Blog

  • Miami Takes Out The Trash

    Let’s assume the news is true, and the Wolves are indeed, as is being reported by ESPN and other outlets, trading Mark Blount and Ricky Davis to the Heat for Antoine Walker, Michael Doleac, Wayne Simien and, perhaps most importantly, at least one future draft pick. This is a classic addition by subtraction deal. I have been arguing for Mark Blount to be renounced since the Garnett trade. He laid down like a dog after the all star break last season as blatantly as any human being in a Timberwolves uniform ever laid down. The emergence of Theo Ratliff as a viable force in the middle, the ability of Jefferson to slide over to center, and now the arrival of Doleac, a classic banger with a midrange J (who should ease the fear of unloading Juwan Howard if McHale isn’t done trading), made Blount irrelevant as a niche talent as well as dislikeable for his anti-industry.

    Ricky Davis likewise has issues, thoroughly discussed here and elsewhere on numerous occasions. He has a marvelous and multifaceted set of skills, and Miami is a good place for him to go, what with Shaq and Wade as the abiding 1-2 punch and a taskmaster like Pat Riley patrolling the sidelines. I suspect that trio plus Ricky’s impending contract expiration will give the Heat an invaluable, utilitarian third wheel. But in Minnesota, Pretty Ricky was destined to either be unhappy with his playing time or totally retard the team’s rebuilding efforts by hogging minutes and turning on the talent spigot whenever he felt like it, which has been about 60-70 percent of the time the past two seasons; just enough to engender a little faith and then dash it away.

    Put simply, good riddance to a pair that had about a 99 percent chance of hurting rather than helping the long-term prospects for this franchise had they stayed.

    The additions and the current situation are less exciting. To lose Blount, the Wolves essentially had to obtain Antoine Walker. I don’t know who is accurate here, but Shamsports.com has Blount and Walker both with contracts with team options for 2009-10, with Walker getting about $2 million more per season than Blount’s bloated deal. In his espn.com report on the rumored trade, Marc Stein claims that Walker has one year less if the option isn’t picked up. Walker is obviously more talented. While the salary situation is comparable to Blount, the personality issues are akin to Davis, in that when he’s Walker wants to play, he can be a generous and synergistic teammate–he was a key cog on Miami’s championship team throughout the postseason two years ago, and was a worthy complement to Paul Pierce for a few years of overachievement in Boston. But when ‘Toine doesn’t feel like playing D, he can sabotage rotations with disarming rapidity. And when he decides he’s going to launch anywhere from 6 to 10 treys in an evening, he can short-circuit an offense like nobody’s business. He also isn’t going to be doing jumping jacks over the notion of moving from glitzy Miami from a legit contender to the frozen tundra to nurture the nascent Wolves for the next two years. In other words, the Wolves may have traded two sure-fire problems for another, slightly more expensive, problem.

    The other two guys in the trade, Michael Doleac and Wayne Simien, are bangers, pure and simple, fulfilling Kevin McHale’s smashmouth recipe with copious amounts of elbow grease. How many 6-9, 260 pound guys does it take to box out the Western Hemisphere? McHale is trying to answer that question. On the plus side, the contracts of Doleac and Simien are both up at the end of this year (Simien has a team option).
    Last, but certainly not least, the draft pick, or picks, is crucial here. Even if Miami finishes well enough to make it up toward the end of the first round, it will ease the sting of the inevitable year Minnesota must fork over their own pick to complete the Cassell-for-Jaric trade.

    Final thoughts on this first take: Miami has entered the arms race for the Eastern Crown. Davis is both insurance for Wade, who is iffy physically, and a potentially potent part of the future in Florida, provided he can keep his head screwed on straight. If he contributes big, he can command a pretty nice deal at the end of the season, and Miami, who are already committed to $35 million for Shaq and Wade alone over the next two years, will pay it to keep the contention going.

    Meanwhile, this deal isn’t as much of a salary cap breather for Minnesota as you might expect–none actually, if you consider that Walker and Blount are a wash, and ditto RD versus Doleac and Simien.

    Finally, all this talk about a 2-for-1 trade to shed contracts wound up being a 2-for-3 trade that adds more bodies. Are more trades on the horizon (like Howard)? It would be nice to see this squad flip some of their extra pieces to Atlanta for one of the Hawks’ caddies for Acie Law, either Speedy Claxton or Tyrone Lue. If that doesn’t happen, well, would this squad renounce Antoine Walker? Because he’s the new contract albatross (nudging out Marko Jaric) on the roster now. I don’t think the other shoe has dropped yet.

  • North Coast: The Tasting Menu is Back

    My guess is, Ryan Aberle dreams of someday running a restaurant like Grant Achatz’s Alinea in Chicago, or Thomas Keller’s Per Se in Manhattan. For the time being, though, he’s the executive chef at North Coast in Wayzata. During the summer months, Aberle runs a high volume feeding operation, turning out Thai chicken wraps and bacon cheeseburgers and Caesar salads for the crowds that pack the dockside patio.

    When the leaves start to fall, and the crowds thin out, Aberle gets a chance to do something a bit more creative. He has already pushed his dinner menu about as far as a menu at a dockside restaurant can go, with dishes like Moroccan spiced rack of lamb, and Kobe beef short ribs braised in Guinness. But it’s his five-course tasting menu that really gives him a chance to show off his talent.

    The prix fixe offerings change every couple of weeks, but recent offerings have included starters of juniper-scented Kumamoto oysters with apple-smoked King salmon and yuzu beurre blanc or a lavender braised Angus beef cheek with Stilton and Yukon potato croquette and herb-poached cherries. Last week’s menu, which I tasted, started with a salad of mache with sesame dressing and duck prosciutto, accompanied by a crispy tempura-fried poached egg and a wedge of Cabrales cheese with honey, followed by a vanilla-scented squash and lobster bisque. These were followed by a lamb chop with spiced figs and a pickled fennel and onion slaw, and then braised boneless beef short rib with horseradish spaetzle, and a sweet and sour finale of mango poached in black vinegar with coconut ice cream and a butterscotch pudding.

    Not every course was as memorable as the first, but the overall batting average was pretty high, and it’s hard to beat the price: $35 for five courses, ($29 on Sundays), plus $20 for the optional flight of four 4-oz. glasses of wines (decent, not great) to accompany the first four courses. The new menu, which starts today, starts with kobe beef shabu-shabu, followed by monkfish Benedict, Tallegio “eclairs” and a pheasant confit cake with pumpkin coffee gnocchi and a spiced poached crab apple with hazelnut cream.

    The cuisine may be haute, but the setting and service are more casual – a long bar in the center of the dining room is ringed with at least 10 large flat-screen TVs, mostly tuned to sports channels, which creates an atmosphere a bit less refined than, say, the dining room at Cosmos or D’Amico Cucina. And our young server was friendly and attentive, but not as polished as her counterparts at other restaurants that attempt cuisine of this caliber.

    A six course $85 wine dinner featuring the wines of Cakebread Cellars on Friday, November 2 is sold out, but there are still a few places left for the second dinner on Saturday, November 3.

    North Coast, 294 E. Grove Lane, Wayzata, 952-475-4960.

  • King Corn

    corn.jpg

    Driving in any direction out of Minnesota, witnessing the endless rows of swaying stalks, it’s easy to get the feeling that corn is ubiquitous. You have no idea.

    The other night I got a sneak peek at a movie that will change how you feel about that drive. King Corn is a documentary film about one acre of corn … and destiny.

    Ian Cheney and Curt Ellis are two college chums who, during some typical post-college introspection, realize their mortality and how it may be linked to what they, and their generation, eat. So they pull up their East Coast stakes and move to Iowa to farm one acre of corn.

    From planning to planting to harvesting, the two guys ponder the impact of corn on our country: its dominance as a subsidized crop, its influence on the price of food, its prevalence in fast food, even its effect on the farmers that grow it. Some of what they find shocked me, like the fact that corn-fed cattle are responsible for 70% of the total antibiotic consumption in the US. I personally identified with their efforts to find food free of high fructose corn syrup (a hillarious scene when they try to make HFCS at home). Michael Pollan fans will not be disappointed.

    Coincidentally, both Cheney and Ellis have an ancestral link to Greene, IA, the small farming community that plays host to the film and the single acre of corn. To their credit, they never belittle the farmers or town-folk. Instead they invest themselves in the community, trying to find their own roots through local relatives and the honest work of raising a crop.

    While this film will be compared to Spurlock’s Super Size Me, I think it runs deeper. Instead of a sweeping and snarky attack of a corporate giant, Cheney and Ellis take the fight home, raising the hardest questions first with themselves. These aren’t preaching hippies out to condemn corn farmers, they’re burger-lovin’ college kids who actually care about the crop they’ve raised and where it ends up. They just have questions, and hopefully you will too.

    Right now, King Corn is in limited release around the country, but there are efforts afoot to bring it to the Twin Cities. The timing couldn’t be better, or more obviously planned, as congress is due to debate the Farm Bill for the first time in seven years.

  • Preseason Three Pointer: Scratching From Start

    1. Theo In the Pivot
    Let’s begin with some positive news, eh? Theo Ratliff, valued first and foremost for the $11 million he will take off the books when his contract expires at the end of the season, is alive and swatting, providing the best interior presence this franchise has ever seen, at least as long as this 34-year old seven-footer fresh off a 44-minute 2006-07 season due to a bulging disc in his back can remain healthy. He had four blocks and 5 boards in 20:53, and the ballclub has a totally different feel when he’s patrolling the paint. Coach Randy Wittman says if it was a regular season game rather than a warm-up during tonight’s 95-106 loss to the Pacers, he would have gotten more burn. Against large opposing front lines, it’s possible we’ll see 28-35 minutes from Theo, for as long as it lasts, and probably half that when teams go small and quick.

    Who expected this when the blockbuster KG trade was made?

    Now, the cavaets. As much fun as it is to watch a legit panther-poacher looming around the hoop, Ratliff is almost destined to break down if he gets the kind of playing time his current upside merits. And even if he doesn’t, will it help the Wolves’ grand rebuilding to rely on a guy who will almost certainly be either retired or toiling for a contender as the 2009 version of Mutumbo or Mourning? Probably not. But this is the equivalent of Eddie Griffin on blocks, without EG’s emotional seesaw, screwy shot selection, or clueless pick and roll D. So let’s savor the tastes we get this season, some rare sweetness amidst the tart and tough rebuilding campaign.

    2. Ricky At the Point?
    The best stretch of play for the Wolves vs. Indiana was when Witt threw Ricky Davis on Pacers point guard Jamaal Tinsley in the third quarter. In the first quarter, Pretty Ricky languished while Mike Dunleavy sped to the corner to receive a pass and bury a trey en route to an 8-point first frame. And he committed five, count ’em five, turnovers, compared to just one assist in those opening twelve minutes. But matched against Tinsley to start the second half, Davis naturally rose to the challenge. Thus engaged on defense, he also doled out five dimes (versus just two turnovers), four of them to pivotmen in the paint (three for Al Jefferson, one for Ratliff) and one out to Marko Jaric for a trey.

    After the game, I asked Wittman why–if Davis is going to lead the team in assists (he did tonight with seven) and guard the point guard in crucial stretches, and if Minnesota is already without a pair of points in Randy Foye and Sebastian Telfair, resorting to Greg Buckner as the backup to Jaric–he doesn’t officially make Davis the part-time point guard. The coach essentially answered that it takes a lot out of Davis and robs the Wolves of Davis the scorer at shooting guard.

    Bah. If anything, I worry about the Wolves relying on Davis too much this season, as he and Ratliff provide a double boost of contract expiring glory on their way out the door. Hey, if you’re playing Greg Buckner at the point and you’ve got last year’s assist leader more poised and primed when he’s guarding the point and controlling the rock, who cares if his minutes get cut? Isn’t that a good thing; easing the sting on RD’s ego and opening up time for the young’uns who are expected to carry this franchise when Davis takes his yo-yo show on the road to some other teased out sucker next season?

    Meanwhile, point guard remains the biggest obstacle to this squad reaching 30 wins. Maybe Randy Foye will become The Most Improved Player in the NBA, as more than one national magazine has predicted (albeit some of them fantasy-oriented stat-freak pubs). But right now he and Telfair have lost two-thirds of the preseason games to injury and you have Al Jefferson filling the Garnett role of barking loudly at Jaric in the second half of last night’s tilt. The Strib’s Kent Youngblood asked Jeff about it after the game. “We’re just playing ball,” Big Al replied diplomatically. But stick another small shiv in Jaric’s chances of getting a lot of point guard time when Foye and Telfair are healthy. And let the team’s best passer and largest potential malcontent run the squad every now and then to keep his focus up and his mood chipper.

    3. Gomes, the New Glue
    Ryan Gomes didn’t have a very pleasant first half, especially a horrid stretch in the second period when Danny Granger got in a rhythm and burned a guy most of us expect to play stolid defense for a bevy of quick baskets. But come the fourth quarter and the chance to log time at power forward beside Jefferson instead of chasing Granger around the perimeter, Gomes put on a nice little understated show, canning 5 of 7 shots, grabbing three rebounds and dishing two assists–all team highs for the period, and all done with an economical anti-flourish that is destined to make Gomes a purist-fan favorite.

    Like Theo and Davis, Gomes has an expiring contract, and an appreciative mass of fans who saw his handiwork the previous two seasons back in Boston. That’s the franchise with three stars and a great need for a large swingman with glue-like qualities. So let’s hope this isn’t merely an appetizing rental.

  • From the Lips to the TV

    SPECIAL EVENT
    In The Loop Story Slam

    Enough of this passive observation. It’s time to dive right in and get involved. Get out those great ideas and “guts” this evening, so you can share a story with the world. In The Loop is hosting a Story Slam. You bring your best story; they’ll supply the microphone, the audience, and five minutes. Sign-up before 7:30 pm, and be ready if your name gets pulled from the hat. Tonight’s theme is “disguise.” And if you tell a good tale, you might just end up on the radio. Jeff Horwich is hosting, and he’ll be joined by In The Loop’s house band, The Smarts.

    7:30 p.m. (doors 6:30), Suburban World Theater, 3022 Hennepin Ave., Minneapolis; 952-471-9500; $6-10 (pay what you can).

    ART
    Jade Townsend: Born Between Piss and Shit; Kristina Estell: Cover

    jade.jpgDespite limited hours, Art of This is becoming an important place to visit; these two very different installations show the range of the gallery. Jade Townsend is an Iowan who passed through Minneapolis at one point and now works in New York, where his crisp and often funny-though-harrowing building installations have gotten good reviews. Razor wire, all-white interiors, holes in the wall, some contradictory emotional play between humor and horror: familiar stuff but interesting in person. Kristina Estell, by contrast, produces emotionally distant but evocative and sensual installations based on the overwhelming presence of water and rock in her current home, Duluth. –Ann Klefstad, artwork: “Hey Hey Woody Guthrie I Wrote You A Song” by Jade Townsend

    5 p.m. to 8 p.m., Art of This, 3506 Nicollet Ave., Minneapolis, 612-721-4105.

    BOOKS
    Jeffrey Harrison

    3070627351.jpgIt’s always a good thing when poetry offers surprises. (It’s rarer than you might think — if in fact you think about poetry at all.) It’s also a good thing when poetry offers lucidity, music, and mystery in something like equal measure (also rarer than you might think). Jeffrey Harrison’s poetry offers all of those things with impressive regularity. The Singing Underneath was selected by James Merrill for the National Poetry Series in 1987. And since then, Harrison has had a very nice career, at least as far as careers in poetry go, with scads of prizes, fellowships, and teaching gigs, and the publication of his poems in such esteemed periodicals as The New Yorker and The Paris Review. His fourth book, The Names of Things: New and Selected Poems, was released last year, and we’re assuming that, like many poets of his stature, Harrison has a small but ardent cult of admirers. We’ll also assume that the rest of you have never heard of the fellow, which seems like a shame. –Brad Zellar

    7:30 p.m., University of Minnesota’s Walter Library, the Upson Room, 117 Pleasant St. S.E., Minneapolis; 612-624-0224.

    MUSIC
    George Avaloz

    George A Red Shirt copy.jpgGeorge Avaloz may have grown up in St. Paul’s West Side, but his drumming has toured the world. He has played with Count Basie, Duke Ellington, Sarah Vaughan, and Quincy Jones (which pretty much tells you all you need to know), and he even pulled a ten-year tour of duty with Billy Eckstine. Avaloz is among the best timekeepers and musical interpreters of the glory years of bebop and ballad jazz. Don’t miss out.

    9 p.m., Artists’ Quarter, 408 St Peter St., St.Paul; 651-292-1359; $5.

    TV
    Chef Fogarty Behind the Scenes

    When the Food Network came to town to shoot an episode of Dinner Impossible, they turned to new Napa Valley Grille Executive Chef Matthew Fogarty for support. Fogarty helped Robert Irvine find food and supplies for a Mall of America dinner for 250 people who had worked there for 15 years. The episode is called “Mall Madness“, and you can see it tonight (9 p.m. and midnight) on Food Network TV.

  • The End of Road Salt?

    Tired of road salt rusting your car and ruining your shoes all winter? We might have another solution.

  • Clinton Rakes in Minnesota Money

    According to MPR, Bill Clinton’s recent visit to Minnesota proved lucrative for Hillary’s campaign.

  • World Series Preview

    Fresh off bad predictions in both league championship series (hat tip to Brad Zellar over at Warning Track Power who called both right), I’m not going to be cute or even especially original in calling the BoSox winners in six games or less. Here are the top two reasons why.

    * Patient hitters
    This was one of the few things I did get right about the Cleveland-Boston series. The ability of Red Sox hitters to wait for Fausto Carmona and CC Sabathia to consistently throw tough strikes–and the inability of the dual aces to do so–was the single biggest factor in the Red Sox triumph. There isn’t a team in baseball with a string of batting eyes connected to dangerous bats that ranks with the Youkilis-Ortiz-Manny-Lowell quartet. They played ropeadope with CC and Fausto and watched the pair wear themselves out and finally concede hittable pitches.
    The most amazing thing about the Colorado Rockies unbelieveable 21-1 record the past month has been the success of their starting rotation behind ace Jeff Francis. But Rox manager Clint Hurdle (who with that name should be a member of Sgt. Fury and his Howling Commandos) knew he couldn’t get away with *two* rooks in the rotation facing these Red Sox, and thus activated opening day starter Aaron Cook to go in Game Four. Yes, Cook has immaculate control, walking just 15 hitters in 166 innings this year and less than 60 in more than 700 innings over the course of his career. But Cook hasn’t pitched in a real game since August 10. He’ll be rusty. And the Sox will be ready for him. Meanwhile, Game Two starter Ubado Jimenez is a good-looking rookie, but walked 37 in 82 innings during the regular season and another 8 in just 11 innings during the postseason. Think he’ll get through the Sox Murderer’s Row more than twice in any game he pitches? Me neither.

    * Colorado’s Long Layoff
    The last thing a team in the middle of a don’t-pinch-me run wants to do is remain inactive for more than a week, but that’s what happened when the Rox swept Arizona and Boston needed the full 7 to dispose of Cleveland. Throw in the home field and postseason experience advantages enjoyed by the Sox and there will be enormous pressure facing Colorado during the first two games at Fenway.

    Of course if Colorado wins one or both–meaning if Francis can topple Josh Beckett and/or Ubado can reign in the strike zone without damage in the second tilt–the long layoff thing, and the experience thing, and the home field advantage thing all go out the window. If Colorado wins two, even the fabled grit of the Red Sox won’t recover. If Colorado splits the first two, this will be a hell of a series. And if you want to root for the Rockies, here are a couple of silver linings.

    No DH in Colorado. That means either Ortiz or Youkilis or Lowell must sit. Yup, the consensus best clutch hitter in the game, a guy who had a 1.500+ OPS in the ALCS, or the team leader in rbis. Personally, I’d send Youk back to his old spot at third, play Ortiz at first, and hope that the slight drop in D translated into continued magnificence for the pair at the plate. On the other hand, you could argue that there is no better pinch hitter than Youk, the best of the great batting eyes, in a tight game with runners on base. And that gives you the upgrade of Lowell at third. Either way, I don’t think you can sit Ortiz, even against the lefty Francis. But I can envision Ortiz hitting a double late in 7th, 8th or 9th of a close tilt, getting Ellersby or Crisp as a pinch runner, and throwing Youk at first for the rest of the game.

    Also, don’t underestimate the Rockies hitters versus the Sox hurlers. I made this mistake before, proclaiming Brandon Webb would tame them. Beckett is a money pitcher, but Curt Schilling is getting by on guile, not a good idea facing the likes of Tulowitzki/Holliday/Atkins/Helton and Brad Hawpe, who absolutely destroys right-handed pitching. Furthermore, can Dice-K pitch at Coors? Will the thin air hurt Okajima’s overhand breaking balls and changes of speeds?

    Bottom line, great pitching trumps great hitting, and that is spelled Beckett. And patient hitters can eat up good-stuff pitchers who either are a tad wild (Jimenez) or rusty (Cook). That and the pinched Rockies waking up to the fact that they’re in a World Series is why I am going with Boston.

  • Stranger in a Strange Land

    UrbanEye, a New York Times email newsletter, is meant to be a daily
    aid in deciding “what to see, eat, do and wear in New York City.” It is
    useful for the infrequent visitor to New York to know what he is
    missing when he isn’t there. Since discovering the newsletter, I’ve
    devoured the theater and art suggestions in particular, and made notes
    in my Moleskine of what to see when I make my semi-annual sojourns.

    I pay no attention, however, to the “what-to-wear” pretensions of
    UrbanEye. Those sartorial suggestions are infrequent—and only implied
    within the gallery, theater, and music listings. I should have perhaps
    taken the hint, though, by the very fact that fashion is mentioned in
    the “sell line” for the email sign up, that how you present yourself,
    even when at leisure, is more important in New York than here. (I could
    have also picked up that idea from my daughter, who was home from New
    York for a few days during a school break recently and brushed off her
    mother’s offer to pay for a haircut with, “Mom, I get my hair cut in
    Manhattan.”)

    This insensitivity to fashion is how I ended up at the Armory Show in
    ill-fitting Nautica jeans from Costco and a faded hemp shirt I once
    bought in Duluth because I was cold and had forgotten my jacket.

    The Armory Show is an annual assemblage of art galleries from around
    the world. Art is flown in from Tokyo, Vienna, Berlin, Paris, London,
    Milan, Madrid, Tel Aviv, and San Francisco and displayed in one place
    for New York collectors to be led around by experts and told what to
    buy. (At least that’s what happens according to the Times, which ran a
    recent front-page story about an arriviste collector from Florida who
    required “introductions” to the galleries in order for them to allow
    her to spend a quarter-million dollars of her money.)

    As I walked around the show, I realized that I was indeed dressed as if
    I had originally set off for a day in the swine barn at the Minnesota
    State Fair and had somehow gotten off at LaGuardia Airport instead of
    Larpenteur Avenue. As I browsed among stylish New York men in their
    draped Italian suits or five-hundred-dollar jeans, and the
    coiffed-and-coutured women on their arms, I unintentionally began to
    focus my gaze more on the attendees in the halls than the art on the
    walls. I pulled out my notebook and scrawled a reminder about my next
    visit: “In NY, wear BLACK jeans.” As I closed the book, I looked up and
    saw coming toward me an attenuated young man in pegged black jeans and
    a skin-tight black silk turtleneck. Setting off his wardrobe were his
    goatee and fringed hair—both of which had been bleached to a degree of
    whiteness only dreamt of by Gwen Stefani—and a set of platinum dog tags
    which seemed to mark him as a brand-new second lieutenant in some fey
    ninja army.

    I opened the notebook again and added, “Put The Devil Wears Prada on Netflix list.”

  • Jade Townsend: Born Between Piss and Shit; Kristina Estell: Cover

    Despite limited hours, Art of This is becoming an important place to visit; these two very different installations show the range of the gallery. Jade Townsendis an Iowan who passed through Minneapolis at one point and now worksin New York, where his crisp and often funny-though-harrowing buildinginstallations have gotten good reviews. Razor wire, all-whiteinteriors, holes in the wall, some contradictory emotional play betweenhumor and horror: familiar stuff but interesting in person. Kristina Estell,by contrast, produces emotionally distant but evocative and sensualinstallations based on the overwhelming presence of water and rock inher current home, Duluth.

    Art of This, 3506 Nicollet Ave., Minneapolis, 612-721-4105.