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  • The Judy Holliday Experience

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    Adam’s Rib, showing tonight at the Walker’s Summer Music and Movies in Loring Park.

    Tonight, when you go see Adam’s Rib, pay close attention to Judy Holliday, would you? Judy Holliday, the not-so-bright blonde, butt of jokes, with the fluttery voice and look of kindness and near-despair. She’s a fool, no doubt about it. The dopey girl who has to quickly thumb through a manual to fire a gun at her no-good husband. Who talks like a Brooklynite in the worst way. Judy Holliday, playing the poor gal who seems lost on the witness stand, but firm in her love of her family. Judy Holliday, who picks up this fantastic film and hoists it on her narrow shoulders. Make no mistake about it: while Kate Hepburn and Spencer Tracy have never been better, while they’re the brains of this marvel, Judy Holliday is its beating heart, is its pained soul.

    Rumor has it that Kate and Rib director George Cukor and writer Garson Kanin conspired to cast Holliday in the role of the dopey blonde to show Columbia mogul Harry Cohn that she was just right to play the lead in the movie version of the play Born Yesterday. She won an Oscar for that role, which put her on the map. Unfortunately, the map was Ditzville, a role she couldn’t escape… for a time.

    But Holliday was smart. Compare her to Jean Hagen, the gal Holliday’s husband is running around on. Now I like Jean Hagen–she’s screechy and wicked and perfect in Singin’ in the Rain–but she’s one note, very simple. Holliday is simply brilliant. Watch her in the first interview with Kate Hepburn in Adam’s Rib, the way she is confused and yet confident within herself, correcting Hepburn on a number of occasions.

    When Hollywood, in its brilliance, thought to keep her pigeonholed as the ditz, Holliday went back to Broadway and started again, taking on more ambitious roles, flexing her muscles.

    Then breast cancer took her at age 43. So instead of a career that might have taken off in a variety of strange angles (who knows what the following decades and directors would have done for her?), Judy Holliday was gone. Too soon.

    So tonight, if you decide to visit Loring Park to watch this sweet little picture, pay attention to Judy Holliday. She is still staring at us, imploring us to pay attention to her character’s plight, still drawing our attention away from the circus in the courtroom, to the woman who has to go home to her kids each night.

  • Motivation

    I was on eGullet the other day and I found this site where you could make motivational posters, like the kind with cheesy moonscapes and sailboat pics above “inspirational” and “pithy” sayings.

    I’ve created these for you:

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    Check out the others from eGullet food crew.

  • Lady of the Rib

    Only worthwhile happening tonight: the music and movies in the park event, this time with Vicious Vicious and a certain flick called Adam’s Rib. The new film playing over at the Bell is interesting–a documentary called Beauty Academy of Kabul, about women studying cosmetology in post-Taliban Afghanistan.

  • Living Through

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    Those days were an iron wagon loaded with rocks that we dragged through muddy fields with our teeth.

    You were a magnificent burning boat that would not sink.

    We were as prepared as anyone could be who was facing a long night like that. We had, at any rate, been preparing for it for decades. There had been tests –test after test, many of them grueling and sprung on us almost completely unawares– and drills and close calls and false alarms.

    We were all familiar –achingly familiar– with that urgent walk through the darkness and humidity of nights just like this one, from which we’d finally emerge, perpetually stunned and blinking, into those long hallways of brutal light and blinding white walls, into the maze of that place, a maze that seemed constantly to be shifting and expanding and spiraling ever higher.

    On nights like that, that building, that complex, would feel as vast and silent as a library in the worst and most inscrutable sort of nightmare, yet there were reminders everywhere of what the place was up to and how crowded it was with battered pilgrims in all manner of distress.

    It was always astonishing to me how a place so full of suffering could be so hushed. The rising and falling of helicopters was a dull thrumming that you felt mostly in your feet. The hallways were zealously lacquered to such a sheen that you’d find yourself almost tip-toeing like a cat burglar to avoid the squeak of rubber or the clatter of heels.

    Sometimes, like that night, that morning, it felt like a holy place. There were saints everywhere, plaster mostly, with disturbingly abject or imploring looks on their faces. The image of Jesus strung up on the cross repeated itself again and again; again and again you encountered the grief of Mary.

    Most of the sufferers, hidden away behind white doors with whispering pneumatic releases, were in the hands of the most reprehensibly competent sort of unbelievers.

    That night, that morning, you were somewhere in that maze, wired and plumbed like a man who was going to be electrocuted and saved in the same instant.

    We knew when we once again retraced our steps that morning that this time we would not be coming back for you. We knew that you were ready, even if we were not, for a long journey for which you would require no shoes, no wallet or driver’s license, no comb, razor, or shaving cream, none of the things, in fact, that we would carry away with us in plastic bags.

    You and I had driven across the country together, east and west, and across Canada. We’d sat in the bleachers at spring training ballparks. You were always so happy, so eager, so utterly prepared to be amazed.

    Now that’s a pretty swing.

    That is one beautiful bird.

    Isn’t that something?

    We stood together one night on a dark beach in Florida, where astronauts had recently been blown from the sky. We saw the lights of boats in the distance, trolling still for wreckage. You shook your head and said, “It’s hard to even imagine,” but you were already a marked man, and the way you said it I could tell that it wasn’t, in fact, so hard for you to imagine at all.

    If you could see me now –and I like to think that you can– you’d know that I’ve already lost so much of what you gave me.

    (Four short years.)

    (Four long years.)

    And you’d know –I know you know– that I’m going to get it all back.

    I hope that your voyage, wherever it has taken you and whatever it has entailed, has been as eventful and full of wonder as the life you lived, and that the muffled clanging of that battered bell you lugged around, rattling behind your ribcage all those years, is now just a receding memory. I like to imagine you’ve seen some astonishing things, and that you are living now in some version of one of the old comfortable stories that you believed in so passionately.

    It gives me pleasure to think that you are at peace, and even greater pleasure to know that you lived, so fiercely, so gently, and that you were mine and ours, and that I belong to you still, and always.

  • Edible Weekend

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    Corn With The Wind by Mark Hess

    I feel a tasty weekend coming on….

    Do you know what’s great about Irish Fair? It’s the names of the food vendors. FatHead Brennan’s Pie Shop will stuff you with cheese and onion pie. Tussie’s Tea & Sweets will settle you with a dense scone. The Ancient Order of Hiberians are not as frightening as they sound, and they sell lemonade for gosh and bi’garn. Don’t forget to tip back some Finnegan’s Irish Amber and contribute to society while you’re doing it.

    Pizza Luce is seriously a pizza pioneer in the Twin Cities, I’m sure I don’t need to tell you that. I still remember my first post-Danceteria slice from the Luce on Fourth St., it might have been the first time I realized that artichoke hearts had a place in this world. This weekend, celebrate the good life at the Pizza Luce Block Party in Uptown. Live bands, frosty beer, beautiful ‘za.

    August and September are the best times to go to weekend markets, people. It’s the harvest remember? This Saturday, the Mill City market is hosting a spectacular, spectacular Trout Fest. Local giants Tim McKee (La Belle Vie), Lenny Russo (Heartland/Cue), Jack Riebel (Dakota) and Jim Kyndberg (Bayport Cookery) will whip Star Prairie Farms trout into all sorts of crazy dishes. And you can pick up some freshly harvested veg to round out your plate.

    On Sunday, my little hometown burg will throw it’s umpteenth Corn Days festival. When I was a kid, I used to bike up to the church and help shuck barrels and barrels of corn the night before the shindig. My sister was a Corn Princess in the 80’s and nothing will top the year I won $50 at bingo, and spent it all on snow cones and mini-donuts. Sunday I’ll drag my kids to my old neighbor’s yard to watch the parade, be pelted by candy, and giggle when the horses poop on the road. Then it’s an afternoon of beer and fresh sweet corn, $1.50 for all you can eat.

  • Kiss This, Connecticut Voters

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    W, you’re a much better lover than Hadassah

    “If we just pick up like Ned Lamont wants us to do, get out by a date certain, it will be taken as a tremendous victory by the same people who wanted to blow up these planes in this plot hatched in England,” Mr. Lieberman said at a campaign event in Waterbury, Conn.

    This via the NY Times this morning, from a stump speech made yesterday by Joe “Swift Boat” Lieberman yesterday.

    Just remember: those of you who think that the Iraq war was wrong may as well carry those bottles of explosive shampoo on the plane yourselves, because you are helping the terrorists. All you majority of Americans who hate America, don’t forget to vote for Democrats, because, well, isn’t it clear by now? They hate America, too.

    Does anyone else find it strange that those who claim the terrorists hate us because of our freedom get so upset when we exercise some of that freedom to turn out one of the idiots who got us into this mess?

  • Find me inspiration, Friday…

    I really wish I could say I liked The Man Show. In fact, I expected to like it, and even spent some energy, before ever having seen the thing, imaging what flattering things I might say about it. I expected it to be one of those things that jolted me out of my south Minneapolis comfort bubble. Because, first of all, the show plays in an outlying suburb for heaven’s sake! (And I grew up in an outlying suburb…) And second, the audience is completely different than what it is at, say, The Jungle–it’s more middle American, less likely to go out afterwards so that they can smoke cigarettes, drink wine, and argue with their friends about what they’ve just seen.

    It’s no fault of Stevie Ray (the one-man performer in The Male Intellect), but this show just isn’t very funny. The script is based on predictable Men-Are-From-Mars-Women-Venus jokes that mostly fell flat last night. And that’s all the nastiness she wrote, because the experience was otherwise swell. The Chan serves up a damn fine margarita and walleye! And the company’s good, too–and by that I mean the folks who were sitting next to me last night (my party of two was seated family-style).

    Onward to the weekend before us…

    Here are the Fringe shows I plan to see:
    Dancing Rats and Vampire Moms
    How To Cheat (As previously noted)
    The Depth of the Ocean, a show staged in the pool at the downtown YWCA. How neat!

    I’ll be spending the better part of my weekend fringing… But if you’re not into that sort of thing, there’s also the Coral Lambert: Iron Pours show opening at Gallery 13 and the This Side Up cardboard exhibition at Creative Electric Studios. There’s some cool happenings associated with Tekween, a festival dedicated to exploring visual art by local Arab artists. There’s the Bike-in At The Bell. And, down in Rochester, there’s the Headphone Festival–which sounds worthy of a road trip, if I do say so m’self.

  • Someday

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    –Image copyright Rocky Schenck

    Right now, right this moment, you’d like nothing better than to sit staring at the splendid moon floating in a shallow cloud-saucer of skim milk right outside your window. There’s a nice breeze, and surely memories are moving on it. Pleasant memories, I’ve no doubt, if you could manage to sit still long enough to investigate them.

    You don’t have time to sit still, but you should find the time. Because you should know this: it’s creeping up on you. One day in the hardly distant future you’ll go to sleep or you’ll fall down and you’ll never get up.

    If you’re lucky, you’ll end up aboard a slow boat going up some fog-swept river in light that looks like late autumn dawn. It’s just that there won’t be any sun rising, no moon, no planet beneath your boat, no bottom to the river.

    You’ll get used to it. Trust me: You’ll be in a better place. Your days in front of the television will be over, but you won’t even notice that. So many of the things you think you’d miss you won’t even remember.

    I have it on good authority, though, that you’ll still remember plenty of good things; it’s just that for the most part they won’t be anything full-blown or fleshed out.

    You’ll get little touches and taps from that old place you once inhabited with so much desperation, joy, confusion, or whatever; the feel of someone’s hand touching the small of your back or brushing the hair from your forehead; a finger tracing your closed eyelids or your lips; your legs tangled up with those of another; a whisper at your ear, the bark of an almost recognizable laugh, and the sensation of your nose right up against the back of a sleeping dog’s ear.

    Once a year, on a fine day in the spring, you’ll see clearly something or someone precious, and you’ll be allowed to shed real tears for the life you left behind. It’s a sort of holiday in that place, and most people learn to look forward to it.

    The rest of the time, I’m pretty sure, you’ll feel perfectly contented.

  • Here I go to The Man Show

    Today’s the big day I get to go see The Male Intellect: An Oxymoron? Although I very much plan to let loose and open what can often be a very closed mind (on account of a certain artistic snobbery), I’ll be sure to report back with a critique. The only bummer is that I would’ve liked to go see How To Cheat, a Fringe show that’s getting great buzz. But that show plays again on Saturday.

  • Fringe Festival: Borderlines

    I saw a great Fringe show last night–Borderlines, which was, far as I could tell, a meditation on bureaucracy, national security, and red tape. Think airline security and INS folk scrutinizing an innocent enough international marriage. But the funniest part was the physical presences of the five performers who got to play the inefficient pencil-pushers. These guys had donut-induced potbellies (one donned an Amy Sedaris-style fat suit), and they even spoke an indecipherable form of acronym speak. It was pretty hilarious. And it was a little eerie for someone who once worked as a cog for a giant organization. This show is highly recommended to anyone with a spare fifty minutes and twelve bucks–especially if you flippin’ hate filling out forms and standing in line!

    And this other thing (similarly filed under zany art): Does anyone know if that, ahem, Williamsburg flotilla finally set sail yesterday afternoon, per plan C, D, or maybe it was E?