Category: Blog Post

  • A Declining Week in Wine

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    I have a wicked wanderlust. This is one of the reasons I ride a motorcycle: because on any given Saturday I’m willing to take off and hit a small town in South Dakota — as long as it’s one I’ve never seen before. I’ll also seize whatever random opportunity comes my way to get on a plane and BE somewhere else for a while. This week, I went out to New York City in order to give a 20-minutes speech at the New York Academy of Medicine. At least, that was the plan.

    On the panel were one of the world’s top research psychiatrists, a doc from Johns Hopkins, a graduate of Harvard Medical School and, uh. . . .me. No pressure there.

    I was last on the agenda, going immediately after the woman from Hopkins who’d single-handedly set up a peds unit for critically ill children while raising two kids of her own and no doubt darning her husband’s silk socks. But after hours worth of PowerPoint presentations, each of which had multiple technical difficulties, the moderator looked at me and said in a genuinely gloomy tone, “I’m so sorry, our program has gone over time, you’ll have to keep your comments to five minutes. Seven at most.”

    There was wine at my left hand: a glass of Beaulieu Vineyards Chardonnay, which is the Skippy peanut butter of white wines. It’s cheap and if not high-brow, perfectly fine — even marginally satisfying — once you get a few swallows in. Well, ordinarily, I don’t drink before speaking (which is why the full glass was sitting there, untouched). But in this case, I made an exception and downed about a third in what I hope was a ladylike motion, rose and said, “Well, I’m a writer, I’m used to being edited,” then gave my 20-minute talk in 6 minutes flat.

    It was a lovely trip, really. The Academy people couldn’t have been nicer. No, that’s not true. They could have been the guy with dreads and a grease-stained jacket at Grand Central who swiped his very own Metro card for me and whispered, “Go,” when I was ineptly trying to rush the turnstile and catch the Lexington Avenue train.

    I had lunch with my agent at the Blue Water Grill, a terrific, casual publishing hang-out on Union Square. (And yes, for those of you — thank you — who are reading closely: the agent responded, the book is being tweaked and readied for editors’ eyes. My neurosis about it grinds endlessly on.) We ate some great spicy tuna rolls and assorted other sushi, but we didn’t have wine over lunch, which is a shame, really, because it probably would have been the only decent glass of my week.

    As it was, things went downhill from the Skippy-level Chardonnay.

    I went to the airport yesterday afternoon, dashed in feeling late, in fact, for what was to have been a 6:30 flight. After I stood in line and got my e-ticket, however, I noticed the time had been changed to 6 o’clock. “How odd,” I thought. “They rarely move the flight times back.” That, of course, is when I realized that not only had the time been changed, the date had as well. This morning, six a.m., and I had no place to spend the night.

    The woman behind the American Airlines counter was on the phone, speaking Italian. She hung up, turned to the couple at my side, and had a rapid conversation in Spanish. By the time she turned to me, I’d put her right up next to the doctor with the seven or eight Ivy League M.D.’s. (People who speak multiple languages always intimidate me in a biblical, highly evolved sort of way.) I showed her my ticket and she punched something into her computer. “Northwest at 10:45,” she said in a gruffly lilting Puerto Rican accent. “The weather is bad. They might let you on, might not.”

    Which is how I ended up, elbow-to-elbow with a furniture salesman from Detroit, at the bar in the Delta terminal at La Guardia, asking for a wine list. To which the bartender scoffed. “We got red,” he said, holding up a crusty bottle of Kendall-Jackson Merlot. This is one of those wines I’ll drink at a pub, if I absolutely must. If it’s that or, say, Schlitz. So I said, “Sure,” and he tipped the bottle, but what came out was more the consistency of slurry than wine. The only taste I took was thick and scorched, like the stuff that dribs onto the bottom of the oven when you bake a blueberry pie. I switched to soda water, which the furniture salesman insisted on putting on his tab, and waited among thousands of hot, stranded bodies for my plane to land.

    They let me on the plane. I nearly wept. My husband picked me up from the nearly deserted nighttime airport on the other side. We came home and despite the late hour, opened a bottle of wine. It was corked. So we opened another — the only one we had. It happened to be an odd vintage with a demented Robert Crumb-ish label called Plungerhead Old Vine Zinfandel 2005, which someone had given me insisting it was good. It’s made by The Other Guys, a whimsical little division of the mega-corporate Don Sebastiani & Sons.

    This wine is called Plungerhead, apparently, because it’s sealed with a “zork” — a rubbery little mushroom top cap that’s been wrapped with a spiral of plastic you have to unzip. It’s supposed to keep the wine good. Well guess what? It isn’t good to begin with. At least this bottle — at 1:30 a.m. on a Friday morning, after a total of 12 hours spent sitting on airplanes and in airports over the space of only 24 — didn’t seem so to me. It has a nose of cranberry and cough syrup, and a flavor to match, only the taste fades quickly in a sour way. And I expect more from a basic $12-14 bottle of Zin.

    The only good part: Plungerhead has a whopping 14.8% alcohol, which made it better than Nyquil for knocking me out.

    I can’t say I’m sorry for the way of the week. Typically, my days are full of sameness and routine, interrupted from time to time with a really fine glass of wine. This was a whirlwind of activity, new experience, and truly putrid drinking. Life is meant to be lived, after all, and an adventurer is bound to run into a few snags (seen Into the Wild, anyone?). As trade-offs go, this one — compared to killing a moose, eating poison and dying a lonely death — wasn’t so bad. But I’m looking forward to something far better when I tilt my glass tonight.

  • Art: How We Communicate What It Feels Like to Be Alive

    ART & WOMEN
    In Our Own Right

    0710johana.jpgWhat better way to celebrate the achievements of women in the arts than to spend an evening enjoying the “expressions, perspectives, and self-revelations” of local women artists. Tonight’s In OUR Own Right performance and closing reception features performances by singer/songwriter JoAnna James (winner of two consecutive Minnesota Music Awards for “Female Vocalist of the Year”), storyteller and performer Amy Salloway, contemporary dance ensemble the SHE Collective, Perpich Center for Arts Education poets Ali Scott and Heather Campbell-Bezat, and spoken word artist Madame Mimi.

    Friday at 8 p.m., The Minnesota Museum of American Art, 50 W. Kellogg Blvd. (at Market St.), St. Paul; 651-266-1030; free.

    ART & MEDITATION
    Clear Your Mind for Artistic Expression

    0710shambahla.jpgWhile our creativity is certainly fueled by experience, by all the clutter around us, our environment. The truth is, it’s also squelched by all the noise. Like all energy, creative energy must be allowed to flow, to move, to express itself. But getting there, freeing your mind from the chaos around you and appreciating the simplicity and brilliance of things as they are, can be quite a challenge for some of us. Need some help with this endeavor? The Minneapolis Shambhala Center invites you to participate in parts one and two of a five-part Shambhala Art Program based on the teachings of Chogyam Trungpa, meditation master, poet, and artist. The program uses contemplative exercises and meditation instruction to explore and celebrate artistic expression that springs from the meditative mind. Enjoy a free public talk this evening, and participate in the workshop Saturday and Sunday. No previous experience required.

    Friday at 7 p.m., Saturday and Sunday from 9 a.m. to 5 p.m., Shambhala Meditation Center, 2931 Grand St. NE, Minneapolis; 612-331-7737; free public talk on Friday, $150 workshop on Saturday and Sunday; no one will be turned away for lack of funds.

    ART
    Frida Kahlo

    kahlo.jpgOn the centenary of Frida Kahlo’s birth, a comprehensive retrospective can go a long way to rescue this tough, rich artist from her Art Heroine Poster Grrrl status. She deserves more. Kahlo was full of contradictions and had moments of heroism and weakness; she had blindness, insight, and a gift for telling a story with pictures. She also had talent — maybe not quite enough for her desire, but that’s true of many deservedly beloved artists: Edward Hopper and Paul Cézanne, for instance, were given deeper insight into the nature of the world by their own clumsiness at levering it into paint. Kahlo shares this divine thumbiness; it helps her create the new and make it accessible to her fellow mortals. –Ann Klefstad

    Preview Party on Friday from 9 p.m. to 12 a.m., opens Saturday (11 a.m. to 5 p.m.), Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600.

    SHOPPING
    Discover Friends, Discover Treasures

    Granted, collecting antiques — or at least the romantic ideal of it — is about long drives to the boondocks, sifting through dust and rejected “knick knacks,” and discovering a treasure no one knew they had. In the end, it’s usually about exploiting the seller’s ignorance of the object at hand’s value. True, somehow, I doubt that The Minneapolis Institute of Art is terribly ignorant of the value of any antique. But if you want to avoid the long drive and the dust — if you’re looking for a perfectly curated antique show, bringing together some of the finest antique dealers from across the country — then you won’t want to miss MIA’s 24th annual Antiques Show & Sale this weekend.

    Friday from 11 a.m. to 10 p.m., Saturday & Sunday from 11 a.m. to 5 p,m., Sunday 11 a.m. – 9 p.m., Zuhrah Shrine Center, Harrington Mansion, 2540 Park Ave. S., Minneapolis; 612-871-3555; 612-870-3039; $10 (museum members $8).

    FOOD & WINE – BENEFIT
    Celebrate Bacchus and Do Some Good

    0710chef.jpgJoin Napa Valley Grille Executive Chef Matthew Fogarty this evening for a walk-around food and wine tasting with over 50 wines and 15 food sampling. For the first time ever, the Napa Valley Grille will close (open to you, of course) its doors this evening to host a benefit for the Second Harvest Heartland foodshelves. That’s right: feeding yourself will feed others — unfortunately for them, not with the same food. Tonight’s menu will include cider-roasted stuffed suckling pig, seafood paella, roasted leg of lamb, imported cheeses and breads, plus a wall of dessert tiers in the wine cellar. Sample the food, indulge in the wine, and participate in a silent auction of 25 mystery wine grab bags. Earmarked at $25, these lovely bags will contain wine bottles priced up to $100. Sounds like a win win situation to me. And, of course, all proceeds will benefit Second Harvest Heartland.

    Friday from 6:30 – 9 p.m., Napa Valley Grille, Mall of America, 2nd level West side, Bloomington; 952-858-9934; $65.

    DANCE
    James Sewell Ballet

    0710sewell.jpgThe James Sewell Ballet presents its fall program this weekend, featuring the premiere of Kinetic Head, a piece commissioned by Richard and Sandra Jacobson on the occasion of their 40th wedding anniversary. Kinetic Head’s choreography continues Sewell’s exploration of multiple coordination in ballet, taking the movement patterns and layers to a new level of structural complexity. The music is designed to serve the choreography, and is compiled and engineered by Sewell from diverse music loops, plus music by John Scherf and J. S. Bach. Also on this weekend’s agenda are Schoenberg Serenade, choreographed by Sewell for the Saint Paul Chamber Orchestra in 2006, and excerpts from Raymonda, with choreography re-staged after the 1898 classic by Marius Petipa.

    Friday & Saturday at 8 p.m., Sunday at 2 p.m., The O’Shaughnessy at the College of St. Catherine, 2004 Randolph Avenue, St. Paul; 651-690-6700; $32 (students $16); there will be a $10 First Chance Dance performance on Saturday at 11 a.m.

    Playin’ at the Pantages

    0710mdt.jpgWhen I first moved to Minnesota with my family so many years ago, my sister sat crying by my side as we left her East coast world of ABT (dance afficionados will no doubt recognize that as the American Ballet Theater). As a rising and promising — though still young — ballet dancer, she wasn’t exactly excited about being land-logged here in the midwest. That is, until she learned that Loyce Houlton was teaching at the Minnesota Dance Theater. Houlton is a legend in the dance world, having studied with both Balanchine and Martha Graham (it doesn’t get much better than that) — and having choreographed so many wonderfully energetic and inspired pieces. And while she is no longer with us, she leaves her legacy at the heart of the Minnesota Dance Theater. This weekend, enjoy a touch of that legacy, that energy, that inspiration and beauty, as MDT opens its 2007-2008 season with two pieces by Houlton: 293.6, inspired by the 1969 Apollo 11 mission to the moon, and her more classical Boccherini Dances. Also on the slate for the evening is Eliot Feld’s A Stair Dance, created in memory of Gregory Hines; Sir Frederick Ashton’s Façade, a witty ’20s piece; and Portrait Project, a collaboration of three former MDT dancers.

    Friday and Saturday at 8 p.m., Sunday at 2 p.m., Pantages Theatre, 710 Hennepin Ave., Minneapolis; $31.50.

    MUSIC
    Bill Frisell Trio

    bill.jpg Bill Frisell’s loping, laconic guitar phrases are as implacably beautiful and subtly shape-shifting as a prairie landscape, a perfect soundtrack for compelling visuals. Indeed, two of the cooler items in his quilted discography were created to accompany the photographs of Walker Evans (This Land) and the films of Buster Keaton (Go West). Now the Walker has co-commissioned Frisell to provide the atmosphere on the photos of Mike Disfarmer, who made Evans-like images of the Arkansas poor in the ’40s. But unlike the horn-oriented ensemble for This Land, Frisell will be joined by violinist Jenny Scheinman and lap-steel guitarist Greg Leisz. –Britt Robson, photo by Mike Disfarmer

    Saturday at 7:30 & 9 p.m., Walker Art Center, 1750 Hennepin Ave. S., Minneapolis; 612-375-7600.

    THEATER & PERFORMANCE
    The 14th Annual BareBones Halloween Show

    0710barebones.jpgYes, sirree. Halloween is right around the corner, and that means another big-time puppet extravaganza by the light of the moon. If you’ve been to the BareBones Halloween Show since its 1993 inception, you’ll certainly want to repeat the experience. This is an all-out production, a real celebration of All Hallow’s Eve (and then some). With over 150 artists involved, the show features larger-than-life puppets, shadow puppets, handpuppets, costumes, masks, choral singing, fire artistry, stilting, and a live musical score composed and performed by a 10 piece orchestra. Bring a blanket, dress warm, don your own costume — at least a mask — and experience the narrative unraveling before you. “This year’s show begins on the Mississipi River Bank with the arrival of a macabre steamboat bearing a hilarious and satircal travelling carnival. River spirits arrive to guide audiences through a sublime river landscape (recreated in the forest) to a puppet river town. The arrival of Huck and Jim (from Mark Twain’s Adventures of Huckleberry Finn) causes a town controversy from which the two have to flee. From there we follow their adventures down the river encountering wildlife, spirits, and the river’s dark history. All culminates in the swamp of reckoning with a call for justice and flood of light.” See what I’m saying? Big-time extravaganza! As always, you’ll even have an opportunity to honor the dead. (Come on; it’s Halloween.) And the audience is invited to stick around after the show for food, live music, and dancing.

    Saturday through Wednesday at 7 p.m., Hidden Falls, base of the North Gate entrance, 1309 Mississippi River Blvd. S., St. Paul; 612-341-1038; free with donations encouraged.

    And Now, We Sing for You

    As a companion piece to their scaled-down production of La Bohème, Theater Latté Da presents three evenings of minimalist cabarets, somewhat appropriately titled Bohemian Rhapsodies, in which a bunch of local, aging bohemians gather around a piano and, from what we hear, sing for you. The first installment (this Sunday) features singer Ann Michels, storyteller and performer Josette Antomarchi, jazz vocalist Dennis Spears, poet and memoirist Patricia Hampl, and opera tenor Vern Sutton. Truth be told, we’re more looking forward to the November 4 show because we’ve got an awfully soft spot for at least one of the following: It stars soprano Maria Jette, husband-and-wife duo Fred and Anna Mae Vagle (they’re well known for their musicianship about St. Joan of Arc Church), folk singer Ann Reed, Russian singer Sima Shumilovsky, and co-host of The Current’s semi-popular The Morning Show, Dale Connelly. –Christy DeSmith

    Sunday at 7 p.m., The Southern Theater, 1420 Washington Ave. S., Minneapolis; 612-340-1725; $18.

  • Could Be Time to Retire 81-Year-Old Delta Queen

    According to The New York Times, the 81-year-old Delta Queen riverboat will be grounded if it is not granted an exemption to operate under the 1966 Safety at Sea Act.

  • Relax! – the Food's Still Yummy

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    I got this sinking feeling the other day when I drove past one of my favorite Chinese restaurants, the former Yummy at 25th and Nicollet, and discovered a new sign above the door. The sign said Relax, which made me worry that the place had been turned into a sauna/ massage parlor, until I read the rest of the sign, which promises Exotic Chinese Cuisine. My doubts returned when I saw the restaurant’s new menu, whose cover promises authentic Chinese cuisine, but features two hula girls in grass skirts and bikini tops (actually, one wore only a lei), undulating under palm trees. Has Yummy gone Polynesian? Will I find pu-pu platter on the menu?

    Luckily, it turns out that not much has really changed. Employees told me that the former owner, Mr. Chang, moved to Florida and sold the restaurant to his head chef, Jackson Liu. The menu has added a few new dishes, not including a pu-pu platter, but it’s basically the same as when the restaurant was Yummy. The food has actually improved, the employees insisted: the new owner has hired a professional dim sum chef from New York, whereas Mr. Chang used to make the dim sum himself. I tried a few of the dim sum yesterday for lunch (they’re available every day, but the selection is bigger on weekends), and I don’t know if they are any better than before, but they were quite good, and very reasonably priced.

  • Karma Karma Karma Karma Karma Chameleon

    You think you know, but you have no idea. This is the true story of when Mercedes-Benz stopped making toys and started getting real with the GL 550. A bit dramatic, maybe- but MB’s top of the line SUV is no joke. They were looking to tap into the market that is dominated by Range Rovers, Navigators, and Escalades- but instead they blew the door wide open.

    Mercedes GL 550.jpg
    Even with the photo stretched you feel the presence of the GL550

    The GL 550 is just as big as its competitors in the SUV market, yet it still handles like its luxury sedans brothers and coupe sisters. Mercedes-Benz says that this is a result of the GL 550 being the only full-sized SUV to have been built with what they call uni-body construction. This special type of construction is supposed to make the car ride smoother, handle better, and weigh less than a comparable full-sized SUV. I have no idea what this uni-body business is all about, but I have to say that what ever it is, it works.

    The GL 550 is a little less flashy than its competitors, due to its design being more rounded. It doesn’t look massive from the outside, however 7 people can fit comfortably in it. And if that last row is necessary, just push a button, because the third row powers up and down automatically. And tell whoever complains about getting into the backseat to stop complaining and enjoy the car’s second sunroof, which is conveniently located over the third row.

    The car has it all for everyone: Standard leather, premium audio, and a trendy look from the front for the flashy crowd; eight airbags, heated front and middle row seats, and a built in first aid kit for the soccer moms.

    The GL 550 is worth your time and then some, and this Karma Karma Karma Karma Karma car is certainly a chameleon. Figure out what you want it to say about you and visit Sears to test-drive both luxury and power.

    CW. The Road Rakette

  • Sir Ian & Brenda v. CJ: The Final Bell

    RYBAK: It’s so hard to keep up with the folks on DishZilla C.J.’s shit list: it just keeps growing all the time. This week she trashed respected KSTP reporter Bob McNaney–not really for remarks he made at the Midwest Emmys, as she wrote in her column– but because he never makes remarks to the Strib gossip. And as people who really don’t want to deal with C.J. know–like an elephant, she never forgets.

    Evidently, another person on her "must trash" list is Twin Cities’ star restauranteuse Brenda Langton (Cafe Brenda, Spoonriver), who was the focus of a big C.J. "scoop" a few weeks back because her restaurant allegedly turned away actor Ian McKellen–then appearing at the Guthrie as King Lear–because he came before the restaurant opened, or didn’t want to sit at a table–or who the hell knows why, given C.J.’s convoluted copy.

    We were subsequently shocked, SHOCKED to learn that Sir Ian held a different view of that column item, as evidenced by his handwritten note on a faxed copy of the October 10 column. "Don’t believe a word you read in the Star Tribune," it reads.

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    Skeptics might be further assuaged by this picture of Sir Ian with Brenda and and Lear co-star Jonathan Hyde, who played the Earl of Kent.

    IanBrenda.jpg

    The Strib has steadfastly ignored complaints about C.J., preferring instead to praise her regular appearance as one of the top columnists (on and off line) at the paper (not really that hard to do if you’re writing about media, gossip or sports, three of the reading public’s favorite topics/guilty pleasures).

    Why would this change just because one of the world’s greatest living actors thinks she sucks (and, now, the paper as well)?

    Perhaps the Pioneer Press’s marketing department (if it still has one) should give the McKellen note a look…it could make a dandy billboard, don’t you think?

    LAMBERT: I called Ms. Langton, a.k.a. Brenda, this morning to get a little better idea how this CJ classic actually went down. I mean, the clear inference from the Oct. 10 column was that Brenda’s clueless, rube-like people had snubbed the great actor and … uh, maybe … we might imagine … McKellen was miffed. Right? (Again, hard to tell from the column.)

    "It was just so stupid," Brenda remembers. "She [CJ] called up and was just so super nasty. She had this tone. And she’s saying things like, ‘Do you have weekly meetings?’ Uh, yes, CJ, we have staff meetings. What’s your point? ‘Well, don’t you think you might want to put up pictures of all the famous people in town so your staff recognizes them if they come in?’"

    Brenda’s response was a steely, "No." She explains — and I freely admit we’re deep into This Has Nothing to Do With the Price of Rice territory — that she spotted McKellen looking at a Spoonriver menu one afternoon as she was on the phone, coincidentally enough, to the Guthrie. By the time she got off, the aged, rumpled McKellen, who doesn’t exactly have the same recognizablity quotient as, say, George Clooney, had left. Brenda asked her staff what happened, and they explained that, it being 5 p.m., they didn’t have a table free right then and McKellen didn’t have time to wait. No volcanic outrage on the great man’s part. Busy restaurant. Tight schedule. Can’t make it today. It happens.

    Long(ish) story short, Brenda calls her Guthrie pal to tell them to tell McKellen she’s very sorry and she’ll find a spot for him. Word gets back that McKellen was not at all offended but couldn’t make it back that day; he would however try again. Still, at this point, no harm, no foul, no snubbing, no nothing — except the insinuation in the area’s largest newspaper that the provincial Midwest chowderheads bungled an opportunity to serve a lion of the theater.

    Such a nice, light touch.

    Anyway, according to Brenda, McKellen, true to his word, stops in a few days later. Again at 5. The restaurant is full. But this time Brenda jumps in and offers him and fellow actor Hyde "executive dining" in her tiny kitchen office. McKellen likes the idea. "Mah-velous! Mah-velous," he says. Lear must eat! Brenda tosses on a crisp white tablecloth, and the two men enjoy a fine meal before posing for a picture and heading back over to the office.

    "They were both wonderful," says Brenda. "Ian went around and greeted everyone in the kitchen."

    At some point, someone mentions CJ’s column to McKellen, and Hyde cracks something to the effect, about how, in general, "You can’t trust these papers." Off that cue, Sir Ian merrily autographs a Xerox of CJ’s Oct. 10 opus, which Brenda might well-consider framing by the front door. It’s a terrific reverse-barometer review, in a way.

    "Famous people have been coming in for years," says Brenda. "Joe Perry of Aerosmith came back to talk to (the kitchen staff) one time. Elvis Costello comes in every time he is town. So does k.d. Lang. But I’m not about to pounce on people. You know?" (She says she hasn’t done the Sardi’s or Carnegie Deli thing and framed pictures of her famous clientele, but may start. "I’m 50 now. So what the hell, right?)"

    She says CJ — who is nothing if not relentless — comes around frequently demanding to know, as opposed to "asking" — who has been in. (That velvet touch thing is so overrated, you know.) "She’s mad because I don’t tell her who has been in."

    Brenda says she didn’t send CJ a copy of the autograph but did kick over a copy of the group photo you see here. "She didn’t see the humor in it. She called and asked if someone was playing a practical joke on her."

    If there’s a bottom line to this "issue" it’s an almost pathological deficit of humor. But that’s not news, is it?

  • A Moment of Silence for Wellstone

    Five years ago: U.S. Sen. Paul Wellstone, D-Minn., was killed in a plane crash in northern Minnesota along with his wife, daughter and five others, 1 1/2 weeks before the election.

  • Hurrah for Heidi's

    The real test of a chef’s talent isn’t what they can do with foie gras or fresh black truffles. Those ingredients can make any chef look good, and the less you do with them, the better. The real test is what you can do with more mundane ingredients like beets, brussel sprouts and beef short ribs.

    By that standard, Stuart Woodman’s work at Heidi’s (named after his wife and co-chef) is impressive. An appetizer billed as beet variation 13 combines a beet sorbet with roasted beets, topped with fennel and shallots, scented with juniper. The originality of the combination commands your attention, and then the subtlety of the flavors rewards it. Another appetizer, seared ahi tuna, breathes new life into the most over-exposed ingredient currently to be found on local menus: Woodman serves it over a thin slice of marinated roasted eggplant, and tops the fish with fried leeks, creating a delightful interplay of textures.
    Woodman built his reputation at two high-end restaurants, Restaurant Levain and Five, both now out of business. Heidi’s, in the former Pane Vino Dolce space, is a much more modest venture, with minimal decor, and entrees priced from $9-$19. You can get a decent glass of wine for as little as $5 (a rarity nowadays), though the list of wines by the bottle ranges all the way up to $109, for a 2005 Justin Isosceles Paso Robles.

    My favorite dining companion, who doesn’t eat meat, was delighted to find four acceptable options on the entree list: barramundi in a mussel broth; steamed halibut with kale, artichokes and fingerling potatoes; turnip ravioli with brown butter and pea greens; and (her choice) a vegetarian bolognese with firm, al dente pappardelle and an intensely flavorful mushroom chard sauce.

    Lots of restaurants serve a pretty standard version of the molten chocolate cake, but Heidi’s version (actually made by Heidi, unless I miss my guess) adds a flavorful seasonal twist: a hint of gingerbread spice.

    My only gripe is about the decibel level. I only went to Pane Vino Dolce once, though I liked the food, because I found the decibel level painfully loud – like being trapped inside a steel drum. It’s much better at Heidi’s, but there is still room for improvement.

    Heidi’s Minneapolis, 819 W. 50th St., Minneapolis, 612-354-3512.

  • A Broad Spectrum of Music and Dance

    BENEFIT
    A Toast to the Cedar

    For 18 years, the Cedar Cultural Center has been bringing us great music and dance from across the globe. And while our fair city isn’t lacking in venues, this one certainly contributes immensely to our rich cultural terrain. Sure, the best way to show your support and ensure they stick around for another 18 years, is to simply go to their shows. But tonight there’s a little more you can do as well. Zipp’s Liquor and The Seward Co-op bring you their bi-annual Wine Show and Tasting benefit for the Cedar. Sample over 150 wines, unique spirits, and beer, while you do our city some good.

    6:30 p.m., The Cedar, 416 Cedar Ave. S., Minneapolis; 612-338-2674; $25.

    MUSIC
    Music for Everyone

    It’s a great night to go out and enjoy a live music show — no matter what your taste.

    Rock
    Better late than never. Each Thursday this month The Plagiarists have been playing at The Nomad, and tonight is their final show. If you’re a Band of Horses fan — and maybe even if you’re not — you’ll enjoy The Plagiarist’s catchy synth pop.

    9 p.m., The Nomad World Pub, 501 Cedar Ave. S., Minneapolis; 612-338-6424.

    Folk
    Hailing from Texas and New York, Ana Egge brings her lulling vocal stylings to the Twin Cities this evening. You’ll enjoy the perfect simplicity of her songs delivered by her beautifully haunting voice. Hell, even Lucinda Williams was impressed by her song-writing skills. Opening for Egge this evening is Mother Banjo (Ellen Stanley on banjo and vocals) and Gabe Barnett (with the spirit of Dylan inside).

    8 p.m., 400 Bar, 400 Cedar Ave. S., Minneapolis; 612-332-2903; $8.

    Soul & Funk
    average_white_band.jpgAverage White Band is no doubt among the best soul and funk bands in the history of music. And frankly, at this point — after more than 35 years in the music industry — they pretty much embody the history of soul and funk. I mean, they were number one on the Billboard Pop and R&B Album Charts all the way back in 1975. “Pick up the pieces, uh, huh. Pick up the pieces, alright. Pick up the pieces, uh, huh. Pick up the pieces, whoo!” It must have been the lyrics. “Pick up the Pieces” was a worldwide hit, receiving a a Grammy nomination for Best R&B Instrumental Performance. This was just the beginning, as many albums, hits, and Grammy nominations followed through the years. Sure, they disbanded for five years in the ’80s, but this was short lived, and they certainly made up for the lost time with six albums and a concert DVD since then. This is a must-see show for soul & funk lovers. And you’re in luck, as they’ll be playing through Saturday.

    8 & 10:30 p.m., Rossi’s Blue Star Room, 80 9th St. S., Minneapolis; 612-312-2828; $45 dinner show, $20.

    Jazz
    With thirteen solid albums under her belt, Claudia Schmidt has indeed achieved national success. We tend to overlook what’s right in our backyard at times, but tonight just count your blessings as you make your way to the show. Sure, you could sit at home and listen to one of her many albums, but you’ll miss out on her fabulous energy, which is best experienced live.

    7 & 9:30 p.m., Dakota Jazz Club & Restaurant, 1010 Nicollet Ave. S., Minneapolis; 612-332-1010; $30 & $20.

    Classical
    bashmet.jpgWorld-reknown Russian violist and principal conductor of the Symphony Orchestra of New Russia Yuri Bashmet will be performing works by Shostakovich, Raykhelson, Skrowaczewski, Takemitsu, and Schnittke this evening with The Saint Paul Chamber Orchestra. The Schnittke piece, Larghetto for Viola and Strings from Concerto for Three, was in fact written specifically for Bashmet, with violinist Gidon Kremer and cellist Mstislav Rostropovich. Enjoy the show this evening at Temple Israel, tomorrow evening at Wooddale Church, or on Sunday at the Ordway Center.

    8 p.m., Temple Israel, 2324 Emerson Ave. S., Minneapolis; 612-377-8680; SPCO 651-291-1144; $10-$25.

    THEATER & PERFORMANCE
    Le Chat Noir: A French Cabaret

    chatnoir.jpgMinneapolis takes on shades of Paris this evening, courtesy of Ballet of the Dolls. The company has been working its inventive and often wacky brand of dance theater for twenty-one years now, most recently with a take on the outer-space sex odyssey Barbarella. Artistic director and former Parisian Myron Johnson choreographed this latest show as a series of vignettes set to music both classic and funky — think along the lines of Erik Satie remixes. In true cabaret form, patrons are invited to hiss, boo, and imbibe freely during the performance — and no two performances will be alike. –Danielle Kurtzleben, photo by Desiree Olson

    8 p.m., Ritz Theater, 345 Thirteenth Ave. N.E., Minneapolis; 612-436-1129; $25.

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