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  • The snows are fled

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    Housman

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    Horace

    Diffugere Nives
    by A. E. Housman

    Horace, Odes, iv, 7

    The snows are fled away, leaves on the shaws
    And grasses in the mead renew their birth,
    The river to the river-bed withdraws,
    And altered is the fashion of the earth.

    The Nymphs and Graces three put off their fear
    And unapparelled in the woodland play.
    The swift hour and the brief prime of the year
    Say to the soul, Thou wast not born for aye.

    Thaw follows frost; hard on the heel of spring
    Treads summer sure to die, for hard on hers
    Comes autumn with his apples scattering;
    Then back to wintertide, when nothing stirs.

    But oh, whate’er the sky-led seasons mar,
    Moon upon moon rebuilds it with her beams;
    Come we where Tullus and where Ancus are
    And good Aeneas, we are dust and dreams.

    Torquatus, if the gods in heaven shall add
    The morrow to the day, what tongue has told?
    Feast then thy heart, for what thy heart has had
    The fingers of no heir will ever hold.

    When thou descendest once the shades among,
    The stern assize and equal judgment o’er,
    Not thy long lineage nor thy golden tongue,
    No, nor thy righteousness, shall friend thee more.

    Night holds Hippolytus the pure of stain,
    Diana steads him nothing, he must stay;
    And Theseus leaves Pirithous in the chain
    The love of comrades cannot take away.

    This is the famous Cambridge classicist’s translation of the Roman Horace’s contemplation of the end. Housman, of course was a poet himself, and the subject of Tom Stoppard’s Play, The Invention of Love. The poem is perhaps not the sentiment that would be expressed by that Christian citizen of Rome who died this week, but lovely, in a pagan way.

    Horace was, for practical purposes, the poet laureate of Rome during the reign of Augustus. He greatly influenced many English language poets including Auden, Pope, and Frost, to name a few. J. D. McClatchy recently edited new translations of his odes. Robert Bly, among others, contributed to those translations.

    Except for Housman’s translation above, my favorite tranlation of Horace’s odes is by James Michie.

    For you Latinists, here’s the original.

    Diffugere niues, redeunt iam gramina campis
    arboribus comae;
    mutat terra uices et decrescentia ripas
    flumina praetereunt;
    Gratia cum Nymphis geminisque sororibus audet
    ducere nuda chorus.
    Inmortalia ne speres, monet annus et almum
    quae rapit hora diem.
    Frigora mitescunt Zephyris, uer proterit aestas,
    interitura simul
    pomifer autumnus fruges effuderit, et mox
    bruma recurrit iners.
    Damna tamen celeres reparant caelestia lunae:
    non ubi decidimus
    quo pater Aeneas, quo diues Tullus et Ancus,
    puluis et umbra sumus.
    Quis scit an adiciant hodiernae crastina summae
    tempora di superi?
    Cuncta manus auidas fugient heredis, amico
    quae dederis animo.
    Cum semel occideris et de te splendida Minos
    fecerit arbitria,
    non, Torquate, genus, non te facundia, non te
    restituet pietas;
    infernis neque enim tenebris Diana pudicum
    liberat Hippolytum,
    nec Lethaea ualet Theseus abrumpere caro
    uincula Pirithoo.

  • Any Major Dude

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    This poor kid from the secondary division downstairs used to come up to my office all the time and ask me what it was all about. What the hell was I supposed to tell him?

    He thought he was going places. He thought he was doing something; he thought we all were. So I was supposed to burst the greenhorn’s bubble? Come on, Jesus, I’d been in his shoes once upon a time. I’d been downstairs pushing paper around and scrutinizing nonsense that made no sense to me. I was going to tell him it didn’t make a lick of fucking sense to anyone else either? That if he hung around long enough and gained enough weight he’d eventually get bumped upstairs to sit on his ass behind a desk staring at a painting of some vaguely European street scene and trying to fashion handlebar mustaches out of paper clips?

    I was supposed to tell the kid it wasn’t about anything, that none of it added up to nothing, and that the business of America was business and we were in that business? That after thirty-five years I still couldn’t drag my ass home at night and give my kids any kind of straight answer about what I did for a living? That every day I rode upstairs in the elevator with the same glum, vaguely familiar faces I’d been seeing around that place forever, and I didn’t have the slightest idea what any of them did for a living either?

    We work for someone; I suppose I could have told the kid that, and I suppose it would have been some version of the truth. I didn’t have the heart to tell the kid any of that, though. Whatever the hell they were paying me to do, I knew for damn sure they weren’t paying me to tell the kid the truth.

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  • The Return Of Uncle Jumbo: An Introduction

    Early in my adolescence I played baseball one summer on a traveling team with this fat kid from a smaller town fifteen miles from the place where I grew up. I swear, this guy was the funniest, most bitterly cynical fourteen-year-old on the planet. He was also the best hitter I ever played with or against, just a monster who could spray the ball all over the field and hit homeruns with ease in every tiny youth league park around southern Minnesota. He couldn’t run for shit, of course, and wasn’t much in the field, but he played a serviceable first base for our team and more than made up for any defensive lapses with his bat. If I remember correctly this kid drove in something like seventy percent of our runs that summer, and hit more homeruns than the rest of the team combined.

    He ended up playing high school ball in his tiny hometown of Blooming Void, and had a career that was the stuff of local legend. I suppose because he was fat and not much of a student he apparently didn’t get any scholarship offers to four-year colleges, and ended up playing two years for a junior college in Kansas. That JC had a reputation of being a sort of farm club for major college programs, and he easily led his team in every major offensive category in both his seasons in Kansas. A half dozen guys from his team went on to play Division One baseball, but that was the end of the line for him.

    He went back to Blooming Void and worked at his old man’s hardware store. I’d always followed his career with interest, and would regularly hear about his exploits through the grapevine or in the pages of the local newspaper, but once he hung it up I pretty much lost track of him.

    Five years later, though, I bumped into him at a Twins game at the Dome, and we started hanging out a bit and eventually ended up working together in a downtown parking ramp, where we had many a ferocious Whiffle Ball battle on the top level after hours.

    By that point he had been transformed into Uncle Jumbo, a name that had allegedly been conferred upon him by his nephews. As the story went, when one of the nephews was a tot he’d misunderstood Jimbo as Jumbo, and the name stuck. It didn’t seem to bother Jumbo in the least, and he adopted it with enthusiasm.

    Jumbo was the worst person in the world to watch a baseball game with. He was a perfectionist, naturally belligerent, and a prodigious beer drinker, which was a terrible and combustible combination for a fan of any sport, but particularly dangerous for a baseball fan. He couldn’t accept the fact that even the best teams would lose fifty or sixty games in a season; this seemed to him a wholly unreasonable definition of success, and thus he found the game brutal and punishing. Every single loss, and an overwhelming majority of the victories, left him bitter and preoccupied.

    Jumbo was nonetheless a glutton for punishment, and a perfect specimen of a baseball masochist. He allowed the sport to ruin his prospects in life, refusing to consider any job that would not allow him to absorb every inning of every game of every season, whether in person, on the television, or via the radio. This flexibility was his sole criteria for suitable employment, and thus he was limited to a series of stationary, dead-ass jobs, mostly in parking ramp booths or security desks. When I again lost track of him he had allowed his phone to be disconnected and was washing dishes in the kitchen of a dive bar in south Minneapolis.

    Then, unexpectedly in the late-nineties I started seeing Jumbo’s byline in a weekly publication called Minnesota SportsPage, where he documented with often appalling candor the extent to which baseball was ruining his life. Those were very dark years for Twins fans, and Jumbo’s ruminations were frequently apoplectic, virtually always irrational, and often painful to read. They were also somehow grimly entertaining, perhaps because I knew the man and understood on some level the extent of his dark obsession.

    Eventually Jumbo got the gate at Sportspage, and settled back into the life of the anonymous and unhappy fan. I found him again recently, working the night security desk at the office building where my wife is employed, and we’ve been going back and forth for a couple months trying to reach an agreement that would have him contributing a column here at Warning Track Power once a week.

    I’m happy to say that the deal has finally been struck: an official Spalding stickball bat, a well-worn Boog Powell Rawlings Trapper first baseman’s mitt, a signed copy of Tony Oliva’s autobiography, a roll of Copenhagen, and a sealed DVD of Tawny Kitaen’s The Perils of Gwendoline in the Land of the Yik Yak, in exchange for one season’s worth of Jumbo columns.

    Jumbo has assured me that he’ll be good to go by next Friday, and in the meantime I’ll post one of his original, early columns (from opening day, 1996) by way of an introduction. I’ll also have my own season preview sometime tomorrow.

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    Uncomfortable admissions have long been one of my specialties, so here’s a whopper: I once wore a toga emblazoned with Lenny Faedo’s number to a Twins opener. I’m not sure what I was thinking, but in those days I was convinced that my one real shot at acquiring self-esteem and some kind of identity was to become a ballpark character, one of those guys –and they are almost always fat –who leads cheers from the top of the dugout. I had a little bit of nerve in those days, coupled with a pretty serious drinking problem.

    The first time I got hit with a well thrown Frosty Malt though, my nerve evaporated and I assumed my place in the rolls of the large and anonymous. In Minnesota, of course, any show of public enthusiasm is grounds enough for a drunk and disorderly citation.

    It still chaps my ass that the symbol of the rapturous Minnesotan will forever be that ridiculous Homer Hanky. That whole phenomenon really bothered me. It struck me as so –and I’m going to use a potentially objectionable old junior high school adjective here– femmy. You know? 50,000 people bouncing up and down on the edge of their seats and waving handkerchiefs, for chrissakes. If Western movies taught me anything it was that waving handkerchiefs was how gals said goodbye when their men rode out of Dodge or went off to war or just plain got the hell out of town. It was, like, a school marm thing.

    I wasn’t gonna get caught dead waving a handkerchief. But I did, of course; I waved the hanky, along with all the rest of the idiots. And to this day that’s the only thing about that entire season that I feel really lousy about. Well, that, actually, and the fact that I got so stinking drunk on 3.2 beer during the first game of the playoffs that I threw up in a Metrodome concourse, something I swear to God will never happen again.

    Remember Lombo, though? Remember that scrawny little bastard running around and waving that towel? That also chapped my ass. Another obvious lesson from the Westerns, right? Waving the white towel is the universally accepted form of surrender. I mean, come on, moron, you just won the World Series; is it too much too ask that you comport yourself in an appropriately masculine manner?

    I’M NOT A BIG FAN of life’s great moments. Birthday’s are right up there with stepping on the scale for me, and I would skip my own wedding if I could somehow pull it off. A wedding, I mean, you know, finding someone who would marry me. Nonetheless, opening day is the only calendar occasion I still observe with anything resembling religious devotion. I never miss opening day. I once quit a job so that I could be in attendance on opening day – granted, it was a job at Arby’s, but still. For years I would sit at home and drink like crazy before the opener, but I’ve mellowed quite a bit with age, and the last few years I’ve had a few beers at home and then gone to Baker’s Square for a pie. It’s not much as far as traditions go, but what the hell? It works for me.

  • Death be not proud

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    Before he died, the Holy Father admonished the anti-Christ

    by John Donne

    Death be not proud, though some have called thee
    Mighty and dreadfull, for, thou art not so,
    For, those, whom thou think’st, thou dost overthrow,
    Die not, poore death, nor yet canst thou kill me.
    From rest and sleepe, which but thy pictures bee,
    Much pleasure, then from thee, much more must flow,
    And soonest our best men with thee doe goe,
    Rest of their bones, and soules deliverie.
    Thou art slave to Fate, Chance, kings, and desperate men,
    And dost with poyson, warre, and sicknesse dwell,
    And poppie, or charmes can make us sleepe as well,
    And better then thy stroake; why swell’st thou then;
    One short sleepe past, wee wake eternally,
    And death shall be no more; death, thou shalt die.

  • Night

    by Percy Bysshe Shelly

    SWIFTLY walk o’er the western wave,
    Spirit of Night!
    Out of the misty eastern cave,—
    Where, all the long and lone daylight,
    Thou wovest dreams of joy and fear
    Which make thee terrible and dear,—
    Swift be thy flight!

    Wrap thy form in a mantle grey,
    Star-inwrought!
    Blind with thine hair the eyes of Day;
    Kiss her until she be wearied out.
    Then wander o’er city and sea and land,
    Touching all with thine opiate wand—
    Come, long-sought!

    When I arose and saw the dawn,
    I sigh’d for thee;
    When light rode high, and the dew was gone,
    And noon lay heavy on flower and tree,
    And the weary Day turn’d to his rest,
    Lingering like an unloved guest,
    I sigh’d for thee.

    Thy brother Death came, and cried,
    ‘Wouldst thou me?’
    Thy sweet child Sleep, the filmy-eyed,
    Murmur’d like a noontide bee,
    ‘Shall I nestle near thy side?
    Wouldst thou me?’—And I replied,
    ‘No, not thee!’

    Death will come when thou art dead,
    Soon, too soon—
    Sleep will come when thou art fled.
    Of neither would I ask the boon
    I ask of thee, belovèd Night—
    Swift be thine approaching flight,
    Come soon, soon!

    With the pope and Terri Schiavo in the news, who can think of anything but this topic? More tomorrow.

  • Advertisement for Ourself

    Ken Auletta had a nice article in last week’s New Yorker asking the question we’ve been asking around here recently—does advertising work? The short answer, we think, is that advertising is just like any other “content.” If it’s good, it works. If it’s bad, it doesn’t. That doesn’t go very far in describing or explaining the trillion-dollar advertising industry today, and we’re forever intrigued by the imbalance between the cost of a page of advertising versus the cost of a page of edit. (Speak with a commercial photographer sometime for a graphic description of the contrast between ad budgets and edit budgets.)

    We felt a little short-changed by Auletta’s piece, though, because he focused almost entirely on TV advertising; he made some of the usual common-sense observations about web advertising, and did not even mention print advertising. The reason to focus on TV is because it has a more easily reduced history— there was a time, he points out, when a major ad buy on one of the three national TV networks would literally reach 80 percent of the public. That sort of audience consolidation ought to result in a pretty clear picture of whether (TV) advertising works in any meaningful sense.

    As any advertising professional can tell you, one cannot think too simplistically about advertising. If you buy an over-the-counter ad and expect to see an immediate increase in business, you will be disappointed. This partly explains the massive explosion of the ad industry in the past fifty years—an ad is not in itself a commodity, and therefore the people who conceive, create, and buy ads rely on developing a relationship. Today, ad people call themselves “partners in your branding initiative”—and they fulfill the McLuhanesque prophecy in which the package fully eclipses the product. (In fact, the advertising begins to eclipse the physical packaging; it’s an information age in an attention economy, baby!)

    The point of all this is a simple one: Contrast. Distinguishing yourself in a busy, noisy marketplace is ninety-five percent of the battle. That is why we read and actually enjoyed Tina Brown’s little whine yesterday at the Washington Post—and why it always gets our hackles up when someone says nobody under the age of fifty is interested in reading long-form narrative journalism. “Elitist” is just a dirty word for contrarians, troublemakers, smart-alecks, and bred-in-the-bone attention-getters, and they are ultimately the only real economic engines in a marketplace that would die without constant, fresh inputs of restless novelty. Julie Caniglia recently foretold the rapture that may one day attend the End Times of ad-driven consumerism and media. She noted that inner peace is not a revenue-generating proposition for capitalism. In other words, we may not know whether advertising works. But we do know that not advertising does not work. You don’t want to be left behind, do you?

  • My Meat-Making Days

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    Dan Corrigan, “Eddie Potomac,” from the Ballroom Portraits, Rhinelander, Wisconsin. 1978.

    I worked side-by-side with this guy for seven years. Shooter Devaney. He’d been a hotshot basketball player back in high school, but something went wrong somewhere along the line, just like something went wrong for so many of the guys I grew up with, myself included.

    Shooter was always flinching. Looking through our old high school yearbook not long ago I noticed that he was even flinching in his class picture, so the seeds of the thing were apparently there all along. It was like the camera was a blow, like he couldn’t handle posterity or whatever it was.

    I’ve survived a few things, he’d say to me. Don’t think I haven’t. You know my wife? She’s likely at home right this moment dancing alone to records in our living room. When people ask her what she does she can’t just say she’s a housewife. No, she claims she’s a retired cheerleader. What woman in this town isn’t?

    Some people I’ve learned don’t need some anonymous tragedy to put a spook in their blood; they’re just born with some creeping thing that won’t leave them alone.

    My teeth are giving me fits, Scooter would say. My whole life I’ve never had a comfortable mouth. Or: I have no intention of ever getting on an airplane. That just ain’t my place, the sky.

    Scooter couldn’t sleep. He’d talk about that. He once asked me, Do you remember that big cage ball they used to bring out in gym class to roll right over everyone? That just did not seem like the correct proportions for any kind of a ball. I used to have nightmares about that thing.

    We were taking apart animals for a living back in those days, breaking them down into meat. There were billboards around our town that read, “Meat is Community.” It was bloody, stinking work, but the damn thing about it was you wouldn’t find a single vegetarian in the entire plant.

    I don’t know why this should occur to me just now. I suppose because it was such a long time ago, and seems even longer than it could conceivably have been, like I’ve been transported to where I am now from another planet. Sometimes when my head gets tangled up I can actually convince myself that such a thing is possible.

  • The worst are full of passionate intensity

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    A gaze blank and pitiless as the sun

    Ok, it’s national poetry month, and I’m going to post a poem every day– Sometimes in addition to another post, sometimes just by itself.

    Enjoy.

    The Second Coming by William Butler Yeats

    Turning and turning in the widening gyre
    The falcon cannot hear the falconer;
    Things fall apart; the centre cannot hold;
    Mere anarchy is loosed upon the world,
    The blood-dimmed tide is loosed, and everywhere
    The ceremony of innocence is drowned;
    The best lack all convictions, while the worst
    Are full of passionate intensity.

    Surely some revelation is at hand;
    Surely the Second Coming is at hand.
    The Second Coming! Hardly are those words out
    When a vast image out of Spiritus Mundi
    Troubles my sight: somewhere in sands of the desert
    A shape with lion body and the head of a man,
    A gaze blank and pitiless as the sun,
    Is moving its slow thighs, while all about it
    Reel shadows of the indignant desert birds.
    The darkness drops again; but now I know
    That twenty centuries of stony sleep
    Were vexed to nightmare by a rocking cradle,
    And what rough beast, its hour come round at last,
    Slouches towards Bethlehem to be born?

    The lines about the best lacking all conviction while the worst are full of intensity kind of sums up things around here these days, no?

  • Did I Mention The Guy's Name Is Corky Miller?

    Corky Miller. Corky Mother-Humping Miller. Get serious. That name, I don’t think I need to tell you, just isn’t going to get it done.

    Corky Miller is the name of the grizzled chuckwagon cook in a western round-up.

    Corky Miller is the fat, beleaguered first baseman on a little league team in an After School Special.

    Corky Miller is the hayseed in the danceline of a Broadway musical.

    Corky Miller is an astigmatic junior high school shop teacher.

    Corky Miller is the bully with a crewcut in a comic book from the 1950s.

    Corky Miller is a Division I women’s basketball coach.

    Corky Miller is the host of a cable access Christian children’s television program.

    Corky Miller is a ventriloquist’s dummy.

    Corky Miller is a golf caddy.

    Corky Miller is a gentleman suitor.

    Corky Miller is a sidekick, an afterthought, a horse track rube, a meddlesome neighbor, a musclehead with a fake tan.

    Corky Miller is not a Major League baseball player. Not in the 21st century, he’s not. He better not be.

  • This is not about Terri Schiavo

    It’s about George Bush. Here’s his comment today when told of the death of Schiavo.

    “I urge all those who honor Terri Schiavo to continue to work to build a culture of life, where all Americans are welcomed and valued and protected,” the president said, “especially those who live at the mercy of others.

    “The essence of civilization is that the strong have a duty to protect the weak. In cases where there are serious doubts and questions, the presumption should be in the favor of life.”

    These preposterous words from the man who signed death warrants with gusto for juveniles, mentally handicapped and sincere penitents while governor of Texas. These from a man who presides over the torture to death or indeterminate imprisonment of people unlucky enough to be rounded up in Afganistan or Iraq. These from the man who blithely sends our soldiers to Iraq without body armor or armored vehicles. These from a man who manufactures evidence to precipitate a war.

    Shame.