Month: February 2008

  • Diet Coke Will Make You Fat & Other Truths

    So it’s not just your imagination, it actually is true. Those zero-calorie sodas people are popping left and right and up and down, ordering with their cheeseburgers and large fries and drinking instead of coffee in the morning or wine at night, actually lead to (or, as they say in medical-speak, "are linked to") metabolic syndrome, which is a fancy way of saying fat and all its attendant ills.

    An article in the New York Times, based upon a study done partly at the University of Minnesota, states that people who drink diet sodas are 18 percent more likely to have high cholesterol, high blood pressure, diabetes, and abdominal obesity. Now, I have to admit, there’s a part of me that wants to lecture here because WHAT after all did you expect, drinking something that contains not a single natural ingredient (except water) and floods your system with something called Aspartame — which is, by the way, one of the most widely-tested "foodstuffs" in history because it has been "linked to" (again, those words) a variety of different cancers and neurological disorders?

    Not that I blame you. I don’t mean to be churlish. Big advertising did a huge number on the population of the entire world. But come on, this isn’t rocket science. What it is is rocket fuel.

    Moving on, after years of pushing decaffeinated coffee on us, calling coffee a vice, and putting it on the health questionaires alongside queries about things like seatbelt use and unsafe sex (How many sexual partners have you had in the past year? How many whose health history is unknown to you? How many that hung out in heroin parlors with dealers named Rufus or Big Mama and had a strange, yellow tint to their skin? Oh, also, how many cups of coffee a day do you drink?) — surprise!!

    Coffee is good for you. Really good for you (unless, am I the only one jaded enough to think this?, Starbucks paid for the research). Scientists are now saying that coffee has more antioxidants than any other food: blueberries, green tea, even — you’re not going to believe this — red wine. It’s long been known that coffee prevents certain chronic diseases, such as Parkinson’s and diabetes. Now, the news is, it also has cancer preventives and more fiber than Metamucil. You know, that beverage you’ve been eschewing all these years in favor of caffeine-free Diet Coke. . . .

    Well, who could have known? Except, of course, those Abyssinian goatherders who used to chew on the berries from coffee bean trees back in the 5th century. Under no circumstances would you catch those guys drinking carbonated N-L-alpha-aspartyl-L-phenyl-alanine-1-methyl ester.

    Now, to switch topics entirely, about that recession that isn’t coming? Funny thing, it seems to have arrived. (Quick, someone go break the news to W.)

    Here’s what I don’t understand. I’m a lowly writer living in the Midwest, a Gen X’er who tends to be blasé about dire economic situations — I graduated from college and landed smack into one of the most humbling, after all — and is utterly distracted by the business of raising teenagers. Yet, I saw the signs.

    Gas prices, layoffs, housing. Hmmm. I was prepared for this problem. The Feds, apparently, were not. Of course, they’re not living down in the trenches, gassing up their Saturns at places with security cameras that record the license plate numbers of those who fill up and fly. They haven’t scaled back their grocery budget from $200 a week to $175 in order to save up for the winter heat bill, which is going to be a beast this year. They aren’t talking to friends of theirs: service providers, mind you — people who own cafes and coffeeshops — who say they may have to close if the numbers don’t stop plummeting.

    So are you ready for the good news? God, yes, I know you are.

    OK, here it is: Castello di Monsanto Chianti Classico Riserva 2004 (does it make you think of chemically-enhanced spaghetti sauce, too?). A $23-25 wine, available at Costco for somewhere in the neighborhood of $15. No Aspartame, tons of antioxidants, pretty much recession-proof. This is as smooth as a rugged Italian wine dares to be, made from mostly the standard Sangiovese grapes, but also Canaiolo and Colorino. Then it’s aged in Slavonian oak casks and French barriques.

    I’m not even sure what Slavonian oak is, but the result is a wine with equal parts raspberry, chalk, and loam, as well as a sweet, mushroomy flavor that brought to mind the colorful, spotted toadstools of fairytales. (I imagine Slavonia to be a place where tiny gnomes frolic in the grass with pointed Italian hats on their hairy little heads.) The finish on the Chianti is clear and clean and oaky, like a single note drawn on the G-string of a violin.

    The only downside here is that you must go to Costco in order to get the Monsanto at an affordable price. And this is a place where very unhealthy looking people, clearly suffering the effects of a nonexistent recession, are buying enormous flats of Diet Coke. Please be kind to them, for they know not what they do. And forge on, holding fast to these truths.

  • Dreamin' of Puppets, Power, and Oceans

    FILM
    California Dreamin’ (Endless)

    As part of a
    Romanian themed movie series showcasing the new wave in said country,
    the Walker will screen the final film from late director Cristian
    Nemescu, called California Dreamin’ (Endless).
    It was completed in 2006, when the director and sound editor were
    involved in a tragically fatal car crash. Chronicling the true story of
    an American NATO train traveling to Kosovo it imbues an honest realism
    and a potent political agenda. The film won Un Certain Regard at the
    2007 Cannes festival and it’s of a piece with another Romanian movie
    that is currently all the rage and soon to open in area theaters. But
    California Dreamin’ is its equal in terms of the virtuosity and beauty
    displayed by an incredibly talented director. —Christopher Hontos

    Friday at 7:30 p.m.,
    Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600; $8 (members $6).

    Also today, Taxi to the Dark Side opens at the Lagoon Cinema.

    THEATER & PERFORMANCE
    Eleanor’s Cabinet

    The finest puppeteer in Minneapolis,
    Michael Sommers (he’s also a painter and comic artist) presents this
    new, family-friendly work based on the children’s poems of Eleanor
    Farjeon
    . It must be said, though, that childless theatergoers shouldn’t
    not be repelled by this subject matter-in fact, there are more than a
    few grown-up theatergoers (who fancy themselves especially
    sophisticated) counting themselves among Sommers’s biggest fans. You
    see, Sommers has a special talent for, again and again, conjuring up
    miniature worlds of magic. And he does so whether he’s working with
    hand-made puppets or engaging in object theater, for which he creates
    characters and spectacles using nothing but, say, kitchenware. He’s
    truly a Minneapolis treasure! —Christy DeSmith

    Friday at 7:30 p.m., Saturday at 10:30 a.m. and 7:30 p.m., Sunday at 4 and 7:30 p.m.; Open Eye Theatre, 506 E. 24th St., Minneapolis; 612-874-6338; $15, kids $8.

    ART
    Paul Shambroom: Picturing Power

    Shambroom,
    our fellow Minneapolitan, is not a trendy name in contemporary photography, but
    he’s revered by insiders: In one recent book surveying 121 heavy hitters in
    this medium, more space is devoted to him than to any other. One reason for
    that might be his dedication. Shambroom doesn’t just address a topic, be it
    nuclear weaponry or municipal government-he becomes thoroughly immersed,
    conducting mountains of research, traveling across the country, and taking
    years to create a series of images. None of that effort is wasted: His
    photographs are by turns majestic and menacing, eerie and absurd. This survey
    brings together, for the first time, work from Shambroom’s most important
    series: Factories, Offices, Nuclear Weapons, Meetings, and Security. Picturing
    Power
    will travel to Columbus, Atlanta, and Long Beach. —Julia Caniglia

    Friday from 10 a.m. to 5 p.m., Saturday and Sunday from 11 a.m. to 5 p.m., Weisman Art Museum, 333 East River Road, Minneapolis; 612-625-9494.

     

    BOOKS

    Laura Flynn — Swallow the Ocean: A Memoir

    Flynn’s
    debut about growing up in 1970s San Francisco with a paranoid
    schizophrenic mother sounds like the sort of overwrought therapy
    masquerading as literature we’ve been inundated with for years—but it’s
    actually as convincing as it is harrowing, and is ultimately a
    beautiful testament to the remarkable resilience of children and the
    power of imagination and (it really does hurt to write this) love. As
    her mother’s illness spirals out of control, and her father (presumably
    worn out from accusations of Satanic proselytizing) leaves the family,
    Flynn and her two sisters find solidarity and survival in books,
    fantasy, and, most touchingly, in the sorts of imaginative flight
    they’d originally learned from their mother. —Brad Zellar

    Available in bookstores nationwide on Saturday.

     

  • Homosexual Hot Rods. OK.

    Its no secret that I am an afficionado of both hot rods and message boards. The two form a less than poltically correct union however. For example, a old favorite of mine the Honkey Ass Message Board or H.A.M.B has been an exceptionally well-crafted and written forum.

    Till some egits began posting their thoughts on the origins of the term "hot-rod" asking, in their own scintillating syntax whether the term is "totally gay."

    Do me a favor and enter this forum as it seems some more issues need to come out.

  • Polish Fusion: An Idea Whose Time Has Come

    Last night in the bar-restaurant at the Bedlam Theatre, I
    couldn’t help feeling like I was in a play – to judge by the funky décor, maybe
    Lanford Wilson’s Hotl Baltimore, or something by Beckett. Every few minutes,
    somebody would trudge through the bar – a woman carrying an enormous potted
    plant, a man pacing with a look of intense concentration. The bartender had a
    shiny metal ring in his nose. The bar and theater occupy the former Baja
    Riverside / Knickerbockers building, a few steps from the West Bank light rail
    stop.

    The menu seemed like a perfect set up for a comedy: it’s
    billed as Polish fusion. Head cook Jim Bueche, whose mother is Polish, decided
    to put an eastern European spin on the current trend towards local and
    sustainable fare: he tries to buy everything from local producers and
    distributors, and to offer a seasonal menu, which in mid-winter means lots of
    cabbage, beets and beans.

    The limited menu offers pirogi, a kielbasa plate, a dish of
    beans and barley, or chicken stew and barley, and a list of small thin crust
    pizzas ($7.50) that includes a Polish pizza
    topped with sauerkraut, beets and mushroom, a Polka pizza with sweet-potato sauce, chipotle chicken, spinach and
    red onion; and a John Paul II pizza, which commemorates the Polish pontiff with
    a pizza topped with olives, sun-dried tomatoes, red onion and feta.

    I
    ordered the kielbasa plate, which came with a small piece of juicy Polish
    sausage, three delicious pan-fried pirogi, (obviously homemade), stuffed with
    cabbage and mushrooms, pickled beets, horseradish, and a generous dollop of
    sour cream, all for $9.50. The salad of goat cheese, pickled beets and pecans
    with balsamic dressing wasn’t quite as refined as it might have been at, say,
    Lucia’s, but for the price ($4.50), it wasn’t bad. Ditto the John Paul II
    pizza.

    There’s
    a nice selection of cheapy wines by the glass, mostly priced at $4-$5. We
    arrived a bit, too late for the 4 to 7 happy hour, but the bar tender offered
    us the wine special anyhow: any bottle of wine for half price. This knocked the
    price of a bottle of La Vielle Ferme Syrah down to $10 or so, and the bill for
    dinner for two came to a whopping $39.83, including tax, tip, and a bottle of
    wine.

    It turned out there was a play going on, or rather a
    rehearsal, behind the red curtain that separates the bar from the theater: the
    20% Theater Company’s production of After Ashley, by Gina Gionfriddo, which
    opens Friday. Tickets are $15, or $12 for seniors, students and Fringe Festival
    button owners, and you get a $2 rebate if you arrive on foot, by bike, or by
    public transportation.

    I still haven’t made it to a play at Bedlam, but I like
    their style. Bedlam’s website says their mission is to "produce radical works
    of theater with a focus on collaboration and a unique blend of professional and
    community art…" and describes their "distinctive aesthetic as "combining an
    overtly playful performance style with low-tech spectacle, bold visuals,
    experimental absurdism, both cuttingly-direct and nonsensically-obtuse satyric
    barbarism, socio-political imagination, and usually some live music."

    That sounds like it’s worth going back for. Especially if
    you arrive in time for happy hour.

  • Oh, Yes It Is!

    SPECIAL EVENT
    All the World’s a Stage

    Join us tonight for what might be our best 10,000 Arts party yet (and believe me, that says a lot). The evening’s music and art extravaganza offers a flashy, live 2008 Voltage: Fashion Amplified preview, with performances both on- and off-stage. Meet
    the artists featured in the new issue of 10,000 Arts, Minnesota’s creative quarterly. Sample fine complimentary foods, spirits,
    wine, and beer (plus cash bar). And enjoy the musical stylings of MC/VL, the 7 Corners Quartet jazz ensemble, and Scott Mateo Davis’s flamenco guitar. You’ll get a little bit of everything this evening – seriously – with the addition of 7 Deadly Sins by the University Opera Theatre, and yes, the Authur Murray Dance Center. All for the low, low price of… your company.

    7 to 10 p.m., Northrop Auditorium, University of Minnesota, 84 Church St. S.E.; Minneapolis; free.

    MUSIC
    Celebrate the Spirit of Carnival

    Black Blondie brings you a night of music celebrating Pan-African, Caribbean, Balkan, and American rhythmic musical roots with performances by the Brass Messengers, Maria Isa with full band, and the sexy slick chicks themselves. Dj Shannon Blowtorch, former dancer for local glam metal band All The Pretty Horses, will be spinning between bands. You won’t know whether you’ve stumbled into the French Quarter, the Puerto Rican streets, or the Côte d’Ivoire, put it won’t matter one bit, since you won’t be able to sit still for long anyhow.

    9 p.m., Pi Bar,
    2532 25th Ave. S., Minneapolis; $6
    .

    THEATER & PERFORMANCE
    Checkit, Chekhovians

    Fans of the Russian dramatist will find plenty to like about the first-ever Twin Cities Chekhov Festival, including a full production of The Seagull and Mu Performing Arts’ excerpt of Three Sisters with an all Asian-American cast. But two plays (on a double bill) are sure to suit the tastes of Chekhov lovers and haters alike: A Rain of Seagulls and Our Vanya, Ourselves, presented by the Ministry of Cultural Warfare and directed by former Fringe Festival executive director Leah Cooper. Rain of Seagulls—get it? In other words, the cast is packin’ and taking all manner of sloppy shots. —Christy DeSmith

    7 p.m., Bryant-Lake Bowl, 810 W. Lake St., Minneapolis; 612-825-8949; $10-$15 (pay what you can); also on February 22 and 28.

  • Sweeney Todd: Compare and Contrast

    At last night’s opening of Sweeney Todd, at the State
    Theatre
    , I couldn’t help but make comparisons to the recent film version. This
    is what theatergoers do at revivals, right? They consider the present viewing
    experience in relation to all previous encounters with a favorite play or musical. And to
    be clear: Sweeney is, by far, one of my favorites.

    The first thing that struck me last night was that the
    performers not only sang; they orchestrated. Johanna played the cello, Tobias the violin. They took turns at the piano. Mrs. Lovett played the freakin’ triangle. I was glad it wasn’t
    another of those overblown, over-produced Broadway productions with all manner
    of mechanical, remote-controled set elements. You see, when I go to the theater, I don’t want a stage production with an inferiority complex, something that really
    wants to be a film. As it turned out, this was a fairly simple, hand-made interpretation reliant only on instruments, a few set pieces, and, most of
    all, these actors’ ability to conjure alternate reality.

    What’s more, a lot of Sweeney stage adaptations are very
    vertical in design; most of the ones I’ve seen have employed some sort of chute
    (just like the movie) with which the barber can cleanly dispose of his victims.
    This production, on the other hand, was more abstract in its handling of the murders–as well as the disposal of the corpses.
    I won’t spoil it by giving anything away, but will say that the stage version
    comes off as much, much funnier–much thanks to the fact that it doesn’t resemble
    a slasher flick.

    On the play’s youngest characters, Johanna and Tobias: Here’s an instance where I
    preferred the actors/singers in the
    film version. The actress who played Johanna, in particular, had a very pretty but nonetheless
    unsophisticated voice that sounded almost white in tone. The stage version, of
    course, employs adult actors who, great as are (with plenty of color to their voices),
    aren’t quite so fresh-faced–and therefore aren’t as forceful–in their youthful parts.
    As for the character of Anthony (played last night by Benjamin Magnuson), he
    looked more the part of a brute sailor; whereas in the movie he was a mop-haired,
    Victorian-era metrosexual. In other words, in the movie, he looked a lot like an ex-boyfriend, which I didn’t care for.

    But the stage version’s most important distinction is that
    it doesn’t allow for such moping, brooding portraits of these characters. Sweeney et al. can’t be so internalized in a 2,000-seat house. David Hess, who plays
    Sweeney, interprets the barber as more enraged than sociopathic. Mr. Todd therefore appears less the self-pitying, self-isolating freak than, in fact, a blood-thirsty
    demon dead set on exacting revenge.

  • Don't Let It Leak: Truckers Love Pie

    LECTURE
    The Cat Is Out of the Bag, and Here to Tell You about It

    What does an undercover CIA agent do after she’s outed in one heck of a national security scandal? Apparently, she writes a book about it and tours the country. And while that might sound a little snide on my part, it’s actually quite a lucky thing for us, as we now get to hear the story from the horse’s mouth. For 18 years Valerie Plame Wilson kept her covert CIA status a secret from both family and friends. But, somehow, in 2003, when her husband came out against the war in Iraq, Wilson’s name was leaked to the media. Whether the two items are related is for you to decide, though certainly Wilson will have something to say about it. While no one has been charged for the leak — a leak that jeopardized the safety of Wilson, her family, and all other covert agents, for that matter — the White House has been repeatedly blamed. Curious? Get the details from Wilson this evening when she shares her chilling tale.

    7:30 p.m., Orchestra Hall, 1111 Nicollet Mall, Minneapolis; 612-371-5656; $42-$66.

    MUSIC
    Jason Isbell, Will Hoge, and Dawn Landes

    Four years with the Drive-By Truckers may have earned Jason Isbell a a great deal of know-how and skill, a good deal of fame, and at least a small amount of money. But since he has gone solo, the man has shown himself to be a true star. His first solo album, Sirens Of The Ditch is a slick and polished mix of hard rock and country balladry (with plenty of soul) that seems a long way off from the Drive-By Truckers grunge he so recently left behind. Perhaps his song "Grown" says it best: "All them years ago you took a nervous little kid / and showed me how to slow it down just a little bit." Hear Isbell slow it down just a bit this evening in a performance with Will Hoge and Dawn Landes.

    7 p.m., Varsity Theater, 1308 4th St. S.E., Minneapolis; 612-604-0222; $15.


    THEATER & PERFORMANCE
    Three and Twenty Dead Folks Baked in a Pie

    It’s hard to go wrong with Sweeney Todd. A serial killing barber with a straight razor is surely captivating; but when you combine that with a woman who butchers the dead and bakes them into meat pies, that’s a recipe for success. Isn’t it obvious? I mean, who won the Golden Globe for best picture this year? Who won best actor? What film is nominated for three Academy Awards? — These are all attributed to Tim Burton’s film version of Sweeney Todd, starring Johnny Depp. And while Depp is certainly a hard act to follow, and the film was clearly a smash, let’s face it: this Stephen Sondheim musical is made for the stage.

    7.30 p.m., Historic State Theater, 805 Hennepin Ave., Minneapolis, 612-673-0404; $27-$67.

     

  • Mao and Asher, Now Appearing at 20.21

    Faces are changing fast at the Walker Art Center‘s 20.21.

    Chef Scott Irestone tendered his resignation abruptly last week. Executive sous chef Asher Miller — now acting head chef — said he was on vacation and returned to find that his boss of three years had left the Wolfgang Puck family, where he’d been working since 1996 (in Las Vegas, for Spago, Chinois, and Postrio, before coming to Minneapolis to open 20.21 in 2005).

    "There was no indication anything was wrong before I left," Miller says. "All I know is, the parting of ways was very much Scott’s decision."

    Miller, a veteran of Fermentations in Dundas, MN, and Cafe Barbette, also has been with the Walker restaurant since it opened. And he’s refreshingly forthright about his desire to take Irestone’s place.

    "I want the job," says the slim, shaved-headed 27-year-old. "And I’m doing the job now. So it makes sense."

    No word yet from Puck HQ, however, on whether or not they’re even considering Miller or plan to bring in another seasoned Wolfgang-inspired line man from Vegas or L.A.

    No matter what happens, Miller promises the menu at 20.21 will remain consistent. There is, apparently, no room at all for a local man to experiment (which gives one a clue as to what might have ired Irestone, does it not?). The careful fusion of Asian and American tastes — quail in pineapple-black pepper sauce, fried calamari salad, Shanghai Maine lobster — is set in stone.

    "Everything in the restaurant is per Lee Hefter [Puck’s first lieutenant out of Spago – Beverly Hills] and you just don’t mess with Chef Lee," Miller explains. "Our menu is and always has been Lee’s. But the cool thing about that is while everything stays the same, your job is to make it a little more perfect every time."

    One thing at 20.21 has changed, however. The frothy and ebullient hot-pink Andy Warhol portrait of Marilyn Monroe — a fixture in the lounge since the restaurant’s inaugural dinner — has been switched out with the dour, green-hued likeness of Mao Tse-tung.

    Hey, Chef Lee. . . what’s the deal with that?

  • Jovovich-Hawk for Target

    p.s. I heart these looks from the latest Go International
    designer, Jovovich-Hawk. These will hit Target stores on March 2 or thereabouts.

     

     

  • Why It Took Me 'Til Now To Post on NY Fashion Week

    1. d’Uh. I’m
    not even there.

    2. By
    now, I’ve had my fill of black, gray, and wool–even though I am somewhat pleased
    by the, uh, "bold prints" that will purportedly appear on racks everywhere
    next fall. My original point being: right now I’m looking forward to spring,
    not fall.

    (2.5 A
    parenthetic thought: In theory, graphic prints are fine. But have you noticed
    how revolting they are in the real world–on curvy, non-coat hanger
    bods?)

    3. While
    we’re on the topic of fall ’08 top trends, let’s talk shoulder pads. Don’t
    get me wrong: linebackers are sexy ‘n all (or so I hear).
    However, I, myself, do not care to emulate the look since, as I recall, shoulder pads make me feel fat.

    (3.5. I’m too busy scrutinizing Hillary’s wardrobe.)

    4. Frankly, there’s a strong current of maternity-esque
    fashions (much of which look eerily similar to that shapeless
    sheath
    Angelina Jolie recently wore; see the Halston
    runway shots for examples). I must admit: for whatever reason (biological clock?), I’m drawn to
    such free-flowing, waist-less frocks. But I–and other women like me–have taken some heat for dressing this way. Guys don’t much like it, you see. So,
    I was hoping to avoid the look from hereon out. However, I do wonder if this means my beloved
    babydoll will resurrect. Thank God for pregnant superstars!

    5. Have
    you heard about the recession? I don’t mean to be a downer; however, I do
    feel recession and fashion are strongly correlated. Personally, my
    consumer confidence is in nosedive. I’m terrified of
    finding more fleeting fashions at which to toss my dough. For example, I covet those adorable scrunchy boots (see Jill Stuart‘s collection), but how long can
    that last?