Odd how few poets emerged from the Second World War. The First World War produced plenty. Some, like Rupert Brooke, thought they were going to be Homeric heroes––he died without hearing a shot fired in anger, and is buried on the island of Scyrus, where Achilles hid among the women. Others—Charles Sorley, Wilfrid Owen, Siegfried Sassoon—tried to express the horror of the Western Front.
But the only poet I know of from the Second War is Keith Douglas. He served in a cavalry regiment that had only recently exchanged its horses for tanks. He wondered at the unconcern of his brother-officers fighting in North Africa. It seemed that their hearts were not in the Libyan Desert, but galloping behind foxhounds in the Shires: “It is not gunfire I hear, but a hunting horn.” Foxhunting with hounds, the sport of “this gentle, obsolescent breed of heroes, unicorns almost,” is this month being banned by a new and ill-informed law rammed through a spiteful British Parliament by dubiously constitutional means. English country folk are furious—all sorts of people, not just Keith Douglas’s unicorns. The ban has nothing to do with guns; in fact, shooting will be the crueler, less effective alternative to hunting with hounds. Nor is it a matter of animal welfare; everyone agrees that foxes must be controlled by man in order to maintain the balance of nature. It has everything to do with urban disdain for the countryside and the realities of the natural world. How can you legislate against terriers digging or dogs chasing rabbits?
The realities of nature are like tannin in red wine; too much is tiresome, but without them life is bland. Tannins are what give you the astringent taste in the middle of the mouthful. Until the early nineteenth century, there was thought to be only one type of tannin, the kind that can be extracted from the oak-apple, an unpalatable parasite of the oak tree, the size of a small brown Brussels sprout. In the Middle Ages, oak apples were used as an ingredient in the ink monks used to write manuscripts on parchment. Small boys would be sent round the hedgerows to gather the year’s supply in their frozen fingers. If you have ever sucked a fountain-pen nib (try anything once except adultery and Morris dancing!), you can imagine how bitter this tannin might be.
In fact, different types of tannin are present in all sorts of emulsions of foliage. You can taste it in tea. No doubt there are tannins in the frothy tisane of autumn leaves that drifts on the surface of the Mississippi downstream from St. Anthony Falls after the snowmelt each year.
There are pleasing tannins at the center of a very palatable red wine from the Rhone that I came across recently––I say palatable deliberately, because the tannins are most apparent when the tongue is rubbed against the roof of the mouth. This wine is the 2003 red Beaumes-de-Venise from Paul Jaboulet ainé (available locally for around fifteen dollars).
Beaumes-de-Venise is a pretty, Provençal town famous mainly for its sweet white wine, made from the Muscat grape, Muscat de Beaumes-de-Venise. Red Beaumes-de-Venise is made from Grenache and Syrah, the most popular grapes for red wine in the Rhône valley, and would go well with duck or goose or any red meat or powerful cheese. Indeed, I have seen it take on a haggis and win. (Wonderful thing, haggis––why do Americans not eat heart or liver or kidneys, especially kidneys?)
Two-thousand-three was a hot summer in the south of France. While hordes of Parisians roared along narrow roads during les grandes vacances and English visitors went to view the place where Peter Mayle lived before his books made it too popular for him to continue to live there, while no doubt some wistful souls went to see the ruins they read of in the charming tales of Alphonse Daudet, the country’s grapes ripened rapidly. Sugars developed in the skins; the sharper acids were muted. The wine that resulted is intense and ripely redolent of soft fruit and alcohol, as well as having the aforementioned tannins at its center.
Tannins ensure longevity. Drink a bottle now, and keep another for later, to see how the tannins mellow. This is intense enough to be wine for poets. One of the more eloquent Parliamentary defenders of foxhunting called her sport “our music, our poetry, our art.” There is certainly plenty of good hunting verse. God alone knows if any poet can make sense of the chaos that has been created in Mesopotamia by the politicians of our two great nations.
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