Author: rakemag

  • Letter from Modena >> Devil in the Details

    Apart from the usual stuff—saving four-leafed clovers, never opening an umbrella inside the house, throwing a broken mirror into a stream—Italians observe a mind-boggling array of superstitions. When I walk with Italians on the street, I notice many little tics and odd gestures. Most Italians have elaborate routines designed to bring good luck and avoid bad. As I add up all the possible pitfalls, I wonder how anyone can bear to step out of doors.

    If you don’t wear a scarf when it’s the least bit chilly, you will surely fall victim to the dreaded colpo della strega (the witch’s hit). You must watch where you walk. Some towns have an arco del cornuto (the cuckold arch). If you unwittingly pass under one, your lover will betray you. To undo the damage, you can try to squeeze between a couple carabinieri. These special policemen always walk in twos, reportedly one to read and one to write. (They are notoriously dim, according to the Italians.) If you walk between two nuns, however, it will have the opposite effect. You do not want to be on the receiving end of the Church’s holy anger. But your situation may not be entirely hopeless. You can find a cigarette butt still smoldering on the ground and stamp it out. This will transfer all the luck of the smoker to you. Also, accidentally stepping in dog poop is considered one of the luckiest omens of all. (Interestingly, this does not result in a tremendous rush to every little pile on the boulevard.)

    The Italian national pastime is not bocce ball. It is sitting around the dinner table for hours at a time. This is one of the most perilous things you can do. If you’re unmarried, never sit at a corner, unless you plan to stay single for the rest of your life. When clinking glasses, never cross arms with fellow toasters across the table, unless you have a death wish; making a cross means someone in the group is doomed. Never pour wine overhand with your wrist turned outward, or the recipient will be insulted. Also, make sure your guests’ glasses are filled before your own; however, you are allowed to sneak the last drop for yourself. This is an elaborate form of good luck that ensures romantic interest from guests with the opposite hair color. It goes on and on. Spilling the salt is bad; accidentally tipping over your wine glass is good.

    A recent survey reported that just under half of Italians believe in the evil eye. My students assure me those people are just gullible and scared. Then I notice some of the students carrying around a little pepperoncino (red hot chili pepper) to ward off evil. They tell me it’s just for fun and characteristic of southern Italy. It’s a little more difficult for them to hide it when they make the corna gesture. They stick out their pointer and little finger (like the American gesture for rock ’n’ roll) and vigorously point their fingers downward. This is a way to avoid being jinxed.

    I explain that, in America, we cross our fingers to prevent bad luck. The boys stand up and say, “In Italy, we touch our balls! Here, touch my balls for good luck! You must touch my balls!” I pass on the offer and should really change the subject, but I can’t help asking: “What do girls do?”

    The boys scramble to their feet, grab their pants, and yell, “Girls, too! They must toccate le mie palle!” Luckily, the principal doesn’t happen to be walking by the classroom. (That’s another thing. Just mentioning the name of the principal is bad luck and leads to failing a test.)

    The lesson has already digressed, so I ask my students to list all of their superstitions. Each requires commentary, however. Never wear purple on TV (“It’s true! No one ever dares risk it!”); if you get bat droppings on your head, your hair won’t grow (“It’s a myth, but I do always wear a hat at night!”); if you’re sweeping and you brush your shoes, you’ll never marry (“I insist my mamma always does the cleaning”).

    Now that they’ve explained their system of beliefs, I know why all the boys seem to be digging in their pockets with a look of fear each time they hear an ambulance or see a hearse go by. They don’t want to be next.

    In spite of myself, I’ve become more careful while living in Italy. I don’t pass under ladders, I never toss my hat on the bed, and I would never kill a spider (certainly not a seven-legged one). When Friday falls on the seventeenth of the month, I feel a new sense of dread. Like any true Italian, I don’t plan anything too important.
    —Eric Dregni

    Eric Dregni

  • Two good ideas for democrats

    The New York Times has had two good stories in the last two days illustrating what the Democrats need to do to get back into the good graces of the American voter.

    Yesterday a story about Hillary Clinton’s appearance Monday in front of abortion rights activists in New York told of Hillary’s conciliatory tone toward pro-life partisans. Clinton said, “There is an opportunity for people of good faith to find common ground in this debate.”

    What was extraordinary about the reactions to this statement was not the expected Republican outcry that she was trying to have it both ways, but the reaction from the pro-choice types, who greeted her overtures to the pro-lifers with silence, and later, thinly veiled admonitions that Hillary better remember where she stands.

    In today’s op-ed piece, Paul Starr points out an original notion of what when wrong with the Democrats–that, like in Roe v. Wade and the lawsuits to legalize gay marriage in Massachusetts, they have relied too often on the courts to further their agendas by ruling their desired results legal on constitutional grounds, rather than building a consensus of support that would solidify their positions with electoral majorities.

    As Starr and many other have pointed out, the judicially-oriented activism on gay marriage resulted in handing the Republicans a huge issue, and in 11 states (including decisive Ohio) the passage of anti-gay marriage referendums.

    And, even more damaging to their cause, the Democrats made sure that George W. Bush will be appointing the next generation of federal judges who will be doing the ruling for a long time to come. Oops.

    But try to make these conciliatory points sometime, like Hillary did, and the ideolologically pure Democrats are goint to have a hissy fit.

    But now the Republicans are even more beholden to an ideological radical wing than the Democrats. The party that can find its way to the middle ground of reason, compromise and consensus building is the one that’s going to prevail in the long run.

    And one place they should start is this war that Bush, Rice, et al. lied us into, and for which Gonzales wrote the playbook for torture. Kudos to Mark Dayton and the other Democrats who are opposing the nominations of Rice and Gonzales. That’s an issue the Democrats need to make their own–that war mongering and torture are inconsistent with the real American “moral values” that Bush ran on. Too bad so many Dems are so unwilling to oppose an African or Hispanic-American nominee that they won’t do the right thing and vote against these disgraceful shills for war.

  • Freedom to be free with the facts

    I get a semi-regular newsletter from a guy named Jim Crotty, one of the founders of the ultra hip Monk magazine. The one waiting in my inbox today was titled “Bush Throws Dems a Bone: Will they Fetch.”

    Crotty argues that the inagural speech “freedom fest” will set the bar pretty high for the Republicans. Bush, Crotty argues, has now committed his administration to a policy that more closely reflects the late pronouncements of Democratic softies like Jimmy Carter, i.e. that the United States should promote democracy and human rights in the world.
    When you realize that among our biggest friends these days (at least the biggest friends of the Bush cabal) are such vigorous defenders of Jeffersonian ideals as Saudi Arabia, Pakistan and China, you begin to wonder what the hell Bush is really talking about…other that again masterfully co-opting traditional Democratic issues.

    Crotty sees Bush’s pronouncements as a perfect opportunity for Democrats to call him to task–to actually hold him responsible for what he says vs. what he does. But, if we’ve learned anything in the past 4 years is that the Dems can’t hold anybody responsible for anything. What if, for example, they said something like this: “Bush said we started the war in Iraq because Iraq had WMD. Then he said Iraq sponsored terrorism. Then he said Saddam was a terrible dictator that had to go. Then he said Iraq will be an example to other Middle Eastern dictatorships of what freedom can be. Which is it?” Don’t hold your breath.

    Why is it that Bush can change his message at will and get away with it, yet the Dems can’t even get one message across with any consistency?

    Will the Dems hold Bush to his promise for the next four years? All I’d be willing to bet on is that the story will change a lot between now and then, but it will still being the Bushies doing the talking and the Dems wondering what the hell happened to their issue…again.

  • The Next Big Killer?

    Forgive me if I’ve been thinking about this a bit, but the reason I haven’t been blogging for the past 9 days is that I’ve been flattened by a flu-like malady. Believe me, next year, I’m getting the shot. I don’t care how many old ladies I have to trample.

    But it doesn’t seem so bad after reading up a bit on what could be in store for us. Now Forbes, the business magazine that bills itself as the Capitalist Tool, doesn’t seem to be high on the list of fear-mongering yellow journals. But this article is pretty damn scary.

    According to Michael Osterholm, the University of Minnesota epidemiologist, the avian flu now running around Asia could mutate into a virus that can be transmitted human to human, instead of only bird to human, as it seems to be now. If that happens, millions will die before any vaccine could be developed or distributed. Here’s more on that.

    So, what can we do in the meantime…other than pray? Well, we could mobilize on research and vaccine creation. But, as Vice President Cheney so aptly pointed out when the regular flu vaccine shortage came to light, “There’s no money in that.”

    If you’re wondering what this potential flu pandemic will be worth, though, the insurance companies have done some figuring for you. Here is that info, in case you want to start short selling your insurance stocks.

  • Guy Nelson

    Guy Nelson, Guy Nelson–someone please tell us why we’re stuck on this Guy’s name. He’s certainly making a splash at SooVAC, having filled its space–no mean feat–with a host of found-object sculptures and five large-scale paintings. We were drawn to the paintings’ mix of abstraction and primitive/cartoonish representation, along with their goofy titles and a great Pepto-Bismol shade that Nelson seems to favor, but his sculptural provocations based around phalluses failed to strike a chord. (Do penises still shock the young folks?) What did resonate were works like the Dada-ish Inside a Supermodel’s Leg; and Sweet Jesus! a bust of the Son of God made from sticky red licorice that necessarily recalls Marc Quinn’s notorious self-portrait bust made from his frozen blood. Overall, the show is playful, but with a darkly humorous bite: HISSSS features a trike towing a cheerful garland of plastic flowers, among which stuffed rattlesnakes are hidden. 2640 Lyndale Ave. S., Minneapolis; 612-871-2263; www.soovac.org

  • Letters

    COUNTRY MUSIC RECONSIDERED

    It seems to me that Mr. Eisenbeis needs to listen to a little more country music before he tries to explain its popularity or lack of same [“It’s My Country…,” November]. In today’s music world, pop hardly exists, and no one can understand the lyrics of today’s rock. There is no longer any innovation in the instrumentation of rock, and country to a lesser degree suffers the same fate. The rock stars of today place themselves above their fans. Country musicians tend to embrace their fans, plus they are more educated than the majority of rock performers. Country performers know the value of attending and lending a hand at charitable events and autograph signings. While country produces a lot of junk, it also produces some great stuff. Country songwriters tend to write songs that reflect current trends, or objectionable practices. Take, for example, “Murder on Music Row,” a protest song against the mainstream country music establishment. Still, it became very popular and won a Country Music Association award as Song of the Year. Look at Alan Jackson’s “Where Were You (When the World Stopped Turning)?” Another Song-of-the-Year winner. Even the latest, very popular “Whiskey Lullaby” sounds as though it was written about an actual event in someone’s life and could very well have been. Songs like these make people stop and listen. Even young people. If you want to know the history of country music, you listen to country music. If you want to know the history of this country, you listen to country music. If you want to know the political climate of this country, you listen to country music. Mr. Eisenbeis seems to want to complicate the reasons for country music’s popularity. The reason is simple, really: The music is real, it is heartfelt, and the performers are honest. Even when they are being bad, they still remain loyal to their music and their fans. That is something that is rare, even in society as a whole, but it is still highly valued by most.

    Dale Butler
    Fridley

    CREDIT (& BLAME) WHERE DUE
    You guys must have spent too much time with Eric Utne, doing that cover piece [December]. So it’s no longer just about him, eh? Funny, you don’t act like you believe that. What? Check it out: In the photo caption on page forty. Here are the five people responsible for forming and developing and keeping the Utne Reader going. But four of them are unimportant. They are even unimportant today, years later. They don’t even have names. Shame on you, Rakesters. Just to help you (and I’ve never even been involved at the Utne Reader), without charge, I’ll help your identification process: [from left] Besides Jay Walljasper, Eric Utne, and Julie Ristau, the other people you did not identify are Barbara Mishler, who was the Utne Reader’s librarian for at least ten years, and Helen Cordes, who was one of the originals at UR and was there probably twenty years.
    Jon Schultz
    Minneapolis

    Our readers are frequently smarter than we are. Thanks for the help.–Eds.

    A TEA PARTY WITH UTNE
    I enjoyed meeting the man, Eric Utne of the Utne Magazine, in the December issue of The Rake. He and his magazine did a great service when they brought back the conversational salon movement. I bought the book Salons, and it all made such an effect on me that I started a conversational salon, and it is still going strong at Mad Hatter’s Tea House in St. Paul. I can’t believe it, but we have had one a week for over two years—poetry, open discussion, and guest speakers. Tea and cake always served. Such a civil thing, really.

    So the statement from your article, “the movement itself turned out to be short-lived,” is shortsighted. As Eric says, “the effects live on,” and we at Mad Hatter’s give thanks to him and the Utne Reader for helping a community and culture thrive through conversation. Thank you for the article.

    Patty Guerrero
    St. Paul

  • Okie Noodling

    You thought ice fishing was harrowing. Grotesque, fascinating, hilarious, and apparently true: In Oklahoma, there are folks who obtain catfish by reaching deep into the muck of the river and yanking those bad boys out by the jaws. Let’s say that again: These Okies reach into a hole, under a rock, underwater, find themselves a big ol’ catfish, stick a bare hand into its gummy maw, and pull it flip-flopping to the surface. It’s called “noodling,” or handfishing, and itÕs as bloody a mess as any sport could be. Meet several brave noodlers in this documentary, which features an instrumental score by the Flaming Lips, another offbeat (to say the least) Okie institution. 17th St. and University Ave. SE, Minneapolis; 612-331-3134; www.mnfilmarts.org

  • Birds in Art

    No, we’re not talking about those hunting-porn prints where big-chested mallards flash their downy underparts as they ascend from a dewy cornfield. This is more thoughtful, eclectic stuff—bird art for people who’d rather point binoculars than shotguns at our avian friends. Culled from a respected annual show at the Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin, it’s a vivid reminder of why artists have always loved the graceful lines, vibrant colors, and mythological import of birds. Sixty artists take the theme and fly with it in contemporary paintings, drawings, and sculptures, that, for casual viewers, will show a dignified side of the oft-belittled wildlife art genre. And for mourning-dove lovers and albatross aficionados, it’ll provide a fine wintertime diversion. 10 Church St. SE, Minneapolis; 612-624-7083

  • Hot & Cool: The Jazz Posters of Niklaus Troxler

    Swiss artist Niklaus Troxler knows exactly what jazz music looks like. It’s unembraceably big, it doesn’t hold still for a second, and it’s as colorful as an untended wildflower garden. The MIA recently acquired twenty-five of Troxler’s jazz posters, created for European jazz festivals during the sixties. How this two-dimensional medium can capture so much sound and energy is a successful demonstration of the impact of Pop and Op Art. With subjects as varied as Thelonious Monk, Elvin Jones, and the Sam Rivers Quartet, and with a host of bold experiments with style, color, and type, no two posters are remotely similar; they all, however, are riffing on the same theme. 2400 Third Ave. S., Minneapolis; 612-870-3131; www.artsmia.org

  • Minnesota Remembers

    There are so many photographs in the archives of the Minnesota Historical Society that you will never get to see even a fraction of them. There simply isn’t enough time in anyone’s life, and most are tucked away in storage, waiting only for someone on a research mission about fishing lore, or disappeared buildings, or fashion moments in northern climes. Now the Society has culled a few choice images from that vast collection to display at the swell “new” ruins along the Mississippi. A few of them are quintessentially Minnesotan moments, locked forever in black-and-white. Other pictures are so funny and urbane you won’t believe they were taken here. 704 Second St. S., Minneapolis; 612-341-7555