Author: Cristina Córdova

  • Brain Drain

    Jeannine Ouellette’s puzzling article [“The Death & Life of American Imagination”] seems to cite the regimentation of children’s lives and the role of technology as a threat to the development of imagination. As a girl in the ’50s and ’60s, I faced far more restrictions to my imagination and free play than any kid today.

    But the greatest threat to imagination goes unmentioned: the intrusion of religion into the schools. It may not seem so bad here in Minneapolis, but there are parts of the country where the schools are not focused on STEM (science, technology, engineering, and math). They are afraid to teach anything that might threaten third century AD notions of cosmology or biology. There is a brain drain due to restrictions on research (stem cells, etc.) and government science is censored on the subjects of reproductive health and climate change.

    Minneapolis doesn’t have to do all this to limit the development of its children, however. Its school board has merely decreed that education be withheld from anyone not rich, not white, or not a resident of the southwest quadrant of the city.

    Linda Mann, Minneapolis
    Letter

  • Books for Children, Adolescents, and Adults

    BOOKS & AUTHORS
    Raking through Books

    If you’ve been resenting the lack of story time for adults, then this evening’s Raking Through Books will please you immensely. Twin Cities local
    literati — Shannon Olson, Carl Brookins, Heidi Erdrich, Todd Boss, and
    Colleen Kruse — will read from books they liked as children. What fun! They won’t be tucking you in and giving you a kiss on the forehead, but if you down a couple of cocktails, you should have no problem drifting into peaceful slumber once you’re home. Featured books, including Olivia Helps with Christmas, are for sale at a twenty percent discount at the University of Minnesota Bookstore.

    5:30 to 7:30 p.m., Kieran’s Irish Pub, 330 2nd Ave. S., Minneapolis; free.

    Joe Sacco

    The comic book has come a long way since Superman, with
    graphic novels now (rightfully) garnering literary cred and occupying
    their own constantly expanding section at the local Barnes& Noble.
    But with his unique brand of “cartoon journalism,” Joe Sacco has put his influential stamp on the medium. When Sacco applies his “comic book” treatment to subjects like the occupation of Palestine, war
    in Bosnia, and the Gulf War, the results are superior works of both art
    and reporting. Sacco conducts hundreds of interviews for his books, and
    tells these personal narratives with feverish mishmashes of frames that
    are more evocative and harrowing than most front-page news photos. Tonight, as part of Walker’s Brave New Worlds political art series and the Rain Taxi reading series, he discusses his approach and inimitable artistic style. Danielle Kurtzleben, photo by Michael Tierney

    7 p.m., Walker Art Center, 1750 Hennepin Ave., Minneapolis; 612-375-7600; $10 (members $8).

    Melissa Fay Greene

    Melissa Fay Greene made her big splash with National Book Award finalist (and perennial book club favorite) Praying for Sheetrock, a social history of a tiny Georgia county struggling to come to grips with the challenges and ramifications of the Civil Rights movement. In
    all of her work, Greene combines meticulous historical research with the
    dogged chops of a first-rate journalist and the narrative skills ofa
    novelist. Her most recent book, There Is No Me Without You, is
    the tale of Haregewoin Teferra, a foster mother in Addis
    Ababa, Ethiopia, and the AIDS orphans she has raised. At the Weisman,
    she will be joined in conversation with Hubert H. Humphrey Institute of
    Public Affairs professor Larry Jacobs. Brad Zellar

    7:30 p.m., Weisman Art Museum, 333 East River Rd., Minneapolis; 612-625-3363.

    FILM SEMINAR
    Rupture: Dark Fantasy and Dissolution in Post-Soviet Cinema

    For the last couple months, and through the end of the year, The Museum of Russian Art will be featuring the art of Geli Korzhev, one of the most influential painters of the 20th century. Russian art, in all its forms, has a strong history of bleakness, and Korzhev certainly lives up to this reputation. Tonight, Cold War cinema specialist Mike Bailey will explore Korzhev’s cinematic counterparts. Just as he was influenced by the cotidian sorrows expressed in postwar Italian films, the bleak nature of Korzhev’s later work finds its complement in Russian cinema of the 1980s to the present. "Under Gorbachev’s glasnost policy, Soviet filmmakers exercised new freedoms to criticize and reflect on the nation’s history," a trend that continued until just recently, as filmmakers experimented with genre and allegory in an effort to express and shape a new post-Soviet identity. If you go, make sure to ask Bailey for his take on why these filmmakers lack the sense of humor and playfulness of post-Franco Spain. Economy?

    7 p.m., Museum of Russian Art, 5500 Stevens Ave. S., Minneapolis; 612-821-9045; reservation required.

    DANCE
    Koresh Dance Company

    Artistic Director Ronen Koresh takes on the history of American music (or at least a couple formative decades) with the Koresh Dance Company’s latest production, Looking Back: The Music of the ‘40s and ‘50s. Already known for their eccentric and energetic performances, the dancers paint a picture of this vibrant era, "weaving together the many styles, beats, fashions, and metaphors of this time
    period into one fantastic performance."

    7:30 pm, Northrop Auditorium, 84 Church St. S.E., Minneapolis; 612-624-6600; $31-$52.

     

  • The Only Thing You Owe the Public Is a Good Performance

    MUSIC
    Ben Lee

    At the very green age of 14, Australian singer-songwriter Ben Lee emerged on the music scene with his then-band, Noise Addict, and caused a minor stir, garnering the attention of members of both Sonic Youth and the Beastie Boys. Fifteen years later, with albums, movies, and experience under his belt, Lee is in town tonight promoting his sixth and most recent album, Ripe,
    which came out a couple of months ago. I just hope all those love songs are no longer about Claire Danes. Opening for Lee this evening are the Cary Brothers and The Kahn Brothers. What’s with the whole brotherly theme, eh?

    5 p.m., Varsity Theater, 1308 4th St. S.E., Minneapolis; 612-604-0222; $15/$17.

    Ryan Montbleau Band

    While their website claims they’ve averaged over 200 gigs per year for the past few years, this is no doubt the Ryan Montbleau Band’s largest tour, as they promote Patience on Friday, released last month. "Patience is simply something you have to learn," says the band’s frontman, "and Fridays are the days you go balls out." If you’re a Ben Harper fan with a special place in your heart for Stevie Wonder, this is definitely a show for you to check out.

    8 p.m., 7th St. Entry, First Avenue, 701 First Ave. N., Minneapolis; 612-332-1775; $8.

     

    FILM
    The Quintessential Film Noir

    No actress has commanded the screen as well as Lauren Bacall. No on-screen chemistry has impressed and charmed us as well as that between Bogie and Bacall. And the quintessence of that chemistry, of the duo, of an age, of a genre, of film noir… is without a doubt The Big Sleep. (Granted, I’d choose To Have or Have Not any day. Have you ever stepped on a dead bee?) The film is a gold mine in every sense possible — the best of the best at every stage: a Raymond Chandler novel adapted into a screenplay by William Faulkner, directed by Howard Hawks, and acted by Humphrey Bogart, Lauren Bacall, and John Ridgley. This is Philip Marlowe at his finest: "I don’t mind if you don’t like my manners, I don’t like them myself.
    They are pretty bad. I grieve over them on long winter evenings."

    8 p.m., Parkway Theater, 4814 Chicago Ave., Minneapolis; 612-822-3030; $6.

    Forever

    Surely you’ve seen this image before. Pere Lachaise cemetery. Jim Morrison’s grave. Some of us may have actually been there ourselves, paying respect to the Doors frontman and everything he has come to stand for (what exactly is that anyhow, desert peyote trips? jeans without underwear?); regardless, we’ve at least seen it on film. You know the story: the die-hard fan travels across the globe to visit the resting place of a beloved artist — Morrison, Chopin, Proust, Maria Callas, Oscar Wilde, Yves Montand — all in a quest for solace or inspiration, answers to an all-evasive question. It’s no fiction. Every year, some of our favored, long-gone celebs receive millions of visits from people of all ages and corners of the world. Who are these people? Why are they there? What do they hope to get from the experience? Director Heddy Honigmann gives us a glimpse into their worlds in Forever. Watch the trailor.

    7:15 & 9 p.m., Oak Street Cinema, 309 Oak St. S.E., Minneapolis; $8.

     

  • Dogs, Monkeys, Pups, Ghosts, and Fire

    ART

    Alec Soth: Dog Days, Bogotá

    One of these photos—a scruffy dog isolated in the center of
    the frame—appeared in passing on a web page and immediately snagged my
    eye. There was no attribution provided but I thought, that’s got to be Soth. And
    it was. Why was this goofy, tragic dog as good as a signature? For a
    young guy, Soth seems to have an old guy’s emotional chops—and not just
    any old guy. If you want to see Lear as a dog, or Cordelia as a ghetto
    kid, then go see this show. You’ll be so happy you’ll cry your eyes out
    and go home confused—the best possible outcome for an art show. Ann Klefstad

    Opening reception Friday from 6 to 8:30 p.m., Weinstein Gallery, 908 W. 46th St., Minneapolis; 612-822-1722.

    WINE & DINE
    Wild about Wine

    Sun bears and chardonnay, monkeys and merlot; join us for a wine
    tasting that is wild, exotic, and tropical! This second annual tasting
    will take place along the Minnesota Zoo’s Tropics Trail featuring a
    variety of wines. Proceeds benefit Minnesota Zoo conservation programs.

    Saturday from 5:30 to 8:30 p.m., Minnesota Zoo, 13000 Zoo Blvd., Apple Valley; 952-431-9200; $50.

    MUSIC
    Meat Puppets

    The supposedly big news is that Cris Kirkwood
    is back from drug addiction and a stint in jail. But the exciting part
    is that older bro Curt Kirkwood—the alpha talent responsible for both
    the blistering, psychedelic guitar explosions and the sardonic,
    semi-sage lyrics thatare the Pups’ signature one-two punch—has responded to the sibling reunion by spooling forth Rise to Your Knees. While perhaps not as crystalline or cow-punked as vintage classics like Meat Puppets II from
    the ’80s, it’s a strong Meat Puppets collection from the same lineage,
    which augurs well for the trio (a new drummer is on board) as they prove
    that contemporaries of The Replacements and The Minutemen can still raise and daze a ruckus in 2007. Britt Robson

    Saturday at 8 p.m., Varsity Theater, 1308 Fourth St. SE, Minneapolis; 612-604-0222; $15.

    Ghostface Killah/Rakim/Brother Ali

    This is the most informative seminar on hip-hop microphone skills the Twin Cities will likely ever experience. While Biggie Smalls, Jay-Z, and KRS-One would all get some votes, Rakim is
    rightfully regarded as the greatest MC who ever drew breath, duemostly
    to his quicksilver-smooth flow and pioneering, now
    pervasively influential, rhyme schemes. The Wu-Tanger Ghostface Killah is
    a gloriously idiosyncratic word-slinger who has dropped as
    many five-star discs as Jay-Z over the past decade, without Jigga’s
    boorish materialism. And Brother Ali has pulled slightly ahead of Atmosphere’s Slug
    in their thrilling competition for best local rhyme slayer. Speaking of
    competition, we suspect that none of these three will be slacking when
    the potential for embarrassment by comparison is so high and nigh. —Britt Robson

    Sunday at 8 p.m., First Avenue, 701 First Ave. N., Minneapolis, 612-338-8388; $30.

    THEATER & PERFORMANCE
    Shining City

    Along with Sarah Ruhl (see here), Minneapolis is also conducting a love affair with Irish playwrights. There was Martin McDonagh’s The Pillowman at Frank Theatre in September and Brian Friel’s tragic The Home Place, currently on stage at the Guthrie; now the Jungle Theater adds to the bleak themes put forth by Irishmen with Conor McPherson’s Shining City. Billed as a “ghost story for the holidays,” it’s certainly no Christmas Carol. John
    is a widower who seeks therapy when he starts seeing his wife’s ghost
    everywhere. But his own past, and that of his troubled therapist, prove
    to be more haunting. Uplifting? Maybe not. But arresting? Probably so.
    What’s more, the play is directed by local favorite Joel Sass, who also
    quietly assumed the title of associate artistic director at the Jungle
    this past year. Rumor has it he’s being groomed to succeed founding
    artistic director Bain Boehlke. Danielle Kurtzleben, photo by Ann Marsden

    Friday & Saturday at 8 p.m., Sunday at 2 p.m., Jungle Theater, 2951 Lyndale Ave. S., Minneapolis; 612-822-7063; $36,$28.

    FILM
    Lake of Fire

    Seventeen years in the making, Lake of Fire, the epic abortion documentary by Tony Kaye (best known for American History X), has
    finally arrived. Mercifully shot in silvery 35mm black and white (thus
    making its horribly graphic imagery that much less disturbing), Lake of Firees chews
    narration to rely on 152 minutes of talking heads, protests, and, of
    course, actual abortions. Kaye has been unflagging in his insistence
    that the film does not fall on either side of the debate, and that he
    seeks only to give us images and information necessary to help the
    viewer see both sides of the issue. Oddly enough, the film doesn’t move
    entirely into the present day—some viewers have already complained that
    the movie barely addresses RU-486 (the abortion pill) which has radically changed the face of the debate. Peter Schilling

    Opens Friday at 7:30 p.m., Saturday & Sunday 4:30 & 7:30 p.m., Bell Auditorium, 10 Church St. S.E., Minneapolis; 612-627-4430.

  • Parties, Poetry, Mystery, and Virgins

    ART, MUSIC, FOOD

    10,000 Arts Party

    Join us this evening for a highly charged 10,000 Arts Party at The Bakken Museum.
    This electric event features the music of Bella Koshka and performances
    of Mary Shelley Finding Frankenstein by the Bakken Science Theatre. You’d think that’d be enough, but not even close! Tonight’s event also features Four Seasons Dance, Live Action Set, Minnesota
    School of Botanical Art
    , The Bakken’s Amber Jewelry Collection, Ear
    Things by Laura
    , Lowell Lundeen Jewelry, Lightening Photo Exhibit by
    Photopixels
    , Recycled Art by House of Balls, and a projected art show of
    MNartists’ work by Clement Shimizu. Plus, enjoy beverage sampling and featured appetizers by Simon
    Delivers’
    local favorites.

    6-9:30 p.m., The Bakken Museum, 3527 Zenith Ave. S., Minneapolis; 612-926-3878.

    THEATER & PERFORMANCE
    Melancholy Play

    You heard it here first, folks: Sarah Ruhl
    is the hottest contemporary playwright in the country right now, and her
    work is particularly popular in Minneapolis. While Ruhl’s The Clean House continues at Mixed Blood (through November 18), 3 Sticks, a gem of a troupe, takes on Ruhl’s remarkable Melancholy Play. (There’s more on the horizon, including Ten Thousand Things’ production of Ruhl’s Eurydicein
    February.) This contemporary farce concerns Ruhl’s distinction between
    depression and melancholy—the latter, she postures, can be a beautiful,
    even healthy, thing—but that’s not to say this is heavy material. After
    all, one character is so melancholic she turns into an almond. And the
    almond, as Ruhl writes in her notes for the play, is shaped the very
    same as the amygdala, the part of the human brain that processes emotion. —Christy DeSmith

    7 p.m., Bryant Lake Bowl Theater, 810 W. Lake St., Minneapolis; 612-825-8949; $12-$15.

    BOOKS & AUTHORS
    Loft Instructors Read from Their Work

    There’s nothing quite so rewarding as hearing an author read his/her own work. Good or bad — the author’s own rendition opens a new avenue for interpretation, and a very important one at that. Granted, I’ve heard my fair share of wretched readings in the past, suprising ones that blare out the distinction between pen and tongue, that remind us that writing is something to be done in silence. But somehow I highly doubt that’s what is in store for us this evening as Loft instructors Cindra Halm and Carol Pearce Bjorlie share their work and show us how it’s done. Surely Halm creates her poetry in a space between pen and tongue, the birthplace of sound and rhythm. And surely Bjorlie… surely Bjorlie… (Sorry, but it sounds so beautiful. See. Words do sound.) Surely Bjorlie can sing her poetry as masterfully as she plays that cello. “As a musician, I
    listen with every fiber of my being," claims Bjorlie. "As a writer, I listen for the ‘still small voice’ inside.” Tonight, we have a rare opportunity hear that ‘still small voice’ ourselves.

    7 p.m., The Loft Literary Center, 1011 Washington Ave. S., Minneapolis; 612-215-2575.

    Protect and Defend

    If you prefer a good political thriller over poetry, you might want to head out to Galleria this evening to meet New York Times bestselling author Vince Flynn. His latest novel, Protect and Defend, begins in the heart of Iran,
    where billions of dollars are being spent on the development of a
    nuclear program. As you can imagine, all hell breaks loose. Israel attacks. Iran cries out for blood. U.S. counterintelligence steps in — of course. And the threat of war ensues. How will Mitch Rapp save the day this time?

    7:30 p.m., Barnes & Noble Booksellers Galleria, 3225 W. 69th St., Edina; 952-920-0633; free.

    FILM
    Perestroika

    I have to admit (and please don’t be offended by this), my favorite all-time movie line is from Slava Tsuckerman’s Liquid Sky: "I kill with my [female body part]." (You figure it out.) It’s no wonder his sci-fi heroin film became a cult classic. But tonight you can catch a different side of Tsuckerman, perhaps a more mature side at this point, in a test-screening — the first showing ever — of his new film Perestroika. The film, currently being prepared for the 2008 Berlin Film Festival stars the great F. Murray Abraham (Salieri from Amadeus, a role that won him the Oscar), Ally Sheedy and Sam Robards.

    7:30 p.m., Oak Street Cinema, 309 Oak St. S.E., Minneapolis; $8 (students $6, members/seniors $5).

    STYLE AND MORE
    The Vengeful Virgin

    “Low-cut gowns.” That’s all my boyfriend had to read (in the ad copy) before agreeing to accompany me to RetroRama, the Minnesota Historical Society’s celebration of ’50s pulp. Does Minnesota have a particular connection to pulp, other than the impressive collection of titles now residing in the dusty basements of a few area bookstores? I guess we’ll soon find out. As for me, I’ve found inspiration in a few of Gil Brewer’s titles: Satan Is a Woman, Backwoods Tease, Nude on Thin Ice, and, of course, The Vengeful Virgin.
    Not to be a dead giveaway, but I’ll be there with my trusty sidekick,
    monsieur Elph, so as to keep all eyes on the glorious cleavage—plus,
    with any luck, a few dozen sweater girls, ruby-red lipstick, sparkling
    jewels, and at least one stiletto through some sucker’s heart. The
    fellas are supposed to wear fedoras and blah blah blah … There’ll also
    be dancing and a performance by the Lit 6 Project. For tips on what to wear, visit the Historical Society’s handy, little tutorial (halfway down the page). Christy DeSmith

    7 to 11 p.m., Minnesota History Center, 345 W. Kellogg Blvd., St. Paul; 651-259-3000; $15, MHS members $12.

  • Mmmm… Say "Yes"

    WINE & DINE
    The Rake’s World Flavors Tour Continues

    Roasted zucchini, red pepper and onion tapanade with a
    tangerine-swirled Chardonnay/Colombard blend. A light salad in between.
    Gruyere fondue with apples and a medium-bodied Rhone. Bittersweet
    Callebaut chocolate fondue with an array of colorful companions, not the
    least of which is a Rosenblum Desiree chocolate Zinfandel port. Mouth
    watering yet? Bathe yourself in decadence tonight at our World Flavors Tour.
    Enjoy a multiple-course cheese and chocolate fondue tasting menu with
    our favorite wine pairings at The Times Bar & Cafe. Space is
    limited, and reservations are required, so secure your spot.

    7-9 p.m., The Times Bar & Cafe, 201 E. Hennepin Ave., Northeast Minneapolis; 612-617-8098; $40.


    BOOKS & AUTHORS
    Alex Ross with the Turtle Island String Quartet

    The New Yorker is forgiven the recent transgressions of its pop-music critic Sasha Frere-Jones, because it has a superb music critic in Alex Ross.
    With descriptive, often sonorific prose, Ross possesses the rare
    ability to make his classical music criticism sing. Fans will be
    delighted to know that he just wrote a book, The Rest Is Noise: Listening to the Twentieth Century.
    Tonight, he discusses that book, a highly readable treatise on the
    bewildering sorts of classical music produced during the twentieth
    century (a body of work that triggers plenty of gag reflexes, but
    influenced a generation of jazz, pop, and rock musicians nonetheless).
    Ross is joined by Performance Today host Fred Child as well as the genre-defying band, Turtle Island String Quartet. —Christy DeSmith

    7:30 p.m., Fitzgerald Theater, 10 E. Exchange St., St. Paul; 651-290-1221; $20, but see our Promotions page to get a deal.

    THEATER & PERFORMANCE
    Confront It with a Pen

    While there are certainly several other great things to do tonight, I myself will be attending the opening of Pen, at the Guthrie. Written by David Marshall Grant, author of Snakebit, Pen tells the story of a 17-year-old boy struggling with his mother’s illness and his father’s abandon. It’s a New Year’s tale, actually, and while Thanksgiving still stands in the way of the approaching celebration, we might find ourselves inspired to confront our own demons and start clearing the path for the new year. After all, many of us will need the coming month to pick up the pieces. Fortunately, these family messes get resolved much faster on stage. If only life could be so perfectly scripted. Tonight’s performance — starring Marc Halsey (a 2007 graduate of the UofM/Guthrie BFA program), Michelle Barber, and Philip Callen — is directed by Rob Melrose, artistic director of The Cutting Ball Theater in San Francisco.

    7:30 p.m. (through Nov. 25), Guthrie Theater, Dowling Studio, 818 S. 2nd St., Minneapolis; 612-377-2224, $18 to $34.


    Me Thinks the Lady Doth Not Protest

    A wackier theatrical option for the evening would be the Commedia Beauregard production of The Young Lady’s Consent. Translated by playwright Christopher Kidder from a Spanish comedy, The Young Lady’s Consent tells a sorted tale about a beautiful (and dutiful) daughter, her greedy mother, her dashing lover, his idealistic uncle, and a supporting cast of wise-cracking servants. I think perhaps this qualifies as a "wild romp" — arranged marriages, mistaken identities, misplaced love notes, sideways parakeets, and all the typical old-school comedic fodder. The production features Jerome R. Marzullo, Jane Hammill, Matt Weng, Lauren B. Wills, Aaron Konigsmark, Jesse Dorst, and Melissa Bechthold, with new songs by Don Eitel, formerly of Starting Gate Productions. And it’s one of those fair and lovely nights where you simply pay what you can. What you can, folks. Open up those wallets, or keep your last dollar for tomorrow’s bus fare. Just be fair.

    8 p.m., Lowry Lab Theater, 350 Saint Peter St., St. Paul; 651-209-6689; $15 – pay what you can.

    MUSIC
    Twenty Years Is a Mighty Long Time

    Don’t miss The Rippington’s on their 20th anniversary tour. Fortunately you can catch them tonight or tomorrow night, so you have some options. Founded by
    Grammy-nominated guitarist Russ Freeman, the group has enjoyed its fair share of success. I heard their music described as soundtracks for the soul once — I can’t remember by whom — but it was perfectly fitting. Get your groove on with the white-man’s funk.

    8 p.m., Rossi’s Blue Star.,
    80 S. 9th St., Minneapolis; 612-312-2828; $35, with dinner $65.

    Also playing this evening: Verona Grove with Shocks Stars at Winona State UniversityLourdes Hall.

  • Develop a Conscience, Get Help, or Toss the Dice

    BOOKS & AUTHORS
    Paul Krugman

    New York Times columnist and Princeton economist Paul Krugman could have chosen a better title for his new book than The Conscience of a Liberal, which he cribbed from the late Senator Paul Wellstone. (Wellstone himself was riffing off Barry Goldwater’s 1964 book, The Conscience of a Conservative.)
    Krugman’s book is less a manifesto of liberal ethics than it is a
    discourse on practical economics. He takes for granted Wellstone’s
    moral arguments for socioeconomic equality and concentrates on an
    empirical defense of liberal policy. Like Wellstone’s book, Krugman’s
    is unlikely to change conservative minds. But Krugman’s shrewd and
    accessible arguments give liberal readers a tool set for arguing points
    themselves. If you agreed with Wellstone but didn’t quite know why,
    read Krugman and you will. Matt Bartel

    7 p.m., Temple Israel, 2324 Emerson Ave. S., Minneapolis; 612-822-4611; free.

    Shampoo or Carcinogenic Slop?

    Stacy Malkan, author of Not Just a Pretty Face, will be reading
    from her book at the U of M tonight. The effect, probably,
    will be a chorus of indignant gasps from a congregation of
    eco-conscious consumers. Malkan’s book chronicles all the harmful
    chemicals found in everyday cosmetics, like lead in our lipstick, coal
    tar in our shampoo, and dioxane in baby soap. What
    the … ? So long as it resides in Minneapolis any such forum must also include Horst Rechelbacher. (Other panelists include Jeanne Rizzo, RN; Jane Houlihan, V.P., Environmental Working Group and architect of the Skin Deep Cosmetics Database; and Lindsay Dahl, coordinator for the Minnesota Healthy Legacy Coalition.) Rechelbacher, of course, is founder of both Aveda and Intelligent Nutrients. Read Hook & Eye. —Christy DeSmith

    7 p.m., Mayo Memorial Auditorium, 425 Delaware St. S.E., Minneapolis, 612-624-9459; free, but advanced registration required.

     

    DVD RELEASE
    Help!

    “So these are the famous Beatles,” says one of the many
    British stiff-upper-lip types in Help!, their second go-round with director Richard
    Lester
    . This ’65 effort concerns the Fab Four on the run from pug-faced Leo
    McKern
    , who is a kind of Indian spiritual leader with a Cockney accent, eager
    to get Ringo’s holy mood ring. Watching Help! makes one marvel at the
    complexity that was the Beatles—here they’re fresh-faced youngsters eager
    to tell an incomprehensible joke, race through the London streets, and sing a
    song. But in just four years they’d become bearded, justifiably frustrated and
    angry with themselves and the world, and still creating the incredible pop
    songs that would move the world. —Peter Schilling


    DVD Deluxe Edition, available
    Nov 06, 2007.

     

    FAMILY
    World’s Biggest Playgroup

    I don’t write about children-specific events too terribly often. Truth be told, I hold firmly to the notion that art transcends age — that we all interpret according to experience — young or old. Of course, what do I know. I don’t even have children. And as I spout my impractical drivel and decry Disneyland, those around me line up for the Worlds Biggest Playgroup. Moms, grab your children and join Babytalk magazine at the Mall of America today for a day of fun activities for you and your children: live children’s entertainment, free Kindermusik classes, and giveaways. Park your stroller (which is also free), and spend the day. Those of you who are particluarly ambitious can get there early (8:45 a.m.) for a one-hour StrollerFit class. Learn how to turn that stroller into a portable fitness machine.

    10 a.m. – 2 p.m., Mall of America, Rotunda–located on the east side of the Mall between Sears and Bloomingdale’s, 60 East Broadway (at the crossroads of Interstate 494 and Highway 77), Bloomington; free.

     

    MUSIC
    Toss of the DiceI’ll bet they’ve never heard that before

    Brooklyn band Black Dice is in town this evening, promoting their latest album, Load Blown. "The beats drip and roll, tar-pit voices sing into an oilcan, and the guitars crank like a calliope. Some tunes crackle and burble like submerged television; others bump and click along like a summer jam concert series from another dimension." Well, if it’s anything like this fabulous description, I’m there. Whew! Shoal Kodiak will be opening.

    7 p.m., SooVAC, 2640 Lyndale Ave. S., Minneapolis; 612-871-2263; $10/$15.

  • Death of the Imagination: Exhibit A


    I was going to comment on the recent article on American Imagination ["The Death & Life of American Imagination"], but I just couldn’t think of anything to say.

    Jeff Miletich, Columbia Heights
    Letter of the Month

  • Objection to Juno Review


    Nasty, nasty, nasty. Rob Nelson’s review of Diablo Cody’s new movie Knocked Up [editor’s note: I believe the writer is referrring to Juno] really stinks. Would that we all would have a past that
    would bear scrutiny. His snide harping about Cody’s stripper past just
    goes to show that white male priviledge and the double sexual standard
    is alive and well. Maybe she is a pain in the ass-I don’t know, but it
    seems to me that this review had to much of the "I haven’t made it and
    you did" in it.

    C. Carlson, Minneapolis
    Letter

  • Bringing out the Monsters in Our Closets

    THEATER & PERFORMANCE
    The Creature and Creator within Us

    Once again, The Rake is honored to promote an event in which one of our very own staff members is participating. Apparently, it’s a big year for our sales team — at least on the artistic front. Last month, our sales coordinator, Mary Olson, had an art exhibit; and this month, another member of our sales team, Valerie Rigsbee, is performing in Frankenstein Incarnate: The Passions of Mary Shelley. The Theater Unbound production — written by Anne Bertram, directed by Carin Bratlie, and featuring an all-female cast — weaves together a narrative of the life of Mary Shelley with the story that made her famous. Much like her novel, Shelley’s own life often blurred the lines between creature and creator — a fact fully exploited by this unique production. While the show is certainly worth the full price of admission, tonight you can enjoy a one-time-only pay-what-you-can performance. Don’t miss it.

    7:30 p.m., The Neighborhood House in the Paul and Sheila Wellstone Center, 179 Robie St. E., St. Paul; 612-721-1186; $18 – pay what you can.

     

    MUSIC
    John Abercrombie Quartet

    John Abercrombie is among the most influential guitarists in jazz history. True, this should certainly be enough to lure you out tonight; but let’s not neglect the other talented members of his quartet. Master violinist Mark Feldman has been a soloist in some of the best orchestras across the globe, as well as performing with a broad scope of artist from Mark Dressner, to Cheryl Crow, to Johnny Cash. As Herbie Hancock’s bassist of choice, Scott Colley is no less impressive. His greatest and latest success has been as composer and bandleader. And, of course, drummer Joey Baron doesn’t fall behind. In addition to playing with the Bill Frisell Band
    for ten years, he has performed with an
    impressive list of musicians, including Dizzy Gillespie,
    Tony Bennett, Chet Baker, Laurie Anderson, David Bowie,
    David Sanborn, and
    John Scofield. The four together, well… just plain old shouldn’t be missed. Their skill and familiarity with the music enable them to take jazz to its fullest expression.

    7 & 9:30 p.m., Dakota Jazz Club & Restaurant, 1010 Nicollet, Minneapolis; 612-332-1010; $27 & $20.

    FILM
    Samuel Fuller’s Finest

    Pickup on South Street has a plot, and a good one: in a crowded subway, Skip McCoy (the great Richard Widmark) lifts a wallet from Candy (Jean Peters). Trouble is, the broad’s unwittingly delivering a red-hot MacGuffin:
    a piece of microfilm that contains the blueprint for some awful
    government weapon. See, our lady’s delivering the stuff right into the
    hands of tough, yet subtly effeminate Communists. The Feds were
    following her, hoping to catch Candy in the act and nabbing the lot all
    at once. Only Skip fouled everything up. Now everyone’s chasing our
    hero (if you can call a cheap hood a hero). For his part, Skip’s after
    the bag of money he knows the Commies will pony up for the microfilm.
    He’s no patriot–he simply wants the cash and the Feds can go to hell.
    So the FBI’s after Skip. Candy falls for him. And the ruthless brute,
    police captain Dan Tiger (Murvyn Vye) is trying to nail our pickpocket
    for the fourth and final time. Four strikes and you’re in Sing Sing for the rest of your days. See our full review. —Peter Schilling

    8 p.m., Parkway Theater, 4814 Chicago Ave., Minneapolis; 612-822-3030; $6.

    LECTURE
    A Chat with David Marshall Grant

    The first performance of the Guthrie’s latest play, Pen, was just this past weekend. And this evening, director Rob Melrose will lead an informal chat with Pen playwright David Marshall Grant, who will discuss his varied work in television, film, and theater — as both actor and playwright. Grant’s first play, Snakebit, was nominated for both a 1999 Drama Desk and Outer Critics Circle Award. His current play, set in the late ’60s, chronicles the struggles of a 17-year-old boy to cope with his mother’s illness and the bitterness that ensues.

    4 p.m., Guthrie Learning Center, 818 S. 2nd St., Minneapolis; 612.377.2224; $15.

    ART
    Journey Toward Healing

    Yesterday was the opening of a new Gage Family Art Gallery exhibit, featuring collages by Janette Maley and photographs by Arthur Hand. "As wife and husband, the two artists had separate careers until 1998
    when Maley was diagnosed with breast cancer — a fact that redefined
    their artistic output." Since then, Maley has become the subject of her own collages, as she explores self-image and our culture’s idea of beauty. Meanwhile, Hand has focused on documenting his wife’s struggles with the illness — chemo, radiation, surgery — through a series of powerful photographs. It’s an intense exhibit, with gruesome subject matter, of course, but the result is an amazing transformation into a thing of beauty.

    8 a.m. – 8 p.m., The Gage Family Art Gallery, 2211 Riverside Ave. S., Second Level, Lindell Library, Minneapolis; 612-330-152.