Category: Blog Post

  • Other Signs of Springs

    WINE & DINE
    Take to the Streets

    I don’t like to walk and eat (too messy!), and I hate the
    taste of wooden sticks and skewers. Yet, there’s something about a
    bustling city street dotted with steaming food stands and vendors that
    makes me happy. I’ll take a stroll the crowd, even if I’m not moved to
    stop and nosh. But I’m well aware there are diehard fans of
    hotdogs in waxed cardboard boats, streetside falafel, and chili-roasted
    nuts served in canny little paper cones. If you’re one of Trillin’s minions, you’re in luck. Because not only is today the opening day of MOSAIC
    Marketplace on Nicollet Mall, it’s actually supposed to be
    intermittently sunny outside. From 12 to 5 p.m., Manny’s Tortas, La Loma Tamales, Pham’s Deli, & Holy Land will be cooking up global fare. And
    there will be live entertainment, too. Tomorrow will be a crisp
    64-degree day with a gentle northeastern breeze, plus a troupe of
    Celtic dancers jigging and reeling their way up and down the mall. And — get this — so far as anyone can
    tell, it isn’t going to snow! —Ann Bauer (read full post)

    FILM
    The Hagstone Demon

    Enjoy a free sneak preview of local
    filmmaker Jon Springer’s new film The Hagstone Demon tonight at the Riverview Theater. Described by Springer as a film "about a person who
    discovers his own free will," the locally-produced film stars Mark Borchardt, whose role in the Sundance award-winning
    documentary American Movie earned him cult celebrity status in
    the indie film set. Guests
    are invited to an informal reception in the lobby prior to the screening, for which Borchardt will be present. An
    after party will take place at the new Nick and Eddie Restaurant and
    Bar
    (1612 Harmon Place, Mpls 55403.) And it has been confirmed
    that Grant Hart of the legendary post-punk band Hüsker Dü will be
    performing live at the after party.

    6 p.m. reception, 7 p.m. screening, Riverview Theater, 3800 42nd Ave. S., Minneapolis; 612-729-7369.

    Read Erik McClanahan’s interview with Jon Springer.

    LECTURE
    A Camera, Two Kids and A Camel

    National Geographic photographer and Minnesota native Annie Griffiths Belt, who has worked on every continent except Antarctica, concludes the 2008 National Geographic Live speaker series at the State Theatre tonight. The fourth speaker in the series, she will be discussing three decades on the road for National Geographic in her lecture, “A Camera, Two Kids and A Camel” — also the title of her latest book, which she will be signing in the lobby immediately after her presentation.

    7:30 p.m., Historic State Theatre, 805 Hennepin Ave., Minneapolis; 612-673-0404; $27.50-$37.50.

     

     

  • Nabokov's Attempted Murder

    Kill your darlings.

    This is the command given young writers when they’re learning to edit their stories and poems. (It usually comes directly after the first piece of advice for novice authors: Quit now.)

    Kill ‘em dead. The line is attributed variously now to Faulkner, now to Hemingway. Extrapolated, it’s something like, ‘take your best sentences, and get rid of them. Chances are, if you’re impressed with your own writing, you’re being too cute.’ Really it’s just another injunction highlighting the masochistic aspects of this practice. Editing is peeling away dead skin, but there’s some pain involved.

    Vladimir Nabokov compares a first draft to a loogey you’ve coughed into a tissue – it’s this ugly thing that you don’t want to show anyone, but also it came from deep inside you. At the end of his life, it seems the author of Lolita and Pale Fire took the editorial call to arms a step further than most.

    Nabokov died in 1977, leaving behind 138 index cards with a draft of his last novel, The Original of Laura, scribbled on them, and instructions that the cards should be destroyed. (In terms of darling killing, this is something like being an accomplice to murder, I think.) Last week, Dmitri Nabokov – Vladimir’s son – announced he was publishing the manuscript.

    I’m reminded of a scene from Don Quixote, when the beautiful Marcela comes down from the hills and confronts a group of travelers. Anyone who looks upon Marcela, it’s said, will immediately fall in love with her. She’s here to tell them not to look:

    "Heaven made me, as all of you say, so beautiful that you cannot resist my beauty and are compelled to love me…But until now heaven has not ordained that I love, and to think that I shall love of my own accord is to think the impossible…The limits of my desires are these mountains, and if they go beyond here, it is to contemplate the beauty of heaven and the steps whereby the soul travels to its first home."

    And, having said this, and not waiting to hear any response, Marcela turned her back and entered the densest part of a nearby forest, leaving all those present filled with admiration as much for her intelligence as for her beauty. And some…gave indications of wishing to follow her, disregarding the patent discouragement they had heard.

    What always bugged me about this episode was that, if Marcela doesn’t want people to see her, she shouldn’t come out of hiding. I suspect that deep down, like everyone else, she likes to be doted on from time to time.

    I have the same suspicion of Nabokov’s feelings toward his ‘lost’ novel – if he wanted it destroyed, he would have destroyed it. Dmitri, at least, insinuates as much in an interview with The New York Times. "I also recalled," he said, "that when my father was asked, not very long before his death, what three books he considered indispensable, he named them in climactic order, concluding with The Original of Laura – could he have ever seriously contemplated its destruction?"

    The same thing happened about eighty years ago, when Max Brod decided to publish the manuscripts that his good friend, Franz Kafka, had left behind – despite the fact that Kafka wanted his texts destroyed, as well:

    Dearest Max,

    My last request: Everything I leave behind me (in my bookcase, linen-cupboard, and my desk both at home and in the office, or anywhere else where anything may have got to and meets your eye), in the way of diaries, manuscripts, letters (my own and others’), sketches, and so on, to be burned unread; also all writings and sketches which you or others may possess; and ask those others for them in my name. Letters which they do not want to hand over to you, they should t least promise faithfully to burn themselves.

    Yours,
    Franz Kafka

    As Dmitri doubted his father’s intentions, so too did Brod doubt Kafka’s:

    Franz should have appointed another executor if he had been absolutely and finally determined that his instructions should stand.

    I am far from grateful to him for having precipitated me into this difficult conflict of conscience, which he must have foreseen, for he knew with what fanatical veneration I listened to his every word…I never once threw away the smallest scrap of paper that came from him, no, not even a post card.

    Coming to the end of this blog post, I’m finding that I don’t really have a point to make. These are just things that happened. I’m not here to reprimand the authors for attempting -genuinely or not – to destroy their works. Rather I find comfort in the fact that, even on their deathbeds, these writers were still playing head games with those they held dearest. And, of course, I’m thankful to Brod and Dmitri Nabokov for not being the literal-minded readers that might actually have fulfilled their respective authors’ (faux) requests.

     

  • Take to the Streets

    I’m of two minds about street food.

    Personally, I find it unsatisfying. I don’t like to walk and eat (too messy!), and I hate the taste of wooden sticks and skewers. Yet, there’s something about a bustling city street dotted with steaming food stands and vendors that makes me happy. I’ll take a stroll the crowd, even if I’m not moved to stop and nosh.

    But I’m well aware there are diehard fans of hotdogs in waxed cardboard boats, streetside falafel, and chili-roasted nuts served in canny little paper cones. In fact, the great Calvin Trillin made his mark as a food writer by sniffing out the best little stands from Singapore to New York.

    If you’re one of Trillin’s minions, you’re in luck. Because not only is tomorrow (Thursday, May 8) the opening day of MOSAIC Marketplace on the Nicollet Mall, it’s actually supposed to be intermittently sunny outside. And — get this — so far as anyone can tell, it isn’t going to snow!

    Every Thursday from 12 – 5 p.m., these local restaurants will be cooking up global fare:

    Manny’s Tortas

    La Loma Tamales


    Pham’s Deli
    &
    Holy Land

    And there will be live entertainment, too. Tomorrow will be a crisp 64-degree day with a gentle northeastern breeze, plus a troupe of Celtic dancers jigging and reeling their way up and down the mall. Here’s the full schedule of acts:

    May 8 – St. Paul Irish Dancers
    May 15 – Tapestry Folkdance
    May 22 – Jawaahir Middle Eastern Dancers
    May 29 – UNL Dance Squad
    June 5 – Mayan Dancers

    Of course, Thursday is also Farmer’s Market day on Nicollet, so after you’re done eating, watching, and — perhaps — dancing along, you can pick up some fresh asparagus. What could be better than that?

  • Pigs on the Wing

    In the wake of the Great
    War there was Dick Tuck, and Dick Tuck begat Donald Segretti, and
    Donald Segretti begat Karl Rove. Karl Rove’s further begetting remains
    undisclosed.

    Dirty
    tricks come to politics when politics become seriously political.
    Before Richard Nixon spends those Watergate dollars burgling Democrats’
    offices and spying on their psychiatrists, Nixon himself is dogged by
    campaign mysteries and malfunctions of suspiciously organized origin.
    Nixon’s hound is Democratic political operator Dick Tuck (his real
    name; you can look it up).

    Tuck
    begins his career with Helen Gahagan Douglas, Nixon’s 1950 opponent for
    US Senate; later he squires for presidential crusades of Adlai
    Stevenson, Jack Kennedy and Bobby Kennedy. In each campaign, his best
    remembered assignment is to make Richard Nixon look foolish. Sometimes
    this is not a difficult task. After Nixon’s first 1960 TV debate with
    John Kennedy, legend portrays Tuck hiring an elderly woman, who wears a
    large Nixon button, to greet Nixon as he exits a plane, plant a kiss on
    his cheek, and gush, "That’s all right, Mr. Nixon. He beat you last
    night, but you’ll win next time." In 1968, the lore continues, Tuck
    hires visibly pregnant women to carry signs with the Nixon campaign
    slogan, "Nixon’s the One," at Nixon rallies. And so on.

    Tuck’s
    peculiar pleasure is Nixon’s agony. Tuck is preoccupied with Nixon,
    but Nixon is obsessed with Dick Tuck. The emotional open window
    exposes Nixon’s paranoid and vengeful soul. Hunter S Thompson, a
    darker, less balanced Nixon antagonist, later opines, "Nixon was so
    aggressively evil that he almost glowed at night. His political
    instincts were so dangerous that he made the politics of total
    opposition a very honourable trade for two generations of the best
    people in America." Whatever. Nixon decides to hire his own Dick Tuck.

    From
    Nixon’s Committee to Re-Elect the President (CREEP) in 1972, a friend
    offers Donald Segretti the job. Barely out of Vietnam and the JAG
    Corps, a young and impressionable Segretti stalks Democrats in "black
    advance." His object is to sow dissension among Democratic campaigns.
    Dragnetted in the larger Watergate scandal, Segretti’s labors earn four
    and a half months prison time, on misdemeanor charges of dispensing
    false campaign literature ("campaign literature without proper
    attribution," he recalls), and a two-year suspension of his California
    law license. At trial, Democratic prosecutors flaunt a faked letter, on
    Democratic presidential candidate Ed Muskie’s stationery, alleging
    fellow Democratic candidate Henry "Scoop" Jackson had an illegitimate
    child with a 17-year-old.

    Karl
    Rove comes to CREEP after dropping out of school to become College
    Republican National Committee executive director. Rove labors for
    Segretti on the 1972 campaign. 28 years later and in full control of
    Sauron’s scepter, "Bush’s Brain" finds his old boss on the opposite
    side. Segretti is John McCain’s 2000 Orange County campaign chair.
    Beyond irony, a South Carolina push poll of mysterious origin ravages
    McCain: "Would you be more likely or less likely to vote for John
    McCain for president if you knew he had fathered an illegitimate black
    child?" The beat goes on.

    April 2008, BBC News reports: A helium filled giant pig, born one of Pink Floyd’s Animals
    and now a metaphorical billboard for Roger Waters’ political agenda,
    floats high over the crowd at the Coachella Valley Music & Arts
    Festival in Coachella (where else?), California. Its belly paint spells
    "Obama"; adjacent is a checked box (see approx 3:30 here). The BBC newsreader pauses, then muses whether thousands of stoner
    Floyd fans will vote for Obama per instructions from a flying pig.

    Later
    reports say The Pig "broke free from its tethers" and "drifted away."
    After two days, residents of La Quinta, a country club community
    fingered by conspicuous consumption rag the Robb Report as "the
    nation’s leading golf destination," wake to find the Capitalist Pig in
    pieces — "like pulled pork" says one of the finders — on their
    manicured lawns (no, I’m not making this up). Still later, CNN reports
    "organizers" had cut The Pig’s mooring cables. This assertion is
    unconfirmed. Chris Willman of Hollywood Insider is thinking
    black advance. "Is it possible the shredded pig was blown out of the
    sky by a Clinton or McCain supporter with a rocket launcher?" asks
    Willman.

    Home in Corona
    del Mar, two hours from Coachella, Donald Segretti denies knowledge of
    The Pig’s abduction and apparent assassination. He’s been out of the
    black advance business a long time. Segretti is forthright and more
    than contrite about the Nixon campaign work. He decries the South
    Carolina tactics in 2000 and those between Obama and Clinton campaigns
    in 2008. Why do it? "The job is to get candidates elected," he says
    quietly, "There is no second place." He avers his 2000 campaign work
    for McCain followed the credo "no negative campaigning". "You learn a
    lot as you go along in life." Out of politics, he allows he "wouldn’t
    be unhappy" with an Obama presidency, provided the product is as
    advertised.

    Dick
    Tuck is unrepentant at age 85. He won’t confirm or deny legends about
    pregnant women. Tuck has published a political newsletter for over 30
    years. He called it The Reliable Source until The Washington Post appropriated that moniker. "Don’t even think about suing someone who buys ink by the barrel, " Tuck growls. Still a fouille-merde, he renamed his letter WashPostIt. Tuck has also set up DickTuck.com, but to date the site is pretty bare.
    He says, if it’s worth his while to come, he’ll reserve a men’s room
    stall at the Minneapolis-St Paul airport main terminal for the
    Republican National Convention, but expects "a long line". He dismisses George W Bush as inconsistent: "He lied to get us into war; why not lie to get us out?" Tuck disavows personal knowledge of Coachella events, but claims, "If it had been twenty years ago, they would have blamed me."

    Dead
    since 1994, former President Richard Nixon could not be reached for
    comment on The Pig’s demise. Campaign finance reports indicate daughter
    Julie Nixon Eisenhower has maxed out on primary election contributions
    to the Obama campaign.

    It’s unclear whether these events are related.

  • Siete de Mayo — All Around the World

    New this week: May Day Parade slideshow, Second Runway Show slideshow, Meet Local Filmmaker Jon Springer, and Campfire.

    FILM
    Global Lens, or Fast and Loose

    The Walker’s Global Lens series kicks off tonight with The Kite (Le Cerf-Volant) and All for Free (Sve Dzaba). Tour across four continents over the next 11 days, glimpsing into varied cultures and personal stories via 10 excellent films. The Kite (7 p.m.), directed by Randa Chahal Sabbag, examines marriage and tradition in Lebanon; while director Antonia Nuié’s All for Free addresses rediscovery and loss in Croatia.

    And if you’d rather play it fast and loose (whatever the heck that means in this context), then meander on over to the Edina Cinema for their weekly double feature. It’s an action packed night with two (can’t believe it, but…) classics: Dr. No (1962) and Rocky (1976). We’re talking Sean Connery and Sylvester Stallone, p e o p l e !

    BOOKS & AUTHORS
    Republican Strategist Discusses Bad Money

    Yeah, the title sounds like a given, but it’s not what you think. (Sorry, I couldn’t help myself.) Best-selling author and noted Republican strategist Kevin Phillips is in town tonight to discuss his new book Bad Money: Reckless Finance, Failed Politics, and the Global Crisis of American Capitalism. Wow. That’s a mouthful — and a head-full. Whew. And it ought to be just about as comprehensive as it sounds. Phillips, who warned us against our dependence on oil and
    credit in American Theocracy, now examines the causes and effects of the decline of the dollar and other important economic shifts.

    7 p.m., University of Minnesota Bookstore, Coffman Memorial Union, 300 Washington Ave. S.E., Minneapolis; 612-625-5549; free.

    POETRY
    Poetry Lovers

    Of course, you can always bypass the politics and economics and opt for the language of love. I just received an email from local poet Todd Boss today informing me that his poem, "One Can Miss Mountains," will be in the May 12 issue of The New Yorker. That’s pretty exciting stuff for a writer (and for all of us), so what better way to celebrate than to hear him read his poems? Join the Verse and Converse series this evening for a night of poetry with Boss, Lightsey Darst, Margaret Hasse, and Richard Solly. Tim Nolan will host.

    7 p.m., Nina’s Coffee Cafe, 165 Western Ave., St, Paul; 651-292-9816.

    MUSIC
    DeVotchKa and Basia Bulat

    Do you know about despair? Feeling wistful? Dreaming of a better world? DeVotchKa is just the sound. The Denver-based quartet — self-described as Eastern-bloc indie rock — features Jeanie Schroder on sousaphone, upright bass, and vocals; Shawn King on drums, percussion, and trumpet; Tom Hagerman on violin, accordion, and piano; and Nick Urata on vocals, theremin, guitars, bouzouki, piano, and trumpet. If you thirst for versatility and all that is dramatic, this may be your thing. Accompanying them this evening is Canadian singer-songwriter Basia Bulat.

    7:30 p.m., First Avenue, 701 First Ave. N., Minneapolis; 612-332-1775; $19.50.

  • My name is Melinda Jacobs, and I am a Supermodel—NOT!!

    Have you ever wondered what it is like to be a model? Instead of boring you with a long story, I will be as brief as I CAN.

    I have modeled clothes for designers and done that fake (I am too sexy for my shoes) deal: Knollwood Mall in the ’80s. So, it wasn’t Fashion Week in New York… It was still fun to walk the runway with a guy that had to wear a Boy Scout outfit to match my Girl Scout outfit. Why? Because I—at the time—had a huge crush on him.

    Since he is from a very public family, and I don’t have time to get his consent—and go through lawyers—I will call him Mr. Green Eyes. 🙂

    Mr. Green Eyes and I had a lot of fun getting paired up in fashion shows because you really get to know someone when you are given ONE room in which to change—no privacy—and two seconds to take off your clothes and put on the outfit that was selected for you by the CLIENT and approved by your AGENT. Those moments started out fun, but then they just became awkward, tainted with jealousy.

    After that, I had to take a breather. But who wouldn’t take $250 to spend 30 minutes having their picture taken in Pink PJ’s for the TARGET circular?

    That, too, was fun… until a bunch of my high school friends thought it would be cute to copy that ad and post it all over Orono High School. That Monday—which I refer to as Pink Monday from Hell—I thought had taught me a lesson. But, nope; being Me, I had to keep going.

    After playing a Fruit of the Loom Grape at 3 a.m. on a home shopping channel to an audience of 12 people, it was really starting to get to me and make me realize this whole modeling world was NOT for ME.

    There were a few stand out experiences, of course — like the time that I got booked for a national ad for DAYTON’S. Yep. I got the call from my agent at Eleanor Moore; they wanted ME to be the bride for a national print ad.

    I showed up to the shoot, which happened to be at Temple Israel, and—what a surprise—I was booked as the Jewish Bride, and my Jewish Husband was an Italian guy named Tony.

    The whole experience was just wrong. First, I was in make-up and hair for three hours, and when I looked in the mirror afterward, I didn’t look that different. Then came the Wedding Dress. I sucked in my stomach so hard that my ribs were bruised by the dress. And finally, as I was standing at the alter with Tony (my fake Jewish husband), the director told me to lean in and kiss him for TWO HOURS STRAIGHT.

    That was it. I was a married woman getting paid $$$$$ to kiss (more like make-out with) and "be in love with" a fake Jewish guy (a stranger, at that) in the very same synagogue in which I had married my real husband. This whole picture was wrong, wrong, and wrong.

    As usual, I was nice and took direction—except for having to stop and ask the wardrobe stylist for water and mints, which made the big-time New York photographer accuse me of being a prima donna. My fake husband didn’t say a word, and… you do the math—two hours of kissing and hugging with no water. Let’s just say that I can’t be the one accused of bad breath and sweat. :O##

    Well, that was it. I broke my vows to my real husband for $$$$. I felt terrible. The worst part was going out to dinner that night with a bunch of friends, trying to forget the whole day, until—you guessed it—my fake Jewish husband showed up at the SAME restaurant with his girlfriend. Talk about uncomfortable!

    "Howard, meet Tony, my fake husband"

    "Melinda, meet xxxxxx, my girlfriend."

    Yep. That was fun—also a night that made me realize that modeling was NOT my future career… again.

    Which brings me to this last weekend, when I went back down that uncomfortable path by participating in a fashion show. I had only one reason for getting up in front of strangers in clothes that were (how shall I put this) not picked out for my body type and strutting my stuff on stage. It was worth it for one reason and one reason only: Hope Chest and Barbera Hensley. (That sounds like two reasons, but it’s really not. Barbara founded Hope Chest in 2002, after losing her oldest sister to breast cancer.)

    FYI: The highlight of the show was modeling along side Grandma B (the Cutie Pie Mom of JEROME BENTON AND TERRY LEWIS) and having a lot of money raised for the Dear and Lovely Barbara Hensley & her Hope Chest for Breast Cancer.

    The low part was being told by the "professional" MODEL that my tags were hanging out — to which I responded by saying, "Thank you. I am not a pro, so I appreciate your help." Of course, I wasn’t too crazy about having to show my spandex to let all the woman know that I, too, have flaws; but the cream cheese and bagel breakfast gave me no choice. It was spandex or popped buttons. 🙂

  • A Sesquicentennial in the Spring of Our Discontent

    Older generations often talk wistfully of times past – an
    era when candy was a nickel and hookers cost but sixpence. And with Minnesota’s sesquicentennial occurring this year, the temptation to romanticize is pushed even farther, with tales of subzero temperatures, white out conditions, and devouring small children to survive winter’s lean times bandied about like so many empowering after-school special style messages delivered by Hillary Duff.

    But is it really a terrible thing that our civic and
    nationalistic zeal is at an all-time low? It should certainly come as no surprise when our state legislature and governor have only in the last few days been able to stop offering a combination of absurd budget proposals and Yo’ Momma jokes and actually sit down to hammer out a compromise that may prevent nearly 10 percent tuition hikes at the U, the loss of $450 million in Federal money, and the rising use of ninjas in foreclosure cases. Plus, with disapproval of the president at an all-time high of 67 percent, the country hemorrhaging money and global goodwill in Iraq
    faster than Delta’s top execs , and the American dollar nearly equal to the vile Canadian Loon, it would seem to many that we have precious little to be proud of in
    these troubled times.

    So, with the state legislature bickering over property tax caps and whether Minneapolis police officers will soon have the power to
    pull over downtown revelers, hot chick and douchebag alike, who may be too tipsy to remember their seatbelts, not to mention turning on their headlights, turning off the windshield wipers, or perhaps even closing the door, Minnesota
    Statehood Week could not possibly come at a better time. From May 11-May 18 we’ll have ample opportunity to think fondly of the days when Minnesota’s politicians were simply bald-faced land grabbers, rather than two-faced opportunists. Best of all, to celebrate Minnesota’s statehood, a Dunlap Broadside – one of the original 25 copies of the Declaration of Independence made on the evening of the Declaration’s signing – is on display until the 18th
    at the Minnesota History Center.

    This may seem like grasping at straws to the nihilists out there, but the ideals stated in the Declaration of Independence, in combination with our Constitution, are the foundation upon which our country’s eminence
    rests. As such, having this document in the state, touched by the founding fathers and imbued with the words that justified the formation of our country as it is, is a rather momentous occasion. And it certainly wouldn’t hurt anyone
    to reacquaint themselves with these words – especially those in our legislative and executive branches who don’t seem to understand that even well-intentioned political gamesmanship has, on occasions throughout history, been met with
    something less than the accolades politicians hope for from their constituency.

    When in the Course of human events it becomes necessary for one people to dissolve the political bands which have
    connected them with another and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they
    should declare the causes which impel them to the separation.

    We hold these truths to be self-evident, that all men are created equal, that they are endowed by their
    Creator with certain unalienable Rights that among these are Life, Liberty and the pursuit of Happiness. – That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, – That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such
    form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath
    shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same
    Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.

  • Seis de Mayo (I could get used to this)

    BOOKS & AUTHORS
    Keith Gessen and His Sad Young Literary Men

    In honor of Max Ross’s Cracking Spines defense of McSweeney’s, n+1 founding editor Keith Gessen is in town tonight to discuss his first novel with us. (We’ll just have to be sure to let him know that’s why he’s here.) Actually, side-pokes and literary journals aside, Gessen has proven himself quite adept at slacker fiction. All the Sad Young Literary Men weaves together the stories of three college grads as they sort out their literary and romantic ambitions. Soviets, Zionists, online dating — Gessen touches upon a host of interesting topics — and a host of different forms of abuse and self-abuse. Meet him tonight, hear what he has to say, and have him sign a copy of the book for you. I mean, after all, it is Keith Gessen!

    7:30 p.m., Barnes & Noble Booksellers Galleria, 3225 W 69th St., Galleria Shopping Center, Edina; 952-920-0633.

    THEATER & PERFORMANCE
    Come to the Cabaret, Old Chum

    "Putatively, this Cabaret is the stage play of ’66, with an English
    Sally and a regal German landlady (played by the absolutely magnificent
    Suzy Hunt). But it also alludes to the male-on-male dalliances of its
    hero, the American writer Cliff Bradshaw, which is confusing because
    the complications here are completely ignored. In fact, other than the
    single reference to his cruising days, Bradshaw, as played by Louis
    Hobson, comes off as a well-scrubbed prude. … In between there are dance numbers introduced by the ’emcee’ (Nick Garrison), a shiny-headed bald man wearing lipstick with
    an impossible loud and grating voice. He’s impossible to love at first,
    as he descends from the ceiling in the Cabaret sign’s ‘C,’ but by
    intermission he is impossible not to. A feat that Garrison effects by being alternately funny, self-deprecating, clownish, and sad. There
    is also that strident back story about the Nazis: they are infiltrating
    the club through the person of Ernst Ludwig, Bradshaw’s patron and
    friend." —read Ann Bauer’s full review. Tonight is the official opening.

    8 p.m., Ordway Center for the Performing Arts, 345 Washington St, St Paul, 651-224-4222; $20-$55.

    MUSIC
    Eric Nassau and Mary Bue

    In the mood for a light-hearted evening of folk-troubadour crooning? Ohio folkster Eric Nassau might be just the thing. His sweet, lilting vocals keep the dark longing of the lyrics at bay, lending a playful air to adversity. And, though his vocals are front and center, Nassau masters his guitar with equal finger-picking charm. Joining in the charm-delivery tonight is Mary Bue, another sweet sounding folkster (and recent Minneapolis transplant) with a touch of Tori Amos in her soul.

    9 p.m., 331 Club, 13th Ave. N.E., Minneapolis; 612-331-1746.

    Secret Songwriters Ball

    It’s also time for another Secret Songwriters Ball at everyone’s (or at least someone’s) favorite watering hole. And since it’s a "Secret," I won’t reveal much. Expect a rockin’ set of his tunes from host Chris Thompson and a slew of talented songwriters of all varieties. Ok, one secret: Ben Glaros will be performing at around 10 p.m.

    9 p.m., Lee’s Liquor Lounge, 101 Glenwood Ave., Minneapolis; free.


    Motion City Soundtrack Releases First Acoustic EP

    As of today, you should be able to download Motion City Soundtrack’s first-ever acoustic EP from iTunes. The EP features acoustic versions of five tracks off of their latest release Even If It Kills Me. The two can be purchased as a bundled package for $11.99, or you can download the songs individually: "Fell in Love Without You," "It Had To Be You," "Broken Heart," "Can’t Finish What You Started," and "Point of Extinction."

  • Jade: What's a Critic to Do?

    The question I get asked most often, (after "what’s your
    favorite restaurant?") is "do you get recognized a lot when you review
    restaurants?"

    The answer is, sometimes I do, and sometimes I don’t. When a
    longtime local restaurateur opens a restaurant in downtown Minneapolis, and
    staffs it with servers who have been on the local dining scene for ages, then
    the odds are pretty good that somebody is going to spot me. But if I go to a
    new theme restaurant in the outer burbs, my anonymity is pretty secure — the typical
    hostess is about 19 years old, doesn’t read restaurant reviews, and wouldn’t
    recognize my name if I handed her a business card.

    Ditto most ethnic restaurants.

    I suppose it has gotten a little easier to spot me now that The Rake runs a line drawing of me on this blog (see above), but if you had to
    pick me out of a police lineup, I don’t think the picture would be much help.
    (I’m the guy on the right.)

    I used to think that anonymity is really important, but the
    longer I stay in the restaurant reviewing business, the less convinced I am.
    There is at least a trade-off involved. On the one hand, when I am anonymous, I
    don’t get any special treatment, but on the other hand, when chefs and
    restaurateurs know who I am, I sometimes find out stuff that gives me a better
    sense of what the restaurant has to offer.

    Maybe it’s more than that — often, what’s really the most
    satisfying part of a dining experience is the human element — learning
    something about the people who work at the restaurant, and developing a
    relationship with them — and the detached
    "secret shopper" approach to
    restaurant reviewing misses out on that.

    At any rate, I stopped in last night at a new ethnic eatery — Jade Asian Bar and Restaurant in the Midtown Global Market at Chicago and E. Lake St., and promptly did
    get spotted by owner Carl Wong. Wong is the former owner of the Seafood Palace
    on Nicollet, which I always used to consider one of the best Chinese
    restaurants in the Twin Cities. (I haven’t dined there much since he sold it,
    so I don’t know how good it is these days — if you have dined there, please let
    me know.) Carl’s three-year non-compete agreement expired recently, and he is
    back in the restaurant business.

    Jade — in the space briefly occupied by Chang Bang — turns
    out to be a nicely styled casual dining restaurant with a menu of traditional
    and contemporary Chinese cuisine, plus a sushi bar. The sushi bar is only open at night, and for lunch they offer a buffet (nothing particularly impressive, when I tried it.) The bar part isn’t open
    yet, but the license has been approved, and the restaurant will start serving
    liquor after May 16. Live seafood tanks will also be arriving soon, and will be
    stocked with everything from lobster to abalone.

    Fire and Ice

    At any rate, my wife and I ordered a couple of items off
    the menu — the deep-fried stuffed seafood tofu ($9.95) and the salted fish with shredded pork and
    eggplant in casserole (hot pot; $10.95), plus an item on the sushi menu that I had
    never heard of before — "battleship sushi" — gunkan maki sushi. It turns out
    that’s the name for a kind of sushi that I had seen before — the kind that has
    a collar of nori, and a filling of sea urchin, or flying fish roe, or other
    ingredients that need to be held in place. The sushi chef — Tony Sin Tuy — said he would make a
    special order for me. What arrived at our table a few minutes later was a real work of art (or two works of art, to be precise) — each a narrow band of
    nori wrapped around a belt of Atlantic salmon, with a filling of sushi rice topped with chopped tempura fried scallops in a spicy mayo, with tobiko roe and a pineapple soy reduction. Tuy calls it Fire & Ice ($5.50), and it is definitely worth asking for.

    We had barely finished that delight when another dish
    arrived, unordered, at our table — a long snake of a specialty roll — a wild
    caterpillar, we later learned — wrapped in avocado, tuna and ripe mango, filled
    with spicy shrimp, flavored with Thai seasonings ($10.95). This, too was wonderful.

    Then Tuy stopped over and
    introduced himself. He obviously knew who I was, and he told us a little about
    himself — he grew up in Minnesota and California, is of Thai and Chinese ancestry, and
    previously worked at Crave in Edina, where he learned the art of sushi from
    chef Tony Lam. He really tries to make sure that every specialty sushi
    specialty he creates is distinctive, different from who diners might get
    anywhere else, and he works a lof of Thai flavors into his original creations. (Hence, the Thai spices in the wild caterpillar.) I came away
    from the conversation genuinely impressed. This is a nice guy who takes sushi
    seriously. It was a conversation that I probably wouldn’t have had if I had succeeded in remaining anonymous.

    Then comes the other dilemma that goes hand-in-hand with
    being recognized: the bill arrives, and there’s no charge for the sushi. I am a
    little torn by this because on the one hand, I don’t believe in accepting free
    food, and on the other hand, it can get really expensive to pay for a lot of
    food that I didn’t order, and it also can feel rude to refuse food that
    somebody with good intensions sends over.

    So I tell the waiter that I need to pay for everything
    that we ate, and the waiter sends me to Carl, who says that the free sushi is
    from Tony, so I better take it up with him. Tony doesn’t want my money, but
    finally agrees to accept a $10 tip — not quite what the sushi would have cost
    if I had ordered it off the menu, but enough to salve my conscience. And I warn
    him that I can’t come back unless he agrees to let me pay, next time, for
    everything I eat.

    And I do want to go back — the seafood stuffed tofu and the salted fish, pork and eggplant casserole were both delightful, and there is a lot more on the menu that I would like to try, ranging from the whole Dungeness crab ($19.95) to the barbecue pork with oysters in hotpot ($10.95).

  • Yes, This is a Contemporary Blog Post

    Employing a tactic I’m pretty sure I’ve picked up from the current presidential administration, I’ve decided to take a new approach to truth. Namely, I’m going to make it up. And make it up in such a way that justifies every decision I decide(r), and in such a way that makes me feel better about my life, and the enveloping society thereof.

    So here goes: Everyone is reading.

    And because everyone is reading, there is a high demand for poetry.
    And because there is a high demand for poetry, once a week, possibly on Mondays, but certainly not limited to Mondays, I’m going to try really hard to post a Poem Worth Reading on this blog.

    I know I know I know, this is supposed to be a blog about books, and probably shouldn’t contain any actual literature, unless it’s hyper-linked. Nevertheless, poems are great. They’re (often) short, and powerful, and sometimes they even rhyme, which makes you feel happy for reasons you probably can’t define very well. And people should read more of them. More, even, than they already are. Which is lots. Because everybody is reading. Obviously.

    This week’s Poem Worth Reading is by Ron Padgett, from his collection You Never Know, which came out in 2001 from Coffee House Press. Notice the yeses, maybe.

    Read it. Everyone else is.

    The Drink

    I am always interested in the people in films who have just had a drink thrown in their faces. Sometimes they react with uncontrollable rage, but sometimes -my favorites- they do not change their expressions at all. Instead they raise a handkerchief or napkin and calmly dab at the offending liquid, as the hurler jumps to her feet and storms away. The other people at the table are understandably uncomfortable. A woman leans over and places her hand on the sleeve of the man’s jacket and says, "David, you know she didn’t mean it." David answers, "Yes," but in an ambiguous tone – the perfect adult response. But now the orchestra has resumed its amiable and lively dance music, and the room is set in motion as before. Out in the parking lot, however, Elizabeth is setting fire to David’s car. Yes, this is a contemporary film.