild members had too many unanswered questions to vote.

    The offer from Avista Capital Partners offers an additional three months pay to the maximum, plus six extra months of COBRA coverage on health insurance. The Guild had asked for a year on the latter, along with several other small concessions, like staggering pay-offs to diminish tax implications, but the paper rejected those requests.

    If the buy-out is accepted today, Guild employees will have two weeks, starting tomorrow if accepted, to make their decision to leave or stay, and another 45 days after that to rescind a decision to leave.

    The company is looking to cut 50 positions out of the present newsroom. Best guess-timates at the moment believe the buy-out offer will get something less than 20 takers, leaving the company and union poised to battle over the remainder.

    If laid-off, a Strib Guild member would get essentially the same compensation package as 24 former colleagues took in early March.

  • Drive More. Do More. Be More.

    This is just in–from Scarborough Research. For the uinitiated, this is the R&D group that Advertising Agencies use as the God’s (…as we understand hewm..) Truth.

    “This analysis demonstrates a very simple but compelling point: the more time consumers spend on the road, the more likely they are to have the latest media and information technology devices– MP3 players, DVRs, PDAs, and HDTV,” said Carol Edwards, vice president, Out-Of-Home Media Services, Scarborough Research and Arbitron Inc. “

    In other words, those who drive drive the rest of us. Unless, of course, you are a Luddite and drive uhm, I dunno, like one of those new Chryslers (pathetic, absolutely pathetic use of mettalurgy.)

  • What To Watch When You're Watching At Home

    thirdman1.gif

    Lots of great (or intriguing) DVDs coming out this week: Pan’s Labyrinth, Army of Shadows, La Revue des Revues, something freaky called Woodenhead, and Darren Aronofsky’s baffling Fountain, which I walked out on because it was so incomprehensive. And stupid.

    But today marks the 102nd birthday of the great Joseph Cheshire Cotten (thanks to Steve Monaco for the reminder). Cotten’s one of my favorite actors, and appeared in two of my favorite films: Citizen Kane and The Third Man, the last of which just recently received the Criterion treatment all over again. Cotten was a close pal of Orson Welles and had a significant role in the big boy’s Mercury Theatre–in fact, Joe was pressed into writing the screenplay for Journey Into Fear, some scenes of The Magnificent Ambersons (when Welles had vanished into Rio to film It’s All True), and was a go-between for Welles and RKO over the Ambersons mess (all of which is a long, long story for another day).

    Cotten was a likeable onscreen personality, with nary a whit of sex appeal, but perfect in the role of The Third Man’s Holly Martins, the bumbling guy who can’t get the girl. Cotten was an everyman, but one with a terrific sense of humor, a biting wit, and whose frustrations bubbled just beneath that weary smile of his. He made his name in theater first (originally a critic), playing the Jimmy Stewart role in the original Broadway production of The Philadelphia Story. He starred in Hitchcock’s personal favorite of all his films, Shadow of a Doubt and his menace there is palpable. Other greats, many of which are available at your library or local video store, include The Farmer’s Daughter, Duel in the Sun, and Gaslight.

    Oddly enough, Cotten also is present in the very opening of Kane, playing one of the reporters in the shadows–you can see him there, grinning, eager to be a part of that crazy production. Above all, he looked like a man who relished being in the movies, and giving us a solid night’s entertainment. Priceless.