Blog

  • Seth Kantner

    In the continuum of outdoors adventure and nature writing, the truth lies somewhere between Jon Krakauer’s Into The Wild and a Dick Cheney “pheasant hunt.” Seth Kanter’s Ordinary Wolves is a striking debut novel that does a nice job of reproducing the hardscrabble realities of native life in Alaska without getting stupid or softening the blows dealt by Mother Nature in such an unforgiving environment. There is much romanticism about life off the grid, but without an understanding of crucial realities—exposed fingers in hundred-below weather will die in ten minutes; they can be warmed in the entrails of a freshly killed moose—it is sentimental, needlessly tragic, or both. Truth sometimes works better as straight facts rather than maudlin analysis; Kantner’s approach is as honest and simple as the windchill. Galleria, 3225 W. 69th St., Edina; (952) 920-0633; www.bn.com

  • David Sedaris

    It’s painful to admit, but we avoided reading anything by David Sedaris for years. Mere text would feel inadequate, we felt, without the downbeat timing, wry tone, and steady marksmanship that put him and This American Life on the map. We’re way over that now, but we still take live Sedaris when we can get it. The expatriate elf has pledged to read from his new collection, Dress Your Family in Corduroy and Denim. His listing at Amazon.com may have inadvertently supplied the title for a sequel: Customers interested in Dress Your Family in Corduroy and Denim may also be interested in Liz Claiborne Woman. Coffman Union, 300 Washington Ave. S.E., Minneapolis; (612) 625-6000; www.bookstore.umn.edu

  • Helen Fielding, Olivia Joules and the Overactive Imagination

    No matter how successful the Bridget Jones novels have been, we can hardly blame Helen Fielding for wanting a change of pace. And so, for now at least, she’s left behind her droll sendup of chick-lit and Pride and Prejudice for a droll sendup of James Bond. Her new heroine is a reluctant fashion reporter who stumbles onto an Al Qaeda plot while covering the launch of a new face cream, and winds up working for MI6, who outfit her in perfect Q style with such spy gadgets as a beweaponed push-up bra. Fighting international terrorism and jetsetting among Hollywood, Cairo, and Honduras, Olivia lives in a far more glam world than Bridget, but luckily, Fielding has changed none of her warm and witty style. Those in search of light beach reading with at least half a brain, look no further. (Available June 3)

  • David Foster Wallace, Oblivion: Stories

    When Dave Eggers is finally critically keel-hauled and goes under the waves for the last time, David Foster Wallace will no doubt be safely on shore, pounding out another in his series of post-modern works of actual genius (or at least magnificent failure). Oblivion is Wallace’s first fiction in five years, though he’s still best known for 1995’s Infinite Jest, a novel the size of a telephone book which many people actually finished (or claimed to). Most of the short stories in Oblivion, Wallace’s third collection, are as finely wrought as Infinite Jest was grandiose. Yuppies, ad agencies, and Orwellian sleep clinics are the suspects this time, and Wallace rounds them up with authority. (Available June 8)

  • Wine, wine, wine! Attitude Adjustment

    The other day a student asked me to name my favorite building. I had no hesitation. “Exeter Cathedral,” I said. There is plenty of magnificence: creamy, glowing stone, the longest medieval Gothic vault in England (possibly in the world), a forest of columns branching upward. But this place also has an unintimidating intimacy; while it lacks the astonishing height of French medieval cathedrals, it has a measured, welcoming breadth. If you don’t believe me, try the pictures at www.exeter-cathedral.org.uk.

    Don’t miss the details. The carving underneath a seat of a fourteenth-century elephant with cow-like cloven hooves; the corbel carvings of the master mason Roger and his dog. And the owls. My mother, who grew up in the shadow of this great fane, would spend wet afternoons with her sisters in a tiny chantry counting owls. A bishop called Oldham (friend of Erasmus) lies buried there and his coat of arms bears three owls (Oldham/Owldom, geddit?). The sculptor who decorated the walls had taken the pun to an extreme, and the girls were able to find at least forty-three owls—small, wide-eyed, often well concealed in corners. In 1942 someone told my mother that the cathedral had been razed by aerial bombardment. She walked round all day in a daze.

    Her informant, thank God, was wrong; only a single chapel had been destroyed. But a mere eighteen months earlier, at Coventry, an entire medieval cathedral had been burnt by incendiary bombs. While the stench of dank charred timber still hung in the air, one of the clergy picked up three medieval nails and put them together to form a cross.

    Not long after the end of the war, a group from Coventry went over to Dresden in East Germany, which had been devastated by Allied bombing. They helped rebuild a hospital. This group, the Community of the Cross of Nails, has spread beyond Coventry and is still active in the ghastliest parts of the world, mediating in Iraq, in Gaza, trying to get people to see things whole. When one thinks how thick and deep horror and hatred are spread across the earth, it seems hardly decent to write about the pleasures of wine.

    Fear and rancor have never been in short supply, of course. People produced plenty in the Middle Ages as well. For most of the fourteenth century, a dispute as vicious as it is difficult to understand kept half a dozen successive popes in exile at Avignon in the south of France. The palace they erected overlooks the bridge across the river Rhone. The summer residence they built in the hills was slighted in the sixteenth-century Wars of Religion (more horror), and its ruins still loom large above the village.

    However, the vines planted at Châteauneuf-du-Pape (new castle of the pope) had their successors, and in the nineteenth century, wine named after the castle became widely available. The reds are better known than the whites, so it was a pleasure recently to meet a bottle of good white Châteauneuf, from the 2002 vintage. Vieux Mas des Papes is a pleasant pale yellow and has a good heart. After an initial impression of the green sweetness of fresh grapes, the wine takes a grip on the palate and promotes substantial salivation and a lingering finish. One imagines there might be incense which tastes like this. It is certainly a wine that would go well with summer greens—endives, asparagus, chives—and like all Châteauneuf-du-Pape, it is not lacking in alcohol (never less than twelve-and-a-half percent).

    All this for only $19.68, including tax. The figure sticks in the mind because 1968 was one of the worst years in living memory for many French wines. Oddly enough, 2002 was also a poor year in the Rhone valley—it rained. But this wine is made from the young vines of a well-known Châteauneuf domaine, that of Vieux Télegraphe, and the skill of the winemaker has triumphed over adversity. Perhaps it is true that wine does more than Milton can to justify God’s ways to Man. Justifying Man’s ways to God, or even to himself, is quite another matter.

  • A Heavenly Kind of Mystery Meat

    What is it about cows and cowboys that make us wax rhapsodic? It seems they beget legend and lore, or at least they did in the days when the sight of a herd breaking over a hill, with unshaven, grizzly men on horseback driving them in, could bring a tear to any Pappy’s eye. Maybe because the plains are being eaten up by thousand-acre CEO retreats, or maybe because people think of salad dressing when they hear the word “ranch,” or maybe because of the proliferation of places like Steak ’n Shake—whatever the reason, the romance and appreciation that attend tucking into a beautiful steak have almost disappeared. One may wonder if, in this age of information and globalization, there is any room left for myths and mystery. Enter the Japanese.

    In the mid-nineties, rumors and mutterings about a superior breed of beef cattle from the Far East began surfacing in the food world. Soon enough, Kobe beef started popping up on influential menus at astronomical prices, upwards of two hundred dollars per pound. It was said to have a mind-boggling texture and flavor, unrivaled by any steak one could sink one’s teeth into in the U.S. Along with the beef came the stories: tales of secret Japanese traditions, including cows fed with beer, massaged with sake, and soothed with classical music. It seemed fantastic, and not at all cowboy-ish. The New Age myths began to take hold. Could a soused cow be the secret to heavenly steak? A sake massage might do many of us well and turn around our disposition, but can it make us tastier? Is it possible that the beef’s divinity comes from inebriated bovine divas sloshing in Sapporo? Or is it simply a matter of genetics?

    Japanese history tells of cattle imported in the second century as labor animals to aid in rice cultivation. Because of the mountainous terrain, their passage was slow, leading to small, pocketed herds among isolated villages. Cross-breeding was common until the early 1600s, when the Shogun officially closed the national herd due to unwanted foreign influences. It has remained closed to this day, except for a brief period of importation during the Meiji Restoration in the late 1800s.

    These mysterious cattle, known as Wagyu (“wa” meaning Japanese and “gyu” meaning cow), are the breed that provides the famed Kobe beef. As with Champagne and Parmigiano Reggiano, however, the criteria for true Kobe beef is partly geographic. The Wagyu must come from the Hyogo Prefecture, whose capital city is Kobe, and also conform to traditions and strict standards of the Prefecture Council.

    Isolated herdsmen of each region within Hyogo tended to develop distinctive breeding and feeding traditions, which they are still hard-pressed to reveal. Some have hinted that feeding the cattle beer stimulates their appetites during the warm months. Others claim that sake simply makes the hide attractively shiny, thereby fetching a higher price for the beast. Whatever they may be, the enchanted techniques of the Kobe herdsmen deliver not only on flavor, but also on softness. More than merely tender, Kobe beef is supremely velvety; it has been and still is the standard bearer for highest quality in the world.

    When you first look at a cut of Kobe beef, your extra-lean training from the supermarket may give you pause. The meat is richly streaked with white fat (the good, unsaturated kind, for those still cautious about the “F” word), which means that it is luxuriously and audaciously jammed with flavor. Kobe beef is unlike any other steak, and to cook it as such would ruin it. To keep all of its precious fat and flavor from seeping out, the beef is best prepared by simply searing, as you might a steak of ahi tuna. So if you’re the type who orders a filet mignon well done with a side of ketchup, save your money for therapy.

    One way the Japanese enjoy Kobe is in the traditional teppanyaki style, by searing on a steel hot plate, or teppan. Two restaurants in the Uptown area, Tonic and Chino Latino, will let you try this on your own, providing sashimi-style slices of Kobe and a hot stone on which to cook it. That said, heed my warning: sear quickly and eat. As for the increasingly popular Kobe burgers, I have yet to find a local version that even comes close to the perfection of one that I ate in Indianapolis (of all places) last year. (If you’re going to serve the King of Burgers, make sure it’s not overcooked, and appears with the right kind of company—no cheap lettuce or flimsy tomatoes as garnish.) The newly opened Mission in the IDS Center, however, is turning out a pastrami made with Kobe beef, and it is all that you hope it to be.

    It is largely believed that the genetic predisposition of the Wagyu breed—not just the Kobe strain—produces a higher percentage of unsaturated fats than any other breed, leading to the white, streaky marbling that packs each bite with flavor. Americans are counting on this important fact, because unless you are physically in Japan, the “Kobe” beef you are eating probably came from Wagyu cows in Oregon. Does that mean the geisha girls giving sake hoof massages wear fleece and drink double espressos? Most likely, since there has been a ban on Japanese beef imports since 2001.

    However, American Wagyu producers have been working for more than twenty years to perfect Japanese traditions in creating their Kobe(-style) beef. Eventually, it will be known by its correct name—Wagyu—but in its infancy with the American palate, “Kobe” has become the word that most people understand. Comparisons of the American version with true Japanese Kobe have generated much discussion and many opinions, all of which have been duly inflamed by national pride and a two-way beef trade embargo. I say we duke it out cowboy style, over bourbon and karaoke.

  • We Didn’t Say It, Honest!

    I really enjoyed your column addressing the N-word. There are few words that can be used in an acceptable manner in one setting and unleash a firestorm in another. SNL had viewers bent over with Chevy Chase doing word association with Richard Pryor on a job interview (White? Black. Negro? Whitey. Colored? Redneck. Tarbaby? Peckerwood. Spearchucker? White trash. Junglebunny? Honkey. Nigger? DEAD honkey.) To the brothers, it rolls off the tongue with ease. Honkey and cracker don’t bother me, although I don’t hear too many black folks saying them anymore (and I’m quite sure no white folks use them either). Spic, wetback, slope, squaw, and chink all carry some kinetic energy. The point is, there is no other word so offensively charged that is embraced by the same culture who become enraged by it. I can’t see any valid use of the word from a Caucasian perspective or otherwise. The black community seems to want to hang onto it as some sort of trophy to be waved around in front of everyone: We can use it but you can’t. Fifteen years ago, my buddy and I went to a film at Galtier Cinema in St. Paul. There were about thirteen people in the theater, nine African Americans near the front rows, me and my friend in the middle, and two African Americans in the back row. As the movie was starting, the group up front was talking and joking aloud. After awhile I hollered up, “Hey, could you keep it down, it’s hard to hear the movie.” Then, a voice from the back piped in, “Yeah, shut up niggers!” Well, my buddy and I turned a paler shade of white as five angry guys came crawling over the tops of the theater seats on a beeline straight for us. I raised my hands in the air and said with a shriek, “Look, man, we didn’t say it!” Just then, the voice from the back started laughing at his friends who he had just stirred up. They realized they’d been had and everyone was howling. Well, almost everyone. Put it this way: I don’t remember the movie, but I got my six dollars’ worth of adrenaline that day.

    Peter Christensen,
    Minneapolis

  • Racism Is Not Natural

    “Our Word, Not Yours” [Free the Jackson Five, May] is an extremely well-written and eloquent discussion of a sensitive topic. I’m a white thirty-year-old man. I grew up in Apple Valley. The family I was raised in was made up of Jehovah’s Witnesses and issues of race were basically never issues. My childhood friends were white and black and Asian, the congregation I attended contained just about every major ethnic group, and we were all just Witnesses, united by our religion. I don’t remember anybody ever talking about race or ethnicity. Given this background, it was not surprising at all to me that my formerly all-white family has expanded (through marriage) to include one Lebanese, one Japanese and three African-American members. At the DNA level, we’re all just people and I’ve always been taught that. So it’s really disturbing for me when I encounter examples of racism. Some people think it’s naturally present in all people, but when I’ve witnessed it I have felt sick, like I was watching the most unnatural and vile thing I could imagine. About the N-word: I recognize that I would never even want to use it in the way my brother-in-law or black friends use it sometimes. It just seems that there is too much opportunity for it being taken wrong and no reason to do it. I see no double standard at all for a word to take on different meaning in different contexts or in different groups or cultures. I also see no reason why somebody outside that culture (even if closely attached to it) should attempt to change that situation. Any person who has respect and love for their fellow man needs to learn to appreciate the differences between cultures. It’s ludicrous that there are white people who get upset over the “double standard” of black people being able to use a word they themselves cannot use.

    Ryan Sutter,
    Apple Valley

  • Humble Opinions Gladly Accepted

    In my humble opinion, your magazine has the best journalism I’ve seen locally. The piece on Matt Entenza [“Wrestling Matt,” May] was so helpful for those of us in despair about the state of the state, and Entenza’s goals, background, and motivation give us hope. We parents of special-needs kids are heartbroken that Minnesota, known for having one of the most progressive programs for persons with developmental disabilities in the country, is having its soul eroded by indifference. Your piece on Cy Thao [“A Picture is Worth 5,000 Years,” May] illuminated both the wrenching history of the Hmong, and one man’s commitment to change, and to art.

    Elizabeth Burns,
    St. Louis Park

  • Friends of Prt, Backatcha

    Personal Rapid Transit [“My Pod,” the Rakish Angle, April; Letters, May] has an essential role to play in the transit mix. In Europe today there are several PRT systems in development, including an EU-funded collaborative effort called MAIT. The EU is also exploring the feasibility of installing the Welsh system, Ultra, in four European cities. Minnesota is lucky to be home to Taxi 2000, an internationally recognized, leading PRT developer. We have the resources, the tools, and the know-how to build a world-class transit system that would be most people’s first mobility choice. Why not avail ourselves of these assets?

    Amy Fink, St. Paul
    Citizens for Personal Rapid Transit