Category: Blog Post
-
A Midsummer Night's Festival in the Park
FESTIVALS
Midsummer
Festival
Come party with The Center for Independent Artists at this
creativity-fueled neighborhood festival tonight! Fun for kids and adults alike,
the Midsummer Festival is not your average art fair;
with
Afro-Cuban art and drumming performances, welding demos, a creative
invention exhibit, a make-your-own-t-shirt studio, fire dancing, live MC’s from
Hope’s Art of the MC, free ice cream and tons more. Don’t forget to stop by the
Artist’s Yard Sale where you can snap up deals on useful wares such as art
supplies, books, and original artwork, or simply bring a picnic and set up camp
for some great people watching. If anything, tonight is the perfect opportunity to get your friends and
fam some hands-on art time doing something that truly embodies the term
"independent arts".
6-9pm, Bancroft Meadows Park, 42nd & Bloomington,
South Minneapolis, Free
SPECIAL
EVENT
Aquatennial Torchlight Parade
Make an
appearance at this annual tradition, now in its 69th year, tonight
on Hennepin Ave. Join the tank-topped and flip-flopped masses
as they line the street in
anticipation of this grand event, which will play off the theme, "Always There,
Through the Generations", an homage to the 150th b-day of our fair state. Many
would agree that summer in MN is synonymous with baseball, so who better to
Grand Marshall the parade than the Minnesota Twins? Representing the past will be
Twin’s great, Tony Olivia and representing the future will be the feisty
youngsters of the T.C. Bears, Minnesota Twins RBI and Rookie League Programs.
Show up early to secure a primo viewing location because you definitely won’t
want to miss the long cavalcade of sparkling floats and energetic performers –
all honoring our lovely land of 10,000 lakes. The parade starts at the Basilica
and ends at 5th and Hennepin.
8:30pm-10:30pm,
Hennepin Ave, Downtown Minneapolis, Free
DANCE
9 x 22 Dance Lab
Every 4th
Wednesday of the month, the Bryant Lake Bowl is taken over by grace,
experimentation and exploration. Named after the dimensions of the BLB’s small
stage, 9 x 22
Dance Lab features three
choreographers of various style and skill level each month. Get an up close and personal view
into the world of choreography as curator Laurie Van Wieren takes you on a journey through
each piece, giving the audience and choreographer alike the opportunity to react
and delve into the meaning of each individual work. Known as a place where pros
and newbies alike can present their latest work in an informal setting and
receive valuable feedback, 9 x 22 Dance Lab is the perfect Wednesday night
destination for those who have always wondered where inspiration for this
amazing art form comes from. Featuring SUPERGROUP, Judith Howard, and Charles
Campbell.
7:30pm, Bryant Lake Bowl Theater, Lake & Bryant Ave,
Uptown, $6-$10 (pay what you can) -
Pitching Coach Rick Anderson on the Kids in the Twins Rotation
Jeff Roberson/AP
Of the boatload of people who deserve kudos for the Twins’ surprising season, which incredibly has them in the thick of a pennant race just six weeks before Labor Day, pitching coach Rick Anderson belongs near the top of the list. Having traded away their Cy Young Award-winner (Johan Santana) and top young prospect (Matt Garza) and watched their innings-eating middle-rotation guy (Carlos Silva) signed away in free agency, the Twins’ starting rotation for 2008 amounted to a a well-past-his-prime veteran, Livan Hernandez, and a collection of unproven kids as the club took the field on Opening Day in early April.
Nearly four months later, Hernandez is in danger of being the first hurler in 29 years to surrender 300 hits in a season, yet the Twins have soldiered forward through the dogged improvement of four pitchers between the ages of 24 and 26, none of the highly regarded prospects deemed to have the stuff of an ace. But under Anderson’s steady tutelage and encouragement, each has made a quantum leap forward.
As a pretty staunch baseball fan, I realized with some embarrassment that I couldn’t really differentiate between the quartet–lefthander Glen Perkins, and righties Kevin Slowey, Scott Baker and Nick Blackburn–and figured others might also benefit from a more detailed thumbnail sketch about their pitching make-up, specifically their strengths and characteristics and what challenges they most needed to surmount to continue their improvement. So, on Saturday before the middle game of the Twins’ three-game series with Texas, I asked Anderson to do just that. Here’s his take on the four cherubic horsemen.
Kevin Slowey
Command guy. He throws anywhere from 87 to 91. He works with control and command and he’s got to live on the corners and keep the ball down. He’s also got all four pitches, but his main strength is his command and location. His one thing is sometimes he’ll get a little bit up and get a little frisky and get under the ball and try to overthrow a little bit. If he starts getting up around 91, 92, he’s overthrowing and has got to back down a bit, keep his arm slot up and work the corners and keep the ball down and stay under control.
Glen Perkins
Stuff. He’s probably got some of the best stuff of anyone on our team. The ball runs everywhere, moves everywhere, and he’s got a good feel for what he is doing; he’s confident and he attacks the hitters. He is not afraid to pitch inside, which is another good thing you like to see in a pitcher. His big thing–and I’m probably saying this about all the kids–is staying under control, not trying to do too much, let the ball work for you. But his ball goes everywhere and he’s very deceptive and the biggest thing with him is he’s fearless.
Scott Baker
You know Scotty came up and down about three or four times over the past few years and in the middle of last year he kind of felt it and figured it out, that you’ve got to throw downhill and locate your pitches, that it is all about command and moving the ball in and out and trying to throw hard. And that’s what he’s learned and he’s got command and heck, every time out now he gives us a good effort. He’s controlling his pitches, he uses all four like the rest of them, but his key is keeping the ball down and being deceptive; and he is deceptive.
Nick Blackburn
He’s come out of nowhere. Last year we didn’t even know who Blackburn was until he started doing well in Triple A. He’s continued to progress. He come up last year in September and tried to throw it by everybody and got hammered around pretty good. That was his biggest challenge, coming up here and learning that it is not how hard you throw, it is locating your pitches. It is being under control, like I said about the rest, and letting your pitches work for you. It is changing speeds and it is all about keeping the hitters off balance for him and not just trying to throw it past the hitters. He’s got a good fastball, but his whole thing is just changing speeds and keeping the hitters off balance.
As a bonus, I’ll throw in the fifth member of the starter kiddie corps, Boof Bonser, who has been banished to the bullpen.
The biggest thing with Boof is getting things under control. He’s got a good arm, he throws in the low-90s, a great curveball and he’s got all four pitches because he also throws a slider and a change-up. It is just a matter of–when he started he was just overthrowing everything and getting the ball up and so we’ve put him out in the bullpen and just told him to focus on two pitches, fastball and curveball and master those two and then we can add the other things as we go. He’s done a good job out of the bullpen and been a little more consistent.
-
A Gourmet Version of the State Fair
WINE & DINE
Taste of the Twin Cities Originals
Are your eyes bigger than your stomach? Put it to the test tonight at the Taste of the Twin Cities Originals
extravaganza where there will be so much to try that you may not be
able to handle it. Over 30 of the
Twin Cities finest restaurants and members
of Twin Cities Originals team up for this annual foodie fest, where
guests are invited to peruse a wide variety of vendor booths laden with
morsels, tidbits, bites, nips and mouthfuls of savory samples. Some
stand out vendors (according to me at least) are Spill the Wine, Luci
Ancora, and the Sample Room. I suppose the only thing I could compare
this to would be a gourmet version of the State Fair in a much cuter
location – with free booze. Get there early if you want to be on
speaking terms with your stomach later on tonight – the crowd will be huge and you don’t want to miss a single bite!
6-9pm, Nicollet Island Pavilion, 40 Power Street, Minneapolis, $35 Advance or $45 door
SHOPPING
Blacklist Vintage
Ok, well, perhaps this is not technically an event, but it is
a secret (for the moment anyway) and I thought I’d be nice enough to
let you in on it. Just over a week ago the lucky Twin Cities became
home to Blacklist
Vintage – a sassy new shop located near the bustling intersection of 27th and Nicollet. Run by two lovely ladies who adore all things fashionable and retro, Blacklist is not only your one-stop-shop for a snazzy party suit,
it’s also a clever place to pick up fancy vintage decor to spice up
your Ikeaed-out abode. Don’t worry gents, Blacklist carries menswear as
well so stop with the eye-rolling. Want to make it an excursion? Shop
your lights out, then head over to Jasmine 26 on Nicollet and 26th for
a cocktail with an umbrella in it and perhaps some of their signature
coconut cream cheese wontons? For a recent Rakish review on Jasmine 26 by Jeremy Iggers click HERE.
Hours 11am-7pm Tuesday-Sunday, Blacklist Vintage, 2 East 27th Street, Minneapolis
MUSIC
Marc Cohn
Minnesota Zoo regular and songwriting treasure Marc Cohn will perform live tonight in support of his first album in nine years Join the Parade.
Perhaps best know for the classic "Walking in Memphis," Cohn has an impressive musical resume that spans back to the early
nineties and includes a number of well-received albums packed full of
his soulful stories. On Join the Parade Cohn weaves
themes from the devastating effects of Hurricane Katrina to the 2005
incident in which the singer was left with a gunshot wound to the head
after a carjacking in Denver. Part personal reflection and part social
commentary with a fleck of spiritual inspiration, Cohn’s new album is a
look at life through the eyes of someone whose seen plenty of it.
Performances on the 22nd and 23rd.
7pm Tuesday & Wednesday, MN Zoo Ampitheater, 13000 Zoo Blvd., Apple Valley, $43 -
When Mr. Right Throws a Left
And now for part two of my review on This Sporting Life. Because you play sports like I do, I realize your time is short and you do not favor a Freudian analysis of the film’s finer points. And really, don’t all rush to read this; the first part of my review was so extensively read that the the servers might shut down again.
Here is a short Monkeywrench review:
1) It’s about sports. The book, which won the MacMillan Prize for literature in 1961, was written by a former rugby player from Northern England who attended Art School.
The sports treatment in this film is far superior to the work of say, Peter Berg (a Macalester classmate of mine and yes I am jealous) in Friday Night Lights or even the older, more classic North Dallas Forty.
I am talking smashed bodies, broken bones and fields mired in blood and mud; the life people lived before television and astroturf.
2) It’s about women. The most riveting part of the flim is Richard Harris’ inability to make Rachel Roberts feel something for him. Had he not thrown a few lefts, he might have been Mr. Right.
I am not trying to be witty here. This is a tough movie. The woman wounds the man with her words and the man slaps her. It’s all sinister.
3) It has not one, but two classic Bentleys, and, I believe a convertible Alvis. The contrast of lily white cars against soot gray skies must symoblize something. It could be that the cars are actually better than people. I know this has been my experience. At least with my first Alfa named Gina.
4) It proves apes like you and I can have feelings. OK, I won’t pull you into this. As for myself however, my woman thinks me an oaf who cares more about sports than houses. I tried to explain that I also love women’s sports. Not working. It hurts.
5) I forget the fifth reason for the moment. Like I said, I love sports. In fact, yesterday I hit my head so hard on the ground that I am starting to loo
-
Recent Hoops News
Timberwolves Resign Craig Smith
This thoroughly minor signing justifiably barely caused a flutter league-wide in the NBA, but smart Wolves fans have a right to wonder why it happened. The Rhino is an undersized power forward on a ballclub that just drafted an undersized center and traded for a journeyman legit center to pair alongside their star power forward who frequently was forced to play out of position in the pivot last season. So, are we going to see Smith and Jefferson form a disastrous frontcourt again this season, or has the Rhino been signed to a 2-year deal to be 10-minute backup at the 4? The money is reportedly right, less than $4 million over two years, which inevitably leads to speculation that Smith is a placeholder as the Wolves continue preparing themselves to be a major player in the 2010 free agent market.
Forgetting for a moment that big time free agents almost never come to this frozen tundra, the more immediate concern is, what happened to Ryan Gomes being this team’s top priority among its own free agents this summer? The trade for 6-8 Mike Miller and last year’s drafting of 6-9 Corey Brewer coupled with the signing of the 6-7 Smith doesn’t leave a lot of options for the 6-7 Gomes, who swings between the power and small forward positions. All Gomes did last season was do whatever was asked of him without complaint, while posting the second-best season, behind Jefferson, of anyone on the roster. He merits a $4-5 million payday and is exactly the kind of player who won’t embarrass a team that signs him for 3-4 years.
The devil’s advocacy position is that neither Smith nor Gomes fits into the Wolves’ long range plans; that unlike Gomes, who will draw more interest, Smith is a cheap placeholder and that a team counting on a nucleus of Jefferson/Love/Foye/Brewer, and perhaps Miller and McCants, doesn’t have need for shorty 4’s or even swing 3-4’s. I understand this, although it makes laughable Kevin McHale’s frequent argument that people get too hung up on position at the expense of skill set and savvy. Ryan Gomes is a basketball player, the embodiment of that dictum; he makes others around him better in myriad little ways. Craig Smith is a specialist–an occasional nightmare matchup for teams in the low block–in a specialty that is neither particularly unique nor frequently required, meaning there is high supply and low demand.
The probable good news is that Gomes may be eligible for the Kevin Garnett supersized bonus package: You get shunned in Minnesota only to land in Boston, where your services are recognized, properly invoked and handsomely rewarded in terms of both wins and dollars. There may be someone else on the market the Celts perceive as a Posey replacement, but I don’t know who. Gomes is not the defender Posey is, nor as money-certain in the clutch from long-range, but he’s younger, would be slightly cheaper, and is a fan favorite in Boston from his two years there.
Brand Goes to Philly; Camby Lands With the Clips
Let’s start with my minority opinion that Marcus Camby is a more valuable basketball player than Elton Brand. The market has obviously said otherwise–Brand signed a 5-year, $80 million deal with the Sixers, spurning a Clipper franchise that would have topped those numbers, while Camby is getting a mere $20 million over the next two years and was just given away for a second-round draft choice by the Nuggets. But that’s because even NBA general managers apparently undervalue defense in this league. Marcus Camby was named the league’s best defender two years ago. He is just a whisker behind Tyson Chandler as the best defensive center in basketball. And Nuggets gave him away because they didn’t want to pay the luxury tax!!
How fucking stupid can the Denver management be? I get it that the Nuggets laid a giant egg last season and don’t want to lose a ton of money on a team that isn’t going anywhere. But to scapegoat Camby for this is asinine. What, you say Camby isn’t scapegoated, he’s just the one guy on the roster whose salary could be unloaded? Well then why is coach George Karl still around–wasn’t he the guy who couldn’t get this squad full of superstar contracts to play a lick of defense (aside from Camby, who led the NBA with 3.61 blocks per game to go with his 13 rebounds and 3.3 assists)? And why did Denver management explain they were dumping Camby to clear cap space to eventually sign free agents like chucklehead JR Smith, he of the $50 hops and 10-cent brain?
Had Camby been kept on the squad this year, his ten mil would have been half of what Allen Iverson will make, more than four million less than both Melo and K-Mart will draw, and about $320,000 more than Nene will "earn." If I was a Nugs fan, I would be screaming bloody murder. You lose Camby but you keep Karl and the rest of the malingerers who sleepwalked through the season at the defensive end of the court? You’re seriously thinking that JR Smith is the key to your future? You have a $10 million trade exception for a year (about the only worthwhile thing received in the deal) but have the increasingly suspect Melo as your cornerstone, Iverson coming off the books at the end of the season, and the often-injured Nene and scrub Stephen Hunter as your centers alongside the often-injured K-Mart on the front line.
If Karl is still around by New Year’s Day 2009, I’ll be amazed.
But back to Camby versus Brand. I’ve long admired Brand’s work ethic and the way his integrity saw the Clips through some very lean years, which makes his apparent bait-and-switch with his former ballclub all the more ironic after the team, at his urging, had gone out and signed Baron Davis. Folks who favor Brand over Camby can point to him being a rare 20/10 career man after nine seasons in the league, and five years younger than Camby to boot.
I think Camby, despite their huge age difference, will be more valuable than Brand in two years’ time. Because of Camby’s early history with injuries, he actually has fewer total NBA minutes than Brand–23,500 for EB; 21,301 for Camby. And Camby is getting better with age, setting career-highs in blocks, rebounds, and assists last season. Over the past three years he’s never grabbed fewer than 11.7 rebounds per game nor blocked fewer than 3.3 shots per game. By contrast, if we eliminate last year for Brand, who ruptured his achilles tendon and sat out all but 8 games, over his three previous (healthy) seasons, he grabbed 10 rebounds per game once (and then exactly 10.0), never blocked more than 2.5 shots per game, and registered fewer steals and assists than Camby. The only place Brand has it all over Camby is on offense. Brand’s 20.3 career average is nearly double Camby’s 10.7, and his shooting percentage is 50.5 versus Camby’s 46.7.
But what’s harder to find, points in the paint or interior D? What’s a harder position to fill, center or power forward? And who has the better shot at being injury-free the next few years, the 6-7, 254 bull coming off a significant achilles injury who specializes in low-block offense or the 6-11, 235 shot-swatter who gets his few points mostly on mid-range jumpers? Camby is a young 34; Brand an old 29. The Clippers made out like bandits on this exchange, paying $6 million less and with less long-term obligation, for a better player.
Yes, Camby is more redundant on a team that already has a legit center in Chris Kamen. Teams would be smart to try to run on a Clips team that sports a front line of Kamen/Camby/Thornton with the defensively challenged Baron Davis at the point and perhaps rookie Eric Gordon on the wing. But here’s a trade proposal I think would be great for both clubs: Camby and Cuttino Mobley to the Miami Heat for Shawn Marion. The Matrix would be a perfect fit between Kamen and Thorton, provide Davis and Gordon (and Thorton) with a dyamite running mate, and be the jack of defenders he was in Phoenix. Granted, Marion’s weird unhappiness with the perfect situation he was given in Phoenix, and at an inflated salary, is troubling in terms of him b
eing a veteran leader in LA, and a contract agreement (or a sign and trade after an extension by Miami) would have to be worked out. But with Davis/Marion/Kamen as your nucleus and Eric Gordon and perhaps Deandre Jordan in your future, the Clips could make some noise in the tough Western Conference.Meanwhile, Miami would have Camby to go with Wade and Beasley, a perfect complement. Those who think the Heat are (or should) be building slow and sure have a lot more confidence in Wade’s ability to absorb punishment without future injury than I do. No, Miami should be in a win-soon mode, and putting a leviathan like Camby in the pivot and Wade and Beasley (and Mobley, don’t forget) on the wings is a nice little recipe for success. Just a thought.
Posey Makes the Hornets Favorites in the West
The best way to describe James Posey to fans in New Orleans is that he’s the anti-Bonzi Wells; a guy whose game is always better than his stats, and whose results are almost always better than the process you see before your eyes. Posey isn’t pretty–well, unless he’s making like the heir to Robert Horry on those big-time treys–but the kind of defense and rugged physicality he brings to the court isn’t meant to be pretty. He fits in so smoothly with Tyson Chandler and David West that it is tempting to think about bringing Peja Stojakovic off the bench as a 6th man of the year candidate. The ideal signing, and, if not for "Camby for a second round draft pick," the coup of the off-season acquisitions.
-
Kevin Mahogany Channels Big Joe Turner
MUSIC
Kevin Mahogany Sings Big Joe Turner
Mahogany’s resemblance to Turner is more physical than vocal. While
matching Big Joe’s large, expansive frame, Mahogany is more dulcet
crooner than blues shouter, closer in spirit to another vocalist he
feted four years ago on his Mahogany Music label, Johnny Hartman. But
Mahogany did play a Turner-Jimmy Rushing composite in Robert Altman’s
film, Kansas City, and as recently as last year was playing Turner
tribute gig at Birdland in New York with the likes of saxophonist Red
Holloway and pianist Cyrus Chestnut. While not quite so star-studded,
the lineup at the Dakota includes a gloriously gutbucket rhythm section
of Blue Note and Groove Merchant recording artists Reuben Wilson on the
B-3 organ, Grant Green’s son, Grant Green Jr., on guitar, and renowned
session and ex-Living Colour drummer JT Lewis—and vocalist Kathy Kosins
to boot. But the main attraction remains Mahogany who in addition to
the Turner material has done albums devoted to romantic ballads, big
band standards and Motown hits, and unearthed the essential strengths
of every style while showcasing his own silky baritone. Listening to
this ace band launch into “Roll ‘Em Pete,” “Shake, Rattle & Roll,”
or other standards associated with Turner will likely open the spigot
on the more freewheeling side of his nature. – Britt Robson
July 21st & 22nd, 7pm & 9:30pm, Dakota Jazz Club, 1010 Nicollet Mall, Downtown Minneapolis, $20-$25
FILM
The Dark Knight
The Dark Knight
is an impossibly good crime drama, populated with memorable characters
and constructed with textured ideas about
morality and justice and
society’s ability to effectively mete it out against the world’s evils.
It is an instant classic for comic book fans and is one of the most
intensely entertaining films in years. The quality of the cast is exceeded only by director Christopher Nolan’s assured guidance of
all his film’s moving parts. Weaker genre films are often drenched in
selfish art direction, but Nolan favors a subtler approach that builds
on the style established in the first film and he composes action and
violence firmly grounded in reality. Audiences overdosed on poorly
implemented computer graphics fakery will find The Dark Knight a jolting tonic. – Joe Kvam
Read the full review HERE.
Locations and times vary, click HERE for local listings.
BENEFIT EVENT
Summer Sounds
Do a little good tonight! The Minneapolis Aquatennial and The Harrington Foundation have teamed up for this year’s Summer Sounds benefit event. With proceeds going to help create scholarships for
students in need, Summer Sounds is a good cause with a great party attached to it. Come enjoy the dynamic jazz stylings of local legend Debbie Duncan
along with Parisota Hot Club, The New Primitives, Bill Duna and the
Latin Jazz Combo, and many more. Put your bids down on a vast array of
items in the silent auction which will include vacation packages,
retail gift certificates and artwork, then enjoy the delicious buffet
by D’amico Catering. Not quite enough? You’ll also get to rub elbows
with the Aquatennial’s Queen of The Lakes, which I’m sure is something you’ve been dreaming about your entire life…right?
6-10pm, Calhoun Beach Club, 2925 Dean Parkway, Minneapolis, $40 Advance, $50 Door