The Rake Magazine

Month: April 2008

  • Diesel. Rhymes with Weasel.

    …and in the same breath–the Prius, indisputably an automobile for ryhmes-with-wussies…

    If only for the simple fact that buying
    "green" right now is just plain dumb. And please, before you cleanse your computer screen with Mommy’s blood-decorated stole, consider these three logical points:

    a) With a hybrid you are buying into
    a somewhat untested technology that is merely fashionable at the moment.

    b) You are buying at a ridiculous
    premium.

    c) If you buy a diesel you are still
    polluting more than a gas engine, and your Crocs just won’t cut it at the
    average truck stop where you’ll have to buy your gas (neither will your
    Mercedes E320 Bluetec*.)

    If unassailable intelligence fails you,
    then realize by overpaying for "green" you are giving up a cool
    $5000.00 (at least) that you could use for these really hot bicycles:

    1) The latest iteration of the Trek Madonne series.

    2) The Specialized Robauix series.

    3) Anything by Cervelo’.

    4) Anything by Bianchi.

    If you really want to fight global
    warming, then ride one of these to work.** They are available at Penn
    Cycle, Erik’s, or Kenwood Cyclery, and now is the perfect time to buy 2007 close-outs.

    Unless you weasel out of it.

    *Valliant effort by Mercedes and I love the torque, but, as yet, unproven in the USA as they just don’t drive that far in Europe.

    **And
    buy a nice gas-only econobox with some style like the Honda Fit, the
    new Mistubishi Lancer Ralliart or the new SEMA Chevy HHR panel van
    (cooler than the Mini Clubman and much faster, hence cooler…).

  • A Shipload of Amusement

    In a previous blog I said that I would share with you some pictures from my Mexican Cruise when I receive them.

    Well, to be honest, I was given them a few weeks ago but was hesitant to share them.

    After going back and forth with what I should do with this one photo, I realized that if a woman is willing to get naked in front of a SHIP-load of people, then who am I to not share the picture that she obviously wanted people to see.

    So here is a photo that will delight anyone who has appreciation for a woman with a great body who doesn’t care who sees it.

    Maybe someday I, too, will get naked in public. But it probably won’t happen unless I am in a foreign country where people don’t make a big deal about not wearing clothes — and where cameras are not allowed!

  • Oral Distractions

    "I’m probably more middle of the road than most people I went to film school with," says Dan Orozco, host of Butter City, the hottest talk show to cover filmmaking since Siskel and Ebert ruled the airwaves, "I like movies that I can eat a whole thing of popcorn and drink a whole can of soda to. I think Truffaut called those ‘oral distractions’ because he hated movie theaters that sold that stuff."

    Forgoing François’ sniffing disregard, "oral distraction" applies in an entirely complimentary way to Butter City, a weekly half-hour program that airs 10 pm Sunday nights on three TV frequencies: TPT Channel 17 (13 if you have cable), MTN Channel 16, and SPNN Channel 17. The generally one-on-one broadcast’s guest list is made up entirely of people in or from the state of Minnesota who are in some way connected with movie making or movie exhibition. The year-old program is the brainchild of producer Myron Berdahl, a corporate analyst and screenwriter, and aficionado of films ever since he served in the Navy on the USS Nimitz, where the 1980 time-travel adventure The Final Countdown was shot. Myron explains the show’s title and theme this way: "When you go to the theater what are you usually armed with? A barrelful of buttered popcorn, right? You’re leaving reality behind and going into this new realm, this new city — Butter City!"

    I interviewed Myron, along with host Dan, director Heinz Iwen and the rest of the crew at the SPNN studios in downtown St. Paul, where they were getting set to make two back-to-back episodes. Myron, taking a rare breather from his distracting, and slightly militaristic, producing duties, went on to explain, "The title was going to be either Butter City or Twin Cities Art Talk. When you go through the TV guide, and you see Twin Cities Art Talk or Butter City, which would you choose to watch?" This leads to two impetuses behind his creation: to not only give local filmmakers a chance to get more publicity and tell their stories, but to also add some spark to the frequently dry realms of public television and, especially, cable access, whose biggest diversion from erudite forums so far has been the booze-laced Drinking With Ian.

    Heinz, who has worked for fifteen years as a freelance director and editor — or, as he likes to call himself, "video mercenary" — for SPNN and other outlets, points out that community-based television can have its real-life dramas, especially when it comes to obscenity and bluenoses forever on the lookout for it. "Wednesday evening I work on a Vietnamese news show. To break it up, they get these music videos from Vietnam. I got a long e-mail from a lady who described, in detail, how, in one video, a male dancer’s hand brushed across the breast of a female dancer for 3.4 seconds. 3.4 seconds! What, was she timing this?"

    However this concerned citizen measured the beastly act, she nearly caused that program to go off the air, thanks to the threat of a $25,000 fine from the FCC. Such could be the fate of Butter City if they are not careful, as they so far have been, about cleaning up foul language and other unsightly elements of sex and violence from clips that guests bring to share. That applied to those from my own films, which were featured on an episode I taped a few weeks prior, and which were pockmarked with more audio excisions than a 50 Cent video. I also inadvertently dated the broadcast by making reference to a couple of future projects.

    "I don’t mention time or say ‘boy, it’s hot out today’ or talk about next week’s or last week’s show," explains Dan, who was hired by Myron based on his four years of hosting Cinema Lounge at the Bryant-Lake Bowl, "Each show exists in a vacuum in and of itself so that it can be replayed anytime. The other thing I don’t do is mention where we are. Sometimes I’ll say ‘local filmmakers’ or ‘Midwest’ or ‘Minnesota’, but I really try to make it universally appealing."

    The set for Butter City, though modest by the standards of even two-chair chat shows, should appeal to anyone remotely appreciative of cinema. An old-fashioned 16 mm projector looms like a sentinel over where Dan sits, a monitor for playing clips dominates the center, and a manual typewriter is perched snugly by the guest chair. From this Raymond Chandleresque mechanism’s spool dangles a sheet of paper, which bears the first few lines of a script Myron, himself, wrote. This may be the same one that he dispatched to Ellen Burstyn at the Toronto Film Festival and to which he hoped she would lend a "mystical aura."

  • Rain, Rain, Go Away

    ART
    W(e are )here: Mapping the Human Experience

    Last night, groups of creative explorers got together to form a psychogeographic map of Uptown Minneapolis. How did they do this? They planned tours at the roll of a die; then — utilizing Google Earth, a projector, and a wall sized "canvas" — the groups layered their experiences during the walk over a projected representation of the city. Tonight, that psychogeographic map collective of human experience will be on display for all to enjoy at the W(e are )here: Mapping the Human Experience Exhibition Party. Enjoy fascinating multimedia presentations, music, drinks, and food; and share with beautifully creative minds.

    Friday from 7 to 11 p.m., Intermedia Arts, 2822 Lyndale Ave S, Minneapolis; free.

    DANCE
    Tricia Brown Dance Company

    For 35 years, the Tricia Brown Dance Company
    has been pushing the boundaries of contemporary dance, offering bold
    and exciting work and choreography. This month, they bring three such
    works to the Twin Cities: Present Tense, Foray Forêt, and I love my robots. The first and last are newer pieces. Present Tense
    is set to the avant-garde music of John Cage (who worked extensively
    with Merce Cunningham before passing away in the early ’90s). And I love my robots is one of Brown’s latest, set to the music of another great experimental musician (and performance artist), Laurie Anderson. Foray Forêt, on the other hand, is
    an older piece — now one of the company’s signature works — actually
    commissioned by the Walker back in 1991. It’ll be good to have it back
    in Minnesota.

    Friday at 8 p.m., Northrop Auditorium, 84 Church St. S.E., Minneapolis; 652-393-2837; $31-$52.

    BOOKS & AUTHORS
    Beyond the Black Box

    Advanced Aircraft Accident Qualified Investigator and University of North Dakota professor George Bibel will discuss his new book Beyond the Black Box: The Forensics of Airplane Crashes. Ok. Wait. Hold on. What the heck is an Advanced Aircraft Accident Qualified Investigator. Ok. Ok. I think I’ve got it. That’s quite a mouthful, but I’m guessing he’s qualified to investigate aircraft accidents. Aha! Remember the famous black box of 9/11? Bibel’s book explains the significance of the infamous black box provides a behind-the-scenes look at plane wreck investigation from 1931 to the present. Learn about all the factors involved in an accident, and all the experts that work through it.

    Friday at 4 p.m., University of Minnesota Bookstore, Coffman Memorial Union, 300 Washington Ave. S.E., Minneapolis; 612-626-0559; free.

    MUSIC
    Cloud Cult

    Listening to Feel Good Ghosts
    is a visceral event with images flooding from vocalist Craig Minowa’s
    decadent lyrics. Take this snippet from "When Water Comes To Life":
    "And underneath your ribs/ they’ll find a heart-shaped locket/ an
    old photograph of you in daddy’s arms/ then they’ll sew you closed."
    In one moment it sounds painfully fragile, as if being fastened together
    by a teary-eyed romantic. The next moment its musical bravado blossoms
    around their insecurities. Cloud Cult is a mix between indie-tastic
    emotional crooners like Bright Eyes and The Shins and a genre of its
    own creation. The band fuses elegant strings with crunchy guitars all
    while speckling cheerful ba-da-das in the background of Minowa’s warbly
    tenor. Feel Good Ghosts is a sonic wonderland that folds out into
    a third dimension as Cloud Cult incorporates two visual artists into
    its live shows. —Erin Roof

    Saturday at 5 p.m., First Avenue, 701 First Avenue North, Minneapolis; 612-338-8388; $15.


    Gundecha Brothers

    If you have any idea what Dhrupad is, you’ve probably heard of the Gundecha Borthers. Of course, most of us have no idea what Dhrupad is. Likely the oldest style of North Indian classical music, Dhrupad is a modal mesh of poetry and music. And Umakant and Ramakant Gundecha are now its leading voices. Trained by the renowned Dhrupad vocalist Ustad Zia Fariduddin Dagar, the Gundecha Brothers have recorded more than 25 cassettes and CDs, and have traveled the world over, bringing their music to the world.

    Sunday at 4 p.m., College of St. Catherine, 2004 Randolph Avenue, Saint Paul, 651-690-6700, $17 (students/members $12).

    FILM
    Augsburg Native American Voices Film Series

    Explore Native American voices in film. The Ausburg Native American Voices Film Series brings you a great collection of films this Sunday — selections from the 7th Annual Fargo International Film Festival and New Voices in Native Media: Works by Emerging Native Media Artists. Films include Grace, directed by Darwyn Roanhorse, Oakland, CA (1 p.m.); Red Lake: The Sacred Heart of Our People, by the Students of Project Reserve, Red Lake, MN (1:15 p.m.); Native American Voices WLCO TV Science Report, by Tribal Youth Media Camp, WI (1:45 p.m.); Sitting Bull: A Stone in My Heart, directed by John Ferry, Santa Barbara, CA (2 p.m.); 133 Skyway, directed by Randy Redroad, Ontario (4 p.m.); I’m Not the Indian You Had in Mind, directed by Thomas King, Toronto (4:30 p.m.); and A Letter Home, directed by Ernest Whiteman III, Chicago (4:45 p.m.).

    Sunday from 1-5 p.m., New Parkway Theater, 4814 Chicago Ave. S., Minneapolis; 612-822-3030.

    THEATER & PERFORMANCE
    Hamlet II

    What if Hamlet had a happy ending? Would Hamlet and Ophelia live happily ever after? Would justice be served? And what about Hamlet’s mother? The traitors? Don’t you just wonder? Well, thanks to Sam Bobrick, author of Hamlet II (Better Than the Original), you can now know. This weekend, enjoy the People Sittin’ Around Doin’ Theatre production of Hamlet II, directed by Christina Akers, and starring Jason Dugan, Kathleen Lindmeyer, Matthew Pfaffendorf, John Zimmerman, Cory Enriquez, Joshua Cashman, Rachel Lenora Johnson, Clint Heino, Ron Kerr Jr,. and Kyle Connor as Bernardo.

    Friday at 7:30 p.m., Saturday at 4 and 7:30pm, Sunday at 6:30 p.m., The Lowry Lab Theater, 350 St. Peter St., St Paul; 612-616-8171; $16, but Sunday is a Pay-What-You-Can performance ($7 suggested donation).

    THEATER LECTURE
    The Life and Work of August Wilson

    August Wilson’s     Gem of the Ocean is currently being staged at the Guthrie, and we have a very special treat this weekend, as Penumbra Theatre Artistic Director Lou Bellamy and Constanza Romero Wilson, wife of the late playwright, come together for a chat following Sunday’s matinee performance. Listen on as they explore Wilson’s Twentieth Century Cycle, the significance of Gem of the Ocean, and what this work meant to playwright. (August Wilson’s Gem of the Ocean runs through May 18.)

    Sunday after the 1 p.m. performance, Guthrie Theater, 818 S. 2nd St., Minneapolis; 612-377-2224; $24-$69 for performance.

  • Lost in Translation

    I guess I find most reports on online media interesting, but I thought this MediaPost email was spot on:

    by Kory Kredit, Thursday, April 24, 2008

    What is the value of an established print media name? Let’s take a
    simple test to find out. Which of these URLs do you recognize?

    ·
    www.desmoinesregister.com
    ·
    www.eastvalleytribune.com
    ·
    www.drudgereport.com
    ·
    www.perezhilton.com

    For those of you who claim to recognize the first two, you are either
    lying, or you have lived in both Iowa and Arizona, as I have. While
    both the Des Moines Register and the East Valley Tribune are print
    newspaper companies that have been
    in existence for decades, you’ve probably never heard of them or
    visited their Web site unless you live in those metropolitan areas.
    Even if you do live in those regions, the chance that you’ve never
    visited one of these sites
    increases as your age bracket skews younger.

    Ask any college-age or 20something man or woman where they get their
    news/information/gossip, and he or she is increasingly likely to cite a
    pure-play Internet site like DrudgeReport.com, PerezHilton.com, a
    favorite news aggregation site
    or RSS feeds before listing a local print media outlet.

    While national newspapers like The New York Times, Washington Post, and USA Today are growing, local newspaper sites are loosing market share to pure-play Internet sites like Google, Yahoo, AOL, and MSN, as
    well as aggregation sites like newsvine.com and topix.net, as reported in a 2007
    study     from The Shorenstein Center at Harvard University.

    This raises a perplexing question for local newspapers, which are more
    and more reliant on their Web sites for advertising revenue to either
    supplement or replace decreasing revenues from their offline product.
    Does a traditional media
    brand name (i.e. Seattle Times, Kansas City Star, etc.) provide
    significant value to an online audience, or does its value get lost in
    translation somewhere between the printed word and the 19" flat-screen
    you’re currently staring
    at?

    As circulation rates and ad revenues drop across the board in the newspaper industry (ad revenues in 2007
    plunged 9.4% to $42 billion compared to 2006    ),
    the brand recognition of the local newspaper drops along with it. It
    has also proven increasingly ineffective to try to apply the
    traditional offline business model to an online news site.

    Gone are the days when the local newspaper was the self-appointed
    guardian and exclusive voice of news and information for the masses. In
    traditional media, the journalist and the media outlet handed down the
    news to the public and that
    was typically where the story ended, with the exception of the filtered
    and approved-for-print Letter to the Editor that might follow in a day
    or two.

    In the Internet age, news is now a "shared enterprise between its producer and its consumer,
    according to Jonah Peretti    ,
    founding partner of The Huffington Post. To be successful, Internet
    news and media require an ongoing conversation, multiple methods of
    engagement, the addition of user-generated content and a wide variety
    of opinions and views.

    Today’s savvy online consumers also want control over what they read.
    They want to customize their entire experience for their personal
    preference. Not only do they want to choose the stories that are
    relevant to them, they want to
    modify the layout of the site and the navigation to suit their needs,
    as they can on sites like newsvine.com, topix.net and netvibes.com.

    In an effort to recapture some of their local readers on the Web,
    newspapers might consider abandoning their traditional print brand
    online, reinventing an entirely new media brand for the Web. This
    allows a great deal of autonomy to
    operate — much the same as an Internet company, not a newspaper
    company with a Web site.

    The challenge that lies ahead is whether or not traditional newspaper
    companies can become agile enough to adapt to this new paradigm. Can
    they leverage their most important asset, which is their depth of news
    and information at the local
    level, and deliver it in a way that engages and interacts with readers,
    giving them more control over the experience?

    Simply relying on their offline brand recognition to draw readers to
    their Web site will prove to be a losing strategy as readers continue
    to gravitate towards pure-play Internet sites that cater to the
    preference of an ever-savvier online
    audience.

    Can newspapers adapt quickly enough to remain relevant — or are they
    doomed to become this century’s version of the telegraph machine?

     

  • Automotive Irredentism

    pictured: The Yukon XL—"the national car of Texas"

    I recently finished reading a book on TFK terrorism (essentially) called The Bullet’s Song. As pretentious as this lead-in sentence sounds, I really did read the book and, in the process, learned some fascinating words.

    Like irredentism. It’s from the Italian for "unclaimed territory." I believe it came into fashion as the Italian poet and social libertine Gabrielle D’Annunzio formed the break-away and short-lived Republic Of Fiume after World War I. Great story. Which leads me to my headline.

    I just returned from a trip to West Texas (Houston—close enough). It’s clear to me that people in this part of Texas will not be happy until every last stretch of asphalt has been claimed and/or reclaimed for the largest possible SUV you can put on the road. In fact, it is terrifying to to rent anything less than a Town Car when you travel in this part of the country.

    Which makes me fear for my friends in Austin.

  • Then She Found Me

    Families
    comes in all shapes and sizes, but the two main ingredients are
    certainly love and trust. Helen Hunt’s directing debut, Then She Found Me, brings the life and passion of Elinor Lipman’s characters to the big screen.

    After
    being left by her husband (Matthew Broderick), mere months after their
    wedding, April (Helen Hunt) is tracked down by her birth mother (Bette
    Midler) in hopes of starting a relationship. At the same time, April
    begins to form a bond with the father (Colin Firth) of one of her
    kindergarten students. As she struggles to determine the meaning of
    family, she discovers something missing, driven by the burning desire to have
    a baby of her own.

    At
    first I was skeptical of Hunt covering the ground both in front of and behind the camera, but she quickly set my mind at ease. The film maintains an
    undeniable intensity, from Hunt’s tired eyes to Midler’s
    vigorous attempt at motherhood; the rapport between the
    characters is genuine and sincere. In fact, what the plot lacks in originality, the characters make up for in chemistry. Adept at captivating audiences in movies such
    as Beaches and First Wives Club, Bette Midler weaves in and out of this one eloquently, as little more than a shoulder to cry on for her newly discovered
    daughter. Colin Firth’s witty Englishness lightens
    the mood at the most needed times. And Hunt, who has played some questionable roles (What Women Want and Dr. T
    and the Women)     since winning an Academy Award for her performance in
    As
    Good As It Gets    , reinvents herself with the direction of this film.

    The
    story and characters are tied together with some great music, too, including Iron & Wine’s "Naked As We Came" and Bonnie
    Raitt’s "Cool, Clear Water," — highlighting the tone of the heartwarming
    love story.

    With a title like Then She Found Me, it’s easy to assume
    the story would revolve around the search for that
    mother/daughter bond, but the bulk of the film actually centers around Hunt and
    Firth’s relationship. Not an unwise choice by Hunt, but an ironic one. Digging deeper into the title’s meaning, you’ll discover it’s not only a film about
    finding family and love, but the self-discovery that comes with
    finding these things. A truly touching film about the realities of family, Then She Found Me has proven beyond a doubt Hunt’s talent as an actress and a filmmaker.

    Starts Friday, May 2, at the Edina Cinema.

     

     

  • Groovy New Moves for Both Genders

    RAKE EVENT
    Gallery Grooves

    It’s time for another Gallery Grooves tonight, and we’ve got a very cool spot lined up that you likely don’t even known about. This
    month, enjoy an open studio, shop, and classroom exhibit at Vesper
    College    , a new venue focused on sculpture and ecological architecture. Ecological architecture — how cool is that? Socialize and discuss the latest jazz with Kevin Barnes
    from KBEM, view artwork for sale, enjoy wine info and sampling courtesy
    of Artisan Vineyard, and delight your palatte with hors d’oeuvres by Raja’s Mahal.

    7-9 p.m., Vesper College, 201 6th St. NE, Minneapolis; free.

    BOOKS & AUTHORS
    Riding Shotgun

    Being
    a mother may not be the easiest of jobs, but being the most influential person in most women’s lives
    has its rewards. In Kathryn Kysar’s journal Riding Shotgun: Women Write about Their Mothers, various authors, teachers, scholars, and mothers tell the
    heartwarming and powerful stories about the mothers who have loved and
    raised them. A true Midwesterner, Kathryn Kysar has won numerous
    awards for her poetry and received fellowships from the National Endowment for the Humanities and the Minnesota State Arts Board.
    Kysar, along with several other writers in the collection, will be doing a
    selection of readings from Riding Shotgun: Women Write About Their
    Mothers     tonight at the Minneapolis Central Library, and in various locations throughout the Twin Cities in celebration of Mother’s Day. —Hannah Simpson

    7 p.m., Minneapolis Central Library, 612-630-6174.

    DANCE
    Zenon’s 25th Spring Season

    Zenon celebrates its 25th Spring Season with a powerful performance featuring two world premiere works by New York choreographers Jeanine Durning ("Where are these days, again?") and Seán Curran ("Hard Bargain"), two audience favorites (Wynn Fricke’s "Garden" and Cathy Young’s "The Secret Life of Walt and Kitty"), and Susana Tambutti’s sultry "Mysteriously, This Won’t Happen." Expect to be wowed by the choreography. And expect to be outraged by the content. (Ok, maybe not outraged, but this is no sweet, fairytale performance. After all, it ain’t easy being a woman.) Zenon, as always, takes dance into a whole new realm. And this production takes Zenon into a new era as founding company member Christine Maginnis performs her final dance with Zenon. —photo by Jeffrey Austin

    8 p.m., Southern Theater, 1420 Washington Ave. S., Minneapolis; 612-340-1725; $25.

    Email us (contest@rakemag.com) to win two free tickets to tonight’s or Sunday’s performance. Write Zenon in the subject line, and be sure to include your prefered performance date, along with your name. The first two people to respond will each receive a pair of free tickets.

    THEATER & PERFORMANCE
    Border Crossing

    Off-Leash Area
    brings us yet another inventive physical-theater production — this time
    told through the voices of the Sonoran Desert. Two-time Ivey Award
    honorees Jennifer Ilse and Paul Herwig team up to direct Border Crossing,
    written by Jerome Fellow and Anishinaabe playwright Marcie Rendon, with
    an original score by Ben Siems. Rendon’s story follows a young girl as
    she traces her immigrant parents’ footsteps across the Arizona/Mexico
    border, crossing the Sonoran Desert along the way. True to Off-Leash
    Area’s visual style, the production fuses dance, ritual, and puppetry
    to illustrate the much-traveled journey to a better life. With a cast
    of 17, portraying the desert air, creatures, and migrants, Border Crossing brings to light the complexity of the current political debate.

    8 p.m., Ritz Theater, 345 13th Ave. N.E., Minneapolis; 612-436-1129; $24.

    FILM
    Pond Hockey

    Anyone who spent their childhood in Minnesota knows the importance of lakes here — above all, the importance of a frozen lake. We skate on them. We drive on them. We fish on them. We flip snowmobiles on them. And yes, we beat each other up on them, too. We play pond hockey, of course. (Or must that happen on a pond, then?) Or at least we used to. It seems, perhaps, that times have changed. With new climate-controlled hockey rinks in every town, the ponds are losing their allure. But we are the pond hockey people, folks. And so is Tommy Haines. Haines, director of the new documentary Pond Hockey, hails from the Iron Range and has much to say about the changing culture of hockey in Minnesota. Through his new film, he examines these changes through interviews with countless hockey greats like Wayne Gretzky, Lou Nanne, Neal Broten, Phil Housley, and even MN Governors Tim Pawlenty and Wendell Anderson. Don’t miss the world premiere this evening as part of the Minneapolis-St. Paul International Film Festival. See the trailer.

    6:30 p.m., St. Anthony Main Theaters, 115 Main St., Minneapolis.

  • The New Thirty

    Dear Mom and Dad,

    How two people who still use a rotary dial telephone dare claim to be the "new 30" is beyond me. And that old red Chrysler you drive is so ancient I actually saw one in the museum! You’d better behave yourselves when you’re in Paris in April. No singing in the rain, no dancing, no jumping; don’t lose your heads. As for you, Mom, keep that cane with you at all times — one end in your hand and the other on something solid.

    xxxo

    your loving daughter 

    your loving daughter
    Letter

  • Helen Back for Beer & Foosball

    Having a great time
    going to Helen Back
    for some beer & some foosball
    with the locals. You
    wouldn’t believe their
    selection — may be
    here for a while!
    Prosit—

    Jodel & Suzey
    Red Handed