This is the Bristol duo that almost singlehandedly invented the late-90s genre du jour, “trip-hop”—meaning atmospheric, heavily remixed club music that brought together elements of electronica, turntablism, rock ’n’ roll, film soundtrack, and torch song. You probably remember Geoff Barrow and Beth Gibbons best for “Sour Times,” a wonderful, sepia-toned single that hit the airwaves … Read more
He was the Hendrix of jazz, was Charlie Parker. The living genius who flamed out young, so consumed by his music that he could practice 15 hours a day if he wasn’t strung out on junk. He helped forge a new form of jazz—bebop, in this case—and improvised riffs on his saxophone that fellow musicians … Read more
Terry Gilliam’s work had always had anarchy deep in its heart, and more than once anarchy has overwhelmed the project entirely. Certainly, our favorite hometown Python can say with some justification that his failures are more interesting than a lot of director’s successes. There is, in fact, a whole cottage industry devoted to chronicling his … Read more
David Cronenberg is infamous for his unique style of horror filmmaking. His films—among them The Fly, Naked Lunch, and Dead Ringers—gaze with icy formalism on worlds where biology has gone mad. They’re a catalogue of physical breakdowns, sexual dysfunctions, florid mutations and hallucinations. His latest, Spider, based on Patrick McGrath’s novel, stars Ralph Fiennes as … Read more
Krzysztof Kieslowski’s marvelous trilogy provided a worthy capstone to his three-decade career as a leader in European cinema. He retired after finishing Red, and died two years later. Similar to his Decalogue series reinterpreting the Ten Commandments, Three Colors is nominally a loose exploration of the Revolutionary slogan of liberty, equality, and fraternity. Kieslowski himself … Read more
Wolfgang Petersen’s early 80s submarine actioner was a surprising hit in America, netting six Oscar nods and much bigger audiences than would normally have turned out for a brooding German drama with an unhappy ending. While sub thrillers had been around long enough for cliches to stick like unwanted barnacles, Petersen found something fresh by … Read more
We know some of you wonder what it is with this little Swedish movie that makes it the quasi-official foreign film of the Blockbuster crowd. Our guess is somewhere along the lines of New York Times critic Luke Y. Thompson, who called it “a tad overrated, but still charming.” True enough. Director Lasse Hallstrom’s later … Read more
Brainerd’s gift to Broadway, Linda Eder has come a long way since the 12-week winning run on Star Search that first put her in the national spotlight. A successful run in Jekyll and Hyde cemented her place on the stage and netted her a husband in its composer, Frank Wildhorn. Her albums have grown steadily … Read more
There’s been no new Boiled in Lead record since 1998’s best-of Alloy, but nobody’s yet come along to take over the reins as Minnesota’s premier Irish band. Though even that title is ironic—or perhaps we should say Eire-onic—since the BiL crew’s penchant for rock and world rhythms makes clear that shamrocks are not the only … Read more
Christian McBride made his name as a bright light among jazz bassists with five progressively more adventurous albums on the Verve label, culminating in 2000’s Sci Fi, which found him more sure-footed as a bandleader and skillfully interweaving the threads of his previous work. He moves over to Warner for his new fusion-friendly Vertical Vision, … Read more