Year: 2005

I was born a clown, and in retrospect my parents were incredibly good sports about what must surely have been on a number of levels a shock and a disappointment. They’d been trying for years to have a child, and they accepted me immediately as a blessing and loved me unconditionally for what I was.

My father likes to tell the story of how on the day I was born he went right out and bought me my first pair of big red shoes. I took my first tentative steps in those shoes.

From the very beginning my lips were preternaturally large, and I have never required much in the way of embellishment beyond a basic application of lipstick for color and a bit of accenting around the outline. I have no memory of being outfitted with my rubber nose, but from the first time I can recall gazing at my reflection in a mirror it was a source of great pride and enduring pleasure.

One morning in early childhood I awoke to discover that overnight my chin and jowls had acquired an application of Vaseline and coffee grounds.

I was, I am told, an uncommonly stubborn and willful child, with a clear and unwavering self-image. I was as a result always allowed to choose my own clothing, and favored a ragged old porkpie hat, an oversized smock with red polka dots and shiny buttons, and baggy trousers covered with brightly colored patches. I was a very happy boy, and a happy clown.

Childhood is of course an awkward and confusing time in the life of a clown. By the time I was old enough to attend school I had grown used to the charmed attention of adults. All of those I had come in contact with had seemed both amused and enchanted to find themselves in the presence of a happy little clown. I suppose in hindsight there was a good deal of condescension in this response, but I loved the attention all the same. I craved and needed attention; there was nothing I could do about it. It was hard-wired in my brain. My self-esteem was entirely dependent on entertaining people and making them laugh.

My parents were an unfailingly compliant audience. They adored me, and I could induce heaving fits of laughter in them with little more than a wide-eyed grin or a startled spit-take at the breakfast table. To their credit they never pushed me. They didn’t have to. I was, however, an unusually sheltered child, and though I don’t believe this was ever a conscious decision on the part of my parents, I had had precious little interaction with other children by the time I started elementary school. As such I was utterly unprepared for the reactions I received from the other students. I understood neither the casual cruelty of children, nor the irrational fear that clowns seem to inspire in so many youngsters.

There were long, unhappy stretches where I got the shit kicked out of me every day I went to school. Bullies on the playground held me down and wiped my beard of coffee grounds from my face; they stole my ragged hat, stepped on my big red shoes, and tore the shiny buttons from my polka dot shirt.

In my teenage years I would stand alone and friendless in the darkened gymnasium at school dances. No girl would dance with me. Even balloons could not get me a date. I eventually taught myself a few simple magic tricks to try to impress my classmates, but it was too little, too late.

I ate too much candy and gained a great deal of weight.

I learned this difficult lesson: a clown is simply not equipped to handle the brutal truth.

By the time I dropped out of high school to join the circus my fate was sealed. I would be a sad-faced clown to the end of my days.

It’s no secret that people of great achievement are often abject curiosities and spectacular failures as human beings, and this was certainly true of Tchaikovsky, who lived in my hometown when I was growing up.

I can’t truly claim that it was my privilege to know the man, or even that to know him would have been, in fact, any kind of privilege at all. (My understanding is that this was decidedly not the case.) But I certainly remember the old man, and recall seeing his stooped and wretched specter stumbling along the sidewalks of my neighborhood.

People around town knew Tchaikovsky, of course, or certainly were aware of his strange presence. Few, however, apparently realized he was writing music. Most folks remember him as a stunningly bad amateur painter whose crude oils of birds –robins, almost exclusively– were entered in the art show at the county fair each summer.

Somewhere I have a snapshot of the garish tattoo of a clown bleeding from his eyes that Tchaikovsky had etched into one of his forearms. I can’t recall how I came by this photograph, to be honest with you, but it remains among my most prized possessions, and countless scholars have tried to buy it from me over the years.

There was always a great deal of speculation that Tchaikovsky was consumptive, or infected with venereal disease. There did, certainly, appear to be something wrong with him. There were clearly health issues of one sort or another, most obviously a painful-looking skin condition. He also had dodgy hygiene, and always seemed to be in need of a new pair of shoes.

Late in his life Tchaikovsky wore a beat-to-shit pair of purple moon boots, no matter the season. This was after moon boots had long since gone out of fashion, and I suppose he picked them up on one of his regular visits to the St. Vincent de Paul thrift store, where he was also said (this was in the newspaper after his death) to be an indiscriminate hoarder of “potboilers and paperback westerns.”

I can also tell you that he rolled his own cigarettes, and spent a great deal of time drinking coffee and banging away at the Cannonball Run pinball machine at a local pizza parlor.

Whenever we’d see him out and about, my mother would always say, “That poor man doesn’t know whether he’s coming or going.”

“I could help him out with that,” my father would say. “He’s going.”

Tchaikovsky had one sister still in town, but she was said to find him repellent, and more than once sought a restraining order against him on the grounds that he “creeped her out.”

He occasionally played chess at the public library with the conductor of the high school orchestra, and somehow managed to talk this man into performing some of his compositions at the annual spring orchestra concert. Nothing much was made of his music at the time, however, and when Tchaikovsky died he was largely friendless and wholly uncelebrated.

Even to this day there are people in my old hometown who will insist that the music now attributed to Tchaikovsky was, in fact, composed by some other person, or persons. Repeated attempts to raise money to erect a statue in his honor outside the library have been unsuccessful.

I’m opening the phone lines for suggestions, but I’ll start off with a sample from one of rock’s most literate songwriters, and a perennial candidate for any list of great underrated musicians. This one always comes in handy for any unhappy relationship or untenable work situation:

I’m giving you my notice,

and it works this way:

In two weeks time, you will

notice I’ve been gone

for fourteen days.

—Nick Lowe, “Fourteen Days,” from The Impossible Bird